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| Â | Morton Subotnick |
 | | Subotnick wrote this piece (and subsequent record company commissions) in two parts to correspond to the two sides of an LP. |  | | Even more remarkable is the ability of traditional musical instruments to control computer-generated sounds. |
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http://www.inmc.org/Subotnick.html
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| Â | eMedia Education: Curriculums for Teaching Piano, Keyboard, Bass and Guitar |
 | | Following Making Music and Making More Music, Morton Subotnick's Hearing Music is a precursor to a formal music education. |  | | Making Music presents all the components of music visually and aurally so kids can experience sound not only with their ears but also with their eyes. |  | | Making More Music is a one-of-a-kind CD-ROM that lets kids simultaneously become the composer, musician and audience. |
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http://www.emediamusic.com/academic/edcurriculum.html
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| Â | Morton Subotnick (1933- ) |
 | | Subotnick also served as Music Director of the Ann Halprin Dance Company and the San Francisco Actor's Workshop. |  | | It was toward the close of his career at Mills College that Subotnick received a commission from Nonesuch Records to create an electronic music composition specifically for the phonograph record. |  | | The music community has recognized the achievements of Morton Subotnick. |
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http://www-camil.music.uiuc.edu/Projects/EAM/subotnick.html
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| Â | Kid's Corner |
 | | Morton Subotnick’s Creating Music Explore and create your own music |  | | Instrument Encyclopedia A collection of the world’s most interesting instruments |
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http://www.quanahnet.com/kids/kidsindex.htm
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| Â | Morton Subotnick Biography |
 | | While in San Francisco, he co-founded (with Ramon Sender) the San Francisco Tape Music Center (now located at Mills College) and was Music Director of the Ann Halprin Dance Company and the San Francisco Actor's Workshop. |  | | The "ghost" score (which contains no audible sounds) consists of a digital program which commands electronic modules to modify the instrumental sounds as they are played from a traditionally notated score. |  | | In addition to composing numerous works in the electronic medium, Subotnick has written eight works for orchestra, including Before the Butterfly, a Bicentennial Commissiion by the six major U.S. Orchestras; chamber and ensemble works; music for the theatre and multi-media productions. |
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http://festival.music.lsu.edu/fcm51/msbio.htm
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| Â | Morton Subotnick |
 | | Morton Subotnick is one of the innovators of classical electronic music. |  | | Morton Subotnick: Silver Apples of the Moon; The Wild Bull |  | | His early work with Buchla synthesizers took him to the peak of the avant garde electronica world of the 60's, while his later works have explored the ways in which live performers can interact with electronics. |
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http://www.synthtopia.com/recommended_sites/MortonSubotnick.html
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| Â | Morton Subotnick |
 | | As the piano plays, the computer modifies the sound and adds new sounds to the the live performance. |  | | You can download a soundfile excerpt from The Key to Songs by Morton Subotnick for 6 instruments and computer. |  | | You can also download a soundfile excerpt from And the Butterflies Begin to Sing by Morton Subotnick for string quintet, piano and computer. |
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http://mmp.planetary.org/artis/subom/subom70.htm
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| Â | publications |
 | | Morton Subotnick, and the butterþies begin to sing. |  | | Burns, K. "The 14th Annual Festival of New Music and Art: A Review." International League of Women Composers Journal February:28. |  | | Burns, K. "Subotnick, Morton." In S. Sadie and J. Tyrrell, eds. |
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http://www.fiu.edu/~burnsk/publications.html
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