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| | Frankie Goes to Hollywood - Wikipedia, the free encyclopedia |
 | | Emerging from the late 1970s Liverpool punk movement (key member Paul Rutherford had previously been in bands including The Spitfire Boys), FGTH are said to have taken their name from a newspaper headline referring to either Frank Sinatra or, more likely, Frankie Vaughan. | | | Rutherford, the other openly gay member of the band, released the ABC-produced album Oh World and a handful of singles before retiring with his partner to a farm in New Zealand to raise a family. | | | The band was fronted by Liverpudlian singer Holly Johnson, and was supported by Paul Rutherford along with Peter Gill, Mark O'Toole and Brian Nash. |
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http://en.wikipedia.org/wiki/Frankie_Goes_to_Hollywood
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| | EMANEM 4082: PAUL RUTHERFORD |
| | This CD is a celebration of the trombonist's music and the impact the British improvisers that came of age in the late 60s and early 70s had on the younger American generation. | | | From the mid-1960s, Paul Rutherford and Lol Coxhill were two of the leading lights in the revolution that transformed Free Jazz into Free Improvisation. | | | Rutherford is still in very good shape: inventive, resourceful and absolutely capable of keeping an improvisation interesting for that long. |
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http://www.emanemdisc.com/E4082.html
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| | Paul Rutherford - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links |
| | Rutherford issued some compelling solo sessions in the '70s, then formed a new edition of Iskra 1903 with Guy and Phil Wachsmann in the '80s. | | | Rutherford also played with the London Jazz Composers Orchestra, Globe Unity Orchestra, and Tony Oxley septet, as well as with Evan Parker and Paul Lovens. | | | He met John Stevens and Trevor Watts in the RAF, and they co-formed the Spontaneous Music Ensemble in 1965. |
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http://www.artistdirect.com/nad/music/artist/bio/0,,488106,00.html
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| | EMANEM 4019: PAUL RUTHERFORD |
| | This album was the first of Rutherford's solo work to be recorded, and is an excellent representation of his music in 1974. | | | Paul Rutherford may be less well known than some of his old partners in arms like Evan Parker and Derek Bailey, but on this live solo recital he sounds every bit as original, compelling and creative. | | | The trombonist follows his own agenda, constantly choosing the direction the listener didn't think of, slipping from one approach to the next, adding colours and even a bit of humour, something inevitable with an instrument that has a reputation to be funny. |
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http://www.emanemdisc.com/E4019.html
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| | Paul Lovens - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links |
| | Meticulous attention was paid to packaging and artwork, and one result was the album The Last Supper, a duet with Kondo, being chosen for a hard-cover coffee table volume collection of artistic album covers. | | | Sporting a black suit and tie no matter what the occasion or outside temperature, German drummer Paul Lovens is a much-loved and highly respected presence on the European improvising scene, and since the mid-'90s, has also begun performing regularly in the United States as interest in the art of European improvisers increased stateside. | | | In the mid-'70s he began his own vinyl label imprint, Po Torch, releasing a series of percussion duets with British drummer Paul Lytton, among other projects. |
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http://www.artistdirect.com/nad/music/artist/bio/0,,460560,00.html
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| | Paul Rutherford - Rogues: Reviews, Track Listing, Audio Clips, and more Music.com |
| | The paths of trombonist Paul Rutherford [+] and bassist Paul Rogers [+] have crossed often, but their duo recordings are very limited. | | | Paul Rutherford - Rogues: Reviews, Track Listing, Audio Clips, and more | | | Paul Rutherford - Rogues: Reviews, Track Listing, Audio Clips, and more |
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http://www.music.com/release/rogues/1
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| | Paul Young info (The Musicians' Olympus) |
| | They recorded an album for Chrysalis label in 1976, but it was never released. | | | They recorded an album in 1975, but some years later, David Rohl started recording a new album, and he called some of his old bandmates to play on it. | | | They released a new album, Politics of existance, with guest musicians, including Paul's mates Mike Rutherford and Paul Carrack. |
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http://www.geocities.com/SunsetStrip/Diner/2674/young_paul_a.htm
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| | PROGRESSIVEWORLD.NET: INTERVIEWS |
| | Needless to say this was the start for the gigantic success of drummer/singer Phil Collins yet also Mike Rutherford would leave the band concept and concentrate on his first solo outing in the form of the album Smallcreep's Day. | | | Rutherford regularly writes songs with BA Robertson, a guy who had a small hit single several years ago. | | | Paul Carrack has always been one of my all-time favourite singers and Paul Young (NOT the one from the 'Wherever I Lay My Hat' single!) I already new from his band Sad Café. |
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http://www.progressiveworld.net/mike_mechinterv.html
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| | Amazon.com: Rewired [IMPORT]: Music |
| | Paul Young's(another member of M&M that died in 2000)presence is sorely missed in the mix, but I am here telling you that the remaining members Mike Rutherford and Paul Carrack did a great job with this album. | | | Even though Paul Young's vocal presence is greatly missed, and the Mechanics will never be quite the same without him, Mike Rutherford and Paul Carrack have nonetheless created what is quite possibly the best Mechanics album to date, and I tip my hat to both of them with the utmost respect and admiration. | | | The creativeness behind this track, with killer guitar riffs from Rutherford, the heavy percussion, ominous piano and synths, tape loops, and the occasional vocal drop-ins from Carrack, is simply astonishing. |
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http://www.amazon.com/exec/obidos/tg/detail/-/B00021Y91S?v=glance
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| | CD Review of Paul Rutherford - Iskra3 on psi records @ jazzreview.com |
| | Estimable British free improviser, trombonist Paul Rutherford embarks upon the man versus (digital) machine methodology by lining up with live EFX processing artists, Robert Jarvis and Lawrence Casserley. | | | In fact, the producers’ recommend that this outing should not be listened too in one sitting, which from this reviewer’s perspective is sound advice. | | | CD Review of Paul Rutherford - Iskra3 on psi records @ jazzreview.com |
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http://www.jazzreview.com/cd/review-16732.html
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| | Paul Rodgers News |
| | While rock band Queen’s eight-month comeback tour fronted by Free/Bad Company rocker Paul Rodgers played out this week with a handful of sold-out stadium dates in Japan, the chance to see the band live in action is not a lost cause. | | | Coinciding with their entry straight into the DVD charts at No.1 with Return of the Champions, 140 minutes on film of the band in concert on their recent tour, the Queen + Paul Rodgers show is making a comeback to the UK, live, and larger than ever. | | | For Queen, a band which has always embraced new technology, it gives their fans the chance of seeing and hearing the band in a whole new dimension. |
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http://www.paulrodgers.com/news.html
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| | CDeMUSIC |
| | Paul Rutherford performs a set of solo trombone improvisations, including 'Noita Neila', 'Elaquest', 'Lonescariso', 'Esuni Setag', 'The Funny Side of Discreet', 'Osirac Senol', and 'Er Player Blues Now', all recorded in London in July, August, and December 1974. | | | Improvisational compositions by Paul Rutherford, with performances by Rutherford (trombone), Maggie Nicols (voice), Norma Winstone (voice), Kenny Wheeler (trumpet), Malcolm Griffiths (trombone), Paul Nieman (trombone), Geoff Perkins (trombone), Dick Hart (tuba), Dave White (saxophones), Trevor Watts (saxophones), Evan Parker (saxophones), Howard Riley (piano), Derek Bailey (guitar), Barry Guy (bass), and Tony Oxley (electronics). | | | Spontaneous Music Ensemble, which consists of John Stevens (percussion), Trevor Watts (winds, percussion), Derek Bailey (guitar), Barry Guy (bass), Evan Parker (saxophone), Paul Rutherford (trombone), and Kenny Wheeler (trumpet, percussion), plays 'Withdrawl', a set of improvisations from 1966 - 1967. |
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http://www.cdemusic.org/store/cde_search.cfm?keywords=ee1
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| | Genesis - Mike Rutherford News |
| | Mike and the Mechanics and Paul Carrack released a DVD of their concert at the Shepherd's Bush Empire on 7th September. | | | Originally started in the 1980s as a solo project for Mike Rutherford, The Mechanics have released a total of 5 albums to date with the most recent, Rewired, being the first since the sad loss of co-lead vocalist Paul Young in July 2000. | | | With their new line up arranged and with Paul Carrack now the sole lead singer, they've been on the road all summer playing to sold out audiences at some of Europe's biggest stadiums as support for Phil Collins. |
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http://www.genesis-music.com/newsrutherford.htm
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| | (musings) Iska/Evan Parker review |
| | Two releases by what one might refer to (without wishing to be indelicate) as veterans of the London improvised music scene, one new and one long-unavailable, both featuring the mighty Barry Guy in two extremely different settings. | | | Paul Rutherford (trombone, piano), Derek Bailey (guitar), Barry Guy (bass) | | | Parker fans will be strongly reminded of another Parker disk, "Time Will Tell", one of his most accessible and popular, which featured the same line-up with Paul Bley instead of Crispell. |
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http://www.geocities.com/SoHo/Square/6100/iskra.htm
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| | Browse by Artist: RUTHERFORD, PAUL |
| | They performed a concerto featuring Coxhill and a free improvisation. | | | This 2004 recording is the latest in the series of sparks that light up key stages in Paul Rutherford's long musical odyssey." | | | "To make his third solo album, Rutherford went into a studio with both trombone and euphonium and used over-dubbing techniques to create unique pieces involving up to four brass instruments. |
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http://www.forcedexposure.com/artists/rutherford.paul.html
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| | Review Archives |
| | Intentionally (free) jazzier than most of Rutherford’s music, the piece allows the drummer to call upon more of his Jones than his Stevens’ lessons. | | | The first tracks, which are in essence one long improvisation from a 1983 British jazz festival were originally issued as an Ogun cassette -- doesn’t that sound antebellum-like now. | | | Known as a jazz-rocker, drummer Nigel Morris, who had studied with Philly Joe Jones and John Stevens -- Rutherford’s early employer in the Spontaneous Music Ensemble -- is sensitive to the leader’s moves and breaks up the time with a variety of stratagems. |
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http://www.jazzword.com/nova/showreview.pl?item=104298
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| | Evan Parker, Waterloo 1985 |
| | Yet Parker and Rutherford know exactly what he's doing: he's working at the quick-moving details in the music while keeping a watchful drumstick on the larger picture. | | | The rhythm drifts rather than swings (even when it drifts hard, if such a thing is possible) and the bluesy feel of much free music is replaced with a convoluted linearity more reminiscent of early Coltrane than the later incarnation. | | | This is a single, hour-long improvisation from players who will be familiar to many readers, in a setting that is similar in sound to saxophonist Evan Parker's celebrated trio with Paul Lytton and Barry Guy. |
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http://www.rambles.net/parker_waterloo98.html
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| | PAUL DUNMALL / CUNEIFORM RECORDS |
| | I Wish You Peace is a landmark recording in the career of one of modern jazz’s emerging giants: British jazz musician Paul Dunmall. | | | To celebrate the British musician’s 50th anniversary in 2003, the BBC enabled Dunmall to fulfill his longstanding dream to compose and record for a big band at Gateway Studios. | | | He is a member of the UK improvising ensemble Mujician and leads the Paul Dunmall Octet among many other credits. |
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http://cuneiformrecords.com/bandshtml/dunmall.html
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| | Paul Rutherford Trio GHEIM |
| | While Rutherford and Rogers remain active in the world of jazz (both releasing several albums since this '83 date), drummer Nigel Morris' output looks to be spotty and varied between the realms of fusion and other non-jazz genres. | | | The first part is the original two-part live recording of GHEIM at the Bracknell Jazz Festival on July 2, 1983; the latter half features three studio recordings from December of the same year. | | | The latest release of trombonist Paul Rutherford's GHEIM includes two '83 sessions. |
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http://www.allaboutjazz.com/php/article.php?id=17929
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| | Browse by Artist: PARKER, EVAN |
| | Reissue of Incus LP 39 plus a 7-minute piece from the same session." Recorded June 18th, 1980 in St. Judes on the Hill, London. | | | "Soprano saxophone solos recorded in 1986 in St. Paul's Church, Oxford by the late Michael Gerzon -- 'a giant in the field of audio'. | | | "An hour long improvisation by Evan Parker (saxophones), Paul Rutherford (trombone), Hans Schneider (double bass) & Paul Lytton (percussion & live electronics). |
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http://www.forcedexposure.com/artists/parker.evan.html
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| | The Stephenson Family of Rutherford |
| | Mom to Paul, 12-9-68, Sunday, from Rutherford Dear Paul and family, Hope you are all feeling good. | | | They are haveing the hundred year celebration this week at Rutherford. | | | Mom to Paul, 10-7-68, Sunday, from Rutherford Dear Paul & family, Just a line to let you know I'm home. |
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http://users.multipro.com/canecreek/let68.htm
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| | Frankie Goes To Hollywood - Information and Facts - Listen to Relax - gay icons - Paul Rutherford - Nasher Nash - Mark ... |
| | Holly was backed on vocals by Paul Rutherford - Born 8th December 1959 in Liverpool, England. | | | The promotion behind Frankie Goes To Hollywood, engineered by former music journalist Paul Morley, was both smart and inventive, utilizing marketing techniques such as single word slogans and the production of best selling T-shirts that offered the enigmatic message "Frankie Says..." | | | Frankie Goes To Hollywood - Information and Facts - Listen to Relax - gay icons - Paul Rutherford - Nasher Nash - Mark O'Toole - Peter Gill - Holly Johnson - |
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http://www.thesahara.net/relax.htm
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| | DMG: Emanem! |
| | by the trio of PAUL RUTHERFORD (trombone), PHILIPP WACHSMANN (violin | | | PAUL RUTHERFORD trombone PHIL MINTON voice - JOHN RUSSELL guitar - |
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http://www.dtmgallery.com/Main/catalog/emanem.htm
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| | Po Torch Records: a Checklist |
| | w/ Phil Wachsman, Harri Sjoestroem, Paul Rutherford, Teppo Hauta-aho, Paul Lovens; single side lp, rec. | | | Its main corpus of productions are concert live recordings of free improvised music." | | | wi/ Evan Parker, Alan Silva; Paul Lovens; rec. |
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http://www.dpo.uab.edu/~moudry/discog/potorch.htm
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| | BF 32 |
| | In short, if you want to hear a one-off formation of northern instrumentalists at the height of their powers, performing spur-of-the-moment improvisations, then this CD will be for you." Ken Waxman JAZZ WEEKLY | | | The recording quality is not ideal but it does give them a documentary feeling, actually helping to capture the atmosphere of the occasions." Bruce Coates RUBBERNECK | | | behind such wonderful musicians as Lol Coxhill and Paul Rutherford." Ben Watson YORKSHIRE POST |
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http://www.brucesfingers.co.uk/catalogue/bf32.htm
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| | PO TORCH RECORDS |
| | improvised music and improvised lyrics by sven-ake johansson, alexander von schlippenbach, maarten altena, derek bailey, günter christmann, wolfgang fuchs, paul lovens, candace natvig | | | recorded June 17, 1984 Berlin,(D) 2-LP-set of two entire performances: of a trio of evan parker, paul rutherford and paul lovens and in quartet with dave holland | | | recorded June 5, 1976 Wuppertal, (D) Paul Rutherford trombone, euphonium / Paul Lovens percussion instruments, etc. |
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http://www.uni-duisburg.de/AVMZ/frohne/discos/potorch.htm
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| | Cataloge200 |
| | SLAMCD 302 "The Holywell Concert" Paul Rutherford, Lol Coxhill, George Haslam, Howard Riley. | | | SLAMCD 301 "1989 - and all that" Paul Rutherford/George Haslam 'One of the most interesting record productions made in jazz in recent years' Rockerilla (Italy). | | | SLAMCD 303 "George Haslam Level Two' Rutherford, Riley, Haslam, Marcio Mattos, Tony Marsh plus Liz Hodgson. |
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http://members.aol.com/slamprods/slamprods/cataloge300.html
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| | ABC Forums |
| | If I am not mistaken, ABC produced several tracks for Paul Rutherd's (ex-Frankie Goes To Hollywood) debut LP in the very early 90s. | | | Yeah ABC did a couple of tracks with Paul. | | | Does anyone know if this is still in print? |
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http://www.abcmartinfry.com/forum/messages/2/101.html?1044610797
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| | Paul Rutherford Iskra³ |
| | On receiving the disc, I wondered why this Paul Rutherford release was on Psi, rather than on Emanem, like his other recent works. | | | One listen convinced me this was a bit different. | | | As on that record, the source material is occasionally rendered unrecognisable by electronic alterations of its tone and pitch, so that it becomes just one electronic sound in a flurry of component parts. |
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http://www.allaboutjazz.com/php/article.php?id=18208
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| | Bands |
| | Manager Tony Smith, vocals and percussion Paul Young, vocals and keyboard Paul Carrack, guitar and bass Mike Rutherford, keyboards Adrian Lee, drums Peter Van Hooke. | | | Whilst every effort has been made to produce a comprehensive record of Paul Young's musical career, and all those associated with it, it would take a lifetimes work to incorporate all! | | | vocals, Paul Young, Claire Moore, Viv Dixon, Doreen Edwards, Norman Barratt, strings Mandy Scott, Allison Calderbank, Fiona Robertson, Judith Kay, Rosalind Coward, piano Geoff Moore, guitar Norman Barratt, sax Lennie Zaksen. |
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http://www.paul-young.org/bands2.htm
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| | AFC Sudbury - Ipswich Wanderers 0-2 AFC Sudbury |
| | Stannard did well to swoop on a shot by Tom Noble on 11 minutes and Hurd’s long cross on 20 minutes was reached by Hetherington and dealt with by an alert Paul Rutherford. | | | Just before the break a fine move from A.F.C. Sudbury saw a cross reach Tom Noble whose shot flew just wide of the goal. | | | Grimwood responded for the home side with a measured pass to release Swann who shot tamely at Rutherford. |
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http://www.afcsudbury.com/match/matchreports.asp?ID=2370
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| | Jazz On Compact Disc @ Crazy Jazz - Emanem Records |
| | 14653 : PAUL RUTHERFORD SOLO : THE GENTLE HARM OF THE BOURGEOISIE - (1974) : EMANEM : | | | 14652 : PAUL RUTHERFORD / ISKRA 1912 - EVAN PARKER / DEREK BAILEY / MAGGIE NICOLS / NORMAN WINSTONE / KENNY WHEELER / BARRY GUY / TONY OXLEY / HOWARD RILEY... | | | 31641 : PAUL RUTHERFORD SOLO : NEUPH - COMPOSITIONS FOR EUPHONIUM and TROMBONE - (1978 + 2 PREVIOUSLY UNISSUED TRACKS FROM 1980) : EMANEM : |
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http://www.crazyjazz.co.uk/Labels/E/EMANEM.htm
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| | Jazz On Compact Disc @ Crazy Jazz - Slam Records |
| | 04499 : GEORGE HASLAM and PAUL RUTHERFORD : 1989 and ALL THAT : SLAM : | | | 02888 : PAUL DUNMALL and PAUL ROGERS + POLLY BOLTON : FOLKS - (1989 and 1993) : SLAM : | | | 28722 : GEORGE HASLAM / BORAH BERGMAN / PAUL HESSION : THE MAHOUT - (2003) : SLAM : |
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http://www.crazyjazz.co.uk/Labels/S/SLAM.htm
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| | WNUR Jazz Report, 11/4/97 |
| | With Stevens, Kenny Wheeler, Paul Rutherford, Trevor Watts, Derek Bailey, Barry Guy, and Evan Parker. | | | Earliest in-print recordings of John Stevens' SME, catching them in a transitional stage between free jazz and the free improv they were about to pioneer. | | | Previously unissued; trombonist Rutherford here conducts a large ensemble of English improvisors. |
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http://www.wnur.org/jazz/reports/971104.html
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| | Paul Rutherford "The Gentle Harm of the Bourgeoise" (1974/1997 Emanem) |
| | A study of the sounds of the trombone, "quick multiple tonguing, sharp juxtapositions of muted and unmuted sounds, a variety of densities and dynamics, and a strong rhythmic drive." According to Derek Baily, "...this is still the best record of solo free improvising you are likely to find." Cat 11/97 | | | Paul Rutherford "The Gentle Harm of the Bourgeoise" (1974/1997 Emanem) |
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http://kzsu.stanford.edu/dj/cathya/Playlists/reviews/PaulRutherfordTheGentleHarmOfTheBorurgeoisie.html
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| | Books, Articles and Reviews (New Testament Gateway: Paul the Apostle) |
| | Calvin Roetzel, Paul: The Man and the Myth (US) | | | Holger Szesnat, “What Did the Skenopoios Paul Produce?", Neotestamentica 27 (1993): 391-402 | | | Wright, “The Shape of Justification”, (Response to Paul Barnett's "Tom Wright and the New Perspective) |
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http://www.ntgateway.com/paul/books.htm
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| | New Perspectives on Paul, by N.T. Wright |
| | Here a Pauline exegesis rooted in Paul’s own understanding of Jewish scripture and tradition must challenge the fuzzy thinking that, listening to yesterday’s papers, I discover characterised most of the great, but basically Latin-speaking, theologians. | | | Indeed, listening to yesterday’s papers, it seems that there has been a massive conspiracy of silence on something which was quite clear for Paul (as indeed for Jesus). | | | For Paul, ‘justification’ is something that follows on from the ‘call’ through which a sinner is summoned to turn from idols and serve the living God, to turn from sin and follow Christ, to turn from death and believe in the God who raised Jesus from the dead. |
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http://www.ntwrightpage.com/Wright_New_Perspectives.htm
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| | Free Music Production (FMP) |
| | Marc Charig (tpt, alto horn); Paul Rutherford (tb, euph); Melvin Poore (tuba); Peter Brötzmann (reeds); Evan Parker (ss, ts); Gianluigi Trovesi (reeds); Philip Wachsmann (vln); Fred Van Hove (p); Peter Kowald (b); Günter Sommer (d) | | | Hans Reichel (g, daxophone); Shelly Hirsch (voc, lyrics); Rüdiger Carl (acc, cl); Paul Lovens (perc) | | | Evan Parker (ss, ts); Alex Schlippenbach (p); Paul Lovens (d) |
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http://www.plosin.com/milesahead/fmp.html
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| | SportsShooter.com - member: Paul Rutherford |
| | They are presented here for your viewing pleasure. | | | Help: Cable internet + 2-Way splitter = TV but no internet | | | The images below are from the portfolio of Paul Rutherford. |
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http://www.sportsshooter.com/members.html?id=1382
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| | When Television Was Young: Primetime Canada |
| | His acknowledged mentors in this regard are the British cultural theorists John Fiske and John Hartley. | | | Rutherford does tell us what that theory is not. | | | Paul Rutherford's When Television Was Young: Primetime Canada, 1952- 1967 serves as a handy reminder of the steady state of Canadian television. |
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http://www.utpjournals.com/product/chr/752/television23.html
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| | Reviews / Comptes Rendus Labour/Le Travail, 55 The History Cooperative |
| | In Canada, CBC refused to embed any of its journalists for fear they would become "instruments of the marketing apparatus," but more than 600 mostly British and American correspondents did take up this option. | | | In politics, public relations creates what Rutherford (drawing on the work of Daniel Robinson) calls a "marketing polity," one in which a new kind of democracy is practiced. | | | Paul Rutherford, Weapons of Mass Persuasion: Marketing the War against Iraq (Toronto: University of Toronto Press 2004) |
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http://www.historycooperative.org/journals/llt/55/br_17.html
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| | eBay - CD: Trio (UPC: 5024792019724) |
| | Anthony Braxton & Evan Parker, Paul Rutherford - Trio (CD 2004) | | | Full performer name: Anthony Braxton/Evan Parker/Paul Rutherford.Personnel includes: Anthony Braxton (alto saxophone); Evan Parker (soprano saxophone); Paul Rutherford (trombone). | | | Average rating: Be the first to review it! |
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http://product.ebay.com/Trio_UPC_5024792019724_W0QQfvcsZ1277QQsoprZ30057696
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| | Jim Rutherford, Paul Maurice, Peter Karmanos, Stanley Cup, Hockey, Interviews, Quotes, ASAPSports FastScripts, ... |
| | JIM RUTHERFORD: Old part is right, we got that right. | | | One of the reasons why it's easy to remain loyal to Jim and Paul was because they demonstrated that they are about the best in the business, so it's really easy to stay local to that type of thing. | | | PAUL MAURICE: No, you work that underdog angle when you don't think you are and we really did not feel in the first three series we were. |
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http://www.asapsports.com/hockey/2002stanley/060302JR.html
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| | Paul Rutherford |
| | Globe Unity Orchestra (Rutherford only on 1970 session). | | | 109) Paul Rutherford implied to Rusch (1993) that he was the first to use the technique, and particularly before that documented by Joachim Berendt. | | | 1976/1977, Paul Rutherford/Paul Lovens, Po Torch PTR/JWD 3. |
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http://www.shef.ac.uk/~ps/efi/mrutherf.html
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| | Earshot Jazz Monthly Publication Archive |
| | Earshot: Did the Musicians Cooperative co-exist with the Spontaneous Music Ensemble? | | | And Keith had his own band and various other projects. | | | Paul Rutherford performed in public one week after getting his first trombone. |
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http://www.earshot.org/zine-arch.asp?NewsLetterID=45
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| | SPJ Awards |
| | Cary Aspinwall, second, best review: Stillwater semi-charmed by Third Eye Blind show | | | Paul Rutherford, third, feature photo, Back in the Sun | | | Paul Rutherford, first, feature photo, Back in the Sun |
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http://www.ocolly.okstate.edu/lancaster/awards99.html
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| | Alberta Human Rights and Citizenship Commission Panel Decisions |
| | Paul with a record of employment until seven months after she was laid off. | | | She filed Exhibit 25 which is a letter from Mr. | | | Paul was told that her rate of pay would be looked at after she worked a few days at Tarragon. |
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http://www.albertahumanrights.ab.ca/legislation/Panel_Decisions/panel_decisPaul.asp
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| | (DV) Stephens: The Moral Repugnance of the Propaganda State |
| | In an interview cited by Antonia Zerbisias in the Toronto Star just before the book’s release, Rutherford seemed to lay out his own point of view clearly: "For a brief time the United States ceased to be a democracy and became a propaganda state." | | | Less successful are interviews from 20 Toronto residents that Rutherford weaves in. | | | Perhaps Rutherford should have added religious epics to his list of genres: from The Ten Commandments to The Passion. |
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http://www.dissidentvoice.org/June04/Stephens0627.htm
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