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| | Mike Bloomfield - Wikipedia, the free encyclopedia |
 | | Bloomfield himself left the band he'd formed before their album was even released. | | | Bloomfield's most famous work, East-West (1966), performed with the Paul Butterfield Blues Band, was one of the first experiments in fusing blues and indian-style raga music, and his preoccupation exerted a major influence on the next Butterfield album, 1966's East-West. | | | His guitar style bridged blues influence with rock and folk. |
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http://en.wikipedia.org/wiki/Mike_Bloomfield
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| | Mike Bloomfield b |
| | Bloomfield then resorted to playing mostly acoustic music and had an extraordinarily prolific year when in 1977 he released five albums, the most notable being the critically acclaimed IF YOU LOVE THESE BLUES, PLAY ‘EM AS YOU PLEASE, released through Guitar Player magazine. | | | It was Bloomfield who was his electric lead guitarist, and it would be Bloomfield behind the electric guitar on Dylan's '60s masterpieces, Highway 61 Revisited and Like A Rolling Stone. | | | Although signed to Columbia Records in 1964 as the Group (with Charlie Musslewhite and Nick Gravenites) it was his emergence in 1965 as the young, shy guitarist in the Paul Butterfield Blues Band that bought him to public attention. |
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http://www.centrohd.com/biogra/b3/mike_bloomfield_b.htm
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| | Mike Bloomfield, Al Kooper, Steven Stills: Supersession [extra tracks] - PopMatters Music Review |
| | Bloomfield played on only five songs, which was one side of an LP, one half of the album. | | | Though the album became a resounding commercial success, it was widely reported then and now that Bloomfield viewed it not so much as a super session but a super-successful scam. | | | A live track recorded at Fillmore West in 1968, it features Bloomfield and Kooper slowly stepping their way through some occasionally nasty blues while maintaining their composure with excellent tone and exceptional grace. |
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http://www.popmatters.com/music/reviews/b/bloomfieldmike-supersession.shtml
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| | Amazon.com: Super Session: Music |
| | Mike Bloomfield was a legend and this album shows him in great form. | | | Bloomfield's best straight-ahead blues is "Albert's Shuffle," and the beauty and creative lyricism (as well as the speed) of his jazz improvisation on "His Holy Modal Majesty" is breathtaking--it absolutely must be heard to be believed. | | | Although Mike's solos merit a close listen, the album as a whole rates better as background music to a late night party than it does as a front and center event. |
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http://www.amazon.com/exec/obidos/tg/detail/-/B0000024U8?v=glance
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| | Amazon.com: Live at the Old Waldorf [LIVE]: Music |
| | But Bloomfield's guitar is something to behold almost all the way through, and even though none of the Old Waldorf tracks match the phenomenal, fiery lead guitar on "Sweet Little Angel", the best moments here really do validate Mike Bloomfield's reputation as one of the greatest white blues guitarist of the 60s and 70s. | | | Bloomfield only plays slide guitar except on about one track, and his slide playing here is just awful. | | | Bloomfield's playing on that song is simply magnificent, clear and inspired. |
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http://www.amazon.com/exec/obidos/tg/detail/-/B00000AG5D?v=glance
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| | CD Review: Super Session |
| | Bloomfield was one of the hotshot guitar heroes of the mid ‘60s, first with the Paul Butterfield Blues Band, then with his own group, the Electric Flag. | | | After his ouster, BS&T went to the top of the charts with their next album, and Columbia records made Kooper a staff producer. | | | Kooper was in the band when Dylan when electric at the Newport Folk Festival that year, as was guitarist Mike Bloomfield. |
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http://www.jimnewsom.com/PFW-SuperSession.html
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| | MIKE BLOOMFIELD |
| | On this release, though, his friends don’t come through, with the exception of the tracks on which Naftalin plays and Gravenites sings (Butterfield and Bishop are not on the record). | | | It is maddeningly frustrating to the fans of the guitar genius Mike Bloomfield (and I am certainly a card carrying member of that fraternity) that there is so little recorded documentation of his brilliance on the market. | | | Through the years, Bloomfield played with a number of extremely gifted musicians and singers, including pianist Mark Naftalin, singer Nick Gravenites and, of course, harmonica player Paul Butterfield and guitarist Elvin Bishop. |
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http://www.swaves.com/Back_Issues/Nov98/mike_bloomfield.htm
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| | NewBeats: Al Kooper and Mike Bloomfield |
| | It should be prefaced, however that Bloomfield and Stills were not playing guitar together at the same time in teh same studio; Bloomfield recorded his parts and left, leaving Kooper to recruit Stills to finish the rest of the sessions. | | | It was a blues supergroup of sorts: keyboardist Al Kooper formerly of Blood Sweat and Tears, guitarist Mike Bloomfield late of the Paul Butterfield Blues Band and the Electric Flag, and guitarist Stephen Stills of Buffalo Springfield fame. | | | Fans of Kooper and the late Bloomfield will relish upon the release of this live concert from New York's famed rock venue from late 1968. |
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http://www.newbeats.com/kooperbloomfield.html
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| | Remembering A Guitar Genius |
| | Bloomfield, fresh from the recording sessions that produced the Dylan masterpiece "Like a Rolling Stone," was incandescent. | | | As lead guitarist with the Paul Butterfield Blues Band, he was simply a towering figure on the musical landscape when the Chicago-based band first hit San Francisco in early 1966. | | | The band had already backed Bob Dylan in his historic electric performance at the 1965 Newport Folk Festival and set the standard for blues-rock improvisation with "East-West," the ragalike 13-minute title track to the band's second album, which Bloomfield composed under a potent dose of pharmaceutical LSD one night in Boston. |
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http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2001/02/18/PK189838.DTL&type=printable
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| | 04/2003 GuitarPlayer Audio Reviews |
| | Containing almost an hour of previously unreleased music, this disc captures Bloomfield fronting a five-piece band at the height of his powers. | | | Though Bloomfield is transcendental, this outing is musically inconsistent. | | | After that, heroin and his mercurial personality got the upper hand, causing him to record a string of solo albums that were often simply dismal. |
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http://www.guitarplayer.com/archive/0403/0403_audio.htm
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| | Blues Access: Paul Butterfield |
| | Even as accomplished as he was on guitar, Bloomfield viewed Butterfield as a musician at another level. | | | Butterfield was aware of Bloomfield's playing from his long-standing gig at the Chicago club Big John's, but it wasn't until the band was about to go into the studio to record its first effort with producer Paul Rothchild (recently released as The Lost Elektra Sessions) that Butterfield felt the need for a lead guitarist. | | | Although Butterfield and Bishop were familiar with him during his days as a student at the University of Chicago, it was while he was studying theory and composition at the Mannes College of Music in New York City that he was asked to join (initiating a long relationship between Mannes and the Butterfield bands). |
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http://www.bluesaccess.com/No_25/butter.html
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| | MIKE BLOOMFIELD |
| | It was during that time that many of these sides were recorded for the small Takoma label, songs that run the gamut from country-folk-blues performed on acoustic guitar, to sidework with jazz clarinetist Woody Herman, to leader of his own dates with a bonafide blues/rock band with rhythm section. | | | Later, he joined with Al Kooper on the "Super Session and "Live Adventures" albums to showcase his incredible style. | | | Perhaps he felt he had to, or simply wanted to. |
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http://www.swaves.com/Back_Issues/Feb98/mike_bloomfield.htm
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| | Stephen Stills and SUPER SESSION- story by AL KOOPER @ suitelorraine.com |
| | "Mike Bloomfield was the son of an amazing businessman who created one of the most lucrative businesses in the history of America. | | | I called Bloomfield and he said sure, I owe you one for (for when he snuck out of the first album). | | | One of the only criticisms of SS was that it was a studio album and, therefore, “uninspired.” Always one to want to shove it up critics’ asses, I decided to cut a live jam album, possibly at the Fillmore in San Francisco. |
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http://www.suitelorraine.com/suitelorraine/Pages/supersession.html
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| | Blogcritics.org: My Labors-Nick Gravenites with Michael Bloomfield |
| | Mike Bloomfield was one of the original sixties "guitar gods", best remembered for his work with the Butterfield Blues Band and the "Super Session" album he recorded with Al Kooper. | | | A band this size doesn't need to rely so heavily on the guitar as a rhythm instrument; as a result Bloomfield plays in a flowing, lyrical style that is noticeable free of the power chords and boogie riffs that are so often heard today. | | | The man is also one fine vocalist; blues fans who believe that white vocalists can never measure up to their black counterparts may change their minds after listening to this disc. |
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http://blogcritics.org/archives/2004/11/26/180646.php
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| | Interviews |
| | The band is so-so, but Bloomfield's playing warrants this show's release. | | | FE: I understand you are also working on a Mike Bloomfield boxed set with Mike's brother Allen Bloomfield, for release sometime next year. | | | Part of the tour was recorded at Fillmore WEST and is has been in release since 1969 - it's an album called LIVE ADVENTURES. |
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http://www.fillmore-east.com/interviews.htm
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| | Blues & Gospel - Newsletter 137 - Mike Bloomfield -> Mitch Kashmar |
| | Bloomfield's addictions were perhaps partly responsible for his lack of focus on record, and his vocals unfortunately never reached the heights of his instrumental abilities, but he's still a worthwhile listen 20-plus years after his death at age 37. | | | Dating from the 1970s and recorded for Bloomfield's old Chicago running partner, Norman Dayron, the ten tracks here show Bloomfield as the varied performer many remember him as. | | | That's Where I Came In Ace's third album devoted to the talented Ms Brooks features her vocal interpretations of two dozen pop and RandB standards with mostly small group accompaniment recorded in 1946 and '47. |
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http://www.rootsandrhythm.com/roots/NEWSLETTER137/newsletter137_blues_1.htm
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| | Late Sixties Music from The Bomp Bookshelf |
| | Bloomfield achieved a musical brilliance that led to gold records and a posthumous election to The Blues Foundation Hall of Fame. | | | Bomp note: Bloomfield was the first of many amazing guitarists I saw, with the Butterfield band in 1966. | | | "Mike Bloomfield met Al Kooper at a recording session for Bob Dylan's Highway 61 album. |
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http://www.bomp.com/BompbooksLateSixties.html
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| | CD Review of Mike Bloomfield / Al Kooper / Steve Stills - Super Session on Columbia / Legacy @ jazzreview.com |
| | Bloomfield, S. Stills: electric guitar; A. Kooper: keyboards, electric & 12-string guitars, vocals; Barry Goldberg: electric piano; Eddie Hoh: drums; Harvey Brooks: bass. | | | The results are simultaneously dated and timeless, often imitated but never duplicated, an album of casual yet strangely substantive music that today would never get released by a major label. | | | (Jazz players, I understand, had been doing that for years.) Al Kooper (ex-Blood Sweat & Tears, Blues Project, Bob Dylan), Mike Bloomfield (ex-Butterfield Blues Band, Electric Flag, Dylan) and Steve Stills (new kid on the block: Buffalo Springfield, pre-Crosby, Stills etc.) collaborated for the semi-legendary, Top 20 on the charts album known as Super Session. |
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http://www.jazzreview.com/cdreview.cfm?ID=4199
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| | Vintage Guitar® magazine : Music Reviews |
| | Prior to joining harpist Butterfield, Bloomfield recorded an album for Columbia, produced by John Hammond, Sr., in December 1964, and supplemented by three tracks produced by Bob Morgan three months later. | | | When the late Mike Bloomfield burst onto the guitar scene in 1965 — on the Paul Butterfield Blues Band’s self-titled debut and Highway 61 Revisited by Bob Dylan — it was like nothing anyone had ever heard before. | | | The strongest cuts are the title track (in the “Rock Me Baby” mode) and the alternate take of the Big Bill Broonzy boogie “I Feel So Good” (which is miscredited to Magic Sam — what qualifies as an “alternate” take on a never-released album is another matter). |
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http://www.vguitar.com/music/details.asp?ID=235
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| | Big Road Blues Discussion Forum - Bloomfield Licks |
| | I attended a Mike Bloomfield workshop at Ft. Mason (S.F.) in the late 70's, but after repeated phone calls to his house, the Golden Bear Music folks refunded our money since Mike was unable to appear, let alone perform, that Saturday. | | | I also have the booklet from "If You Love These Blues" (L.P.) where Mike talks about the chord progressions he used on the album. | | | I guess it was one helluva' time to finally get that session on wax...(artistic temperment?) Try to hear Mike's album "Salty". |
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http://www.bigroadblues.com/dcforum/DCForumID35/110.html
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| | LIVE WITH THE BAND, AL KOOPER AND MIKE BLOOMFIELD |
| | But to be avoided in either form as a haplessly scrambled, sonically inferior collection of unrelated tracks, all circulating in superior sound in more complete form. | | | The issuer's identification of the Hawks session tracks as coming from 1965 tour rehearsals is ludicrously incorrect. | | | Overall the sound is quite a step below Record Document's other Dylan CDs. |
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http://www.angelfire.com/wa/monicasdude/115.htm
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| | ICE Magazine contest |
| | The 14-track disc includes the title song, "Sloppy Drunk" and "Lights Out," as well as a couple tracks making their CD debut. | | | The newly issued Mike Bloomfield Knockin’ Myself Out disc includes one previously unreleased song. | | | New albums by Steely Dan, Liz Phair, John Mellencamp and Foxy Brown, plus vault items by Fleetwood Mac. |
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http://www.icemagazine.com/promotions/bloomfield_193.html
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| | Blues for Big John's |
| | In the summer of 1965, Butterfield signed a management agreement with Al Grossman, Bloomfield’s and Dylan’s manager, and took his band to the East Coast. | | | To everyone’s surprise, the Butterfield band proved to be even more popular than Bloomfield’s band. | | | The Siegel-Schwall band’s musicianship was so impressive that Ozawa later recorded them with the San Francisco Symphony after he became its musical director. |
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http://www.tuxjunction.net/bluesbigjohns.htm
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| | winter2001albums.html |
| | Both of Brave Belt's albums are combined onto one double-CD on this reissue, with the addition of a couple of bonus tracks. | | | Certainly one of the new finds, "I'm Cutting Out," is the best of the three Bloomfield originals on the collection, as a nice bouncy no-nonsense blues with a superb stinging guitar solo and a raunchier vocal than was Bloomfield's wont. | | | For that reason alone, this is essential for Bloomfield fans, even if you already have that previous disc. |
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http://www.richieunterberger.com/winter2001albums.html
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| | ICE Magazine archive |
| | There were recording problems, both Bloomfield and piano player Paul Harris had the flu, and the rhythm section of Jerry Jemmott on bass and Johnny Creci on drums didn’t jell. | | | But as Kooper sees it, "The Lost Concert Tapes have some wonderful playing by Bloomfield, and the guest appearance by Johnny Winter was his New York City debut. | | | Kooper expects guitar fans will be especially pleased by this late addition to Bloomfield’s recording legacy, commenting in the liner notes that his friend, who died in 1981, "still smokes most of the players alive today." –Bill Wasserzieher |
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http://www.icemagazine.com/stories/190/rock.asp
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| | JR.com: Mike Bloomfield - Blues, Gospel And Ragtime Guitar Instrumentals in Music: Contemporary Blues: |
| | The rest of the album does live up to its title; the ragtime stuff is the most revelatory, particularly the solo "Blake's Rag," which shows what a terrific acoustic player Bloomfield could be (as does the delicate and aptly titled "Hawaiian Guitar Waltz."). | | | In fact, it's something of a stretch to label Bloomfield's slide guitar version of a song by Carole Bayer Sager ("When I Need You") either blues, gospel, or ragtime. | | | Fillmore East: The Lost Concert Tapes 12/13/68 Live Concert Rock Classics [Slipcase] Jukebox Hits: The 50's, 60's, 70's, 80's [Box] Guitar Heroes (Sony) [Slipcase] Playin' With Carlos Live Adventures Of Mike Bloomfield & Al... |
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http://www.jr.com/JRProductPage.process?Product=3919607
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| | Joe Goldmark Reviews |
| | For the general populace, Goldmark remained less known -- although he added steel licks to albums by roots artists such as Taj Mahal, Mike Bloomfield, and Maria Muldaur and rockers like the Mermen, David Byrne, and the Mr. | | | He has also recorded or toured with Mike Bloomfield, David Byrne, Peter Rowan, Jim Lauderdale, Taj Mahal, and Maria Muldaur. | | | Goldmark is a walking encyclopedia when it comes to his instrument's history, having written and published the "International Steel Guitar Discography," an ongoing compendium of every steel guitar instrumental ever recorded. |
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http://www.joegoldmark.com/reviews.html
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| | Mike Bloomfield |
| | Also in 1965, he was Bob Dylan's lead guitarist at the "turning point" performance at the Newport Folk Festival. | | | "Not content with viewing the scene from the audience, Bloomfield was known to leap onto the stage, asking if he could sit in as he simultaneously plugged in his guitar and began playing riffs." - All Music Guide To The Blues | | | 1964: Scouted by legendary A and R man John Hammond Sr., Bloomfield signed with Columbia Records as the Group with Charlie Musselwhite and Nick Gravenites |
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http://www.sonic.net/~talcroft/ATIMS/Biomikebloomfield.html
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| | Michael Bloomfield Discography |
| | Farewell Bloomfield (Cuttlefish records CR004/CR005), live 11/15/80 Warfield San Francisco, Mike on 2 songs, bootleg | | | Bob Dylan Live W/ The Band, Al Kooper And Mike Bloomfield (Document DR 015 CD), bootleg | | | Live In Newport 1965 (Document DR 004 CD), Mike on 3 songs, bootleg |
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http://www.classicrockpage.com/rrheaven/bloomfield/Discography.htm
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| | Amazon.co.uk: Bloomfield Blues [Import]: Music |
| | Customers who bought music by Mike Bloomfield also bought music by these artists: | | | Visit our audio help page for more information. | | | To hear a song sample, click on the song titles below that are followed by |
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http://www.amazon.co.uk/exec/obidos/ASIN/B00003Q5AH
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| | Profile: Mike Bloomfield brings help, hope to Hondurans |
| | They spend the night in a hotel, and the bus leaves early in the morning to get them to the ranch in time for late morning church services. | | | "They moved the orphanage to the coast, which is about a four-hour drive," Bloomfield said. | | | One of the villages that the HOI group visits is called El Perdrero (the rock), which Bloomfield said is "way up in the mountains," another two and a half hours from the ranch. |
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http://www.emory.edu/EMORY_REPORT/erarchive/1996/December/ERdec.2/12_2_96profile.html
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| | MIKE BLOOMFIELD |
| | Hear the birth of a new sound in blues, as Mike Bloomfield unleashes his signature electric guitar licks in the studio for the very first time in these seminal pre-Butterfield Blues Band tracks, recorded for Columbia Records in Chicago and New York. | | | I'm Cutting Out is sourced directly from the original analog master tapes and includes previously unheard tracks, an introduction by Al Kooper, and a 1966 interview with Mike Bloomfield by Jim Delehant! | | | If you like this artist, you might also want to check out: |
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http://www.sundazed.com/artists/mbloomfield.html
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| | Super Session/Lost Concerts Press Release |
| | Bloomfield recording their first full-scale LP together since Bob Dylan's | | | Thomas) and a reprint of Rolling Stone's Hall Of Fame record review from | | | Bloomfield aficionados, and the rest still smokes most of the |
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http://www.mikebloomfield.com/SonyPress.htm
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| | Re: Welcome To The Mike Bloomfield Discussion Group |
| | I read in the Virgin Encyclopedia of music by Colin Larkin(Virgin books) that in 1976 were issued two Michael Bloomfield´s albums called: "Bloomfield/Naftalin"(not label.1976) "There´s always another record"(not label.1976) Can somebody give me information about it?I don´t know these records and I am not sure that its really exist. | | | Re: Welcome To The Mike Bloomfield Discussion Group |
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http://www.mikebloomfield.com/_disc2/00000015.htm
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| | Tower Records - Super Session [Remaster] - Mike Bloomfield/Kooper/Stills |
| | Personnel: Mike Bloomfield (electric guitar); Al Kooper (vocals, 12-string & electric guitars, piano, organ, ondioline); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums). | | | Tower Records - Super Session [Remaster] - Mike Bloomfield/Kooper/Stills | | | We do not know when this title will be available to order. |
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http://www.towerrecords.com/product.aspx?pfid=1016643&cc=USD
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| | MIKE |
| | There are at least 5307 listings in GEMM of rare, hard to find, out of print, collectible, or just plain cheap new & used CDs, LPs, 45s, vinyl, videos, posters, videos, DVDs and more related to "MIKE" from many specialty record stores and collectors around the world. | | | Only show "MIKE" listings added in past [ 1 7 14 30 90 ] days. | | | Be sure to look for the GEMM Guarantee! |
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http://www.gemm.com/q.cgi?rb=ANDYBURNETT&wild=Mike
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| | Eddie Hoh info (The Musicians' Olympus) |
| | Supersession (, with Al Kooper, Mike Bloomfield, Stephen Stills, Harvey Brooks, Barry Goldberg) (CD reissue: 2003, with bonus tracks) | | | Mike Bloomfield (Don't say that I ain't your man, 1984, with Mike Bloomfield, Paul Butterfield, Nick Gravenites, Al Kooper, Barry Goldberg, Charlie Musselwhite, Elvin Bishop, Mark Naftalin, Jerome Arnold, Harvey Brooks, John Kahn, Michael Fonfara, Ira Kamin, Marcus Doubleday, Snooky Flowers, Peter Strazza, Herbie Rich, Skip Procop, Billy Davenport) (compilation with unreleased tracks) | | | The Flying Burrito Brothers (Close up the honky-tonks, Jun 74, with Gene Clark, Chris Hillman, Gram Parsons, Rick Roberts, Sneaky Pete Kleinow, Al Perkins, Byron Berline, Michael Clarke, Jon Corneal, Chris Ethridge, Bernie Leadon, Kenny Wertz, Leon Russell, Herb Pedersen) (2LP, compilation with unreleased tracks) |
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http://www.geocities.com/SunsetStrip/Diner/2674/hoh_eddie_a.htm
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| | Primedia |
| | In the two-person cruiser feature Jared Reed and John Sheston would take the win after Jason McDaniel and Kurtis Chickering spun in the early part of the feature but still managed to work their way to second place finish and Donnie Sly and Kevin Moore of Ottumwa taking third their best finish of 2003. | | | This giving the win to Robinson with current point leader Lorne Parks of Ottumwa in second and Jim Brown of Fremont in third after going to the back in the early laps of the feature and still ended up in third with Mike McClure of Bloomfield taking fourth. | | | Mike Shelton of Ottumwa took his first win at Bloomfield leading all twelve laps in style. |
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http://www.whowon.com/primedia/pm_tracknews.asp?StoryID=96581
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| | RACHELS SCORES FIRST EVER STOCK CAR FEATURE AT BLOOMFIELD SPEEDWAY |
| | Mike Robinson took the second spot on the twelveth lap from Townsend who finished in the third spot with David Boas of Bloomfield in fourth. | | | Rachels took the race lead from Cody Townsend of Bloomfield on lap seven of the fourteen lap feature and never looked back. | | | Greenfield said it had been two years before getting back into victory lane and his kids from Colorado was there to celebrate the win. |
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http://www.heartlandmotorsports.com/Bloomfield/2005/06_24_2005_results.htm
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| | Mike Parr ( - ) Artwork Images, Exhibitions, Reviews |
| | Click the artwork titles below to see actual examples of artwork or works of art relevant to works by Mike Parr. | | | In 'Tea Dance', she has made a series of photographs in which the elderly dancer... | | | Randy Tuten, San Francisco Rock Poster: Bill Graham Presents, Mike Bloomfield with Chicago Slim; Bola Sete and Mike Finnigan; Ten Years After; Fillmore West, 4/29-5/2/71; Winterland, 4/20-5/1/71, 1971 |
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http://wwar.com/masters/p/parr-mike.html
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| | Michael J. Bloomfield - Wikipedia, the free encyclopedia |
| | This United States biographical article is a stub. | | | Raised in Lake Fenton, Michigan, Bloomfield attended the United States Air Force Academy and trained as an F-15 fighter pilot. | | | Michael J. Bloomfield (born 16 March 1959) is an American astronaut and a veteran of three space shuttle missions. |
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http://en.wikipedia.org/wiki/Michael_J._Bloomfield
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| | Shock Records - MIKE BLOOMFIELD |
| | Click Here for a list of all releases available by MIKE BLOOMFIELD through Shock Records | | | Things To Do For updates, when available, on MIKE BLOOMFIELD click here |
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http://www.shock.com.au/artists/info.asp?artist_ID=60524
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