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| | Marc Ribot - Wikipedia, the free encyclopedia |
 | | Ribot later recorded an album of Casseus's guitar music. | | | Marc has released two albums with his self-described "dance band" http://www.allaboutjazz.com/php/article.php?id=1165 Marc Ribot y Los Cubanos Postizos [The Prosthetic Cubans]. | | | Ribot's playing and compositions draw on such diverse musical genres as soul, jazz, funk, traditional Cuban music Surf and no wave. |
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http://en.wikipedia.org/wiki/Marc_Ribot
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| | marcribot.com |
| | Ribot's "Invocation" opens the album and is exactly that - an invocation of the Ayler spirit. | | | The album features one original by Ribot and four songs by Ayler. | | | Spiritual Unity is a group formed by Marc Ribot dedicated to re-creating and re-imagining the music of the great saxophonist Albert Ayler, one of the pillars of modern jazz.To Ribot, playing Ayler's music is a "ritual process, through improvisation, of experiencing and presenting the rawest moment of musical creation." |
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http://www.marcribot.com
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| | Music Noise and poise |
| | Fans of Ribot’s Latin music may think the disc’s final cut, Ayler’s 'Witches and Devils,' is a more apt title for this riskier album. | | | But rarely on the same album, and certainly never on one framed by the sound of acoustic guitar. |
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http://www.bostonphoenix.com/boston/music/other_stories/documents/02085037.htm
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| | Concerted Efforts - Marc Ribot |
| | Ribot also composed and recorded his own brand of Downtown soul music with his bands, Rootless Cosmopolitans and Shrek. | | | Marc's free jazz group SPIRITUAL UNITY recently released an album on Pi Recordings, offering their unique take on the works of Albert Ayler. | | | Marc's talents have also been showcased with a full symphony orchestra. |
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http://www.concertedefforts.com/artists_marc.asp
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| | Marc Ribot - Saints: Reviews, Track Listing, Audio Clips, and more Music.com |
| | Ribot also brings his distinctive guitar to the famous spiritual "Go Down Moses," as well as two pieces by '60s free jazz firebrand Albert Ayler [+]: "Witches and Devils" and the title song. | | | This isn't an album of atonal chaos; the guitarist favors an inside/outside approach, and even though his improvisations are left-of-center, Saints [+] isn't as far to the left as an album by saxophonist Charles Gayle [+] (just to give one example) would be. | | | Although Ribot's playing is quite free, it's also quite musical. |
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http://www.music.com/release/saints/2
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| | TrouserPress.com :: Marc Ribot |
| | Named for Ribot's band of the time, Rootless Cosmopolitans (a description of Jews used by Joseph Goebbels and later appropriated for a poem by Allen Ginsberg) is a harder-edged version of the "fake jazz" he played with the Lizards, especially in his duets with clarinetist Don Byron, which have a distinctly Beefheartian air at times. | | | While he continues to use a band onstage, Ribot's recent recordings have showcased his solo playing. | | | Playing as if the solos of free jazz saxophonist Albert Ayler were transposed to guitar, Ribot calls his style Brutal Atavistic music. |
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http://www.trouserpress.com/entry.php?a=marc_ribot
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| | www.jazzweekly.com Interviews |
| | I don't know about the misconception of what free jazz is, but I know that very few music listeners quite understand what a producer does and is, and the way a producer takes the responsibility for the ultimate sound of the record and I can say the JD did brilliant work on this record. | | | I am a great fan of his music, in particular, the Prime Time band has been, I always thought was a terrific band. | | | I wanted to play guitar starting when I was ten and a big influence on me when I first started was a friend of my family was the Haitian born classical guitarist Franz Casseus. |
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http://www.jazzweekly.com/interviews/ribot.htm
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| | Marc Ribot - Spiritual Unity |
| | Ribot (Lounge Lizards, Los Cubanos Postizos and countless other bands) is a longtime fan of Ayler’s who has spent years listening to and internalizing the communicative group process integral to Ayler’s music. | | | Ribot’s “Invocation” opens the album and immediately conjures Ayler’s spirit. | | | Spiritual Unity features one original by Ribot and four compositions by Ayler. |
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http://www.pirecordings.com/pi15
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| | E.J.N. - MARC RIBOT |
| | Marc Ribot - Haitian suite (Music of the World) compositions classical guitar by Frantz Casseus | | | From 1984 through 1989, Ribot toured and recorded with John Lurie's Lounge Lizards. | | | Dialectically engaging elements of blues tradition with the no-wave aesthetic attention of Tom Waits, Elvis Costello, and other "partecipants in/escapees from" the rock scene with whom he worked on various projects. |
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http://www.ejn.it/mus/ribot.htm
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| | World Music Central - Brewed By Noon with special guests Marc Ribot/Jim Pugliese |
| | Marc has composed and recorded his own brand of Downtown soul music with his bands, Rootless Cosmopolitans and Shrek. | | | The musical friendship they hold is evident when listening to their debut album Look. | | | Recent musical scores by Marc Ribot include Yoshiko Chuma's Altogether Different dance piece, a documentary film by Greg Feldman titled Joe Schmoe, a feature film by director Joe Brewster titled The Killing Zone, and In as much As Life Is Borrowed, a dance piece by famed Belgian choreographer, Wim Vanderkeybus. |
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http://www.worldmusiccentral.org/article.php/20050918193007985
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| | Amazon.co.uk: Marc Ribot Y Los Cubanos Postizos: Music |
| | Guitarist Marc Ribot is well-known and respected for his session work with the likes of Tom Waits and Elvis Costello, as well as his association with John Zorn and other downtown New York experimental musicians. | | | Ribot's guitar solos are always highly articulate and he has a great command over a variety of tones. | | | The album's overall feel is understated--on many cuts it's just Ribot, a bassist, a drummer, and apercussionist. |
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http://www.amazon.co.uk/exec/obidos/ASIN/B000006OB6
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| | Only sounds Cuban / Guitar maestro Ribot plays as if he were there |
| | Ribot stays true to the essence of Rodriguez's syncopated and melodically rich Afro-Cuban vibe, but he approaches the tunes with serrated rock, cool-pop noir and lyrical soul-jazz sensibilities. | | | Ribot set out to rework tunes from Rodriguez's repertoire (his compositions as well as songs by Inacio Rios and others), developing arrangements in which the guitar takes the lead voice (instead of the Cuban son tradition of vocals and horns) and stripping big-band charts down to small group settings. | | | With Waits, who once called Ribot "an innovator who believes in compulsory distortion, rude chords and gypsy phraseology," the guitarist fused together a mix of R&B, rock, Django Reinhardt and Cuban music. |
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http://www.sfgate.com/cgi-bin/article.cgi?f=/chronicle/archive/2003/11/02/PK259451.DTL&type=music
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| | Greg Ribot & Cumbia del Norte: The International Conspiracy - PopMatters Music Review |
| | But as is the case with the album on the whole, Marc Ribot steals the show with his wonderfully hesitant and jumping solo, dancing all over the neck of the guitar, wavering on the line between dissonance and harmony, order and chaos. | | | Marc Ribot has brought his staccato, quirky electric style to many recordings over the course of his 20-year career, including Elvis Costello, the Lounge Lizards, and most famously, Tom Waits's bizarre Island albums of the 1980s, Swordfishtrombones, Rain Dogs, and Frank's Wild Years. | | | While the band can be pulsating a loud, brash big band jazz over funky Latin rhythms on some tracks, on others the horns and electric guitars disappear and what is left is tame, plodding flute-based Latin music. |
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http://www.popmatters.com/music/reviews/r/ribotgreg-international.shtml
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| | Saints / Marc Ribot |
| | The ever evolving and experimental Marc Ribot has reinvented his sound for this album. | | | The CD features only Ribot and his guitar, no other instruments and no vocal accompaniment. | | | Saints features twelve compositions; of which only three songs were created by Ribot, the remaining tracks are covers that Ribot has completely re-worked. |
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http://www.orcasound.com/cds/saints_marc_ribot.html
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| | Marc Ribot : Mon Petit Punk |
| | In the early 90s Marc Ribot started a band called Shrek that explored the punk and No Wave components of his music…. | | | This program is a one-hour special devoted to the music of Marc Ribot and includes a brief conversation with one of the most adventurous guitarists of our time. | | | Marc Ribot, guitar; Paul Clarvis, drums and percussion; Dave Meric, keyboards; Phil Boyden, violin; Helen Thomas, cello; Mike Kearsey, trombone |
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http://www.freeassociationradio.com/mribot.htm
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| | Marc Ribot: Marc Ribot y los Cubanos Postizos: Pitchfork Review |
| | Chameleon NYC guitarist Marc Ribot, under yet another one of his many stylistic guises, refashions himself this time around as a cheeky Ricky Ricardo revivalist of Cuban big band/ cocktail- jazz music. | | | Ribot's damaged R+B accompaniment on Tom Waits' Rain Dogs was a contribution arguably as essential to that album's clattering beauty as the input of Waits himself. | | | Ribot's not only a master of many styles, but he's also managed to stumble upon a wholly original guitar vocabulary of his own. |
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http://www.pitchforkmedia.com/record-reviews/r/ribot_marc/marc-ribot-y-los-cubanos-postizos.shtml
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| | InterZone - Review - Marc Ribot |
| | Marc’s guitar sound could be compared to Carlos Santana, with its distorted, yet singing tone. | | | Along with his band (of which the record is named after), Marc has created one of the greatest records of 1998. | | | On his latest album “Y los Cubanos Postizos”, Marc Ribot explores the realms of Latin and Cuban music. |
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http://www.interzone.addr.com/reviews/marcribot.html
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| | Marc Ribot - Los Cubanos, Spiritual Unity Review |
| | Marc Ribot underwent the task of this remarkable tribute to Cuban composer and bandleader Arsenio Rodriguez, who many consider to be the father of modern Cuban music. | | | The Ayler covers bristle with the spiritual freedom of the originals, and, especially Ribot on guitar, the band takes each instrument and funnels it through Ayler's vision. | | | Formed as a loving tribute and as a deep extension, Ribot's band Spiritual Unity pays homage to Albert Ayler literally and sonically. |
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http://www.musicemissions.com/display_review.php?id=1003
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| | ASCAP JAZZ Audio Portraits: Marc Ribot |
| | Ribot says juxtaposing more experimental pieces with standards from various idioms makes the listener hear both in new ways. | | | In Saints, he interprets works from experimental composers, solists, and his own songbook to create a solo guitar CD that has a sparse and alluring appeal. | | | - Ribot humbly takes cues from Thelonius Monk's solo piano improvisations. |
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http://www.ascap.com/jazz/jazzportraits/marcribot.html
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| | www.myspace.com/mwild |
| | Professionally Marc’s career started when he was recruited as touring guitarist with Nettwerk recording artist Lily Frost, helping promote her hit single “Who am I”, From that point he has been a member of Motion Soundtrack, who have recorded two successful albums, toured Canada, and received heavy airplay from national radio, Much Music and MTV. | | | Marc's musical career began at the age of fourteen when he fell in love with Led Zeppelin and using his ear, taught himself to play along with the records. | | | He has studied at college and university levels, obtaining two degrees; one in Contemporary Jazz Guitar and a B.F.A in Music Composition. |
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http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=165594
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| | Marc Ribot y los Cubanos Postizos: Muy Divertido!: Pitchfork Review |
| | Ribot has a tendency to lapse into his former role as John Zorn's sideman, turning the solo section on a song like "El Divorcio" into a noisy, abstract-expressionist shred-fest. | | | Ribot initially formed this Postizos outfit to pay tribute to Arsenio Rodriguez, an unsung Afro-Cuban jazz pioneer whose essential contributions to Latin music were eclipsed by the more showy schmaltz of dance-crazy conga nuts like Mongo Santamaria, Ray Baretto and Desi Arnaz. | | | In the end, the main problem with this record is that Ribot overdubs too many haphazard solos over these sonically humble songs. |
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http://www.pitchforkmedia.com/record-reviews/r/ribot_marc/muy-divertido.shtml
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| | Newsweek.MSNBC.com - Weekend |
| | Marc Ribot has long been a fixture of New York's downtown music scene, rubbing shoulders with illustrious colleagues (his needling, angular guitar lines can be found on records by Tom Waits, Elvis Costello and John Zorn, among others). | | | A spate of club dates culminated in the group's 1998 debut album, which was named one of the Essential Albums of 1998 by Rolling Stone. | | | There are some bright spots on the album: "El Gaucho Rojo" combines Ribot's laid back, bluesy tones with swirling organ arpeggios courtesy of Anthony Coleman, a new and tasty addition to the group. |
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http://www.msnbc.com/m/nw/a/ms/ms_r.asp
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| | JamBase MARC RIBOT'S MYSTERY TRIO IN NEW YORK |
| | Ribot was the master of this track, squealing bended notes and using the wah wah pedal and delay to help break down the song and give the drummer and bass some. | | | The second song crushed my assumptions as Ribot worked a stripped-down punk version of a jazz song, using his volume pedal and distortion extremely effectively. | | | Ribot's selective volume control also allowed Dave Hofstra (playing acoustic bass in the punk songs) to accentuate the subtle bass lines of "swinging noise." |
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http://www.jambase.com/headsup.asp?storyID=4320
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| | Spiritual Unity : Marc Ribot : CD Reviews : One Final Note |
| | But Ribot is no stranger to Ayler’s music, having recorded the saxophonist’s pieces on previous solo outings. | | | While many repertory bands are hit and miss, Ribot’s Spiritual Unity should be commended for taking on the daunting music of such an original spirit like Ayler. | | | Perhaps surprisingly, given the demands on the listener, the spirit of Albert Ayler and his music continues to live on, seemingly shining brighter with each year. |
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http://www.onefinalnote.com/reviews/r/ribot-marc/spiritual-unity.asp
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| | [No title] |
| | Amongst a flurry of glowing notices, the album was voted as one of 1998's "Essential Albums" in Rolling Stone. | | | In 1998, Ribot was the subject of effusive critical praise upon the release of MARC RIBOT Y LOS CUBANOS POSTIZOS, his Atlantic debut. | | | A leading light of New York City's downtown scene, Ribot initially made a name for himself through indelible road and studio work with Elvis Costello, Marianne Faithfull, and Tom Waits - most recently on the smoky baritone troubadour's MULE VARIATIONS album and tour. |
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http://www.ofam.net/events/NHT2002/NHT2002.asp?section=artists&artist=ribot&series=NHT200203
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| | marc ribot |
| | This second volume of Marc Ribot's Music for Films is one of the most eclectic and exciting cd's he's made to date. | | | Touching upon Ayler, Morton Feldman, minimalism and of course the ritualistic music of italian composer Giancento Scelsi, to whom the work is dedicated, “Scelsi Morning” features plenty of Marc’s searing guitar work, lush orchestrations for Clarinets and Stri... | | | READ MORE ABOUT: MARC RIBOT, Scelsi Morning, Tzadik |
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http://www.boomkat.com/artist.cfm?a=3266
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| | Vinicius Cantuária and Marc Ribot tickets - Vinicius Cantuária and Marc Ribot information - New York |
| | With a guitar style defined by its edgy and electric tones, punky and loose attitude, Ribot formed Los Cubanos Postizos, is currently working on a new, sonically dense, rock band called the Marc Ribot Mystery Trio, and his music continues to evolve and amaze. | | | Marc Ribot, a leading light of New York City's downtown scene, initially made a name for himself through indelible road and studio work with Elvis Costello, Marianne Faithfull, and Tom Waits. | | | Brazilian guitarist Vinicius Cantuária and New York guitarist Marc Ribot perform together in a rare duo format. |
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http://www.theatermania.com/content/show.cfm?int_show_id=101751
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| | Jazz JazzTimes Magazine > Columns and Features > Table of Contents > Article Excerpts |
| | Of course, those bands sound little like Ribot's melodically blunt solo recitals, his film music or the ongoing Django Reinhardt project. | | | His gregarious Los Cubanos Postizos band-an outfit he convened to run Cuban songwriter Arsenio Rodriguez's music through the rock 'n' roll wringer-has little in common with the guitarist's obstreperous free-punk outfits the Rootless Cosmopolitans or Shrek. | | | This quartet plays the music of saxophonist Ayler-without a saxophone in the band. |
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http://www.jazztimes.com/columns_and_features/table_of_contents/article_excerpts/index.cfm?article_id=15846
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| | JR.com: Marc Ribot - Scelsi Morning in Music: Avant-Garde/Downtown: |
| | Personnel: Marc Ribot (guitar); Jill Jaffee (violin, viola); Rob Thomas (violin, bass instrument); Ted Reichman (accordion, pump organ); Ned Rothenberg (clarinet, bass clarinet); Anthony Coleman (trombone, piano, pump organ, sampler); Chris Wood (bass instrument); Roberto Rodriguez, Christine Bard (drums, percussion); Eddie Sperry (sampler). | | | Great Jewish Music: Burt Bacharach Progressions: 100 Years Of Jazz Guitar [Long Box] Freedom Is Wings: Remembering Tom Cora Great Jewish Music: Serge Gainsbourg Great Jewish Music: Marc Bolan Lust Corner Martin Scorsese Presents The Blues: The Soul... | | | JR.com: Marc Ribot - Scelsi Morning in Music: Avant-Garde/Downtown: |
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http://www.jr.com/xs-marc-ribot--pi!3908059.html
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| | Amazon.ca: Masada Guitars: Music |
| | Three great guitar players: Marc Ribot, Tim Sparks and Bill Frisell come together on one album to create beautiful guitar renditions of Masada songs. | | | I've played this album for numerous people since I bought it and all who have heard it say it sounds "peaceful", "beautiful" or "relaxing", all of which I agree with. | | | Perhaps having all the Frisell songs together, then all the Ribot songs, etc. would've worked out a little better. |
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http://www.amazon.ca/exec/obidos/ASIN/B00007GZNU
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| | The Atlanta Journal and Constitution: POP MUSIC: Isle of Influence: Guitarist Marc Ribot and band are mining the ... |
| | POP MUSIC: Isle of Influence: Guitarist Marc Ribot and band are mining the musical legacy of famed: Cuban bandleader Arsenio Rodriguez | | | The Atlanta Journal and Constitution: POP MUSIC: Isle of Influence: Guitarist Marc Ribot and band are mining the musical legacy of famed: Cuban bandleader Arsenio Rodriguez@ HighBeam Research | | | Maker," Masada Chamber Ensemble (Avant, 1997), Ribot's surf guitar lends |
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http://www.highbeam.com/library/doc0.asp?DOCID=1P1:17246350&refid=holomed_1
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| | BBC - Jazz Review - Marc Ribot, Saints |
| | Hearing him get artfully entangled in the riff of "Happiness Is A Warm Gun" actually reminds how smart Lennon and McCartney's writing could be (and although not intended as such, it's also a far more eloquent tribute to George Harrison than any number of pre-prepared, hand-wringing obits have been). | | | I'm a huge Ribot fan and a guitarist, and Dan - that's probably the best-written review I've ever read. | | | oh my god, just seen a pic of Mr Ribot he is BUMTING!!! |
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http://www.bbc.co.uk/music/jazz/reviews/ribot_saint.shtml
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| | Marc Ribot MP3 Downloads - Marc Ribot Music Downloads - Marc Ribot Music Videos |
| | Marc Ribot MP3 Downloads - Marc Ribot Music Downloads - Marc Ribot Music Videos | | | Shrek's more or less stable lineup includes guitarist Chris Wood (of Medeski, Martin, and Wood), bassist Sebastian Steinberg, drummer Jim Pugliese, and percussionist... | | | Shrek's more or less stable lineup includes guitarist Chris Wood (of Medeski, Martin, and Wood), bassist Sebastian Steinberg, drummer Jim Pugliese, and percussionist Christine Bard. |
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http://www.mp3.com/albums/158278/summary.html
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| | Perfiles: Marc Ribot. Interview by Efren del Valle. 12-24-2002 |
| | With a mixture of blues and jazz cadences, a punk edge, 60’s surf guitar sound and the heritage of guitarists like Fred Frith and Robert Quine, Ribot has become one of the most versatile musicians of our time. | | | His impressive list of collaborations includes the likes of Tom Waits, John Zorn, Elvis Costello, Solomon Burke, Brother Jack McDuff, Marianne Faithfull, Medeski Martin and Wood, Caetano Veloso and Hal Willner, among many others. | | | Dougie Bowne plays second guitar and sometimes drums and Marc Anthony Thompson —a singer/songwriter I know- plays bass and sometimes harmonica and sings. |
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http://www.tomajazz.com/perfiles/ribot_marc_eng.htm
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| | Marc Ribot at Yoshi's |
| | His faux-Cuban group Los Cubanos Postizos, has released two CDs featuring Ribot's beautifully slanted interpretations of material by the great Cuban songwriter Arsenio Rodriguez. | | | He has also performed with Elvis Costello and was an original member of John Lurie's Lounge Lizards. | | | The increasingly in-demand guitarist continues to explore the ever-changing terrain of New York's New Music scene, working with musicians such as Arto Lindsay, Don Byron, Anthony Coleman, T-Bone Burnett, the Jazz Passengers and John Zorn, in any number of incarnations. |
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http://www.yoshis.com/artist/marc_ribot/showsheet.shtml
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| | New Releases 8/15/2003 |
| | downtown cast with Jill Jaffe and Rob Thomas on strings, Ned Rothenberg on clarinets, Anthony Coleman and Ted Reichman on keyboards, Eddie Sperry on sampler, Chris Woods on bass, Christine Bard and Roberto Rodriguez on drums/percussion and Marc Ribot on guitar and compositions. | | | Parkins on electric harp, David Weinstein on sampler, Marc Sloan on | | | violin and sampler/organ blending with Marc's distinctive string |
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http://www.dtmgallery.com/Main/news/20030815.htm
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| | Robert Quine home page by Douglas Boynton Quine |
| | Quine, Ivan Julian and Marc Bell - reunited to record a song, "Oh," which was released on the 2001 compilation album "Beyond Cyberpunk." Born in Akron, Ohio, Mr. | | | A Night With Lou Reed DVD with Robert Quine (1983 concert at the Bottom Line in New York City performance on DVD, released January 12, 1999) | | | Hosted by Marc Ribot, Jim Marshall, Ivan Julian, Richard Hell, and Jody Harris with |
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http://www.quine.org/robertquine.html
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| | JamBase MARC RIBOT: USING HIS VOICE |
| | In thinking about this and much more I had the opportunity to speak with the remarkable guitar guru Marc Ribot. | | | I'm curious how you got involved with Music For America. | | | For a man who doesn't use his voice all that much on stage, Marc Ribot sure has a lot to say... |
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http://www.jambase.com/headsup.asp?storyID=4593
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| | Marc Ribot : A Yo I Killed Your God - Listen, Review and Buy at ARTISTdirect |
| | Marc Ribot's second Shrek release showcases a live and onstage version of Ribot usually reserved only for those who live in the lower reaches of the 212 area code. | | | Marc Ribot : A Yo I Killed Your God - Listen, Review and Buy at ARTISTdirect | | | Browse artists: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z # |
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http://www.artistdirect.com/nad/store/artist/album/0,,848209,00.html
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| | Off the Record Marc Ribot |
| | If you’re going to do a solo album, it helps if you pace it right, and guitarist Ribot paces like a champ. | | | These three opening cuts set the agenda for the session, which is a mix of discomforting avant-garde splays of sound and reassuring, if eccentric, visits to the trad well. | | | Ribot’s most imaginative interpretive move is to squeeze some aching sadness out of Lennon’s " Happiness Is a Warm Gun " ; his best homage to the forefathers is a nasty, grooving take of " St. James Infirmary. |
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http://www.bostonphoenix.com/boston/music/otr/documents/01967114.htm
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| | Rolling Stone : Marc Ribot |
| | Up until fairly recently, most of Marc Ribot's best playing tended to surface on other people's albums... | | | Who knows more about Marc Ribot than you? |
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http://www.rollingstone.com/artists/marcribot
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| | Ink 19 :: Marc Ribot y Los Cubanos Postizos |
| | Working from the music of Cuban composer and big-bandleader Arseñio Rodriguez, Ribot assembles a four-piece combo and distills the brassy Afro-Cuban sound into something suitable for guitar, bass, drums, and congas, with the occasional keyboard flourishes (courtesy of John Medeski). | | | On this record, Ribot does an about-face, chucking his salty dissonance for a batch of tropically-scented Cuban pastiche. | | | Atlantic Records, 75 Rockefeller Plaza, Second Floor, New York, NY 10019 |
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http://www.ink19.com/issues_F/98_12/wet_ink/music_pr/144_marc_ribot_nf.html
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| | t o n i c |
| | They recently released their debut album, Prairies, on the Lucky Kitchen label. | | | Good for Cows with special guest Tony Malaby: String bassist Devin Hoff (of Nels Cline Singers) and drummer Ches Smith (Marc Ribot's Ceramic Dog) comprise the Oakland, CA duo Good for Cows. |
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http://www.tonicnyc.com/index.cfm?&sk=9E376FE7-14D0-4BB2-B6A5-FC4E6F0B3FC5&&...
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| | Marc Ribot and the Young Philadelphians |
| | And that's what Ribot mastered while playing with John Zorn, Don Byron, Elvis Costello, the Lounge Lizards and, most famously, Tom Waits on that trilogy of tone-terror, Frank's Wild Years, Rain Dogs and Big Time. | | | Ribot brought that same skittering six-string madness to his own funk-filled ensembles Shrek, Cubanos and Rootless Cosmopolitans for a brand of roughshod soul and crispy-fried jazz licks that surely will come into play while jamming with algebraic bassist Tacuma and skin-slamming drummer Calvin Weston. | | | That was before Ribot became the fretboard's icon of skronk, the scuffed and scratched guitar sound that's equal doses Robert Quine-like blasts of atonality, the no-wave jerkiness of Contortions' Pat Place and Jody Harris and the funky hump of blues-and-country-style picking indigenous to Southern juke joints. |
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http://citypaper.net/articles/2004-04-08/musicpicks4.shtml
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| | Jazz News: Guitarist Marc Ribot Interviewed at AAJ |
| | From Tom Waits to John Zorn; from Wilson Pickett to Elvis Costello; from Don Byron to David Sylvian, Ribot's distinctive yet wide-reaching approach can be heard on hundreds of recordings. | | | His own output as a leader may be smaller but is equally diverse, ranging from the Cuban-informed The Prosthetic Cubans to his recent Spiritual Unity, where he puts a unique spin on the music of Albert Ayler. | | | Few guitarists can cite the wide range of collaborations of Marc Ribot. |
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http://www.allaboutjazz.com/php/news.php?id=9330
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| | Ribot - Wikipedia, the free encyclopedia |
| | Marc Ribot (born 1954), American guitarist and composer. | | | This is a disambiguation page: a list of articles associated with the same title. | | | Ribot (1952–1972), a leading thoroughbred racehorse in Europe in the 1950s who went on to become an influential sire in the United States. |
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http://en.wikipedia.org/wiki/Ribot
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| | Marc Ribot on Tom Waits - Mojo Interview - April 1999 |
| | Marc Ribot has played with Tom Waits for the last 15 years. | | | Marc Ribot on Tom Waits - Mojo Interview - April 1999 | | | WHEN HE WAS PREPARING to make Rain Dogs, Tom Waits was living in New York and was going out toa lot of clubs, partly to look for musicians. |
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http://php.iupui.edu/~jwarvel2/tw/interview_1999_Marc_Ribot.html
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