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| | Piano Phase - definition of Piano Phase in Encyclopedia |
 | | Piano Phase is a piece of music written in 1967 by the minimalist composer Steve Reich for two pianos. | | | The music is made up, therefore, of nothing more than the results of applying the phasing process to the initial twelve-note melody - as such, it is a piece of process music. | | | Reich further developed this technique in pieces like Violin Phase (also 1967) and Clapping Music (1972), and it is often used alongside other techniques in later works, such as The Desert Music (1984). |
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http://encyclopedia.laborlawtalk.com/Piano_Phase
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| | Violin Phase - Wikipedia, the free encyclopedia |
| | Violin Phase, written by minimalist composer Steve Reich in 1967, is an example of his phasing technique previously used in Piano Phase in which the music itself is created not by the instruments but by interactions of temporal variations on an original melody. | | | In Violin Phase, two violins are recorded and played back, together at first. | | | Music of this kind is generally referred to as process music. |
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http://en.wikipedia.org/wiki/Violin_Phase
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| | Article 8 |
| | Being that the piano is an acoustic instrument, factors such as the size and treatment of the room versus the type of acoustic piano sound you're going for (classical, jazz, rock or R and B) all have to be accounted for. | | | For classical music it is customary to place the microphones outside the piano on the side of the lid that opens. | | | As you can see, having the piano set up for the style of music you'll be recording is essential. |
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http://members.aol.com/uniquenyc/key8.htm
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| | Whisperings: Solo Piano Radio - The Vision |
| | We're promoting solo piano music, so we have to promote solo piano albums. | | | A good rule of thumb is this: the more solo piano music your album contains, the more likely it is we'll use it. | | | If we can't reasonably call your CD a solo piano album, we can't promote it to our listeners. |
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http://www.solopianoradio.com/vision.htm
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| | Piano Tuning Lesson - American School of Piano Tuning |
| | Whether you play a piano or not is unimportant. | | | If you don't own a piano, perhaps a friend, lodge hall or church will permit you to practice with one of their pianos. | | | The lowest note on the piano is 27.5 Hz (c.p.s.) and the highest note, key #88, is tuned to 4186 Hz (c.p.s). |
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http://www.piano-tuning.com
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| | Random Phase Music Generator |
| | Phasing is the process of looping the same pattern of music on two or more tape recorders (running at slightly different speeds), so they will slowly shift out of synchronization and produce the out of phase effect. | | | Random music has been around for a long time (from Mozart's musical dice game to John Cage's chance music), but phase music was invented rather recently by Steve Reich. | | | These settings are not related to the phasing process, but they make the music sounds more human. |
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http://phase.sourceforge.net
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| | New Orleans Piano Giants Past and Present (by Tom McDermott) |
| | By his twenties, he had composed piano music that reflected his New Orleans upbringing; the Latinate rhythms and rolling right-hand figures one associates with later New Orleans keyboardmen are present in his music a century before Professor Longhair. | | | The best current Peppers' collection on CD is "The Pearls" (Bluebird/RCA); for Morton's fascinating solo piano music, seek out the Library of Congress sessions recorded by Alan Lomax and reissued recently on Rounder on four CDs. | | | As a child, he absorbed both the music of the slaves and the European art music available in New Orleans before being sent to Paris for further musical training at age twelve. |
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http://www.satchmo.com/ikoiko/tm9704a.html
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| | reich |
| | Violin Phase is for either 1 live violinist and a tape part made by the performer (the tape containing three other violin parts) or by 4 violinists. | | | This phasing involves the repetition of a single idea which through the phrasing process caused by the differing speeds of the tape recorder to create various musical effects. | | | The connection to non-Western musics is not so clearly articulated in the compositional aesthetic of Young and Feldman, but the sense of an "other" sort of musical tradition is still present in their music. |
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http://www.sinc.sunysb.edu/Class/mus352/notes/reich.htm
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| | s t e v e r e i c h |
| | When he found that he could repeat the phasing process with a bit of practice, he recruited a second piano player to take the place of the orginal tape loop, thereby removing the tape entirely and letting the slight discrepencies of human performance contribute to the rhythm of the piece. | | | He recorded himself playing a simple set of notes on the piano, looped it in playback, and attempted to play by himself on the piano what would have been a second, gradually-out-of-phase tape loop's job. | | | This discovery led to a string of breakthrough compositions, Piano Phase (1967), Violin Phase (1967) and Four Organs (1970). |
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http://home.earthlink.net/~jkannenberg/reich/bio3.html
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| | Rob’s Music Collection |
| | Quartet for Violin, Clarinet, Tenor Saxophone and Piano, Op. | | | Sonata for Violin and Piano No. 1 (1921) | | | Concerto for Piano and Orchestra in F sharp minor, Op. |
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http://cec.wustl.edu/~rhl1/music.html
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| | aworks :: "new" american classical music: reich, steve |
| | Listening to his Violin Phase or Piano Phase might be fun for a basic understanding of what minimalist music is trying to accomplish, but 18 musicians is so far some of the most absorbing music I've heard from him. | | | / Henry Cowell's Exultation is cute, stylishly peppy piano... | | | The CD also has polyphonic music from the Aka Pygmies, that was said to have inspired both composers. |
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http://rgable.typepad.com/aworks/reich_steve/index.html
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| | DAVID TUDOR PAPERS, 1884-1998 (BULK 1940-1996) |
| | Each roll is marked: Piano I, Roll 1; Piano I, Roll 2; Piano I, Roll 4; End of Piano I, Roll 6. | | | A book of music for 2 pianos, 1944 | | | Troisième sonate pour piano - formant 2-trope, 1961 |
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http://www.getty.edu/research/conducting_research/finding_aids/tudor2_m10.html
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| | Amazon.ca: Music: Phase Patterns/Pendulum Music/Piano Phase/Four Organs [Import] |
| | Nevertheless, Piano Phase ranks as one of Reich's great achievements, and in the hands of pianists Steffen Schleiermacher and Josef Christof, the vaunted phases of synched-up playing last longer and sound more tempered than Nurit Tilles and Edmund Niemann's recorded debut of the piece. | | | I'm a twenty four year-old Reich fan and I'd never heard phase patterns or pendullum music before this. | | | The music on this cd feels like such a futuristic rush in its phasing & tempo & meditative keenness of process, it's great. |
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http://www.amazon.ca/exec/obidos/ASIN/B0000257MC
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| | REICH, Steve Michael :Gilder-MusicWeb Dictionary of composers |
| | Violin Phase, for violin and pre-recorded tape or four violins | | | Music for three or more pianos or piano and tape | | | Octet, for two pianos, string quartet, two clarinets/bass clarinet/flute/piccolo |
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http://www.musicweb-international.com/Classpedia/Reich.htm
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| | Ingvar Karkoff (1958) |
| | Reich tried using this technique with a combination of live instruments and tape, but also found that it was fully feasible for two musicians, without a tape recorder, to execute a similar progression. | | | The arrangement is in fact an augmented version of a transcription for lute solo, where the added bass viol part accentuates the piece’s long lines and atemporal character, creating an almost stationary pedal under the melody. | | | Cage wrote this peice for piano: here it is performed in a version for archlute and bass viol by Peter Söderberg. |
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http://www.alice-musik.se/004B.html
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| | Home Recording dot com BBS - Recording Grand Piano |
| | I have recorded some grand piano and while it sounds OK it is not the greatest - kind of dark and muddy. | | | A grand piano is not one of those things you just say put the mics here and there and it will work. | | | Life is a bitch and recording piano doesnt help....... |
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http://homerecording.com/bbs/showthread.php?t=42196
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| | New Music Series |
| | Pernaiachi’s Abendland is a solitary and profound piano solo meditation on sound and silence. | | | In Riley's opinion, this is one of his best piano albums. | | | The piano hints, rings out, whispers: the sound is crystal clear, essential and divides like a prism into mysterious harmonics and distant resonances. |
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http://www.amiatamedia.com/eng/series/nm/nm2_e.htm
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| | Jon Gibson - In Good Company |
| | Unfortunately, Terry died in 1981 and all that remains of his playing (on saxophone as well as the piano) is a limited number of rough recordings. | | | It is his first "phase" piece involving a live performer - coming a few months before his more widely known and more developed "Piano Phase" and "Violin Phase". | | | While he no longer uses phasing, Reich's music continues to be informed by the process, its rich counterpoint, and complex rhythmic schemes. |
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http://www.glasspages.org/gibson.html
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| | Gold Branch Music, Inc.- Piano Works |
| | Vier Kleine Klavier Stuecke (Four Little Piano Pieces) | | | Movement three combines elements of Steve Reich's Piano Phase and Violin Phase. | | | Compositional similar to works by Prokofiev or Shostakovich this work is sure to delight concert audiences as this somewhat "tipsy" waltz flows throughout the concert hall. |
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http://www.goldbranchmusic.com/piano.htm
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| | Classical Net - Basic Repertoire List - Reich |
| | This process was later incorporated into several pieces for traditional acoustic instruments (or instruments and tape), such as in "Piano Phase" (1967) and "Violin Phase" (1967). | | | Recently, Reich has returned to the ideas first seen in "Violin Phase" in a series of pieces for solo instruments and tape. | | | Reich’s later music is characterized by a considerably faster harmonic rate of change, and by a more diverse (though still strictly diatonic) harmonic language. |
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http://www.classical.net/music/comp.lst/reich.html
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| | piano/aquarium project |
| | That piano was too beat up, and there was no room to work on it. | | | I was happy to discover that the piano had Mahogany veneer. | | | They stated that their insurance would not cover them on it--injury to themselves or the piano. |
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http://www.errthum.com/troy/aquiano
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| | Variations links |
| | This song is an example of (mostly) quartal sonorities in the piano part, and (mostly) whole tone pitch structure in the voice part. | | | This is not in the T331 coursepacket, but it is a classic example of Reich's "phase" music. | | | The score of this song (written in 1922) can be found in the Burkhart anthology. |
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http://theory.music.indiana.edu/t331/recordings.html
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| | Aliant : Aliant, Adventus Interactive and The Maritime Conservatory of Performing Arts launch the first online music ... |
| | Using Adventus' Piano Suite Online -- a breakthrough in music learning software -- beginner and intermediate-level music students aged eight and up can enjoy the convenience and flexibility of online music instruction. | | | Adventus' flagship product to date has been Piano Suite Premier, a music learning software product aimed at piano students aged eight and up. | | | Over the past two years Adventus has focused on the development of two new software products: Children's Music Journey and Piano Suite Online -- both fun and affordable approaches to the learning of music. |
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http://www.bce.ca/en/news/releases/aliant/2005/02/10/72082.html
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| | ADSR - Waikato Linux Users Group |
| | A piano emulation has no Sustain phase to speak of, while for a violin it might be quite long. | | | This might be gentle, gradual for an emulation of a melancholic violin, or very rapid for a forcefully stricken piano. | | | In emulating a violin, this might not be much of a decay at all, as a violin player can hold a note for a very long time. |
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http://www.wlug.org.nz/ADSR
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| | Steve Reich |
| | In a 1969 performance of the work by Richard Teitelbaum and Frederic Rzewski Piano Phase was adapted for piano and synthesiser. | | | Common to all three is the fact that their music avoids any sense of climax, development or directionality. | | | He argues that in order to facilitate closely detailed listening a musical process must happen extremely gradually, like the movement of the minute hand on a watch or the slow trickling of sand through an hour glass. |
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http://media.hyperreal.org/zines/est/articles/reich.html
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| | Roots of Rock |
| | Although this Ammons track has the power of a full rocking band, it's actually just one man by himself on a piano. | | | In this track, a true masterpiece, the fine line between boogie and rock is blurred, and the song's title doesn't clear it up much. | | | Turner's "That's All Right Baby" above, with Pete Johnson on piano, was also made at that monumental concert. |
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http://www.hoyhoy.com/roots.htm
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| | Amazon.com: Steve Reich 1965-1995 [BOX SET]: Music |
| | Aside from the ear's liquid sense-making when it hears the dense and limber marimbas of Reich's Six Marimbas or his taut, dizzying Piano Phase, there is a physical response almost inevitable in Reich's music. | | | In the afterglow of his 60th birthday in 1997, Nonesuch Records delivered Steve Reich and his listeners an immense gift, this 10-CD retrospective of his work for the label, extending from his earliest tape-manipulation pieces to his most recent compositions utilizing samplers and the video artistry of Beryl Korot. | | | Piano Phase, for 2 pianos (or 2 marimbas) |
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http://amazon.com/exec/obidos/tg/detail/-/B000005J4P?v=glance
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| | Literature and Styles in Music IV |
| | No. 2: clar., piano, vibes, chimes, marimba, solo violin and basses, group of cellos | | | Piano Phase, Violin Phase, Phase Patterns, Clapping Music, Pendulum Music | | | Night Music II (Four Nocturnes for violin and piano (1964) |
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http://www.uwgb.edu/ogradyt/ls4/amernm.htm
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| | NewMusicBox |
| | And yet, Nancarrow's music had a closer relationship to minimalism than he'd ever admit (there was no use arguing the point with him). | | | And phase-shifting, of course, becomes the primary preoccupation of Reich's work of the 1960s in Come Out, Piano Phase, Violin Phase, and It's Gonna Rain. | | | More generally, Cowell's remarks on rhythm opened up a whole new era in the structuring of music. |
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http://www.newmusicbox.org/page.nmbx?id=31tp04
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| | MTO 3.3: Chopin, Pygmies, and Tempo Fugue: Ligeti's "Automne a Varsovie" |
| | [1.1] Gyorgy Ligeti's ongoing series of piano etudes embodies many elements of his music since 1980--a fascination with complex rhythms, a pursuit of new kinds of harmonies and melodies, and a strange, almost eerie reminiscence of earlier styles of music. | | | Faster descending scales have also played an important part in the ninth piano etude, "Vertige" (1989), and the third movement of the Violin Concerto. | | | Among the most striking is number six, "Automne a Varsovie" (1985), which combines disparate influences, including 19th-century piano music and sub-Saharan African polyrhythm, to produce an effect which Ligeti has called "tempo fugue." To see how Ligeti's fugue works, this article examines his various influences, then analyzes the piece itself. |
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http://www.societymusictheory.org/mto/issues/mto.97.3.3/mto.97.3.3.taylor.html
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| | Schott Music - Shop - Shop - Phase Patterns / Pendulum Music / Piano Phase / Four Organs |
| | The conceptional concentration in the musical work on the structurally simple means of its creation is seen especially in Reich's "Pendulum Music", which is presented here in three different versions. | | | Strict minimal music ended with "Phase Patterns" of 1970. | | | Phase Patterns / Pendulum Music / Piano Phase / Four Organs |
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http://www.schott-music.com/shop/products/show,93680.html
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| | Full Schedule |
| | Selected students in flute, clarinet, cello, piano, percussion, voice, violin, and classical guitar will rehearse intensively with their assigned chamber group coached by members of the UMBC faculty on Saturday the 29th and Sunday morning the 30th, in preparation for a Sunday afternoon concert. | | | Hoffmann has recorded solo piano and chamber music for Capstone, Orion, CRI, Northeastern, Composers Guild of New Jersey, Contemporary Record Society, OO Discs, Spectrum, and Vienna Modern Masters labels and has made numerous radio broadcasts in the U.S. as well as for Voice of America, Radio Cologne, Radio Frankfurt, and Radio France. | | | Hoffmann is currently Professor of Music at Mason Gross School of the Arts, Rutgers University, where he teaches piano, chamber music and directs the contemporary music ensemble, HELIX!, which he founded in 1990. |
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http://www.umbc.edu/NewsEvents/Arts/Calendar/schedule.html
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| | electro-music.com :: View topic - Phase Modulated Piano |
| | This replaces a patch that I posted before [Piano 02VM.pch] that has an error (the Note Pan module should be set to Log mode instead of Lin mode). | | | I think it sounds more like a real piano. | | | electro-music.com :: View topic - Phase Modulated Piano |
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http://electro-music.com/forum/viewtopic.php?p=34029
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| | REVIEW |
| | This technique guided many of his early works, first using spoken word manipulation for structural clay, then moving to acoustic instruments like violin, piano and organ. | | | "Drumming", composed after a three month study under a Ghanian master drummer, expanded upon his phasing style, by playing with subtactile beats - the spaces between the tactile, heard beats. | | | Track listing: "Music for 18 Musicians (Coldcut remix)", "Eight Lines (Howie B remix)", "The Four Sections (Andrea Parker remix)", "Megamix (Tranquility Bass remix)", "Drumming (Mantronik - Maximum Drum Formula)", "Proverb (DJ Takemura remix)", "Piano Phase (D*Note's Phased and Konfused Mix)", "City Life (DJ Spooky that Subliminal Kid (Open Circuit))", and "Come Out (Ken Ishii remix)". |
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http://www.westnet.com/consumable/1999/02.15/revreich.html
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| | Musica |
| | Nyman is widely known since he composed the soundtrack for the film "The Piano". | | | Even if his music does not match exactly this characteristics, Michael Nyman is sometimes considered as a minimalist composer. | | | Steve Reich, with a highly percussive kind of music, fully dominated by the compositive method of musical process, has very important compositions as "Six Pianos", "Come Out", "Piano Phase", "Drumming", "Different Trains"or "Electric Counterpoint". |
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http://ourworld.compuserve.com/homepages/jordi_brio/musica_eng.html
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| | Gridface: 20th-Century Avant-Garde |
| | Reich then moved on to creating the same effect with live musicians in Piano Phase (1967), Violin Phase (1967), and Four Organs (1970). | | | In the ’60s Cage experimented with computer music as well as the sounds of shells, fire, and trains. | | | Recommended starting point: Sonatas and Interludes for Prepared Piano performed by Boris Berman (Naxos) |
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http://www.gridface.com/features/20thcentury_avantgarde.html
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| | XXC Perf. |
| | Minimalism and Pattern Music: Reich, Violin Phase, Piano Phase, Clapping Music; Glass, Riley: In C; | | | Carter: Quintet; Duo vlin, piano; 8 pieces for Four Timpani; Sonata VC piano; | | | Reich: Drumming; Music for Mallet Instruments, Voices and Organ; Clapping Music; Piano Phase; Violin Phase; |
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http://www.music.mcgill.ca/~alcides/215-695B
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| | Lois Svard, Pianist |
| | Svard has created a concert series celebrating radical ideas in piano music from Franz Liszt in the 1850s to György Ligeti in the 1990s - including works for prepared piano, digital keyboard and microtonal tunings, works influe | | | Synchronisms No. 6 for piano and electronic tape (1970) |
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http://www.facstaff.bucknell.edu/svard/150years.html
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| | MUSIC REVIEW; Ignoring Classical Tradition For a Revel in Pure Sound - New York Times |
| | Bang on a Can's band of a string bass, percussion, piano, guitar, cello and clarinet, variously amplified, provided the source for all three composers. | | | The excellent musicians were Robert Black (bass), David Cossin (percussion), Lisa Moore (piano), Mark Stewart (guitar), Wendy Sutter (cello) and Evan Ziporyn (clarinet). | | | Reich's ''Pendulum Music,'' a bit of technological whimsy, had four microphones swinging on cords and creating sound metaphors through attached amplifiers. |
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http://query.nytimes.com/gst/fullpage.html?res=9904E0D91038F93AA25755C0A9659C8B63
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| | Drew Krause - piano |
| | We played a lot of concerts in the Midwest and East Coast and recorded a CD for Frog Peak. | | | From 1988-1998 I worked with composer/pianist Paul Marquardt in the Thump piano duo. | | | Feldman, Morton: Three Pieces for Piano, Piano Piece (to Philip Guston) |
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http://www.panix.com/userdirs/dkrause/piano.html
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| | About Ladyfingers Music |
| | Instructor is Normita Jeffery, and she offers top-notch instruction on the piano. | | | Click the Image to Hear Clips and Purchase CD Ladyfingers Music Company is a multifaceted organization. | | | Classical accompaniment is offered to solo artists (vocal and instrumental) who may need piano accompaniment for solo or ensemble engagements. |
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http://ladyfingersmusic.com/aboutus.htm
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| | Booth's Music |
| | A progressive step-by-step Piano course presenting the rudiments of music in logical order, with gradual and steady progress. | | | Editions Durand - Messiaen 20 pieces on the baby Jesus, arranged for solo Piano. | | | This fine album contains 12 short pieces for Piano written in various styles such as Glen Miller, Rock & Roll, Swing, Heavy Rock, Bossa Nova, Rumba, Slow Waltz etc. |
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http://www.boothsmusic.co.uk/acatalog/Booths_Catalogue_5_372.html
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| | Computer Music Examples-Reich and Tenney |
| | In Piano Phase, two musically identical motives are looped at slightly different tempos. | | | They do essentially the same thing (and some year I'll combine them into one.) | | | Therefore, to double the soundfile playback speed, set the pitch at "72", or the MIDI pitch one octave above middle C. Likewise, to halve the speed, transpose down one octave to "48". |
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http://www-crca.ucsd.edu/~msp/pdrp/latest/doc/reich/reich_text.htm
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| | Steve Reich-discography |
| | Six Pianos, Pendulum Music, Violin Phase, Music for Pieces of Wood, Drumming-Part Four | | | Roland Diry: clarinets (New York Counterpoint); Jagdish Mistry: violin (Violin Phase); Peter Rundel: conductor (City Life); Bradley Lubman: conductor (Eight Lines) | | | Also includes, The Rite of Spring by Igor Stravinsky, arranged for two pianos, and Three Dances by John Cage |
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http://www.stevereich.com/discography.html
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| | Westminster Choir College > Student Blog: Conducting class is a Hoot! |
| | Contemporary Trends was great because we got to listen to "minimalist" music with lots of repetitions of small phrases of music. | | | What does a piano student's schedule look like? | | | One such example was "Piano Phase" by Steve Reich. |
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http://www.rider.edu/~wccblog/2005/03/conducting-class-is-hoot.html
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| | From New York to Vermont: Conversation with Steve Reich |
| | You can use up to twenty-two people, and the number of musicians will vary from ensemble to ensemble. When you see us doing it, we’re just the original instruments. | | | There is a wonderful visual side to Music for 18, in the way one performer takes over an instrument from another performer. Is that an important aspect of performing Music for 18? | | | I turn out to be that kind of artist, because that’s who I am. I got bored writing phase pieces. I couldn’t write any phase music after 1971. I couldn’t write Music for 18 Musicians or anything like that now. I just move on to the next thing that seems to need doing. |
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http://www.stevereich.com/articles/NY-VT.html
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| | BBC - Radio 3 - Composer of the Week - 2. Steve Reich |
| | Donald Macleod explores the development of Reich's music from the austerity of Piano Phase to the action-packed portrait of New York in City Life. | | | Double Edge: Nurit Tilles and Edmund Niemann (pianos) | | | Steve Reich's exposure to Terry Riley's revolutionary work In C inspired him to follow in Riley's footsteps and he was soon to become one of Minimalism's key exponents. |
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http://www.bbc.co.uk/radio3/cotw/pip/ia1wt
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| | Minestrone: 10cc/Godley & Creme Fan Site |
| | Vocals, lead guitar, piano, moog, slide guitar, organ, electric piano, phase guitar, whistle, marracas | | | Drums, percussion, tambourine, wah piano, cabasa, hand claps, gong, piano stool (?), conga, triangle, bell tree, roto toms, wood block, vibes, a go-go bells, claves | | | Arranged and conducted the strings and brass on People In Love and Feel The Benefit |
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http://www.minestrone.org/lp0005.htm
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| | Accent Online Page 22 |
| | From the unfinished wood being brought in, to the Disklavier pianos being rolled out, tour members got an up close look at the quality that goes into every step of a Yamaha piano. | | | he Yamaha Music Manufacturing (YMM) plant tours in Thomaston, GA, held in May, once again let dealers from across the nation see first hand the high quality and expert craftsmanship that goes into each Yamaha acoustic and Disklavier® piano. | | | Approximately 80 guests were led through the plant by various team leaders, emphasizing the attention to detail at each phase of piano production. |
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http://www.yamaha.com/publications/accent/Accent398/pg22.html
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