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| | Stanley Turrentine: Jazz saxophonist, composer |
 | | Stanley Turrentine, a jazz tenor saxophonist and composer, will be remembered for the soulful, unique sound that he brought to his music. | | | Turrentine had one of the most recognizable saxophone sounds in the business. | | | His four-decade career began in the 1950s, when he made his first records with legendary drummer Max Roach, and he later explored music ranging from straight-ahead jazz to more commercial, R&B-inflected material. |
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http://www.freep.com/news/obituaries/tur14_20000914.htm
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| | Billy Taylor's Jazz Guest Artist |
| | Turrentine says that he first learns the form of the song, and from there he relies on his feelings rather than consciously constructing an improvisation. | | | Turrentine says that he listens to just about any kind of music and closes his answer by quoting Duke Ellington's famous truism - "There's only two kinds of music, good and bad." Another audience member asks Turrentine about how he constructs his solos. | | | When discussing his enormous musical palette, he tells Dr. Taylor that he'll to listen to any music regardless of genre if it has a good melody. |
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http://www.npr.org/programs/btaylor/archive/turrentine.html
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| | Stanley Turrentine: The Hard Bop Homepage |
| | During this ten-year period, Turrentine recorded regularly as a sideman for the label on albums by Horace Parlan, Art Taylor, Jimmy Smith, Duke Jordan, Horace Silver, Duke Pearson, and Kenny Burrell. | | | Charles was already writing songs, which Turrentine would transcribe after they finished work in the joints and barns the band played. | | | What first leaps out and grabs the listener's attention is Turrentine's sweet yet muscular sound, which suggests Johnny Hodges more than the classic Swing tenors. |
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http://www.members.tripod.com/~hardbop/stanley.html
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| | Stanley Turrentine - That's Where It's At |
| | Stanley Turrentine's tenor sax accomplishments have been featured previously on Blue Note Albums 84039, 84057, 84069 and the momentous Jimmy Smith wailer BST 84078. | | | Stanley musically expresses in the opening chorus an obvious desire (please indulge) to split the scene; but Stanley suddenly remembers he has a few tenor things left to say. | | | Stanley Turrentine then blows "cool" and puts a solo end to this brief but pleasant minor interlude. |
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http://users.rcn.com/bobfreed/www/lesdisco/a09.html
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| | Stanley Turrentine: Jazz Moods -- Cool - PopMatters Music Review |
| | While with the label, Turrentine recorded in different guises: with bossa-nova singer Gilberto, with all-star groupings, with orchestras, and in organ combos. | | | Turrentine had a minor "hit" with "Pieces of Dreams", a Michel LeGrand tune that Turrentine turned into a bit of a standard. | | | Still, this track is preferable to the "hit" version Turrentine recorded a year or so later for Fantasy that was marred even more by background vocals and strings so syrupy they would make Aunt Jemima pine for skim milk. |
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http://www.popmatters.com/music/reviews/t/turrentinestanley-jazzmoods.shtml
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| | Hill District-born jazz great Turrentine dies |
| | Turrentine, then recording for Creed Taylor International Records, released the album "Sugar." Not only did the title track become a major hit, but it also introduced the music world to several up-and-coming musicians such as bassist Ron Carter, trumpeter Freddie Hubbard and especially guitarist and fellow Hill District native George Benson. | | | Turrentine's first professional gig took place with Lowell Fulsom's blues band, which included a blind pianist named Ray Charles. | | | The piano player Ahmad Jamal lived nearby, and often visited to practice on the Turrentine family's upright piano. |
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http://www.post-gazette.com/magazine/20000913turrentine1.asp
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| | Stanley Turrentine - Sugar: Reviews, Track Listing, Audio Clips, and more Music.com |
| | Recorded in 1970, only three tracks appear on the original album (on the reissue there's a bonus live version of the title track, which nearly outshines the original and is 50 percent longer). | | | Stanley Turrentine - Sugar: Reviews, Track Listing, Audio Clips, and more | | | If jazz fans are interested in Turrentine beyond the Blue Note period -- and they should be -- this is a heck of a place to listen for satisfaction. |
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http://www.music.com/release/sugar/4
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| | STANLEY TURRENTINE: SALT SONG |
| | Stanley’s ballad artistry is featured on “I Haven’t Got Anything Better To Do”, a pop-hit from the ‘60s rarely heard as an instrumental vehicle by jazzmen, but recorded by several singers of such diverse styles as Astrud Gilberto and Esther Philips (listen to Esther’s version on the compilation “Kiss Jer Soul”, KICJ 180). | | | Stanley had already recorded the opening tune, Freddie Hubbard-penned “Gibraltar”, one year before on the sessions that yielded “Sugar”, but Creed decided not to include none of the two existing versions in the original album release because he simply found both too monotonous. | | | Stanley builds up his best solo on the album, playing with fire, swing and inventiveness, even quoting “Jeepers Creepers”. |
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http://www.dougpayne.com/adsnote10.htm
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| | Stanley Turrentine Page in Fuller Up, The Dead Musicians Directory |
| | Turrentine recorded as a leader and on several of Smith's albums in the '60s, and was often criticized by jazz purists for his soul-jazz, RandB-based approach. | | | Turrentine cut his first solo album, Stan the Man Turrentine, for Bainbridge Records in 1959, with Roach behind the kit. | | | Turrentine was taught to not merely listen to the |
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http://elvispelvis.com/stanleyturrentine.htm
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| | MusicMonthly.com |
| | From the beginning, the Turrentine children were raised on blues and gospel music, and heard the soul-stirrings tones of their mother playing piano in the name of the Lord. | | | Turrentine wrote or co-wrote nearly half of the disc's tracks, and probably spent as much time and care on the tunes he chose to include, such as the Marvin Gaye penned "Don't Mess with Mr. | | | T" (Turrentine's theme song) and "Impressions", the signature song of the great John Coltrane. |
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http://www.musicmonthly.com/archives/archive.cgi?id=11
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| | Missing Stanley Turrentine |
| | These three albums are the cream of early Turrentine and must-have recordings for any complete jazz library. | | | It was a sad moment, and I immediately began missing Turrentine, even though I haven't listened to a lot of his music in recent weeks. | | | A Pittsburgh neighbor during his teen years was Ahmad Jamal, who often came by, according to the obituaries I've seen, to practice at the Turrentine family's piano, an instrument played by Stanley's mother. |
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http://www.skyjazz.com/commentaries/turrentine.htm
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| | Last notes for a great musician |
| | Many of the musicians and fans at the funeral, as well as some who attended a Turrentine tribute at the Crawford Grill Monday night, recalled that warmth and the saxophonist's willingness to impart his wisdom to young musicians. | | | "Stanley was one of the best musicians I ever played with. | | | In 1954, the tenor saxophonist replaced John Coltrane in Earl Bostic's band and later performed in drummer Max Roach's group. |
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http://www.post-gazette.com/magazine/20000920turrentine1.asp
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| | Blue Note Records |
| | You don't need to listen to "one note at a time" Turrentine. | | | I own several Blue note CDs and several CTI CDs by Stanley Turrentine. | | | Compulsive completists will have to have the CD because it contains one unreleased track from the 1966 Turrentine octet, an uneventful cover of Max Roach's "Lonesome Lover" whose phantom status over the decades was probably just as well. |
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http://www.bluenote.com/detail.asp?SelectionID=8501
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| | Review - STANLEY TURRENTINE: Never Let Me Go |
| | Turrentine on tenor does his best Ben Webster impression, nailing the song's emotional nuances and sending chills up and down the listener's spine. | | | Never Let Me Go is wonderful tenor sax and organ jazz performed by Stanley Turrentine and his then wife, Shirley Scott, respectively, joined by either Major Holley or Sam Jones on bass, Al Harewood or Clarence Johnston on drums, and Ray Barretto on congas. | | | The songs, given a soul jazz or hard bop interpretation, are a good blend of standards, blues, popular music, and stage tunes. |
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http://www.cosmik.com/aa-august04/reviews/review_stanley_turrentine.html
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| | Blue Note Stanley Turrentine Qt./Sxt. Sessions (#212) |
| | Turrentine, who had a background in R&B, enjoyed popular music. | | | His contribution to the Blue Note label was strong, swinging music that was richly satisfying to hear, appreciated by jazz purists and casual listeners as well. | | | While Turrentine had already recorded once for Time Records, his Blue Note association began in April 1960 with an unreleased Dizzy Reece session (recently released as "Comin' On") and the historic Jimmy Smith date that produced “Midnight Special” and "Back At The Chicken Shack". |
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http://www.mosaicrecords.com/prodinfo.asp?number=212-MD-CD
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| | eBay - stanley turrentine, CDs, Records items on eBay.com |
| | STANLEY TURRENTINE PIECES OF DREAM 74 ALBUM LP 33 VINYL | | | Astrid Gilberto LATIN JAZZ LP with Stanley Turrentine | | | Stanley Turrentine 10 Track SEALED Import CD 1 CENT |
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http://search-desc.ebay.com/search/search.dll?query=stanley+turrentine&...
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| | Blogcritics.org: Soulful Sound Open to the World: Some Notes on Stanley Turrentine |
| | Stanley Turrentine’s sound opens the ear to what music and ultimately art is all about. | | | Turrentine’s riffs at times allude to TV ad jingles, to classical music, to pop tunes, to nursery school songs, and to his own jazz fusion and be-bop tradition. | | | As a child, Turrentine’s father used to have him listen to many different saxophonists playing the same song so that the young Turrentine might improve his ear towards the unique sound of the individual artist. |
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http://blogcritics.org/archives/2005/04/24/233857.php
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| | Amazon.com: Gilberto with Stanley Turrentine: Music |
| | Stanley Turrentine is all over this record, and his solos are soulful, strong, and melodic as always. | | | Too bad Turrentine isn't around to do an album with Joao Gilberto, now that would be of interest. | | | I really like most of the CDs that were originally issued as albums on the CTI label. |
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http://www.amazon.com/exec/obidos/tg/detail/-/B0000026IV?v=glance
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| | NPR's Jazz Profiles: Stanley Turrentine |
| | Turrentine's first album for CTI, Sugar, was released in 1970 and yielded the classic tune of the same name. | | | Born on April 5, 1934 in Pittsburgh, a city that has produced more than its share of jazz masters, Turrentine hailed from a musical family. | | | He continued with a string a pop-laced crossover albums for CTI including the 1971 hit Don't Mess with Mr. |
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http://www.npr.org/programs/jazzprofiles/archive/turrentine.html
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| | Stanley Turrentine: Don't Mess with Mr T : Jazz CD Reviews- 2003 MusicWeb(UK) |
| | Stanley Turrentine first came to fame in the jazz world in the 1960’s when he recorded two albums with Hammond organist Jimmy Smith called Midnight Special and back at the Chicken Shack. | | | This album does justice to all these attributes and whether the lush backings which are occasionally heard add anything, is a matter of choice but they are trademark Creed Taylor. | | | Stanley Turrentine: Don't Mess with Mr T : Jazz CD Reviews- 2003 MusicWeb(UK) |
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http://www.musicweb-international.com/jazz/2003/Sept03/Turrentine.htm
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| | Amazon.ca: Music: Ballads |
| | My favorite Turrentine album since "The Baddest Turrentine", this one has Stanley's smooth, soulful sound, but without the overproduced "strings flooding in" that diminishes many of his other recordings. | | | This mellow album, which sounds like an actual quintet rather than something cooked up in a studio, will please confirmed jazz afficionados as well as pop fans -- another good "intro to jazz" album for people who can't quite get their ears around the more demanding sounds of many jazz artists. | | | His rich, steamy sound, full tone, and ability to pace and develop moods is ideal for show tunes and sentimental love songs. |
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http://www.amazon.ca/exec/obidos/ASIN/B000005HGK
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| | CATALOG: STANLEY TURRENTINE |
| | Jazz musicians in general, and Stanley Turrentine in particular, were no strangers to orchestral settings when Pieces of Dreams was recorded in 1974; yet the album was a significant event in both the tenor saxophonist’s career and the jazz/pop idiom. | | | Co-producer Gene Page’s arrangements place Turrentine’s horn on a cushion of guitars, keyboards, and supporting vocals in a program that draws upon a Wilson Pickett hit, a Brahms classic, Stevie Wonder, and, most notably, the title track by Michel Legrand and the Bergmans, which Turrentine (1934-2000) made into a standard. | | | This package combines two LPs, Have You Ever Seen the Rain (made in 1975) and Use the Stairs (1980), showcasing Turrentine's ability to state a melody, and follow with an engaging, thoroughly accessible solo. |
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http://www.fantasyjazz.com/catalog/turrentine_s_cat.html
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| | Stanley Turrentine Sugar |
| | With Sugar Stanley Turrentine finally delivered on the promise of his Blue Note albums, which were for the most part unspectacular. | | | With only three tunes on the record, everyone gets plenty of room to explore and eagerly takes advantage of it. | | | Personnel: Stanley Turrentine-tenor saxophone; Billy Kaye-drums; Butch Cornell-organ; Lonnie Liston Smith-electric piano; George Benson-guitar; Freddie Hubbard-trumpet; Ron Carter-bass; Richard "Pablo" Landrum-conga. |
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http://www.allaboutjazz.com/php/article.php?id=9857
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| | Jazz Review Stanley Turrentine Bob Parlocha |
| | These recordings catch Stanley in the more traditional mainstream jazz context of the 1960&. | | | It gives the listener the pleasure of hearing something he or she might not be aware of. | | | In 1965, his recordings with larger ensemble groups, which included the hit, SUGAR, established him with the larger, more pop oriented audience. |
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http://www.jazzwithbobparlocha.com/impressions/reviews/review_turrentine.html
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| | Astrud Gilberto: Astrud Gilberto With Stanley Turrentine - PopMatters Music Review |
| | And finally, the album was produced and arranged by schlock-jazz mastermind Deodato. | | | Put it all together and you have a fun, dreamy record that sounds oddly contemporary. | | | First, it's the only album Gilberto made for the CTI label, after a long relationship with Verve. |
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http://www.popmatters.com/music/reviews/g/gilbertoastrud-stanley.shtml
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| | Blogcritics.org: CD Review: Astrud Gilberto w/Stanley Turrentine |
| | Both songs are uninspired elevator music pieces and Turrentine does not appear on either track. | | | Turrentine is back on accompaniment for the Jorge Ben composed “Zazueira” and he cooks in a nice contrast to Astrud’s cool approach. | | | Even with its flaws, this album is still a must have for Astrud Gilberto fans and this reissue sounds much better than the first CD release back in 1988. |
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http://blogcritics.org/archives/2005/01/26/112940.php
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| | Amazon.com: Hustlin' [ORIGINAL RECORDING REMASTERED]: Music |
| | However the album is really made by Turrentine, whose choice of material allows him to oil and embellish all the tracks with his own style of fluid and at times languid tenor sax. | | | The third of three albums recorded for Blue Note in the space of the year, this one was also credited to Turrentine, where the first "Never let me go" had been credited to Shirley Scott. | | | But Turrentine also recorded some very fine albums with his then wife, the organist Shirley Scott. |
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http://www.amazon.com/exec/obidos/tg/detail/-/B00006C77G?v=glance
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| | Stanley Turrentine - Stanley Turrentine in Concert |
| | Stanley Turrentine - Stanley Turrentine in Concert (1990) | | | For Stanley Turrentine - Stanley Turrentine in Concert | | | Sections for Stanley Turrentine - Stanley Turrentine in Concert |
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http://www.rottentomatoes.com/m/stanley_turrentine_in_concert
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| | JazzPageNOV |
| | In 1960, Stanley Turrentine was featured on one of the Three Sounds greatest recording sessions; Blue Hour. | | | Harris also enjoyed the music he heard in church and the boogie-woogie records of his parents. | | | The Three Sounds were pianist Gene Harris, bassist Andy Simpkins, and drummer Bill Dowdy, and they swung in-the-pocket. |
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http://www.paulandsharon.com/jazzpageNOV.html
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| | Stanley Turrentine Do You Have Any Sugar? |
| | His tenor saxophone, is melodic and swings in the pocket of contemporary grooves and the set has something for all music lovers from easy listening to bop and straight ahead. | | | Vocalist Niki Harris sings the sexy title track and the gently inspirational “Pause To Wonder,”with both pizzazz and grace. | | | Ray Brown on bass, Harvey Mason on drums and Alex Acuna on percussion rounds out this masterful track. |
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http://www.allaboutjazz.com/php/article.php?id=4000
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| | Tribute at the Kennedy Center to Stanley Turrentine |
| | This was the funkier portion of the concert. | | | You called your concert a tribute to Clifford Jordan and you could sell out a hall that Jordan himself had barely half filled. | | | Turrentine was a fine player, he said, but the history of the music wouldn't have been any different if he hadn't lived. |
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http://www.dcjazz.com/reviews/turrentine.htm
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| | Jazz Drumming at its best! The Roger Humphries Website, Roger's Bio |
| | Roger is rated by music critics as one of the most exciting percussionists in the business. | | | Even those with little knowledge of jazz can see the tremendous accomplishments of the musically boundless Humphries. | | | We also recorded an album with the Black and Blue Record Company," Roger commented- |
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http://www.rogerlhumphries.com/bio.htm
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| | Metroactive Music San Jose Jazz Festival |
| | Seemingly unmoved by the forward thrust of the New Black Music movement, which noisily announced its presence in those years, Turrentine recorded albums like Look Out, Coming Your Way and the very fine Up at Minton's volumes, all of which reveal a musician reaching back to his bebop roots. | | | THERE'S A very good reason the music of Stanley Turrentine, one of the headliners at this weekend's San Jose Jazz Festival, simply oozes the blues. | | | On the other hand, like Dexter Gordon, Hank Mobley and a host of other horn players, consciously or not, Turrentine was a stalwart defender of improvisational music's integrity in the face of so-called progressive music's rapid ascent. |
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http://www.metroactive.com/papers/metro/08.08.96/sj-jazz-9632.html
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| | Jet: Jazz Saxophonist Stanley Turrentine Succumbs To A Stroke In New York City - Brief Article - Obituary |
| | He played in a jazz band headed by Roach and replaced the departing John Coltrane in Earl Bostic's band. | | | His blues-influenced riffs brought him commercial success with such albums as Stan "The Man" Turrentine, Up at Minton's and Never Let Me Go. | | | Besides his solo albums, Turrentine was a strong collaborator, working with Herbie Hancock, George Benson and Jimmy Smith. |
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http://www.findarticles.com/p/articles/mi_m1355/is_17_98/ai_65861369
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| | Stanley Turrentine |
| | I just got back from a Stanley Turrentine concert at Tilles Center--a concert hall/theater on the campus of C.W. Post College in Greenvale, NY on Long Island. | | | Overall assessment: A very enjoyable concert by one of the great pros playing at his usual high level with an excellent band behind him. | | | Turrentine infuses even the schlock like "Don't Mess with Mister T" and "Pieces of Dreams" with his soulful sound and feeling. |
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http://www.geocities.com/BourbonStreet/3420/revturrentine1.html
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| | Stanley Turrentine - The Baddest Turrentine |
| | Whether its and LP or CD you're looking for, Dontletgo.com can help you find rare, or hard to find new and used music of all styles including: rock, jazz, fusion, alternative, metal or any other musical genre people listen to. | | | No Album cover art submitted for Stanley Turrentine - The Baddest Turrentine | | | To be notified whenever this album becomes available for sale, enter your email address and hit Notify! |
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http://www.dontletgo.com/music/details.php?REFID=230
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| | Rhapsody Music: Download, Listen, Play & Burn Stanley Turrentine |
| | Click here to start listening to Stanley Turrentine and thousands of other artists FREE for 14 days with Rhapsody Unlimited. | | | Rhapsody Music: Download, Listen, Play and Burn Stanley Turrentine | | | Turrentine always played elegant, soul-infused Bop but his rich, deep sax sound is what set him apart from the pack. |
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http://www.real.com/dmm/rhapsody/artist/?artistid=6365
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| | RollingStone.com: Stanley Turrentine - Music, News, Videos, Photos, CD, Songs, Albums, Reviews |
| | RollingStone.com: Stanley Turrentine - Music, News, Videos, Photos, CD, Songs, Albums, Reviews |
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http://www.rollingstone.com/artist/_/id/6365/stanleyturrentine?pageid=rs.ArtistBio&pageregion=mainRegion
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| | CATALOG: SHIRLEY SCOTT |
| | She was associated early in her career with tenor saxophonists--most notably Eddie "Lockjaw" Davis and Stanley Turrentine--but Prestige Records regularly varied the settings in which she was presented on disc. | | | Shirley Scott’s recordings for Prestige tended to feature her organ without horns, or with tenor saxophonist Stanley Turrentine (her husband during the 1960s). | | | In fact she was signed to Prestige largely on the strength of Lockjaw’s hit “In the Kitchen.” While many of her recordings were trio sessions, it was her collaboration with Stanley Turrentine that brought her even more into the limelight. |
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http://www.fantasyjazz.com/catalog/scott_s_cat.html
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| | stanley turrentine - Find, Compare, and Buy at Shopping.com |
| | You found 191 items in Music "stanley turrentine" | | | Get free Stanley Turrentine tracks, 950,000+ songs, 14 days Free! | | | Big selection of Stanley Turrentine CDs in stock at discount prices! |
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http://www.shopping.com/xGS-stanley_turrentine
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| | Jazz Moods: Cool by Stanley Turrentine CD |
| | This installment of Columbia/Legacy's JAZZ MOODS series focuses on the 1970s work of soul-jazz saxophonist Stanley Turrentine, culling tracks from CTI records such as DON'T MESS WITH MR. | | | Jazz Moods: Cool by Stanley Turrentine CD Artist | | | A roster of luminaries is on hand to flesh out the sound here, including vibraphonist Milt Jackson, bassist Ron Carter, trumpeter Freddie Hubbard, guitarist George Benson, and drummer Billy Cobham. |
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http://www.cduniverse.com/search/xx/music/pid/6846264/a/Jazz+Moods:+Cool.htm
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| | Stanley Turrentine, MP3 Music Download at eMusic |
| | He played in Lowell Fulson's band with Ray Charles from 1950-1951, and in 1953, he replaced John Coltrane in Earl Bostic's early R&B/jazz band. | | | Portions of content provided by All Music Guide, a trademark of All Media Guide, LLC | | | Turrentine recorded in a wide variety of settings, but was best-known for his Blue Note soul-jazz jams of the '60s, and... |
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http://www.emusic.com/artist/10558/10558546.html
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| | Blue Note Sale Page 20 |
| | Stanley Turrentine (ts), with various artists including Stevie Wonder (har), Ronnie Foster (key), Abe Laboriel (b), Harvey Mason (d) Rec 12/86 Bird Of Beauty / Creepin / You And I / Living For The City / Boogie On Reggae Woman / Rocket Love / Don't You Worry 'Bout A Thing / Sir Duke | | | Stanley Turrentine (ts), Grant Green (g), Horace Parlan (p), George Tucker (b), Al Harewood (d) Rec 2/61 DISC 1: But Not For Me / Stanley's Blues / Broadway / Yesterdays DISC 2: Later At Minton's / Come Rain Or Come Shine / Love For Sale / Summertime | | | Stanley Turrentine (ts), Grant Green (g), Tommy Flanagan (p), Paul Chambers (b), Art Taylor (d) Rec 9/61 Z.T.'s Blues / More Than You Know / The Lamp Is Low / The Way You Look Tonight / For Heaven's Sake / I Wish I Knew / Be My Love |
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http://www.doubletimejazz.com/bn-t.htm
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| | STANLEY TURRENTINE |
| | STANLEY TURRENTINE, tenor saxophone; SONNY BURKE, JOHN MILLER, GENE PAGE, keyboards; RAY PARKER, JR., DEAN PARKS, DAVIT T. WALKER, guitar; RON BROWN, bass; ED GREENE or *ED MOORE, drums; GARY COLEMAN, percussion; JOE CLAYTON, congas; MYRNA MATTHEWS, CAROLYN WILLIS, EDNA WRIGHT, background vocals. | | | Recorded at Fantasy Studios, Berkeley, May 30 and 31, 1974. | | | I'M IN LOVE (alternate take 9 - previously unissued) |
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http://www.edmicheljazzproducer.com/stanley_turrentine.htm
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