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| | Tom Waits - Real Gone |
 | | Real Gone is his first album since the double release of Alice and Blood Money and marks a departure for Waits in that his trademark piano is completely absent. | | | Real Gone is yet another example of why Tom Waits is one of the greatest songwriters alive today. | | | Where this album really departs from Waits' previous work though is in his lyrics. |
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http://www.musicomh.com/albums2/tom-waits.htm
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| | Tom Waits: Real Gone: Pitchfork Review |
| | Real Gone, like most of Tom Waits' records, is teeming with all kinds of mysterious noises: clangs and spits, faceless hollers, squawks, irrational toots, not-quite-human coughs, vicious bangs, apologetic whispers. | | | Wife and longtime collaborator Kathleen Brennan (who co-wrote and co-produced Real Gone, along with Waits' last eleven records), has sagely proclaimed that all Tom Waits' songs can be easily slapped into one of two categories: Grim Reapers and Grand Weepers. | | | And there is always a place that Tom Waits thinks it would be best for them to avoid. |
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http://www.pitchforkmedia.com/record-reviews/w/waits_tom/real-gone.shtml
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| | Tom Waits 'Real Gone' CD review - The Northerner - Entertainment |
| | Also with "Real Gone" there is no piano through the entire album. | | | His album "Real Gone" is no exception to this rule. | | | Leaving no real expectation, he graces you with one of the best Waits compositions ever, "Hoist That Rag." A guitar that sounds like it was recorded in the trunk of a '57 Chevy runs the gambit in this blues drenched gem. |
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http://www.thenortherner.com/news/2005/03/02/Entertainment/Tom-Waits.real.Gone.Cd.Review-882210.shtml
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| | Tom Waits: Real Gone (2004): Reviews |
| | Real Gone is a great album, truly one of the most unique listening experiences in years. | | | Real Gone is haunted-house music that invites listeners in for some shared uneasiness, but never lets them settle for long. | | | Real Gone is incredible because of its songs, some of which stand among Waits' finest work. |
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http://www.metacritic.com/music/artists/waitstom/realgone
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| | Tom Waits: Real Gone |
| | Real Gone is simply one of the great classic Tom Waits albums. | | | Real Gone is Waits's most vital album in twelve years as he moves away from the feel of the last two. | | | Real Gone is so distorted and frayed but it is actually the instrumentation that grabs you at the outset. |
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http://www.allaboutjazz.com/php/article.php?id=15720
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| | Tom Waits - Real Gone |
| | Real Gone is the unpredictable follow-up to the atmospheric and conceptual Alice and Blood Money, the two acclaimed albums Tom Waits released simultaneously in the spring of 2002. | | | With Real Gone, he has blended the surreal absurdist qualities of the Eighties for the up-tempo songs, but the lyrics are more compact and conform more to the irregular meter of the blues or hollers. | | | The songs on Real Gone are some of the longest, groove laden Waits has ever recorded. |
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http://www.contactmusic.com/new/home.nsf/webpages/tomwaitsx11x08x04
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| | The Big Ticket: didya cover your tracks? yessir |
| | Real Gone, the new album which will hit stores October 5, leaked a short while back & I just recently got to hear some of it for myself. | | | The press release for Real Gone over at Anti website lists Tom Waits "on vocal mouth percussion," and you can hear why from the first note of this intense track. | | | The second track on Real Gone has Tom Waits sounding suprisingly topical, as it certainly comes off like a screed criticizing the incessant flag-waving & blind patriotism we've seen here in the US over the past few years. |
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http://the-big-ticket.blogspot.com/2004/09/didya-cover-your-tracks-yessir.html
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| | Waits' 'Real Gone' Arrives This Fall |
| | "Real Gone" will be the follow-up to the simultaneously released 2002 concept albums "Blood Money" and "Alice." Those sets, which stemmed from previous theatrical collaborations with Robert Wilson, debuted at No. 32 and No. 33 on The Billboard 200, respectively. | | | As previously reported, the 15-track disc was written and produced by Waits and his wife/longtime collaborator Kathleen Brennan and recorded in an old Mississippi schoolhouse. | | | The inimitable artist's "Real Gone" will be released Oct. 5 through Epitaph's Anti- Records label. |
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http://www.billboard.com/bb/daily/article_display.jsp?vnu_content_id=1000557485
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| | Cokemachineglow.com - Tom Waits: Real Gone |
| | In fact, the sheer heftiness of Real Gone is nothing new: sixteen tracks of intense howling mixed evenly with glacial weepers does subtract substantially from replay value. | | | Then again, Tom Waits albums have never been things to pop in the player between quotidian events; solid his records are, light they aren’t. | | | This is a demanding listen, through every harrowing, rib cage-sundering, desperate beat. |
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http://www.cokemachineglow.com/reviews/waits_gone2004.html
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| | Amazon.co.uk: Music: Real Gone |
| | On Real Gone, Tom Waits and his band present a bold musical statement that is equally in tune with modern and traditional values. | | | My first listen to "Real Gone" was a shock- the return of noisy, clanking machine type music with Tom's gravelly voice was not what I expected. | | | In Real Gone, when Tom sings "Don't Go Into That Barn", it is a paraphrase from Isaac Lang Jr., a warning from his elders to the neighborhood kids. |
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http://www.amazon.co.uk/exec/obidos/ASIN/B0002MRKTK
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| | Real Gone - Wikipedia, the free encyclopedia |
| | Real Gone is an album by Tom Waits, released October 3, 2004 in Europe, and October 5 in USA on Epitaph Records (under the Anti sub-label [1]). | | | The album was supported by the Real Gone Tour, playing a few locations in North America and Europe in October and November 2004. | | | The tour was noted for being Waits' first to Europe in seventeen years, and for the resulting great demand for tickets. |
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http://en.wikipedia.org/wiki/Real_Gone
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| | Tom Waits"Real Gone"Epitaph Records - The Daily Vidette - E-Zone |
| | The entire album sounds like it was recorded on a beat up old phonograph. | | | He claims to have a superhuman sensitivity to sound and can pick up frequencies the rest of us can only hear by listening to a Tom Waits record. | | | In fact, the entire album - upon first listen - seems to be completely barren of any real fine-tooth production efforts. |
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http://www.dailyvidette.com/news/2004/11/04/EZone/Tom-Waitsreal.Goneepitaph.Records-792366.shtml
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| | Adrian's Album Reviews : Tom Waits |
| | Tom really gets into the character of the song, a song sounding like a sixty year old woman - a woman who used to be a hooker in her younger days - lamenting the lack of 'a good man'. | | | The feel of each song is what really matters, mixed with a line or two of lyrics (usually the chorus - while the majority of the vere lyrics are relatively inconsequential). | | | Well, on 'Somewhere' he sings, I mean really sings, and that's nice, but this is just a little interlude for the album. |
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http://www.adriandenning.co.uk/waits.html
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| | Tiny Mix Tapes |
| | Despite all its novelties (not to mention lack of piano), however, Real Gone is nevertheless a quintessential Tom Waits album. | | | The repetitiveness of these two tracks can be forgiven, as it only adds to the overall mood of both, but by the end of the third track, "Sins Of My Father," this repetitiveness seems turned to languidness. | | | All the idiosyncrasies which either drew you to Waits or repelled you from him are present, and many songs hold a resemblance to past gems. |
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http://www.tinymixtapes.com/musicreviews/w/tom_waits.htm
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| | Punknews.org Tom Waits - Real Gone |
| | The most conspicuous aspect of this album is the absence of one instrument: the piano. | | | Yes, Real Gone comes nowhere ner the exellance of Alice and Blood Money but it is still a good album. | | | like bone machine, real gone is difficult to listen to--only real gone can move in the painful category. |
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http://www.punknews.org/reviews.php?op=albumreview&id=3552
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| | Tom Waits: Real Gone - PopMatters Music Review |
| | Real Gone has its fair share of ballads, but is noticeably devoid of Waits' piano songs ("grand weepers", as he named them). | | | Waits recorded hours of these vocal rhythm beds in preparation for Real Gone, using their maniacal foundation for the composition of songs (as always, with his co-creator and wife Kathleen Brennan). | | | Percussion clanks and scrapes like a ruckus in a submarine's bowels, guitars and turntables (yes, turntables) squeal like midnight transmissions from pirate radio, chairs squeak and banjos hypothesize. |
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http://www.popmatters.com/music/reviews/w/waitstom-realgone.shtml
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| | Tom Waits Fan |
| | REAL GONE is also a musical expression, the experience of playing and losing yourself to the place where you can finally be found. | | | Mississippi, recording a new album, titled Real Gone for Anti. | | | Written and produced by Tom Waits and Kathleen Brennan, his wife and long- time collaborator, REAL GONE features 15 tracks of funk, Jamaican rock-steady, blues both urban and rural, rhythms and melodies both Latin and African and, for the first time, no piano. |
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http://www.tomwaitsfan.com
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| | Jo Ann Campbell - That Real Gone Gal: Reviews, Track Listing, Audio Clips, and more Music.com |
| | Featuring her complete Gone and Roulette recordings, the first authorized Jo-Ann Campbell release on CD rates an 11 out of a possible ten for sound. | | | The content is hot, too, opening with her first single, a Campbell original called "What a Minute." The sound leaps out at the listener, the rhythm section in your face with the brass and Campbell's hot singing (like a sassy Wanda Jackson [+]) bursting out with astonishing presence. | | | Jo Ann Campbell - That Real Gone Gal: Reviews, Track Listing, Audio Clips, and more |
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http://music.com/release/that_real_gone_gal/1
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| | Tom Waits - Real Gone - Review |
| | I think that many have described Waits' music as twisted carny music before, so it may be sort of an in-joke that he chose to do a song that really is just that with "Circus." Over a very simple backdrop of bells and chamberlain, Waits chronicles the life of the outcasts. | | | Like many of his releases, the percussion on Real Gone is just about as organic as it gets. | | | Instead of actual drum kits, most of the percussion is hollers, stomps, scratches, and general thumps and pounding made by possessed musicians. |
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http://www.almostcool.org/mr/w/w31mu.html
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| | tom waits - real gone (sampler) - cd review |
| | Buy the album "Real Gone" because as a music fan you need it. | | | Two tunes taken from the new album "Real Gone" to serve as a mouthwatering tempter. | | | Wait's voice is a hardened as ever, gravel must be the dish of the day back in the good ole US of A. Musically even the sternest of critics would be hard pushed to even find one hint of a flaw in both these tunes. |
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http://www.leedsmusicscene.net/article/3230
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| | Nintendophiles Forums - Real Gone North |
| | He just released another new album called Real Gone on the Anti label. | | | But my daughter said, 'Gee, that would really be sad -- she gets killed and not remembered and somebody writes a song about it and doesn't put it on the record.' I didn't want to be a part of that." | | | It's an amazing book if you're really into music, it's just a ton of articles and interviews with and about different musicians. |
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http://www.n-philes.com/forums/showthread.php?t=5770
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| | Real Gone Daddies Home Page |
| | The idea of the name was first brought to the band because of a funny little story (it seems that most things have a funny little story, don't they?). | | | In the Spring of 2000, Dennis Miller decided to leave the band, and was replaced by James Hrkach on guitar. | | | Deciding that they did not want to start out as a cover band, the band started working on songs that both Dennis and Steve had already written. |
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http://www.angelfire.com/sk2/realgonedaddies/rgdbkgd.html
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| | * Dusted Reviews - Tom Waits * |
| | There’s only one real ballad on Real Gone, “The Day After Tomorrow,” a protest song that’s moving and pertinent but almost awkwardly so in the context of the album. | | | Much of Real Gone has been stripped so bare instrumentally that its heavy accumulation of rhythmic noise — manipulated groans and grunts (“Metropolitan Glide”) what sounds like a cracking horsewhip (“Don’t Go Into The Barn”) — establishes a sustained, bristling mood that electrifies particular songs but bogs down the album as a whole. | | | But Real Gone falls victim to one of the problems plaguing his 1999 record Mule Variations — the more downbeat tracks don’t ever justify their excessive lengths. |
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http://www.dustedmagazine.com/reviews/1792
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| | westcoastmusic: Tom Waits: Real Gone |
| | Meanwhile, initial press reaction for Tom Waits "Real Gone" album is nothing but shining: Entertainment Weekly included the album in its "25 Most Anticipated Albums of the Fall," while Richard Cromelin noted in his Sunday "Calendar" feature in the Los Angeles Times: "Real Gone... | | | These shows will all come on the heels of Waits' eagerly anticipated 20th album, "Real Gone," due out October 5 (Epitaph Records) and features musicians from the recording: Larry Taylor on bass, Marc Ribot on guitar and Brain on drums/percussion. | | | A new album "Real Gone" for Mister Tom Waits. |
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http://noted.blogs.com/westcoastmusic/2004/09/tom_waits_real__1.html
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| | The Real Gone Lovers |
| | Real Gone Lovers, The - Don't waste your breath/Jumpin' in the night - 7" Reachless -001 (m- / m-) (US) ( Garage/Trash) |
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http://www.parallel-schallplatten.de/art/25312_The+Real++Gone+Lovers.htm
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| | Real Gone by Tom Waits CD |
| | There have been many incarnations of Tom Waits--the boozy piano balladeer, the arch Kurt Weill acolyte, the bold sonic experimentalist--but the one that pops up on REAL GONE is probably most akin to the raw, howling, modern primitive of BONE MACHINE. | | | As he did on that 1992 album, Waits gets in touch with his inner Captain Beefheart on REAL GONE. | | | Instead of employing arrangements that merely suggest the accompaniment of a FAT ALBERT-style junkyard band, Waits actually sounds like he's hooting and hollering in the middle of a Salvation Army scrapyard, albeit one populated by junkmen with an inherent simpatico for his medium. |
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http://cduniverse.com/search/xx/music/pid/6801925/a/Real+Gone+-+Import.htm
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| | THE REAL GONE CATS - Independent music world |
| | They have two albums "Real rock 'n roll" and "Love to make you rock" available. | | | You will have heard them on the Australian real underground music show with tracks like "bondi baby" and "My little sister the twister". | | | THE REAL GONE CATS - Independent music world |
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http://www.isonliveradio.com/00001shp.php
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| | Music reviews for Tom Waits - Real Gone |
| | While personally I wouldn't call Real Gone a classic (Mule Variations, Alice, and Blood Money to me are all still better as far as later releases have gone) I still think it's a very good album that as you already so wonderfully stated, gets better with every listen. | | | Jeff Hubbard Music review of Tom Waits - Real Gone | | | Kyle Music review of Tom Waits - Real Gone |
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http://www.zboneman.com/reviews/Music-932.html
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| | Real Gone Racket Music Samples, wavs, zips, Real audio, mp3's etc.. |
| | Real Gone Racket Music Samples, wavs, zips, Real audio, mp3's etc.. | | | from and we are getting some Real Gone Audio, uh - that is Real Audio as well! | | | Sorry for sound quality, some of these are of old 78's |
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http://www.geocities.com/SunsetStrip/Cabaret/7679/music.html
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| | Go Getters - CD Real gone |
| | The platter soon topped the European roots music charts and led to the release of their debut album, 'Real Gone!', considered a milestone in modern Euro rockabilly music for its heavy infusion of the blues." | | | After appearing on several compilation albums in the late 1980's, the Go Getters released their first single, 'You Don't Love Me', in 1992. | | | 7.You don't love me 8.Dancin' doll 9.You're gonna miss me 10.Flatfoot Sam 11.Flame of love 12.Wildcat tamer 13.My baby's gone away 14.Hurricane 15.House of blue lights 16.Slow down 17.Got to go 18.The woman I need 19.Somebody's been rockin' my boat 20.In the shade 21.That don't move me 22.Harpin, drinkin, harpin |
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http://www.nervous.co.uk/reviews/pt610001.htm
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| | Pitchfork: Daily Music News |
| | The forthcoming new album from Tom Waits, Real Gone, now has a release date: October 4th. | | | Of the album's sound, Anti's website stated that " Real Gone is a place, a time beyond reach: a lost mind, a renegade leader, war love sublime, love lost, death, desire, escape. | | | According to the folks at Waits' label, Anti, the record will replace the legendary songwriter's piano with his own brand of vocal percussion. |
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http://www.pitchforkmedia.com/news/04-07/12.shtml
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| | Antipixel Blog Real Gone |
| | On a spur of the moment visit to a record store yesterday I found the new Tom Waits album Real Gone. | | | I don’t listen to nearly enough contemporary music, but Waits is one artist that has never disappointed. |
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http://www.antipixel.com/blog/archives/2004/11/13/real_gone.html
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| | ANTI- |
| | With a highly anticipated collaborative album featuring vocalist Will Oldham due this November, they add yet another dimension to their already legendary oeuvre. | | | Entertainment Weekly says “with melodies and sensations slipping in and out of focus
it’s mood music for post-post-moderns, both forward and backward looking”, while Rolling Stone says, “To be smart and original, playful and provocative — those are the standards Tortoise really aspire to, and that they achieve
as ingeniously as ever.” |
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http://www.anti.com/news.php
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| | Tom Waits - Real Gone - Album Review |
| | Search Terms:Tom Waits, Real Gone, Music review, album review, single review, band interview, artist interview, free music, live review, live music, music concerts, music news, free mp3 | | | The king of experimentalism is back on the road, commencing a multicultural journey through afro Caribbean influences, Jamaican rock grooves, blues, and African and Latin rhythms and the start of success with the new album, “Real Gone.” | | | Tom Waits - Real Gone - Album Review |
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http://www.contactmusic.com/new/home.nsf/webpages/tomwaitsx04x10x04
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| | HoustonChronicle.com - Tom Waits, 'Real Gone' |
| | Vocal tricks and loops and a smidgen of turntabling make Real Gone a blues record from some DJ's candlelit underworld, where Charley Patton's bones have been exhumed and coerced onto the dance floor to shake a leg. | | | Waits has always chosen guitarists well, and reuniting with the fabulous Marc Ribot (who played on Waits' classic 1985 album Rain Dogs) was inspired, especially with the dirty Havana groove he digs around Waits' frenzied, menacing vocal on Hoist That Rag. | | | By now, most folks have cast their lot with or against the ol' growl. |
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http://www.chron.com/cs/CDA/ssistory.mpl/ae/music/albums/2884877
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| | ♪ Madness Lyrics -- ( Solid Gone Song Lyrics ) |
| | Madness - Solid Gone Lyrics Viewed 0 Times. | | | ♪ Madness Lyrics -- ( Solid Gone Song Lyrics) | | | Tell A Friend About Madness - Solid Gone Lyrics: |
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http://lyrics.rare-lyrics.com/M/Madness/Solid-Gone.html
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| | Guardian Unlimited Arts reviews Tom Waits, Real Gone |
| | Musically, Real Gone is as eccentric and obtuse as ever: quite aside from Waits's human beatboxing, the album features 11 minutes of muffled dub reggae (Sins of My Father) and a sort of Afrobeat sea-shanty (Hoist That Rag). | | | In the past, Waits has described his albums as "movies for the ears" - works of invention in which he inhabits purely fictional personas. | | | Twenty years on, it's the province of irredeemably naff boy band members and nutcases on The X Factor. |
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http://www.guardian.co.uk/arts/reviews/story/0,11712,1316451,00.html
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| | Van Morrison Real Gone Lover LYRICS! |
| | If the Real Gone Lover lyrics are wrong please tell us. | | | Van Morrison Lyrics - Real Gone Lover Lyrics! | | | If we're missing any of the Van Morrison lyrics please let us know. |
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http://www.acidlyrics.com/lyrics/203203
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| | City Pages - Tom Waits: <I>Real Gone</I> |
| | On several of his albums, a phrase or colorful detail appears, in more or less the same form, in two different songs. | | | Like Waits, Ribot is a man of exceptional taste who doesn't hide his varied influences yet always sounds distinctive. | | | Real Gone is a modest departure from his past work in that it mostly eschews keyboards and emphasizes the human beatboxing and turntablism dabbled in on 1999's great Mule Variations. |
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http://www.citypages.com/databank/25/1246/article12587.asp
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| | Real Gone... |
| | I think it is kind of a culmination of blues, folk, beatbox (new album), and all sorts of other odd stuff. | | | I've never even heard of Tom Waits, lol but at least you like listening to him. | | | So I saw your post in the Music subforums in DD, and I read the AllMusic.com review, and so I still don't really know what type of music it is? |
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http://forums.livingwithstyle.com/showthread.php?t=48686
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| | The Louisville Cardinal Online - 'Real Gone' not a departure for Waits |
| | “Green Grass” may be the most compelling of the slow and spare tracks on “Real Gone,”; especially the eerie spaghetti western whistling solo. | | | Since dropping his piano-barfly shtick, Tom Waits has managed to walk a line between the experimental and the orthodox. | | | The track also features the only keyboard work – such as it is – to be found on “Real Gone,”; some incidental musings on the Chamberlain. |
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http://www.louisvillecardinal.com/vnews/display.v/ART/2004/11/16/419a54935f20f
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| | Morrison Van, Real Real Gone guitar tabulature, tab |
| | In search field below type the name of album, song and/or artist, specific words from the song. | | | Morrison Van - Real Real Gone Guitar tabulature | | | # "Real Real Gone" Van Morrison Taken from the album The Best of Van Morrison Vol. |
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http://www.lyricplaza.com/guitar-tab/Real-Real-Gone-13115.htm
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