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| | Karlheinz Stockhausen -- Britannica Concise Encyclopedia - The online encyclopedia you can trust! |
 | | Stockhausen also began using tape recorders and other machines in the 1950s to analyze and investigate sounds through the electronic manipulation of their fundamental elements, sine waves. | | | Stockhausen's explorations of fundamental psychological and acoustical aspects of music were highly independent and remarkably free of outside influences. | | | From 1954 to 1956, at the University of Bonn, Stockhausen studied phonetics, acoustics, and information theory, all of which influenced his musical composition. |
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http://www.britannica.com/ebc/article-9069755?tocId=9069755
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| | STOCKHAUSEN BIOGRAPHY |
| | Stockhausen is the perfect example of the composer who has participated at nearly all world premières and in innumerable exemplary performances and recordings of his works world-wide – as conductor, performer, musical director or sound projectionist. | | | In a spherical auditorium conceived by the composer, most of Stockhausen’s works composed until 1970 were performed at the Expo ’70 world fair in Osaka, Japan: for 51/2 hours daily for 183 days by twenty instrumentalists and singers, thereby reaching an audience of over a million listeners. | | | In 1991, the Stockhausen-Verlag began to release compact discs in the Stockhausen Complete Edition which comprises 116 compact discs to date, and all Stockhausen scores, books, videos and CDs may be ordered directly by mail order from them. |
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http://www.uwm.edu/People/schommer/final/karlheinzbio.htm
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| | Karlheinz Stockhausen - Wikipedia, the free encyclopedia |
| | Stockhausen, himself, has incorporated most recent musical innovations he did not originate himself, such as in the LaMonte Young influenced Stimmung. | | | After lecturing at the contemporary music seminars at Darmstadt (1957), Stockhausen gave lectures and concerts in Europe and North America. | | | The influence of his Kontra-Punkte may be seen in Igor Stravinsky's Movements for piano and orchestra. |
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http://en.wikipedia.org/wiki/Stockhausen
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| | Guardian Unlimited Archive Search |
| | Stockhausen realised that music can be about the way sound moves around space, the way different sounds collide and clatter. | | | The composer and Stockhausen enthusiast Robert Worby hears that I've been listening to the composer's music while walking. | | | Stockhausen's music is disruptive, it demands that you take part in the musical process." |
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http://www.guardian.co.uk/Archive/Article/0,4273,4271469,00.html
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| | CMT.com : Karlheinz Stockhausen : Biography |
| | By the mid-'60s, Stockhausen's immersion in electronics was almost total, and in late 1964 he assembled a touring ensemble to premiere his latest composition, Mikrophonie I, a work inspired by his recent discovery of the limitless variety of sounds to be gotten from any instrument in conjunction with microphones and electrical filters. | | | Upon returning to Cologne, Stockhausen continued his pursuits, achieving his first significant breakthrough with 1956's Gesang der Jünglinge -- composed for vocal and synthesized sounds, it was among the first tape-loop pieces ever assembled. | | | With the following Stimmung, Stockhausen's aim of universalization took a different tactic, with its performers pitching their voices to a series of natural harmonics; these works, in addition to 1968's Aus den sieben Tagen, served to gradually eliminate the concept of notation, with the ultimate goal of truly intuitve musical creation. |
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http://www.cmt.com/artists/az/stockhausen_karlheinz/bio.jhtml
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| | Karlheinz Stockhausen (1928- ) |
| | In 1964, Stockhausen formed a group for performing live electronic music which is still in existence today. | | | For the next four years, Stockhausen attended the National Conservatory of Music studying music education and piano and Cologne University studying German philology, musicology, and philosophy. | | | The following year, 1953, Stockhausen secured a position as a lecturer for new music courses at Darmstadt and became one of the collaborators at the West German Radio Studio for Electronic Music in Cologne. |
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http://www-camil.music.uiuc.edu/Projects/EAM/stockhausen.html
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| | fUSION Anomaly. Karlheinz Stockhausen |
| | Salvador Dali likes to listen to the music of Webern, Stockhausen, and Babbit. | | | Paul McCartney listened to composer Karlheinz Stockhausen, a messiah in the world of electronic music but to the mid-60s pop star an unknown commodity. | | | The album was a potpourri of rock 'n' roll, Western classical music, Indian classical music, early 20th-century vaudeville music, and modern electronic music employing compositional techniques such as indeterminacy and playing tapes backwards, as pioneered by the composer Karlheinz Stockhausen whose photo appeared on the album cover along with a host of other celebrities. |
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http://fusionanomaly.net/karlheinzstockhausen.html
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| | FLUXEUROPA: STOCKHAUSEN |
| | Stockhausen makes it clear that he considers one of the most important advances to occur in music during the last century was the ability not only to capture sound but to transform it. | | | Found sounds reverberate through Stockhausen's works, so do processed sounds, the mangling of musical instruments, the use of everyday objects, distortion, samples. | | | The Canadian artist Alan Bloor - known variously as Knurl, Pholde or Pyrox - has a habit of including the bald message "No musical instruments were used in this recording" on the sleeves of his albums. |
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http://www.fluxeuropa.com/stockhausen.htm
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| | Stockhausen |
| | Stockhausen frequently strives to produce something no one has heard before, and manages many new sonorities often in conjuction with world or "cosmic" music, although the underlying serialism (which has its own characteristic "sound" to me) is frequently evident. | | | Among the trends and ideas with which Stockhausen has been associated are total serialism (in the wake of his study with Messiaen), electronic composition, chance composition, free-form notation, exploring the continuous relationship between timbre and pitch and rhythm, world music, positioning sounds in space... | | | Each work also has other commercial recordings, both on the Wergo label, as well as on the Music and Arts and New Albion labels, respectively. |
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http://www.medieval.org/music/modern/stockhausen.html
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| | La Folia -- Stockhausen is Invisible |
| | Stockhausen bought back from DG the rights to all the recordings and has reissued them on his private label. | | | Indicative of Stockhausen’s handpicking of interpreters, one of Stockhausen’s sons has just released a new all-Stockhausen CD on EMI that isn’t yet generally available in the US. | | | This is probably my favorite Stockhausen recording in my collection: it is truly amazing the wealth of sounds Stockhausen and friends manage to coax from a single tam-tam with real-time electronic manipulation. |
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http://www.lafolia.com/archive/covell/covell200011stockhausen.html
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| | Klang Technik, Karlheinz Stockhausen |
| | There is a certain problem in approaching Stockhausen, and that is precisely the extent to which he has already and obsessively charted his theoretical and artistic progress in lectures, notes and, above all, in interviews. | | | There are at least three current collections of 'conversations with the composer', and it's tempting to suggest that it is these that form more of the substance of Stockhausen's reputation than sympathetic listening to his music. | | | Some at least of that impetus came as a result of Stockhausen's very 1960s obsession with 'World Music', a global syncretism of sounds and procedures, but also from his contact with the ritual of Japanese Noh theatre. |
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http://www.thewire.co.uk/archive/interviews/karlheinz_stockhausen.html
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| | Karlheinz Stockhausen - Epitonic.com: Hi Quality Free and Legal MP3 Music |
| | Karlheinz Stockhausen - [ New Albion Records ] | | | In 1956, after returning to Cologne, Stockhausen released Gesang der J?nglinge, his first electronic music breakthrough as well as one of the first tape-loop works ever created. | | | Karlheinz Stockhausen - Epitonic.com: Hi Quality Free and Legal MP3 Music |
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http://www.epitonic.com/artists/karlheinzstockhausen.html
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| | CDeMUSIC |
| | Karlheinz Stockhausen's 'Harlekin' ('Harlequin') for clarinet; and 'Der Kleine Harlekin' ('The Little Harlequin') for clarinet (performed here by Suzanne Stephens). | | | Karlheinz Stockhausen's 'Tierkresis' ('Zodiac') for music boxes; and 'Musik in Bauch' ('Music in the Belly') for 6 percussionists and music boxes (performed here by Les Percussions de Strasbourg). | | | Karlheinz Stockhausen's 'In Freundschaft' ('In Freindship'); 'Piccolo'; 'Amour'; 'Susani' s Echo'; 'Xi'; 'Zungenspitzentanz' ('Tip-of-the-toung-dance'); 'Flautina'; 'Ypsilon'; 'Kathinka's Gesang' ('Kathinka's Song') for flute and electronic music |
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http://www.cdemusic.org/store/cde_search.cfm?CurrentPage=3&keywords=st1
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| | KARLHEINZ STOCKHAUSEN |
| | Composer-supervised recordings of Stock-hausen's music — as well as scores, videos and books about Stockhausen's music — are available from Stockhausen-Verlag (www.stockhausen.org). | | | That air is inextricably linked with Stockhausen, who has long been an outspoken and controversial figure in contemporary music. | | | His music has had an effect across a wide range of genres, from chamber music and opera to rock (he's in the cover collage of the Beatles' Sgt. |
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http://remixmag.com/mag/remix_karlheinz_stockhausen/index.html
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| | Unofficial Stockhausen Weblog |
| | The text of Stockhausen's new music is not revealed, but a polyphonic work using the multitimbral resources of the organ as well as the two singers is expected. | | | Maconie studied with Messiaen and Stockhausen in the sixties and brings unrivaled insight into the era of avant-garde music, its personalities, and contradictions, mounting a persuasive defense not only of serialism, but also of the pioneers of aleatory, chance, concrete music, and electronic music. | | | With organist and singers hidden from view, Stockhausen has conceived this music to be heard without dramatic spectacle, as in an invisible realm where only music can be heard. |
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http://homepage.mac.com/bernardp/iblog/B1978509736
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| | Beathoven |
| | Stockhausen forms a touring group for his Electronic Music. | | | Shortly before contacting Stockhausen to request his participation in a Beatles' concert, John Lennon appears to have used Hymnen as a model for his infamous Revolution 9. | | | In 1967 the Beatles had honored Stockhausen by putting his photo on the cover of their Sergeant Pepper [sic] album. |
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http://www.geocities.com/hammodotcom/beathoven/r9stock.htm
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| | Salon.com People Karlheinz Stockhausen |
| | Stockhausen also showed up on the cover of "Sgt. Pepper's Lonely Hearts Club Band," and if you've ever gone back to "The Beatles" (aka "The White Album") to listen to "Revolution 9" a second time, he's there, too. | | | Long before the Beatles, Stockhausen turned the sound desk into instrument, doubling as the soundman at most of his shows. | | | The band took center stage at Expo 70 in Osaka, Japan, where Stockhausen installed it to play his music for five-and-a-half hours solid every day for 183 days. |
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http://archive.salon.com/people/bc/2001/01/16/stockhausen/print.html
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| | Stockhausen's New Morphology of Musical Time, Serialism: C. Koenigsberg December 1991 |
| | Stockhausen's need for a system of proportions that is perceivable as the fundamental organizational characteristic of his music is, in part, a reaction to these and other perceived shortcomings of the "pointillist" style which lacked such a characteristic. | | | We see in this passage that Stockhausen is interested in setting up and then applying a series of fixed proportional relations (the "same musical light") successively to different musical parameters (the objects viewed in that same light). | | | Webern's atomization of the theme in his music is also important to Stockhausen: |
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http://www.music.princeton.edu/~ckk/smmt/serialism.3.html
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| | Stockhausen tribute by Holger Czukay |
| | It seemed to look like a composition directory to me. The musicians were searching on the radio for some short wave specific in sound and rhythm, keeping it in tune for a while, playing with their "ordinary" instruments and again searching for another sound signal coming from the radio. | | | In order to make a naked electronic music event more live and adequate, Stockhausen additionally composed a score for percussionists, so that the electronic music and the musicians came closer to the audience this way. | | | But this music can be heard in so many different ways and not only in a concert hall with darkened lights and the ears rotating like radar antennas that not a tiny bit is going to be overheard. |
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http://www.furious.com/perfect/stockhausen.html
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| | BBC News MUSIC Barbican stands by Stockhausen |
| | But, Mr Tusa highlighted Stockhausen's past "humanitarian" actions and concluded that he was confident that audiences at the Barbican concerts would have a worthwhile experience. | | | Stockhausen was a winner of the Polar Prize for Music | | | German composer Karlheinz Stockhausen's concerts at London's Barbican will go ahead as planned, despite his reportedly controversial comments about the attacks on the US. |
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http://news.bbc.co.uk/1/hi/entertainment/music/1556137.stm
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| | ACIDplanet.com: Contests: Stockhausen |
| | Karlheinz Stockhausen is widely regarded as the father of modern electronic music. | | | Professor Stockhausen seeks to do the same, but rather than induce this response with an inward-focused, minimalist mantra, he molds the universe of sound to take listeners to entirely new dimensions. | | | Karlheinz Stockhausen continues to amaze the musical world. |
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http://www.acidplanet.com/contests/stockhausen
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| | Karlheinz Stockhausen - Edition No. 5: Gruppen / Carré |
| | Stockhausen gives the example of a prisoner who only hears one sound a year; the sound of the door slamming, and then after one year another slam of the door. | | | In Stockhausen’s music I get reassured that this indeed is true, on some higher level of existence. | | | The first piece on this CD originates in a commission that Stockhausen received from the WDR, but nobody – perhaps not even Stockhausen – could foresee the kind of music that would eventually come out of this commission. |
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http://home.swipnet.se/sonoloco2/Rec/Stockhausen/05.html
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| | 9.19.01 the stockhausen fracas |
| | But as a result of what he said, two concerts featuring Stockhausen which were to be given Tuesday and Wednesday were cancelled by the organisers of a music festival at the request of the local cultural authorities and festival sponsors. | | | Hamburg's brilliant Generalmusikdirektor Ingo Metzmacher, long a champion and friend of Stockhausen's, wanted to adorn Hamburg's current music festival, sponsored by the admirable weekly newspaper Die Zeit, with four concerts of Stockhausen's music, with the composer in charge, as the festival's high point. | | | The renowned contemporary composer, who was speaking to journalists in Hamburg late Sunday, immediately retracted the remark and asked them not to report it. |
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http://www.evbvd.com/newsnotes/911/010919a.html
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| | Malcolm Ball - M. Stockhausen |
| | His most recent release on EMI is Stockhausen plays Stockhausen, a CD that Markus dedicated to Karlheinz Stockhausen’s 70th birthday and features music from his father’s works SIRIUS, IN FREUNDSCHAFT and the LICHT cycle. | | | Included on this album is perhaps one of Karlheinz Stockhausen’s most intimate and expressive pieces written for Markus - PIETÁ is part of a scene from the second act of Dienstag aus Licht and is recorded here as a version for soprano and quarter tone flugelhorn. | | | Karlheinz Stockhausen fathered six children most of whom had a good deal of natural musical talent and three continue to carve more than successful careers in the music business. |
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http://members.aol.com/malcmuso/stockhausen.htm
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| | Stockhausen Discussion Page - by Robin Maconie |
| | This dimension of speech is therefore of musical interest and Stockhausen's higher purpose in playing with the sounds of language is to reveal the process by which they acquire meaning and how languages vary in their musicality, as it were. | | | In order to understand Stockhausen's greatness one really should consider it in relation to Cage's corpus of works, the Piano Pieces V-VIII in parallel with Cage's Music of Changes, for example - not for 'influences' but for their differences. | | | He was responsible for the Cologne studios and he initiated a number of still interesting electronic exercises and compositions issued by Wergo on LP in the 1960s. |
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http://www.jimstonebraker.com/maconie-faq.html
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| | Amazon.com: Stockhausen: Mantra: Music |
| | There's a strong current of mysticism in the music but also a lot of humor and playfulness; passages that sound like brooding 19th century romanticism are mixed in with the avant-garde bravura, crashing dissonances, mutated sounds, and cosmological musings. | | | Ever since I heard Gruppen, I've been such an admirer of Stockhausen's music. | | | It is EXTREMELY difficult, and this recording IS a good recording for those curious in hearing the ideas, the compositional genius, and the essence of Stockhausen. |
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http://www.amazon.com/exec/obidos/tg/detail/-/B000000R2N?v=glance
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| | Stockhausen Essays |
| | The texts are addressed to all music lovers; all should listen to Stockhausen's music and enjoy its greatness! | | | I hope that these texts convey my genuine enthusiasm for Stockhausen's music, and I wish that this enthusiasm may be reflected, at least to some extent, in the reader's listening experience. | | | Many thanks also to Jerome Kohl, music theorist and a leading expert on Stockhausen with long experience as managing editor of Perspectives of New Music, for editing my texts on HYMNEN, HARLEKIN, DER JAHRESLAUF and WELTRAUM, and for numerous invaluable musical discussions. |
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http://home.earthlink.net/~almoritz/stockhausenreviews.htm
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| | Amazon.com: Stockhausen on Music: Books |
| | Stockhausen takes the Music - and it's like lightning mind you - and he harnasses it and throws it back towards us with magnificent form and grace. | | | Whatever you may think of Stockhausen he is a genius and music has not been the same since.(he at one time thought he commuted with extraterrestrial beings) | | | Looking back at the twentieth century, Stockhausen stands out as one of the most creative forces in music. |
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http://www.amazon.com/exec/obidos/tg/detail/-/0714529184?v=glance
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| | Intuitive Music, Jazz, Classical – Markus Stockhausen (trumpet) |
| | Markus Stockhausen soloist and together with big orchestra is touring everywhere in the world Jazz formations and as an interpreter of works of contemporary music The pages also inform about his concert series in Cologne where he performs solo and with partners from all over the world in the church St. Maternus. | | | Intuitive Music, Jazz, Classical – Markus Stockhausen (trumpet) |
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http://www.markusstockhausen.com
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| | Stockhausen, Karlheinz (1928 - ) |
| | Stockhausen has been among the leading avant-garde figures in German music since the 1950s. | | | A varied and fascinating series of compositions includes Stimmung for electronically treated voices, Mantra, for two pianos, woodblocks and crotales, the result of a visit to the Osaka World Fair, at which his music was featured. | | | Parallel to his work in electronic music, he explored the human element in performance, moving from total serialism, in which every aspect of a piece is controlled by a predetermined serial pattern, to a more flexible approach. |
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http://www.naxos.com/composer/stockhau.htm
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| | Karlheinz Stockhausen |
| | I will tell you: Stockhausen's music is not Stockhausen, but this spirit which is using me. And you, too, are not what you appear to be. | | | ____ from works by Stockhausen, Cage, Berio, Eliasson, Kagel, Xenakis; (Bis, CD388) | | | ____ from Piano Space: works by Stockhausen, Cage, Webern, Berio, Xenakis, Messiaen, Bussotti, Mizuno, Ishi, Takemitsu, Boulez, Satoh, Yuasa, Matsudaira, Ichiyanagi, Seagusa, Kondo, Takahashi; 1976 (CP2, 3-5 LPs; same as EMI/Angel, EAA 85013-85015) |
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http://www.newalbion.com/artists/stockhausenk
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| | Karlheinz Stockhausen |
| | More of an improvisation with Stockhausen electronically manipulating the music as is played. | | | He is supposed to pictured on the cover of the Beatles Sergeant Pepper album. | | | A critic for the London Observer described one of Stockhausens concerts, |
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http://csunix1.lvc.edu/~snyder/em/stock.html
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| | classical music - andante - "the greatest work of art in the entire cosmos" |
| | As an artist, he has expanded the sound palette of music with electronics, musique concrète, and aleatory processes; he's tried to introduce the element of theater to music, to widen its spatial and sonic scope. | | | In fact, how could Stockhausen, who has been trying so hard over the years to create a "universal music" and a "cosmic music," not witness those horrific acts with a certain amount of envy and admiration? | | | Most of the time, the string players played tremoli which blended so well with the timbres and the rhythms of the rotor blades that the helicopters sounded like musical instruments." |
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http://www.andante.com/magazine/article.cfm?id=14377
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| | Rhys Chatham Essay: Boulez vs. Stockhausen |
| | One almost imagines one is listening to something as refined as a sophisticated blues line articulated by a singer on the level of Billie Holiday. | | | I should also say that I have much greater musical experience now than when I was a music student. | | | The melody, the rhythm and the structure, while being complex (extremely complex) is also elegant and beautiful. |
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http://kalvos.org/chatess2.html
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| | TP: A Willful Misunderstanding? |
| | His bold experiments with musical forms and instrumentation (he was among the first composers to work with synthesizers) was an inspiration to pop icons in the 1960s. | | | They knew they had hot copy and they ran with it. | | | by Kathinka Pasveer of the Stockhausen Verlag, which publishes his works, Stockhausen was willfully misquoted by the popular conservative tabloid Bild. |
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http://www.heise.de/tp/r4/artikel/9/9594/1.html
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| | New Gibraltar Encyclopedia of Progressive Rock BA-BH |
| | It's an excellent piece of high-energy prog, mostly instrumental on synthesizers, but with some real guitars (or else some excellent synthesized simulations) and a couple of vocal tracks whose lyrics sound as if they were penned by Jon Anderson. | | | In addition to just plain great progressive rock, there are also passages heavily influenced by modern classical composition and classical electronic music (no, not Tangerine Dream, I'm talking about Ussachevsky, Stockhausen and Subotnik). | | | His next records are gradually more and more experimental, exploring minimalism and culminating with Le Egitto prime delle Sabbie, with two long pieces based on hardly one note and its harmonics. |
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http://www.gepr.net/ba.html
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| | - Classical Music Dictionary - Free MP3 |
| | Hence the comparatively leisurely pace of Carré for four choral-orchestral groups (1960), Kontakte for piano, percussion and tape (1960) and Momente for soprano, choir and instruments (1964, extended 1972). | | | The return to a more conventional medium came abruptly in Mantra for two pianos and electronics (1970), an hour-long, fully notated work based on transformations of a melodic theme. | | | Since then all Stockhausen's works have been parts of Licht, intended to be a heptalogy for performance on the evenings of a week: so far Donnerstag (1980) Samstag (1984) and Montag (1988) have been completed. |
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http://www.karadar.it/Dictionary/stockhausen.html
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| | CLASSICAL MUSIC ARCHIVES: Biography of Julius Stockhausen |
| | Find the music of Julius Stockhausen in the Archives. | | | Click to subscribe to the Archives for $25/year | | | Stockhausen, Julius (Christian) (b Paris, 1826; d Frankfurt, 1906). |
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http://www.classicalarchives.com/bios/codm/stockhausen.html
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| | Stockhausen-Verlag |
| | In 1974, Stockhausen composed the 12 melodies of the star signs for music boxes and produced them in collaboration with technicians at the Reuge music box factory in Ste. | | | In 1989 the Reuge family sold the company, and the production of these music boxes was discontinued. | | | by Karlheinz Stockhausen are no longer available through the DuMont-Buchverlag, |
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http://www.stockhausen.org/stockhausen_verlag.html
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| | music - Hutchinson encyclopedia article about music |
| | Further initiatives by Stockhausen introduced new musical sounds and compositional techniques, often combining electronic and live performances. | | | These developments meant that music could be created as a finished object without the need for interpretation by live performers. | | | Since the 1960s the computer has become a focus of attention for developments in the synthesis of musical tones, and also in the automation of compositional techniques, most notably at Stanford University and MIT in the USA, and at IRCAM in Paris. |
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http://encyclopedia.farlex.com/music
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| | Karlheinz Stockhausen interview |
| | And during the last two years I was contacted regularly by musicians of so-called pop groups from England, Canada, America, who asked me to make comments on their music. | | | And the BBC from London did six programs with Stockhausen's comments on the new techno musicians. | | | Iara Lee interviewed Stockhausen in Frankfurt in August 1997 for the Modulations film- while a brief excerpt of this interview appears in the film, this entire interview is an unpublished exclusive. |
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http://www.furious.com/perfect/stockhauseninterview.html
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| | Ruggles Partch Xenakis soft machine Moondog Machito Stockhausen |
| | Please note that these clips are featured for review purposes only and offered as an encouragement to purchase the cd, if available: if you're a lawyer, tell your record company poobahs to get up off their asses and release more of this stuff on CD!! | | | A leader of the post-war avant-garde, he pioneered serial techniques in electronic music, the combination of live instruments with electronics and multimedia performance. | | | A roiling eruptive jagged sea of sound, Sun-treader sings with noble clarity. |
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http://www.eskimo.com/~foont/groovy.htm
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| | Amazon.co.uk: Stockhausen on Music: Books |
| | Buy Stockhausen on Music with Experimental Music: Cage and Beyond (Music in the... | | | Customers who bought books by Karlheinz Stockhausen also bought books by these authors: | | | Write the first customer review of this item |
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http://www.amazon.co.uk/exec/obidos/ASIN/0714529184
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| | Stockhausen Reviews |
| | TIERKREIS has become a popular composition by Stockhausen, yet it has been dismissed by some modernist listeners: "How could the hardcore avantgarde composer who wrote GRUPPEN create such a simple collection of innocuous melodies?" | | | Well, the answer is: First, TIERKREIS, even though in itself maybe "unobtrusive sounding" (characterized as such by the composer himself on occasion of receiving the Siemens prize in 1986 where the work was played), is a high-quality composition and thus significant, as should be especially evident from the Trio Version which is reviewed here. | | | "A trio version was made in 1983 during rehearsals with Suzanne Stephens (clarinet), Kathinka Pasveer (flute and piccolo) and Markus Stockhausen (trumpet and piano). |
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http://home.earthlink.net/~almoritz/tierkreistrioversion.htm
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| | U B U W E B :: Charlotte Moorman |
| | In the Cage opus she utilizes not only her cello but additional whistles, chains, balloons (for breaking), etc. with recorded supplements such as the Queen Mary's departure blast and sounds from Big Ben. | | | KARLHEINZ STOCKHAUSEN, Plus-Minus (realized by Paik) (World Premiere) | | | GIUSEPPE CHIARI, Per Arco (American Premiere) (for tape and reactions of a cellist) |
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http://www.ubu.com/sound/moorman.html
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| | classical music - andante - art, terror and stockhausen |
| | Wagner, he wrote, insisted his work was not "mere" music; Nietzsche's conclusion was that "no real musician would say that." But Stockhausen did. | | | classical music - andante - art, terror and stockhausen | | | The terrorists enact a "concert" — one in which they are sacrificially consumed, indistinguishable from the work itself. |
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http://www.andante.com/article/article.cfm?id=14535
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| | Windsor Vineyards introduces first vintage by winemaker Toni Stockhausen |
| | Private Reserve wines, Windsor has also just released their 1999 Pinot Noir, Sonoma County, Signature Series and 1999 Zinfandel, Mendocino County, Signature Series, which were blended, finished and bottled by Stockhausen. | | | Toni Stockhausen moved to California in 1999 to become winemaker for Bayliss and Fortune, a U.S. subsidiary of Australia's Mildara Blass Wines, which also owns Windsor Vineyards. | | | Before Mildara brought Stockhausen to the United States, she was senior winemaker at the Mildara winery in Coonawarra, one of Australia's premier winegrowing regions. |
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http://www.thewineman.com/windsor0801.htm
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| | Degussa subsidiary Stockhausen at the Zellcheming Expo 2002 | | | La firma Stockhausen presentará en Espana el gel contraincendios | | | Stockhausen's Water Treatment Business Line, now part of the strong Degussa |
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http://www.stockhausen.com/NotesData/UKForm.nsf/archivpresseng!OpenPage
(363 words)
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| | Degussa Krefeld - History |
| | STOKOLAN® care cream for work-stressed skin is celebrating its 40-year jubilee in 2003 and can proudly look back on 150 million tubes sold to countless customers around the world. | | | Back in 1881, the so-called Crefeld Soap Factory became the "Limited Trade Partnership Crefeld Soap Factory Stockhausen & Traiser", which in turn became the Stockhausen & Cie. | | | Stockhausen opens a new manufacturing facility in Beijing/China for products for the water treatment and paper industries. |
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http://www.stockhausen.com/notesData/stockhausen.nsf/inhaltperid/4085E39AC0EE086AC1256F8500394CA4
(536 words)
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