|
| |
| | In The First Person: Lou Harrison |
 | | Harrison's musical style was shaped by the San Francisco of the 1930s. | | | Harrison never really abandoned his percussion orchestra of the 1930s, which he delights in using as the back-up band for concerti. | | | The Symphony No. 4, which combines Lou's interests in ancient music, Native American music, and Asian music in the context of the Western orchestra, was commissioned by the Brooklyn Philharmonic Orchestra and the Brooklyn Academy of Music and premiered on Nov. 2, 1990 under the baton of Dennis Russell Davies. |
|
http://www.newmusicbox.org/archive/firstperson/harrison/bio.html
|
|
| |
| | Cizmic Interviews with Lou Harrison, ECHO volume 1 issue 1 fall 1999 |
| | Harrison’s insistence that the various European, American, and Asian musics that he integrates are all "simply music," can be considered a naïve and utopian vision of music as a force that can transcend the circumstances of its creation. | | | Harrison’s mantra "it’s all music," begins to emerge in a different light; it is, in fact, an obstinately egalitarian vision in the face of acknowledged strife. | | | Harrison eagerly finds all and any music he encounters as food for his creativity—a leveling of the musical playing field that privileges Schoenberg no more than gamelan, or Korean court music. |
|
http://www.humnet.ucla.edu/echo/Volume1-Issue1/cizmic/cizmic-interview.html
|
|
| |
| | Harrison, Lou on Encyclopedia.com |
| | Harrison had an ongoing interest in Balinese music and is considered the founder of the American gamelan (a mainly percussion Indonesian orchestra) movement. | | | Versatile and prolific, Harrison wrote four symphonies, concerti, an opera (1952), songs, chamber music, piano pieces, dances, and other compositions. | | | Moving to New York in 1943, Harrison became a music critic, part of Virgil Thomson 's circle, and a friend of Charles Ives, whose music he championed. |
|
http://www.encyclopedia.com/html/H/HarrisonL1.asp
|
|
| |
| | Lou Harrison - Works 1939-2000 |
| | Harrison first gained notoriety in the late 1930s for the pioneering San Francisco percussion concerts he staged with John Cage, having prowled Chinatown for gongs and temple blocks and scoured junkyards for brake drums, washtubs and other "found" instruments. | | | I hope that the encomiums that followed his recent death, as well as musical trends and critical attention that are only now catching up to this pioneering figure, will result in ever more performances and recordings of music by one of the most prolific, melodious and exuberant composers who ever lived. | | | This music reflects Harrison's style of the early 1950s: expansive melodies often accompanied by ostinato patterns or drone figures. |
|
http://www.mode.com/catalog/122harrison.html
|
|
| |
| | NodeWorks - Encyclopedia: Lou Harrison |
| | Harrison's mature musical style is based on "melodicles", short motifs which are turned backwards and upsidedown to create a musical mode the piece is based on. | | | Another component of Harrison's aesthetic is what Harry Partch would call corporeality, an emphasis on the physical and the sensual including live, human, performance and improvisation, timbre, rhythm, and the sense of space in his melodic lines, whether solo or in counterpoint, and most notably in his frequent dance collaborations. | | | His music is typically spartan in texture but lyrical, and harmony usually simple or sometimes lacking altogether, with the focus instead being on rhythm and melody. |
|
http://pedia.nodeworks.com/L/LO/LOU/Lou_Harrison
|
|
| |
| | classical music - andante - lou harrison, american music's 'grand old maverick,' is dead at age 85 |
| | Harrison was known as a maverick, even in the context of the American contemporary new music scene. | | | Even Rapunzel (1954), Harrison's 12-tone opera, is accessible to the untrained listener. | | | For years this accessibility kept Harrison from being taken seriously by the East Coast-centered contemporary music establishment in the United States — his works were dismissed in some New York circles as Californian "happy music" &; and for some years Europe seemed barely aware that he existed. |
|
http://www.andante.com/article/article.cfm?id=19858
|
|
| |
| | Lou Harrison Biography |
| | Lou Harrison was one of the great composers of the twentieth century--a pioneer in the use of alternate tunings, world music influences, and new instruments. | | | Harrison also published a study of the music of atonal composer Carl Ruggles, and the influence of Ruggles and Schoenberg comes through in works such as Harrison's Symphony on G and his opera Rapunzel. | | | In the 1980s, with the rise of interest in the "new tonality" and world music, the world began to catch up with Lou Harrison, who by the time of his death was recorded on dozens of CDs and was the subject of many festivals and tributes. |
|
http://www2.hmc.edu/~alves/harrisonbio.html
|
|
| |
| | "I Remember Lou" |
| | Lou Harrison sixty years ago was concocting raga-type ostinatos identical to those today of Glass or Reich, with the notable difference that while all three men prepare canvases that are nonpareil, only Harrison super-imposes a drawing–a melody upon the canvas which gives it a reason for being. | | | Then, in about 1973, I heard Lou Harrison, in the back room of the Center for World Music on College Avenue in Berkeley, explain the difference in tuning between the just intonation of the strings and the equal temperament of the piano. | | | I had the glory of meeting Lou Harrison and his music when I was about 14. |
|
http://www.otherminds.org/shtml/Irememberlou.shtml
|
|
| |
| | Lou Harrison - Epitonic.com: Hi Quality Free and Legal MP3 Music |
| | Lou Harrison - [ New Albion Records ] | | | Harrison spent most of his life in the San Francisco Bay Area, where he was influenced by everything from Cantonese Opera to Gregorian chants to traditional Mexican music. | | | Early on in his career, Harrison studied composition with Henry Cowell, worked closely with John Cage, studied in Los Angeles with Arnold Schoenberg, and conducted the New York Little Symphony in the premiere of Charles Ives's Third Symphony (Ives even shared his Pulitzer Prize with Harrison). |
|
http://www.epitonic.com/artists/louharrison.html
|
|
| |
| | SJSU School of Music & Dance - Lou Harrison |
| | Lou Harrison, composer and former SJSU music instructor, died February 1, 2003 in Lafayette, Indiana, on his way to Columbus, Ohio, for a weeklong festival of his music. | | | Harrison also was the last living link to a tradition of American experimental music that reach back to Charles Ives and included such influential figures as Henry Cowell, Harry Partch, and John Cage. | | | SJSU School of Music and Dance - Lou Harrison |
|
http://www.music.sjsu.edu/links/harrison
|
|
| |
| | USATODAY.com - George Harrison photos stolen |
| | Lou Harrison said someone shattered a window of her car and stole a briefcase containing photos of her and her brother and the lyrics to a number of her brother's songs. | | | Harrison asked Beatles fans to help her recover the pictures. | | | Harrison's sister Lou asked Beatles fans to help her recover the pictures. |
|
http://www.usatoday.com/life/people/2004-10-05-harrison-photos_x.htm
|
|
| |
| | Lou Harrison - Gigue And Musette - Last.fm |
| | Of all 153 people that have listened to songs by Lou Harrison, this represents 25.5%. | | | Lou Harrison - Gigue And Musette - Last.fm | | | 39 people have listened to Gigue And Musette by Lou Harrison. |
|
http://www.last.fm/music/Lou+Harrison/_/Gigue+And+Musette
|
|
| |
| | Embellishments 7: Lou Harrison: Selected Keyboard and Chamber Music, 1937-1994 |
| | Lou Harrison: Selected Keyboard and Chamber Music, 1937Ð1994 (MUSA 8), edited by Leta Miller, presents seven of Harrison's compositions, spanning nearly 60 years and illustrating his compositional virtuosity. | | | Expansive melody - for which Harrison has become justly renowned - is embodied in the work's central "Elegy," which in turn is followed by a gentle "Rondeau" influenced by eighteenth-century French music. | | | Miller and Harrison, who have collaborated for over a decade on various recording and performance projects, acted as a team to ensure the edition's accuracy and authority. |
|
http://www.areditions.com/rr/embellish/1999_07/harrison.html
|
|
| |
| | NewMusicbox |
| | It was Cowell who first introduced Harrison to a young, fellow-Californian named John Cage, and the two of them organized a series of now legendary percussion concerts that featured their own homemade instruments constructed from household items and street junk. | | | One of the most significant musical figures of the twentieth and twenty-first centuries, American composer Lou Harrison, died while in transit from Chicago to Columbus, OH, Sunday night. | | | Known for his unique ability to seamlessly integrate culturally diverse music, Harrison enrolled in Henry Cowell's class "Music of the Peoples of the World" in 1934, marking a great turning point in the trajectory of Harrison's art. |
|
http://www.newmusicbox.org/news.nmbx?id=00194
|
|
| |
| | Salon Sharps and Flats |
| | Harrison agreed to this new recording last year and, in typical fashion, made revisions as it was being recorded. | | | 1930s, composer Lou Harrison and his partner John Cage were building instruments out of old brake drums and oxygen tanks, and in the process inventing a new kind of percussion music. | | | Instead, Harrison simplified and clarified, using a small-scale instrumental ensemble and focusing on melody. |
|
http://www.salon.com/may97/sharps/sharps970515.html
|
|
| |
| | Metroactive Music Lou Harrison |
| | Harrison's was a unique and groundbreaking vocabulary, one that boldly embraced the music of dissimilar traditions, then was synthesized in his own calligraphy and sung in his own voice. | | | Asked if it imitates Harrison, Turner says it's "more like a tip of the hat." An hour before the concert, Harrison's longtime friend and collaborator Eva Soltes will screen a portion of her documentary-in-progress on Harrison's life and music. | | | Regarding this program, he adds, "Lou's Chinese chamber music rarely gets included in U.S. concerts of his music. |
|
http://www.metroactive.com/papers/metro/03.02.05/harrison-0509.html
|
|
| |
| | Lou Harrison - For Strings |
| | As the three pieces on this CD show, Harrison ranged far and wide. | | | So it's refreshing to encounter the optimism and innocent joy of Lou Harrison, one of those great musical explorers and innovators that America produced in the 20th century. | | | This CD presents the first recording of the work by a string orchestra - Harrison's original intent. |
|
http://www.mode.com/catalog/140harrison.html
|
|
| |
| | New Albion Artists: Lou Harrison |
| | Harrison, and released a number of his recordings, with two more in process, yet we are just a small spoke in the wheel of friends, composers, musicians, conductors, labels, publishers, artists and creative individuals who have been inspired by the deep spirituality and indomitable melodic line Lou offered the world. | | | Harrison also developed an interest in Indonesian Gamelan music through early recordings. | | | A move to New York in the mid-forties brought Lou Harrison to the Herald Tribune as music critic. |
|
http://www.newalbion.com/artists/harrisonl
|
|
| |
| | Cabrillo Music Festival Lou Harrison |
| | In 1946, Harrison conducted the premiere of Ives' Third Symphony which he had edited from the manuscript score. | | | Between 1975 and 1996 he wrote three symphonies, a piano concerto, and a host of chamber compositions. | | | By the time Harrison left San Francisco in 1942, he had composed over 175 works, including several 12-tone compositions and even some quarter tone pieces. |
|
http://www.cabrillomusic.org/2001/bios/harrison.html
|
|
| |
| | For Composer Lou Harrison, Penmanship Counts |
| | Yet Harrison, who turned 80 yesterday and was the subject of two birthday-tribute concerts at Lincoln Center in April, has never integrated electronic instruments into his works. | | | Scholz sees a relationship between Harrison's typographic experiments and the composer's musical explorations, which include instruments and tunings that may strike Western ears as unconventional. | | | Written early in the century and repeatedly revised, the work received its belated debut in a performance conducted by Lou Harrison in 1946, when it was played twice in one evening. |
|
http://partners.nytimes.com/library/cyber/mirapaul/051597mirapaul.html
|
|
| |
| | [No title] |
| | Works by Harrison ranged from cello solo to full orchestra, and the series of concerts gathered other composers from the western United States, many of whom were influenced, and encouraged, by Harrison. | | | Chee-Yun's charismatic performance of Harrison's Suite for Violin and American Gamelan again made the strongest impression. | | | New recording: Lou Harrison -- For Strings: Suite No.2 for Strings, Suite for Symphonic Strings, Concerto for Pipa with String Orchestra; Wu Man, pipa, The New Professionals Orchestra, Rebecca Miller, conductor; on Mode 140. |
|
http://www.peermusicclassical.com/composer/Harrison.cfm
|
|
| |
| | Allegro, Vigoroso, Poco Presto by Lou Harrison: Song Music Downloads |
| | Sorry, at this time no streams have been found for "Allegro, Vigoroso, Poco Presto" on album Music of Lou Harrison. | | | Sorry, at this time no downloads have been found for "Allegro, Vigoroso, Poco Presto" on album Music of Lou Harrison. | | | Check the albums tab for other downloads from Lou Harrison. |
|
http://www.mp3.com/tracks/91636/dl_streams.html
|
|
| |
| | Gifts from the Grateful Dead keep Lou Harrison’s work alive SENTINEL STAFF REPORT May 18, 2004 |
| | A compact disc of Harrison’s music included in that publication was made possible by the generosity of Phil Lesh and David Gans, Grateful Dead fan turned guitarist, who mastered the disc. | | | Members of the Grateful Dead are doing their part to keep the music of composer Lou Harrison alive. | | | Some acetate disks of recordings by Harrison and fellow composer John Cage in the early 1940s need immediate attention if they are to be preserved. |
|
http://www.santacruzsentinel.com/archive/2004/May/18/local/stories/06local.htm
|
|
| |
| | Open Directory - Arts: Music: Composition: Composers: H: Harrison, Lou |
| | Lou Harrison - Birth and death information, biography, and musical contributions with photographs and virtual memorial from Find a Grave. | | | Lou Harrison - Includes a short biography and work list, from Frog Peak Music. | | | Lou Harrison - (1917-2003) Includes biography and discography, from New Albion. |
|
http://dmoz.org/Arts/Music/Composition/Composers/H/Harrison,_Lou
|
|
| |
| | Metroactive Music Lou Harrison Remembrance |
| | Long-time Aptos resident and world-renowned composer Lou Harrison died of a heart attack Sunday, Feb. 2, while traveling to a music festival in Indiana. | | | A Sound Life: Longtime Lou Harrison partner Bill Colvig crafted an artful contribution to music that resonates with ingenuity. | | | Cabrillo Music Festival: The festival's Lou Harrison bio. |
|
http://www.metroactive.com/papers/metro/02.06.03/harrison-index-0306.html
|
|
| |
| | HarrisonInt81.html |
| | Lou Harrison: I played the piano, and I wrote my first piece when I was ten, I suppose as a probable result of the dislocation from Portland. | | | It is also widely appreciated for its lyricism and assimilation of techniques from East and West. | | | Were you at the time ware of your musical interest and talent or was that something that developed in you a little later on? |
|
http://www.o-art.org/history/LongDur/Harrison/HarrisonInt81.html
|
|
| |
| | Homage to Lou Harrison - Támittam Percussion Ensemble - Guido Facchin |
| | I quattro CD presentano i lavori di Harrison "in ordine sparso", o meglio secondo una distribuzione che volutamente non segue l'ordine cronologico. | | | Ad Harrison, piuttosto snobbato nelle sale di registrazione, l'idea piacque e si dimostrò subito disponibile ad aiutare Facchin nell'impresa. | | | Varied Trio per violino, piano e percussioni è un pezzo rappresentativo dello stile e dell'approccio di Harrison nel miscelare ispirazioni diverse (percussione, gamelan, musica indiana, barocco, musica contemporanea) in una sintesi del tutto particolare. |
|
http://www.allaboutjazz.com/italy/reviews/r0904_028_it.htm
|
|
| |
| | SoundCircus: an interview with Lou Harrison |
| | Harrison's music, such as La Koro Sutro for chorus and gamelan, embraces the huge variety of musical cultures bordering the Pacific. | | | After studying composition with Cowell in San Francisco and Schoenberg in Los Angeles in the I930s, Lou Harrison worked as a music copyist, florist, record clerk, poet, dancer and dance critic in the 1940S, moving to New York in 1943. | | | Here he became a music critic for The Herald Tribune, edited Cowell's New Music Edition and conducted the first performance of Ives's Third Symphony. |
|
http://www.soundcircus.com/releases/sc005/lou_int.htm
|
|
| |
| | Advocate, The: In Honor of the Divine Lou Harrison. - Brooklyn Academy of Music, New York, New York - dance reviews |
| | Two years ago, in "World Power," he created (to Harrison's music) a culture doomed because of incursion by an alien force--think the United States in the Pacific at the beginning of the century. | | | It's an enchanting 40-minute opus arranged for violin, viola, cello, piano and the percussion that nobody else exploits with such bewitching results. | | | The new work, plus "Strict Songs" and "Grand Duo" (1993), will make up In Honor of the Divine Lou Harrison, one of the Mark Morris Dance Group's two programs at the Brooklyn Academy of Music April 15-20. |
|
http://www.findarticles.com/p/articles/mi_m1589/is_n732/ai_20806735
|
|
| |
| | Frog Peak Artist: Lou Harrison |
| | Writings by Harrison, Corner, Diamond, Powell, Didkovsky, Burk, Garland,Povall, Mann, Wendt, and others, edited by Carter Scholz. | | | Available on CD or floppy disc (please specify). | | | This is an edition of Johanna Beyer's choral work assisted by Lou Harrison. |
|
http://www.frogpeak.org/fpartists/fpharrison.html
|
|
| |
| | 'Just West Coast - MicrotonaMusic for Guitar and Harp' by Lou Harrison from The Portsmouth Chorus. |
| | Then there's a very rare LaMonte Young piece for just intonation guitar, and Lou Harrison's beautiful sonatas and suite no 2 for just intonation guitar. | | | John Schneider built his own Adapted Guitar from Harry Partch's information, and performs a blinder on Partch's early version of Barstow for voice and adapted guitar. | | | Artists: Lou Harrison, La Monte Young, Harry Partch, John Cage, Just Strings |
|
http://www.theportsmouthchorus.com/music-cd/B000003GIZ
|
|
| |
| | WNYC - New Sounds: Lou Harrison Memorial (February 03, 2003) |
| | The grand old maverick of American music, composer Lou Harrison, died Sunday evening while traveling to a festival of his music at Ohio State University. | | | This special installment of New Sounds takes a retrospective look at Harrison's works and career, with performances by contemporary-music ensemble Pulse, guitarist John Schneider, and the composer himself. | | | Suite for Violin and American Gamelan, excerpt [2:00] |
|
http://www.wnyc.org/shows/newsounds/episodes/02032003
|
|
| |
| | MUSA / Lou Harrison |
| | The prefatory essay explores, through the lens of these seven works, the sources of Harrison's syncretic style, focusing on its diverse aesthetic components: percussion, Asian music, gamelan, medieval music, the French baroque, melody, tuning systems, instrument building, and politics. | | | Interwoven biographical material is based in part on the author's book, "Lou Harrison: Composing a World" (Oxford University Press, 1998). |
|
http://www.umich.edu/~musausa/harrison.htm
|
|
| |
| | Stereo Computer Graphics |
| | Lou Harrison, D. McAllister, "Problems with Lossy Compression of Stereo Pairs," Proc. | | | Barham, L. Harrison, D. McAllister, "Computer Modelling of Depth Enhancement by Vertical Parallax Induction", Optical Engineering, 33, No. 8, October 1991, pp. |
|
http://research.csc.ncsu.edu/stereographics
|
|
| |
| | The Infography about Lou Harrison (1917- ) |
| | Lou Harrison: Selected Keyboard and Chamber Music, 1937-1994, in Music in the United States of America, vol. | | | The following sources are recommended by a professor whose research specialty is Lou Harrison. | | | Clicking this button will display the HTML code. |
|
http://www.infography.com/content/786395398800.html
|
|
| |
| | Lou Harrison |
| | El estilo musical maduro de Harrison se basa en "melodicles", los adornos cortos que se giran al reverso y el upsidedown para crear un modo musical el pedazo se basa encendido. | | | Lou Harrison: El período central trabaja también en el pdf. | | | Lou Harrison de plata (de mayo el 14 de 1917 - de febrero el 2 de 2003) era compositor americano. |
|
http://www.yotor.net/wiki/es/lo/Lou%20Harrison.htm
|
|
| |
| | In The First Person: Lou Harrison |
| | In a mesostic written in your honor, John Cage compared your music to a river opening into its delta. | | | Lou Harrison in Conversation with John Luther Adams (4/99) | | | You know a long time ago, I had a tizzy before one of my premieres. |
|
http://www.newmusicbox.org/archive/firstperson/harrison/index.html
|
|
|
