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| | Composer |
 | | Compositions by Vaughan Williams for solo instrument and orchestra include the pastoral romance The Lark Ascending, for solo violin, and a Concerto accademico for solo violin and string orchestra. | | | Vaughan Williams wrote nine symphonies, the first of these with solo singers, chorus and orchestra A Sea Symphony, with words taken from Walt Whitman, the second "A London" Symphony and the third a "Pastoral" Symphony. | | | Incidental music for the theatre includes music for The Wasps by Aristophanes, of which the Overture is often heard. |
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http://www.naxos.com/composer/btm.asp?fullname=Vaughan+Williams,+Ralph
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| | Symphony No. 5 (Vaughan Williams) - Wikipedia, the free encyclopedia |
| | The Symphony No. 5 is considered by many listeners to be Ralph Vaughan Williams' finest work. | | | Many of the musical themes in the Symphony No. 5 derive from Vaughan Williams' then-unfinished operatic work, The Pilgrim's Progress. | | | In spite of its origins, the symphony is without programmatic context, and is in the form of an extended development of musical themes from the morality rather than an attempt to cast it directly into symphonic form. |
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http://en.wikipedia.org/wiki/Symphony_No._5_(Vaughan_Williams)
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| | Medialunchbox - Music : Ralph Vaughan Williams: Symphonies Nos. 3 & 5 |
| | I remember my first encounter with Vaughan Williams; it was, of course, his Symphony No. 2 ("London")--- and doesn't it always seem to be THIS particular symphony, especially when you're young, like I was, and open to music you may never have heard. | | | The performances we find on this CD are of excellent musical quality, and the orchestras involved have well displayed the magnificence of these symphonic masterpieces. | | | It's bad enough that Aaron Copland once said that listening to Vaughan Williams' Symphony No. 5 was like staring at a cow for 45 minutes. |
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http://www.medialunchbox.com/ItemId/B000002S2P
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| | VAUGHAN WILLIAMS |
| | VAUGHAN WILLIAMS: Suite from music for the film Scott of the Antarctic. | | | This is an essential disk for collectors of film music, Volume I in a series devoted to music of Ralph Vaughan Williams. | | | In the film some of the music wasn't used and what was used was often completely covered by commentary. |
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http://classicalcdreview.com/rvwrg.htm
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| | VAUGHAN WILLIAMS Hodie. Fantasia on Christmas Carols. Varioius (EMI) - INKPOT |
| | Wilcocks' Hodie remains a miraculous recording, one in which the performers are fully up to the vision of Vaughan Williams' music. | | | That sense of the miraculous in life, nature and the divine permeates much of Ralph Vaughan Williams' choral music, and can transmit itself to listeners in a quantum leap. | | | Written in 1953-4 and first performed at the Three Choirs Festival in Worchester Cathedral on September 8, 1954, it is one of the most serene compositions Vaughan Williams ever wrote, sounding at times otherworldly. |
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http://www.inkpot.com/classical/vwhodie_wil.html
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| | Vaughan Williams Links |
| | Vaughan Williams was one of a succession of outstanding Musical Directors. | | | Vaughan Williams produced a remarkable amount of church music. | | | Some of the finest Vaughan Williams recordings have come from this label, including The Early Chamber Music. |
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http://www.rvwsociety.com/links.html
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| | Vaughan Williams, Butterworth, Antheil: Classical CD Reviews- December 2000 Music on the Web(UK) |
| | Vaughan Williams, Butterworth, Antheil: Classical CD Reviews- December 2000 Music on the Web(UK) | | | This is a Fourth to put beside Stokowski's historic world premiere commercial recording of Vaughan Williams's Sixth (reissued on Sony Classical SMK 58933). | | | It is dramatic and exciting, though more portentous than Vaughan Williams's own recording, Stokowski not responding to the composer's whirlwind tempi which he must surely have heard. |
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http://www.musicweb-international.com/classrev/2000/dec00/cala_LF.htm
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| | Vaughan-Williams |
| | In 1902, Vaughan Williams began collecting folk songs, and in 1906, he edited the English Hymnal. | | | Among these were English folk song, hymnody, and Elizabethan music, and to a lesser degree, the continental tradition of Bach and Handel, Debussy and Ravel. | | | A wide range of sources inspired Vaughan Williams's music, national as well as cosmopolitan. |
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http://www.maurice-abravanel.com/vaughan-williams__english.html
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| | Vaughan Williams |
| | His study of folksong, however, certainly facilitated the pastoral tone of The Lark Ascending, for violin and orchestra, and then of the Pastoral Symphony. | | | The quite different Fifth Symphony has more connection with The Pilgrim's Progress, and was the central work of a period that also included the cantata Dona nobis pacem, the opulent Serenade to Music for 16 singers and orchestra, and the A minor string quartet, the finest of Vaughan Williams's rather few chamber works. | | | Meanwhile the new command of form made possible a first orchestral symphony, A London Symphony, where characterful detail is worked into the scheme. |
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http://www.musica.co.uk/composers/Vaughan_Williams.htm
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| | Vaughan Williams, Ralph -- Britannica Student Encyclopedia |
| | Béla Bartók's two sonatas for violin and piano were written for her; Maurice Ravel's Tzigane for Violin and Orchestra and Ralph Vaughan Williams' Violin Concerto were dedicated to her. | | | He broke the ties with continental Europe that for two centuries—notably through Handel and Mendelssohn—had made Britain virtually a musical province of Germany. |
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http://www.britannica.com/ebi/article-9277556?tocId=9277556
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| | Vaughan Williams News |
| | VAUGHAN WILLIAMS "Symphony No. 4; Norfolk Rhapsody No. 1; Flos Campi" Daniel, Bournemouth Symphony Orchestra and Chorus Grade: B Lovely as Vaughan Williams' "Fantasia on a Theme by Thomas Tallis" is, it's a... | | | Paul Goodey has a long and distinguished track record as the interpreter of 20th century classics from Goosens and Vaughan Williams to Lutoslawski and Heinz Holliger. | | | Elgar's Violin Concerto may be the longest and most difficult of the the Romantic-era concertos, but Hilary Hahn excels in following Elgar's explicit instructions and, therefore, succeeds in holding the... |
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http://www.topix.net/who/vaughan-williams
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| | Mendelssohn Club of Philadelphia - Program Notes |
| | As Holst had done in The Planets, Vaughan Williams provides an immediate contrast with Part III, which opens with a beautiful, peaceful melody featuring a solo violin obligato. | | | Long live the King!") The music concludes with the fanfares being intercalated between passages of running sixteenth notes, which are passed between the chorus and orchestra. | | | The movement opens with a funeral march, the steady beat of the drums echoing the second movement. |
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http://www.mcchorus.org/prognt12.htm
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| | Vaughan Williams: Fantasia on a Theme by Thomas Tallis; Fantasia on Classical Music Online |
| | A musician myself, I have performed every piece on this CD and, out of all of the available recordings of it, I have always found myself returning to this disc for inspiration. | | | Vaughan Williams: Fantasies; The Lark Ascending; Five Variants | | | Musicologists often joke that England produced no good classical music between the death of Handel and the rise of the composers Elgar and Vaughan Williams. |
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http://www.onlineclassical.com/ItemId/B00004R95R
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| | The Musical Times: Ralph Vaughan Williams 1872-1958 |
| | Many listeners to his music must have felt the same. | | | He was truly a great Englishman who for two generations has been increasingly an inspiration to all who came within the orbit of music. | | | Rather strictly brought up as I had been on a diet mainly of Bach, Beethoven and Brahms, it was a great experience as a youngster to be thrown into a chorus, directed by Hugh Allen, singing The Unknown Region and soon after, the Sea Symphony. |
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http://www.musicaltimes.co.uk/archive/obits/195810williams.html
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| | [Vaughan Williams - Fantasia on a Theme of Thomas Tallis] notes by Paul Serotsky |
| | His music reveals that he meant this at the “personal” rather than the “national” level, and as a basis for his development as a composer he turned to the music he felt most representative of long, communal tradition: English folk-song and the music of Sixteenth Century composers. | | | They also reflect the acoustic of a large ecclesiastical enclosure, in which Vaughan Williams envisaged them being distributed antiphonally. | | | These studies he put into practice with a vengeance, scoring the Fantasia for unusual, and sonically challenging, forces: a large string orchestra, a chamber-sized string orchestra, and a string quartet. |
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http://www.musicweb-international.com/Programme_Notes/rvw_tallis.htm
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| | Vaughan Williams Concerts 2005/6 |
| | Ralph Vaughan Williams Concerts in 2005 and 2006 | | | This page is intended to keep members informed of concerts featuring the music of Ralph Vaughan Williams and will be updated at regular intervals. | | | This first performance by the Coronation Choir and Orchestra is preserved on record. |
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http://www.rvwsociety.com/concerts.html
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| | Ralph Vaughan Williams |
| | Interest in Vaughan Williams' film scores is growing thanks to the CD market, and there are several fine discs available now, with more in the pipeline. | | | Finally, the solo piano piece published in 1947 `The Lake in the Mountains' is based on the tranquil music heard in the Leslie Howard sequence of the film. | | | But there seemed to be very little that needed changing, except for the short Austrian folk song he had put in for Glynis Johns to sing in the Hutterite settlement. |
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http://www.powell-pressburger.org/Reviews/41_49P/49P_07.html
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| | Ralph Vaughan Williams |
| | "Vaughan Williams was a big man, tall, heavy-set, somewhat flabby. | | | However, this eminent English composer’s catalog of works includes six operas, ballets, film scores, church music, hymn tunes, choral works, partsongs, symphonies, concerti (among these a concerto for tuba and orchestra, and a romance for harmonica and orchestra), and many songs. | | | The Phantasy Quintet was written at the request of one W.W. Cobbett (1847-1937), industrialist, amateur violinist, chamber music enthusiast and patron, as well as compiler and editor of the Cyclopedic Survey of Chamber Music. |
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http://www.fuguemasters.com/williams.html
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| | Composers: Vaughan Williams |
| | Composers influenced in the musical style of Brahms were his musical mentors. | | | All of his symphonies show Ralph Vaughan Williams' wide range of style and form, each piece having a truly unique sound. | | | His earlier music showed the influence of Brahms, yet they also has Williams' unique and original sound to them. |
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http://www.geocities.com/Vienna/2820/vaug.html
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| | Open Directory - Arts: Music: Composition: Composers: V: Vaughan Williams, Ralph |
| | Ralph Vaughn Williams (1872-1958) - Brief biographical sketch, caricature, comments on stage, vocal and choral, and orchestral music, and Naxos discography. | | | Ralph Vaughan Williams - Links, text of the "Sea Symphony", spoken mottos of the "Sinfonia Antarctica", some recommendations on CDs. | | | Classical Music Archives: Vaughan Williams - Biography from the Concise Oxford Dictionary of Music. |
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http://dmoz.org/Arts/Music/Composition/Composers/V/Vaughan_Williams,_Ralph
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| | Vaughan Williams: Symphonies Nos. 7 'Sinfonia antartica' & 8 Classical Music Online |
| | The classic recorded performance of Ralph Vaughan Williams' "Sinfonia Antartica" (completed 1952) is Sir Adrian Boult's on EMI from the mid-1960s; a slightly later performance on RCA led by André Previn boasted superior sound but misjudged by prefacing each movement with spoken versions of RVW's epigraphs. | | | I think many listeners (and reviewers) will focus more on the seventh symphony; so I leave the seventh to them, although I greatly enjoy this recording of the seventh, and am even modestly grateful that the recited superscriptions are included at the end, where they do not interrupt the sequence of the symphony itself. | | | As with Beethoven each of Vaughan Williams' nine symphonies has a distinct character of its own. |
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http://www.onlineclassical.com/ItemId/B00000AELD
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| | Vaughan Williams notes |
| | Ralph Vaughan Williams was born early enough to grow up listening to Wagner and Brahms. | | | But he is best known for works written relatively early in his career, such as the "Fantasia on a Theme of Thomas Tallis" for string orchestra and "The Lark Ascending" for violin and orchestra, which is heard frequently on programs of light classics. | | | He composed an entire suite, but only a few numbers are heard today, with this overture the best known among them. |
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http://www.music.pomona.edu/orchestra/vau_wasp.htm
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| | SoundStage! Vaughan Williams - A Sea Symphony |
| | In the tradition of many a Telarc recording, A Sea Symphony is a big and entertaining piece that succeeds not only through the wonderful melodies and superb vocal performances, but also for its dynamic contrasts and infinite shadings, all of which contribute significantly to the musical drama. | | | Robert Spano, who may be best known for his first Telarc recording with the ASO, Rimsky-Korsakov’s Sheherazade and Russian Easter Overture, has returned to the Atlanta’s Symphony to lead them in a performance of A Sea Symphony with soloists Christine Goerke (soprano) and Brett Polegato (baritone). | | | Telarc is recording a lot of oratorios, and they make excellent use of the surround format. |
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http://www.soundstage.com/music/reviews/rev447.htm
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| | Ralph Vaughan Williams' Songs |
| | The songs show the intensity of melody, the harmonic adventurousness, and even his love of melody. | | | Note : All works that are described above as Song Cycles consist of several songs; their individual titles are not given here. | | | A few individual songs have found independent life in recital. |
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http://www.agentsmith.com/rvw/RVW_Works/Songs.html
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| | Amazon.ca: Music: Vaughan Williams, The Complete Symphonies [Box set] |
| | But Ralph Vaughan Williams is not Beethoven; unless one is VW "completist" one doesn't really need the unifying vision of a great conductor in a recorded cycle of all nine symphonies with the same orchestra. | | | For both the serious or casual listener of Vaughan Williams music, I consider these recordings a must! | | | Ralph Vaughan Williams (Composer), Sir Adrian Boult (Conductor), London Philharmonic Orchestra (Orchestra), New Philharmonia Orchestra (Orchestra), Sheila Armstrong (Performer), John Carol Case (Performer), Margaret Price (Performer), Norma Burrowes (Performer), Richard Angas (Performer), Kenneth Bowen (Performer), Bernard Dickerson (Performer) |
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http://www.amazon.ca/exec/obidos/ASIN/B00004YA0V
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| | Symphony Pro Musica - Sea Pictures - February 2002 |
| | The poems which Vaughan Williams set in the symphony are: Song of the Exposition (’71), Passage to India (‘71); and (from Sea-Drift) On the Beach At Night Alone (‘56), Song for All Seas, All Ships (‘73), After the Sea-Ship (‘74). | | | The theme for this concert is the Sea: a subject which, despite covering more than two-thirds of the earth’s surface, today barely registers in most of our daily lives but which takes on more and more importance as we travel back in time. | | | He grew up playing the violin, piano and organ, at which we was tolerably good (enough to accompany the Bach choir which he later founded). |
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http://www.calculator.net/SPM/0203.html
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| | The Wind Band Masterworks Of Holst, Vaughan Williams, & Grainger - Reference Book, Sheet Music And Music Books At ... |
| | Chapter Two takes a look at Vaughan Williams and a few of his works: "English Folk Song Suite", "Sea Songs", and "Taccata Marziale". | | | Chapter One discusses the works of Holst: "First Suite in E-flat for Military Band", "Second Suite in F for Military Band", and "Hammersmith Prelude and Scherzo". | | | No, it isn't free, but thanks to our wholesale buying power you can enjoy huge discounts on almost all of our wide range of CDs, karaoke discs, sheet music and accessories. |
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http://www.earfloss.com/band/1630318.html
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| | Ralph Vaughan Williams |
| | Vaughan Williams’ touch is unmistakable.” —Pennsylvania Music Educators Association News / 1:00 / 392-03022 @ $.90 | | | The baritone solo is very prominent and the chorus weaves a beautiful tapestry of sound around the solo. | | | SATB (or unison) with optional solos, Piano / From the master of 20th-century English choral writing come these settings of songs of the salty air. |
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http://www.thorpemusic.com/vaugha01.html
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| | The Pantheist Index: Vaughan Williams, Ralph (1872 - 1958) |
| | Outline of the nine symphonies of Ralph Vaughan Williams by Andrew Ford with comments upon the paradoxes of the composer's character. | | | Review of 'Bushes & Briars', a selection of folk songs collected by Ralph Vaughan Williams and edited by Roy Palmer. | | | Vaughan Williams, Ralph (1872 - 1958): Composer who, as an atheist working within the Christian traditions of English music, produced many works that display Pantheistic qualities. |
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http://www.pantheist-index.net/Art_Poetry_Music/Music/Vaughan_Williams_Ralph
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| | Ralph Vaughan Williams |
| | When English musicians learn to do that - to write and play for the sake of the music and for the sake of nothing else, then I think that the music which is latent amongst us will come to the front." — Ralph Vaughan Williams |
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http://www.boosey.com/pages/cr/composer/composer_main.asp?composerid=2948
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| | Vaughan Williams - The Lark Ascending |
| | In works ranging from symphonies and concerti to operas, ballets, and hymns, Vaughan Williams blended English folk song, hymnody, and Elizabethan music with themes inspired both by classical masters such as Bach and Handel and the impressionism of Ravel and Debussy. | | | The solo cadenza is reprised, then the woodwinds, led by flute and clarinet, announce the second theme, a folk dance. | | | Vaughan Williams's orchestral romance offers an impressionistic image of the lark's song and the countryside, with "our valley" represented by two folk tunes. |
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http://www.barbwired.com/barbweb/programs/vaughanwilliams_lark.html
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| | Carnegie Collection |
| | Premiered at the first Glastonbury Festival in 1914, the work was performed over 300 times in the 1920s and 30s in Birmingham and London, and has recently been recorded on the Hyperion label. | | | In reflection of Andrew Carnegie's Scottish heritage, Celtic themes abound through the music of Scottish composers Learmont Drysdale, Jeffrey Mark and John McEwen, and in works such as Granville Bantock's Hebridean Symphony and Stanley Wilson's A Skye Symphony. | | | These may well repay further attention as interest in early twentieth century British music increases. |
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http://www.kcl.ac.uk/depsta/iss/library/speccoll/carnegie.html
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| | George Butterworth: His Life and Music |
| | As well as being one of Butterworth's closest friends, Vaughan Williams dedicated his London (2nd) symphony to GSKB, mainly as a memorial to a lost friend, but partly in gratitude for GSKB's significant help and encouragement with the writing of the symphony. | | | In fact, in his short life, he collected almost 300 folk songs, 134 dances in field notations, and 29 dance tunes arranged for piano. | | | Nimbus Records, Classical, NI 5068, Butterworth, Parry, Bridge, A Shropshire Lad, The Banks of Green Willow - Title Page |
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http://www.calculator.net/Butterworth/Butterworth.html
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| | Classical Net Review - Vaughan Williams - Sancta Civitas, Dona nobis pacem |
| | The music puzzles no less, probably more so for its first listeners than for us, but even if we can take Vaughan Williams's harmonic language in our stride, the forms remain odd and the meaning of it all seems just beyond reach. | | | He once joked with Michael Kennedy (champion of both composers) that he would like to take "the best bits" from the two symphonies and work up a third. | | | As the poet moves from the universal to the specific, Vaughan Williams changes his music to reflect the emptiness of grief. |
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http://www.classical.net/music/recs/reviews/e/emi54788a.html
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| | San Francisco Bach Choir: Ralph Vaughan Williams |
| | Ralph Vaughan Williams together with his friend Gustav Holst, researched and resurrected the English folk song. | | | The Nebraska Public Radio Network (NPRN) produces a block of programming devoted to the music of a single composer. | | | Vaughan Williams is not remembered as one of the most important composers of the twentieth century only for this reason; his symphonies are bastions of grace and imagination. |
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http://www.sfbach.org/repertoire/vaughanwilliamsr.html
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| | Ralph Vaughan Williams |
| | Ralph Vaughan Williams composed "Romance For Harmonica, Strings And Piano In D Flat" for | | | Vaughan Williams: Greensleeves, Folk Song Suite, Etc., ( | | | 1977 – Vaughan Williams, Tausky, Moody, Jacob, ( |
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http://www.eharmonica.net/ralph%20vaughan%20wiliams.htm
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| | Cantori New York: Ralph Vaughan Williams |
| | On November 11, 2000, Cantori New York performed Three Shakespeare Songs by Vaughan Williams. | | | Anyone compiling a short list of great English sacred music would include it; in this Information Age we can rest assured that no masterpiece on this list will ever undeservedly fall from public view. | | | English Church music attained glory in the seventeenth century. |
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http://www.cantorinewyork.com/composers_archive/vaughanwilliams.html
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| | Thesis on Ralph Vaughan Williams - Symphony No. 5 |
| | Thesis on Ralph Vaughan Williams - Symphony No. 5 | | | Title: Ralph Vaughan Williams - Symphony No. 5 | | | Ralph Vaughan Williams - Symphony Number Five Ralph Vaughan Williams, descended from the famous Wedgwood and Darwin families, was born at Down Ampney, Gloucestershire in 1872. |
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http://www.emailessay.com/paper/Ralph_Vaughan_Williams__Symph-147769.html
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| | Vaughan Williams, Ralph |
| | John Hodges, on sacred music by Ralph Vaughan Williams (MARS HILL AUDIO Journal, Jan./Feb 1994) MHT-07.1.4 | | | Leonard Payton, on The Pilgrim's Progress by Ralph Vaughn Williams (MARS HILL AUDIO Journal, Jan./Feb. 1997) MHT-25.2.4 | | | To subscribe to the MARS HILL AUDIO Journal call 1.800.331.6407 or order online |
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http://www.marshillaudio.org/resources/topic_detail.asp?ID=131
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| | Stainer & Bell: Ralph Vaughan Williams |
| | In both the A Sea Symphony and A London Symphony, the folk song essense is transformed into visionary, transcendental statements of a kind also found in Toward the Unknown Region, for chorus and orchestra, and the Five Mystical Songs, for solo baritone, chorus and orchestra. | | | Drawing on the rich treasury of national folk song and dance, he created a uniquely English style that is also universal in its range of appeal. | | | Ralph Vaughan Williams was an outstanding 20th-century composer, and one of a handful of British composers whose achievement ranks equal in genius with that of Henry Purcell. |
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http://www.stainer.co.uk/rvw.html
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| | Ralph Vaughan Williams - Topix.net |
| | Brown was one of the few women in classical music to hold a leading position in an orchestra. | | | The Next Big Thing Host Dean Olsher brings together a variety of lively reports, music, humor, and intimate conversations in search of The Next Big Thing-using the uniqueness of radio to tell... | | | Ralph Vaughan Williams: Music for "The Dim Little Island" |
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http://rss.topix.net/rss/who/ralph-vaughan-williams.xml
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