|
| |
| | Published Music Reviews |
 | | This duet for vibraphone and piano is a wonderful training piece for jazz improvisation with the intermediate four-mallet vibraphonist. |  | | The work follows a true duet format with vibraphone and piano playing the thematic material together and separately by use of piano and/or vibraphone interludes. |  | | A solo section with chord changes is included allowing the player to improvise a solo of any length." In addition a companion tape is included with the work, which provides a performance on side one and the piano part with a click track on side two. |
|
http://www.steveyeager.com/music_reviews.html
|
|
| |
| | J.S. Bach on vibraphone and marimba |
 | | 20 pieces in various instrumentation, from a fugue in 4 parts for vibraphone solo up to 2 vibraphones and 2 marimbas, from the well-tempered piano, the partitas and sonatas for violin solo, the art of the fugue, etc. |  | | fugue for solo violin in a minor (vibraphone solo) |  | | the music of Johann Sebastian Bach, played on vibraphone and marimba |
|
http://web.utanet.at/vibes/Bachengl.htm
|
|
| |
| | Oscillator Bank resynthesis question |
 | | The melody, which is somewhat obscured by the vibrating timbre of the gender vibraphone itself, functions as a continuation of the melodic textures of voices and balungan instruments that came before, while at the same time referring back to the timbres of the beginning section. |  | | This timbre is foreshadowed by the striking of the gender vibraphone, and also by the beating patterns this instrument creates -- both acoustically and mechanically. |  | | The gender vibraphone used in this composition was built by the composer, and uses the slendro tuning system. |
|
http://shoko.calarts.edu/pipermail/music-dsp/1998-March/020089.html
|
|
| |
| | Solo Vibraphone - Myths and Misconceptions |
 | | Unaccompanied vibraphone performance is not only valuable in its own right, but even those players who have no wish to perform solo, will reap benefits when performing with a full rhythm section, if they take even a little bit of time to try solo playing (if only in the practice room). |  | | Perhaps one song uses only a bit of reverb, while the next song uses chorus, and the next uses delay and echo. |  | | Not necessarily playing the original melody of the song being performed (although that's fair game as well), but playing and improvising music with strong melodic integrity. |
|
http://www.malletjazz.com/lessons/solovibe.html
|
|
| |
| | Randy Weston, Spectrum April 1999 |
 | | Though he says that playing the vibraphone with a group instead of as a solo instrument is a challenging experience, because the vibraphone "complicates" the percussion dynamic when played alongside the piano, Lake agrees that playing the vibraphone with the Jazz Band "is fun." |  | | A member of the Harvard University Jazz Band, under the direction of Tom Everett, Lake is the first vibraphone player that the band has ever had. |  | | Eschewing orchestral percussion for the time being, he instead began to teach himself to improvise jazz on the xylophone. |
|
http://www.fas.harvard.edu/~ofa/spectrum/1999/apr99/vibes.html
|
|
| |
| | Untitled Document |
 | | The idea of the album is to feature the sound of the vibraphone and to showcase the vibes in different settings to usual. |  | | Unfortunately I no longer have any copies of the first Vibraphonic album (called "Vibraphonic"). |  | | Just to remind you (as the info has been on the site for a while now) although it features the quintet, we only all play together on one track. |
|
http://www.rogerbeaujolais.com
|
|
| |
| | Solo - Vibraphone |
 | | A challenging jazz waltz which can be performed on either vibraphone or marimba. |  | | Challenging collection of solos for vibraphone, combining contemporary performance techniques with rich harmonic and melodic content. |  | | From a technical standpoint, the titles in this collection require four mallets and also employ contemporary techniques such as mallet dampening and "dead strokes." From a listener's standpoint, the rich melodies and harmonic materials of these "tangos" should be readily received! |
|
http://www.honeyrock.net/solo-v.htm
|
|
| |
| | Bar Methods |
 | | It is an excellent work for developing mallet independence on the vibraphone, and is a light, lyrical piece in a conservative style, featuring triads and seventh-chords. |  | | They are all two mallet works, each being based on a specific scale or contemporary compositional technique. |  | | Solo's and Solo Collections for Vibraphone and Marimba |
|
http://www.xs4all.nl/~marcz/BarMethods.1.html
|
|
| |
| | Cool/Lame: Vibraphone |
 | | Of course, this entire fantasy is based on a specific incident, with a specific vibraphone musician. |  | | I imagined it to be like a xylophone, but much bigger, and made of some kind of exotic metal. |  | | He was a radio DJ, and several other things that are beyond my memory. |
|
http://coollame.org/archives/000028.html
|
|
| |
| | Suite for Vibraphone and Jazz Band 2 |
 | | Suite for Vibraphone and Jazz Band 2 by Harald Gundhus |  | | , Suite for Vibraphone and Jazz Band 1, Suite for Vibraphone and Jazz Band. |  | | The improvised section is written as a suggestion, and it might give the soloist some ideas for his/her own improvisation if he/she wants to do that. |
|
http://www.sibeliusmusic.com/cgi-bin/show_score.pl?scoreid=65382&storeid=-1
|
|
| |
| | John Mark Piper: Vibes For Hire |
 | | A lot of people think, 'oh it's just a vibraphone; all you do is hit the note!' That's not a concept born of the Burton school of thought. |  | | Licensing his arduously-produced vibraphone design to Musser, Piper could finally get back to the business of making music. |  | | You have to become a member of that audience in order to hear what your instrument sounds like 'out there.' You have to be listening for those things that are ringing, that you might think you're not responsible for, but you really are! |
|
http://www.pipersloft.com/html/Lewis.html
|
|
| |
| | The First Xylophone and Vibraphone Players |
 | | Ronnie Scott’s nine-piece in 1954 on piano, vibraphone and conga drum. |  | | My goal is to keep jazz music alive on the vibraphone. |  | | Jay has performed in special concert collaborations with vibraphone masters |
|
http://www.lionelhampton.nl/firstvibraphoneplayers.html
|
|
| |
| | Vibraphone/Marimba |
 | | Oblique; Personnel: Bobby Hutcherson (vibraphone, drums); Herbie Hancock (piano); Albert Stinson (bass);... |  | | Components; Personnel: Bobby Hutcherson (vibraphone, marimba); James Spaulding (alto saxophone, flute); Freddie Hubbard (trumpet); Herbie Hancock (piano); Ron Carter (acoustic bass); Joe Chambers (drums). |  | | Merry Olde Soul; Personnel: Victor Feldman (vibraphone, piano); Hank Jones (piano);... |
|
http://www.cduniverse.com/search/xx/music/category/8465/a/Vibraphone%2FMarimba.htm
|
|
| |
| | Sheet Music Plus - Voicing and Comping for Jazz Vibraphone |
 | | Mirror From Another A Collection Of Solo Pieces For Vibraphone By David Friedman... |  | | Master Technique Builders For Vibraphone And Marimba Two Andfour Mallet Technical Exercises By Leading Concert And Recording Artists By Anthony J. Cirone... |  | | Bill Molenhof: A Collection of Classical Solos for Vibraphone and Marimba For vibraphone solo (or marimba... |
|
http://www.sheetmusicplus.com/a/item.html?id=58520&item=3015209
|
|
| |
| | Somers Music Mallet |
 | | Short solos written for glockenspiel, marimba, and vibraphone, each in its own distinct movement. |  | | Contemporary harmonies, left hand roll and improvisational section are combined in this musical four mallet solo. |  | | Contemporary tonality with both measured and unmeasured lines are combined in this rewarding four mallet vibraphone solo |
|
http://www.somersmusic.com/prod07.htm
|
|
| |
| | Pikes Peak Young Composers - History |
 | | Mark also has extensive experience as a jazz musician, mostly playing bebop on guitar, vibraphone and piano. |  | | Born in Haifa, in 1955, Israel, Ofer Ben-Amots gave his first piano concert at age nine and at age sixteen was awarded first prize in the Chet Piano Competition. |
|
http://www.pikespeakyoungcomposers.org/history.html
|
|
| |
| | Adams Products: Vibraphones |
 | | The Adams AV-2F is a motor-less Concert Vibraphone designed specifically for the grueling demands of outdoor field percussion and it’s also perfectly at home indoors on the concert stage. |  | | They created an instrument for all purposes, with bars made out of a special aluminum alloy for high quality sound. |  | | This compact solution is perfect for both manufacturer and musician in case of repairs or maintenance. |
|
http://www.pearldrum.com/03_nuupdts/edu/products/vibraphones.html
|
|
| |
| | Vibraphone Music Web Links |
 | | The Vibraphone as a Solo Instrument - Vibe soloist Bill Molenhof provides instruction including exercises. |  | | -- Walter Prager Vibraphone "Eagles may soar, but weasels don't get sucked into jet engines." (John Benfield) We don't like their sound, and guitar music is on the way out. |  | | -- Ambrose Bierce Vibraphone I would rather live and love where death is king than have eternal life where love is not. |
|
http://www.searchmusicnetwork.com/Instruments_Percussion_Mallet_Percussion_Vibraphone.html
|
|
| |
| | Gunderson, Terence S. (1992) |
 | | They should not continually be required to retrace the work of vibraphonists who have already adapted piano techniques to conform to the limitation of the vibraphone. |  | | Selected unaccompanied jazz vibraphone solos were transcribed and analyzed. |  | | Because jazz vibraphonists and teachers of jazz vibraphone recommend that students learn solo jazz vibraphone through the study and adaptation of jazz piano techniques, jazz piano method books were examined for both content and presentation. |
|
http://www.sun.rhbnc.ac.uk/Music/Archive/Disserts/gundersn.html
|
|
| |
| | Musser M58 Vibraphone Vibraphones |
 | | If you are looking for a good and practical concert vibraphone, this is it! |  | | Home >Concert Percussion >Mallet Percussion >Vibraphones >Musser M58 Vibraphone |  | | But Music 123 shipped it to me in less than 6 days! |
|
http://www.music123.com/Musser-M58-Vibraphone-i65989.music?affil=sonicstate
|
|
| |
| | Vibraphone |
 | | It consists of metal bars arranged in the manner of a piano keyboard, and it is sounded by means of soft mallets. |  | | Boulez: Le marteau sans maitre, IX Norton - 4-CD Musical Example Bank -- Disc 3, Track 58 |  | | Usually the vibraphone has a three octave range of f to f'''. |
|
http://www.music.vt.edu/musicdictionary/textv/Vibraphone.html
|
|
| |
| | Vibraphone Pedaling |
 | | A future lesson on malletjazz.com will deal in detail with musical notation specific to the vibraphone, including pedaling markings. |  | | The sound will be very short and clipped, with little or no tone to the sound. |  | | There is far more to pedaling a vibraphone than initially meets the eye, and if a player explores these options, then his/her playing promises to be much more expressive and musical. |
|
http://www.malletjazz.com/lessons/vib_ped.html
|
|
| |
| | New Gibraltar Encyclopedia of Progressive Rock AM-AQ |
 | | Doubtless, this album shows that the band is completely back to form, as there were elements of ambient music in the second half of their previous effort Asian Fusion. |  | | Based on the exceptionally tasteful and virtuosi solos and passages of acoustic and electric guitars, various Eastern flutes, violins, and even (kind of) the Eastern vibraphone, the arrangements of each of these compositions develop constantly. |
|
http://www.gepr.net/am.html
|
|
| |
| | Terry Gunderson Homepage |
 | | In the course of writing the dissertation that spawned the Guide to Solo Vibraphone, I came up with a discography of Unaccompanied Jazz Vibraphone Recordings, which you are welcome to peruse.I update this list as I learn about recordings I've missed. |  | | I've also spent some time at the Aspen Audio Institute, affiliated with the Aspen Music School, as well as a summer at Berklee College of Music. |  | | I wrote an instruction book called Guide to Solo Vibraphone. |
|
http://wind.caspercollege.edu/%7Egundet
|
|
| |
| | Gary BurtonEquipment |
 | | BURTON'S MICROPHONES - Since 1972, Gary has used two Neumann U-87 or U-89 microphones when recording, so all record releases for the past two and a half decades have been recorded with Neumann microphones. |  | | "I majored in piano when I was in college, and while I don't play piano in professional circumstances, I still enjoy playing keyboard music and find it has been very helpful to my concepts of vibraphone playing over the years." |  | | Until the M-48 vibraphone was introduced in 1992, the M-55 was the most popular instrument of the Musser line. |
|
http://www.garyburton.com/equip.html
|
|
| |
| | DaVinci: Arts> Music> Instruments> Percussion> Mallet Percussion> Vibraphone> Vibraphonists> Burton, Gary |
 | | - Official page of the vibraphone virtuoso, with news, discography, concert information, biography, and equipment information. |  | | Arts, Music, Instruments, Percussion, Mallet Percussion, Vibraphone, Vibraphonists, Burton, Gary |  | | Music> Instruments> Percussion> Mallet Percussion> Vibraphone> Vibraphonists> Burton, Gary" href="http://www.bluegrassdavinci.com/ODP/Arts/Music/Instruments/Percussion/Mallet_Percussion/Vibraphone/Vibraphonists/Burton,_Garyrss.xml"> |
|
http://www.bluegrassdavinci.com/ODP/Arts/Music/Instruments/Percussion/Mallet_Percussion/Vibraphone/Vibraphonists/Burton,_Gary
|
|
| |
| | World premiere dance 'Vibraphone Quartet' shows Lines in fine form |
 | | Pawel Szymanski of Poland, also the composer of King's 1995 "String Quartet, " created the new composition for violin, cello, viola and vibraphone. |  | | World premiere dance 'Vibraphone Quartet' shows Lines in fine form |  | | The world premiere, "Szymanski's Vibraphone Quartet," illustrates everything King is about. |
|
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2003/10/18/DD1165.DTL
|
|
| |
| | xylophone on Encyclopedia.com |
 | | Lionel HAMPTON (vibraphone, drum, piano) and his Big Band. |  | | Publication: Magnum Photos; Author: Guy Le Querrec ; Source: PICTURES |
|
http://www.encyclopedia.com/html/x1/xylophon.asp
|
|
| |
| | Music.com Vibraphone |
 | | The vibraphone (in jazz generally abbreviated as "vibes," and sometimes called a vibraharp as well) is what musicologists call a "bar percussion metallophone"--an instrument whose sound is produced by striking metal bars, in this case with rubber mallets. |  | | The characteristic chime-like sound of the vibraphone is produced by long metal tubes, mounted below the bars and descending vertically, in which the sound resonates after the bars are struck. |  | | At the tops of those tubes are metal discs that rotate when a small electric motor attached to the instrument is switched on. |
|
http://www.music.com/instrument/vibraphone/1
|
|
| |
| | Solo Vibraphone Discography |
 | | By Terry Gunderson, D. The following started as a list of resources for my dissertation A Pedagogical Approach to Solo Jazz Vibraphone Developed Through an Analysis of Common Performance Practice. |  | | Vibraphone Portfolio: 5 Solos for 4 Mallets CD w/book. |
|
http://wind.cc.whecn.edu/~gundet/Solo_Vibes/Discography.html
|
|
| |
| | Errol Rackipov's Home Page |
 | | In 1996 his tune "Pictures from a train window" from the same title album won the "Jazziz" magazine "Percussionist on fire" competition. |  | | Currently Errol Rackipov teaches Jazz Vibraphone and Mallet instruments at University of Miami and Jazz Improvisation courses at Florida International University. |  | | In a multiple percussion or an ensemble piece the vibraphone part is considered to be well performed as long as all the notes and dynamics are right. |
|
http://www.fiu.edu/~rackipov/home.html
|
|
| |
| | Music for Large Mountain and Vibraphone |
 | | The sound of the landscape - the soundscape - was to be a central part of the final sound picture. |  | | In the same way that a photographer frames his pictures, Floris (as the sonographer) framed the music in different ways, sometimes placing the microphones very close to the vibraphone, sometimes at a distance of 1000 meters or more. |  | | Kjell played the vibraphone for hours and hours - day in, day out. |
|
http://www.klankschap.nl/cd/index.html
|
|
| |
| | SoundtrackCollector: vibraphone |
 | | Try "Coffy" by Roy Ayers.........Roy is a vibraphone master, and 'lets go' for a few runs on this great soul-jazz blaxploitation album. |  | | If you're just trying to get an idea of the sound, try jazz, more specificly, jazz bands, not solo artists. |  | | I' looking for soundtrack with a lot of use of the vibraphone. |
|
http://www.soundtrackcollector.com/forum/displayquestion.php?topicid=538
|
|
| |
| | Professional Drummer - Technique - Extended Techniques for Vibraphone |
 | | Please note that the sounds created here were all done acoustically; no signal processing or audio "wizardry" was involved."... |  | | "At one level, the mechanics of playing the vibraphone are quite obvious and intutive: grab a mallet and hit the bar, and you get a pretty good sound. |  | | Professional Drummer - Technique - Extended Techniques for Vibraphone |
|
http://www.professionaldrummer.com/Go.asp?ID=665
|
|
| |
| | Welcome to Ludwig-Drums.com |
 | | "The new Musser Hampton Signature vibraphone is a tribute to the jazz great Lionel Hampton," said Jim Catalano, Musser marketing manager. |  | | "Hampton was the first jazz musician to feature the vibraphone when performing in the 1930s with Louis Armstrong. |  | | Ludwig percussion instruments, hardware and accessories are sold through a network of authorized dealers throughout the world. |
|
http://www.ludwig-drums.com/content/press/2001_hampton.php
|
|
| |
| | PAS.org: Museum |
 | | In addition to Gladstone, performers who broadcast and recorded on this early instrument include Signor Friscoe, the Green Brothers, Murray Spivack, and George Marsh. |  | | This instrument was marketed under the trademark 'Vibraphone' in a limited production of about 25 instruments from 1924 to 1929. |  | | The mechanism was first available as an add-on to the instrument, which clamped into place. |
|
http://www.pas.org/Museum/tour/0699.cfm
|
|
| |
| | Vibraphone yields pleasing work |
 | | This richly textured work's sonic palette is wonderfully varied — glassy bowed notes, the metallic buzzing of a hard mallet held lightly against a vibrating bar, subtle variations in the release of the sound envelope, all serving a larger musical purpose. |  | | Sticking most pleasurably in the memory was a virtuosic piece for solo vibraphone by Christopher Deane, who teaches at the University of North Texas. |  | | Deane's "Mourning Dove Sonnet" grows from the song of a mourning dove, transcribed note-for-note, with even the bird's microtonal pitch inflections reproduced by means of enterprising extensions of vibraphone technique. |
|
http://music.utsa.edu:16080/electron/nmf03review2.htm
|
|
|