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| | Jump Jim Crow -- Facts, Info, and Encyclopedia article |
 | | I'm gwine to sing a little song, My name's Jim Crow. |  | | The song became a great (Click link for more info and facts about 19th century) 19th century hit and Rice performed all over the country as Daddy Jim Crow. |  | | The number was supposedly inspired by the song and dance of a crippled (Click link for more info and facts about African American) African American in Cincinnati called "Jim Crow". |
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http://www.absoluteastronomy.com/encyclopedia/j/ju/jump_jim_crow.htm
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| | Radio Projects: Behind the Veil: Remembering Jim Crow Transcript |
 | | Litwack: And calling it "Jump Jim Crow," he based the song on a routine he's seen performed in 1828 by an elderly and crippled Louisville stableman who belonged to a Mr. |  | | You're listening to "Remembering Jim Crow," a special report from American RadioWorks, the documentary project of Minnesota Public Radio and NPR News. |  | | They say Jim Crow ended 40 years ago and is better off forgotten. |
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http://www.neh.fed.us/projects/transcripts/behindtheveiltranscript.html
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| | Bluegrass Messengers |
 | | Dave Evans remarks on the similarity of the title "Jim Crow" to "John Crow," a folk name for a buzzard, and suggests that the "Jim Crow" song and dance is perhaps derived from the slave dance "The Buzzard Lope" (see Parish, Slave Songs of the Georgia Sea Islands, 1942). |  | | From fiddler Henry Reed’s web-site: “Jim Crow/Jump Jim Crow" has its origins in the minstrel stage, where the tune was used for an often extravagant or elaborate set dance. |  | | This song and dance was created by Thomas ("Daddy") Rice in the 1820’s and is the earliest and one of the most popular minstrel songs both in the US and abroad.. |
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http://www.bluegrassmessengers.com/master/jimcrow3.html
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| | BBC - North West Wales History - Isabel Adonis |
 | | Throughout the 19th century a song called Jump Jim Crow was well known in America, England and Scotland. |  | | Y llo'r ochr arall, yn gwaeddai 'Jim Cro' |  | | Rice appropriated and transformed this song into one of the earliest and most popular minstrel songs. |
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http://www.bbc.co.uk/wales/northwest/sites/history/pages/jimcrow.shtml
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| | Robert Christgau: In Search of Jim Crow: Minstrelsy |
 | | He can discern no African elements in "Jim Crow," which suggested "both an Irish folk tune and an English stage song," had small success as sheet music, and failed to enter oral tradition (unlike its counterpart, George Washington Dixon's "Zip Coon," transformed by Dan Emmett into "Turkey in the Straw"). |  | | Rice was so impressed that he bought the black man's clothes and made off with his song and dance. |  | | The stunner is Bone Squash, a dizzying one-act "burletta" full of nonsense, deviltry, and love sweet love that ends with the Jim figure ascending heavenward in a balloon--an image of orgasm, Lhamon ventures, far more convincingly than Lott finding phallic symbols whenever he turns over a lithograph. |
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http://www.robertchristgau.com/xg/music/minstrel-bel.php
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| | Minstrel shows |
 | | "Jim Crow" turned out to be more than a popular song. |  | | In the early 1840s, a group called the Tyrolese Minstrel Family toured the United States with a program of traditional mittel-European folk songs. |  | | He first heard it from an old black street singer who supposedly made up the lyric about his own name |
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http://www.musicals101.com/minstrel.htm
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| | The-Crow - Awesome movies, movie search engine, movie reviews and movie news |
 | | Jump Jim Crow Jump Jim Crow is a song and dance from 1828 done in blackface by white comedian Thomas D. Rice. |  | | The number was supposedly inspired by the song and dance of a crippled African American in Cincinnati called "Jim Crow". |  | | The song became a great 19th century hit and Rice performed |
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http://www.awesomemovies.info/The-Crow.html
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| | The Mavens' Word of the Day |
 | | The expression has its origins in a song called "Jump Jim Crow" sung in blackface by one Thomas Dartmouth Rice in the early 19th century. |  | | You can see a facsimile of the original sheet music along with a copy of a lithograph of Jim Crow (a.k.a. |  | | In 1964, the great, unblinkingly truthful singer, Nina Simone, composed her song, "Old Jim Crow." This is the concluding verse, a fine antidote to Thomas Rice: |
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http://www.randomhouse.com/wotd/index.pperl?date=20010215
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| | Story of jim crow |
 | | THE RISE AND FALL OF JIM CROW is a co-production of Quest... |  | | They put a human face to the story of Jim Crow. |  | | SWASTIKA TO JIM CROW is a mesmerizing chronicle of Jim Crow America and a... |
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http://factdigup5.info/story-of-jim-crow-r.html
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| | [No title] |
 | | The term Jim Crow comes from the minstrel show song "Jump Jim Crow" written in 1828 and performed by Thomas Dartmouth "Daddy" Rice, a white English migrant to the U.S., the originator of blackface performance. |  | | The song and blackface itself were an immediate hit. |  | | These became known as the Jim Crow laws, a reference to the character Jim Crow (popular in antebellum minstrel entertainment) that was a racist stage depiction of a poor and uneducated rural black. |
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http://www.everybase.com/Jim_Crow_Laws
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| | BURNT CORK BURLESQUE: NEGOTIATING "DE DARKIE" IN CIVIL WAR SONG AND DANCE |
 | | A song like Ò"Jump Jim Crow" has a familiar tune and uninteresting lyrics, but the dance was mesmerizing. |  | | But, for authenticity's sake, the false origin story was released: |  | | The minstrel dance was the first definitive part of the show. |
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http://xroads.virginia.edu/~UG02/barnes/darkmusic.html
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| | [No title] |
 | | "Jim Crow" (1829) (A Comic Song) Words and Music by Thomas Dartmouth ("Daddy") Rice, 1808-1860 [Source: page 209 from "Minstrel Songs, Old and New" (1883)] 1. |  | | Come, listen all you gals and boys, Ise just from Tuckyhoe; I'm goin, to sing a little song, My name's Jim Crow. |  | | CHORUS [after every verse] Weel about and turn about and do jis so, Eb'ry time I weel about I jump Jim Crow. |
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http://www.pdmusic.org/1800s/29jc.txt
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| | The HistoryMakers |
 | | The song Jump Jim Crow was introduced on this date by comedian and minstrel show creator Thomas Dartmouth "Daddy" Rice. |  | | Rice came up with the song after watching a elderly Black man sing and dance in the streets of Louisville, Kentucky. |  | | Oberlin accepted and welcomed Black students who were on equal footing with White students. |
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http://www.thehistorymakers.com/timeline/index.asp?year=1833&Category=
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| | City Newspaper: Cover Story: Cover story: Jump Jim Crow (Part 1 of 2) |
 | | Around 1830 in Cincinnati, Dan Rice, a white minstrel who performed in blackface, came upon a small, ragged Black child singing "Jump Jim Crow." He added the song to his repertoire, and it became a popular part of his performance. |  | | City Newspaper: Cover Story: Cover story: Jump Jim Crow (Part 1 of 2) |  | | We would be in our dressing room and one would say, "I'm gonna take first" and "I'll take second," "I'll take third." We were competing against each other, but we were determined we were going to take every first, second, and third place in that track event and we did, year after year. |
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http://www.rochester-citynews.com/gbase/Gyrosite/Content?oid=oid:1843
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| | Hetzler's Fakebook - Jump Jim Crow Notes |
 | | Rice's performance consisted of a song and dance that included an energetic jump off of the stage floor while singing. |  | | Rice claimed that his inspiration was an elderly black man he found singing this tune near a stage door one night. |
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http://hetzler.homestead.com/NBJimCrow.html
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| | Jim Crow - Wikipedia, the free encyclopedia |
 | | Jim Crow, the title character of the song "Jump Jim Crow", performed by Thomas D. Rice beginning in 1828; |  | | This is a disambiguation page, a list of pages that otherwise might share the same title. |  | | Jim Crow, a character from the 1941 film Dumbo named for the Rice character and the laws. |
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http://en.wikipedia.org/wiki/Jim_Crow
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| | The History of Jim Crow |
 | | Crow owned the slave who inspired Rice's act--thus the reason for the Jim Crow term in the lyrics. |  | | The "Jim Crow" figure was a fixture of the minstrel shows that toured the South. |  | | The number of lynchings estimated for 1880-1884 was 233 compared to 381 for the next five-year period, peaking at 611 for the years 1890 to 1894. |
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http://www.jimcrowhistory.org/history/creating2.htm
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| | Jim Crow - Turncoat and Segregation - Birding |
 | | The original use of Jim Crow was from a minstrel song sung in the south in the early to mid 1800s. |  | | Harriet Beecher Stowe used this name when she wrote Uncle Tom's Cabin, and she had it mean any black person that didn't have a proper name. |  | | Jim was a very common name at the time, and crows are black. |
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http://www.bellaonline.com/ArticlesP/art7802.asp
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| | Jim Crow |
 | | Rice ‘borrowed’ the man’s dance routine and costume and enlarged on the song he was singing. |  | | During the first half of the 20th century Jim Crow was physically embodied in separate water fountains, eating places, bathrooms, Bibles in courtrooms and pervasive signs stating "Colored" and "White." The Brown v. |  | | Like another white invention, ‘Uncle Tom,’ which blacks used to describe a man afraid of standing up for his rights, blacks used ‘Jim Crow’ to mean the many kinds of discrimination they faced in America.” |
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http://www.heritagecenter.com/Museum/Exhibits/blackedu/jimcrow.htm
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| | MIDIsite - jump - MIDI Search Engine |
 | | Dance At The Gym Jump (Tom Kelly, aka Midiplicity) |  | | Jump, Jive, And Wail - Brian Seltzer Orchestra |  | | Hetzler's Fakebook - Old Time Tunes Key of D. Jump Jim Crow NB |
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http://www.midisite.co.uk/cgi-bin/midi/search.pl?t=jump&m=0&x=50&p=5
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| | New York Daily News - Big Town - Big Town Songbook: Natural sense of rhythm |
 | | Robert Nevin, a friend of Stephen Foster, said that once Rice introduced "Jump Jim Crow," the song was "on everybody's tongue. |  | | Crow in a play that his troupe was performing, "The Rifle." Rice played a "Kentucky cornfield Negro" in this production and apparently the character was so well received that he turned it into the foundation of a solo act that eventually would take him home from his road-show travels to the city of his birth. |  | | Call it doubtful he had any idea that his name would live for generations, once the popularity of Rice's song and dance had turned the words "Jim Crow" into shorthand for all customs and laws mandating racial segregation. |
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http://www.nydailynews.com/city_life/big_town/v-bigtown_archive/story/197240p-170298c.html
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| | Blackface - Free Encyclopedia |
 | | The song had a syncopated rhythm and purportedly recreated the dancing of a crippled black man Rice had seen in Cincinnati, Ohio: |  | | It was often associated with the Negro minstrel show tradition of comedy and musical entertainment. |  | | Blackface was invented by a white comedian, Thomas D. Rice, who introduced the song "Jump Jim Crow" and an accompanying dance in his act in 1828. |
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http://badpredictions.wacklepedia.com/b/bl/blackface.html
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| | Jim Crow Law |
 | | ...boys, I'm going to sing a little song, My name is Jim Crow. |  | | Legal Tyranny - America's Apartheid: Jim Crow Laws - Chapter 1 -... |  | | On the 40th anniversary (1960-2000) of Jackson's civil rights movement, The Jackson Sun is recording - for the first time - the events that led to... |
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http://www.find-lawyer.info/1/jim-crow-law.html
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| | Urban Legends Reference Pages: Language (Crowbar) |
 | | The term likely originated with a song introduced by blackface minstrel |  | | Rice is said to have patterned his song and dance on that of an old Kentucky field hand he had observed. |  | | The use of the word 'crow' as a slang or pejorative reference to blacks didn't occur until three centuries later, however, and the term 'Jim Crow' not until another century after that. |
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http://www.snopes.com/language/offense/crowbar.asp
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| | Articles - Blackface |
 | | The song had a syncopated rhythm and purportedly recreated the dancing of a crippled, black stable hand, Jim Cuff, or "Jim Crow", whom Rice had seen in Cincinnati, Ohio: |  | | White comedian Thomas D. Rice later popularized blackface, introducing the song "Jump Jim Crow" accompanied by a dance in his stage act in 1828. |  | | Rice travelled the U.S., performing under the pseudonym "Daddy Jim Crow". |
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http://www.lastring.com/articles/Blackface?mySession=24653f43bb5859910c6fda84bc219be0
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| | Jim Crow law -- Encyclopædia Britannica |
 | | Songwriter Jim Gill demonstrates how much children can learn from music. |  | | Jim Crow was the name of a minstrel routine (actually Jump Jim Crow) performed beginning in 1828 by its author, Thomas Dartmouth (Daddy) Rice, and by many imitators,... |  | | Jim Crow was the name of a minstrel routine (actually Jump Jim Crow) performed beginning in 1828 by its author, Thomas Dartmouth (Daddy) Rice, and by many imitators, including actor Joseph
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http://www.britannica.com/eb/article-9043641?tocId=9043641
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| | Jim Crow Modern Street Ballads staggernation.com |
 | | I have purposely refrained from giving any Nigger songs, although they belong to Street melody, except in the case of “Jim Crow,” which was the first of the flood which has been let loose upon us. |  | | We may wonder what merit our grandfathers and fathers found in it, but it created an absolute furore. |  | | I paid my fair den up to town, |
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http://www.staggernation.com/msb/jim_crow.php
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| | Hop High Ladies (Uncle Joe) |
 | | Notes: Randolph has a report that this song has been heard as far afield as Delhi, India, but seems to be referring to "Jump Jim Crow" (of which his version has just the chorus). |  | | The Ballad Index Copyright 2005 by Robert B. Waltz and David G. Engle. |  | | DESCRIPTION: Floating verses ("Did you ever go to meeting, Uncle Joe?" "Every time you turn around you jump Jim Crow"). |
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http://www.csufresno.edu/folklore/ballads/R252.html
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| | Folk Music Index - Ju to Jz |
 | | Just Wondering Why - McReynolds, Jim & Jesse |  | | Just Inside the Pearly Gates - Anglin, Jim |  | | Folklore Associates, Bk (1940/1965), p 83a (Jim Crow) |
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http://www.ibiblio.org/folkindex/j07.htm
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| | AFRO-AMERICAN ALMANAC - African-American History Resource |
 | | Jim Crow laws were named for an ante-bellum mistral show character. |  | | This began what is known as the "Civil Rights Movement" and began the end of the Jim Crow Laws. |  | | Rice's imitation of the Negro's song and dance routine took him from Louisville to Cincinnati to Pittsburgh to Philadelphia and finally to New York City in 1832. |
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http://www.toptags.com/aama/docs/jcrow.htm
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| | Dancer History Archives by StreetSwing.com - Thomas Dartmouth Rice - aka Jim Crow - Main Page |
 | | These Jim crow laws would last up until 1954 with what is known as the "Civil Rights Movement" which began the end of the Jim Crow Laws. |  | | dance is is believed to be related to the Jump Jim Crow dance that Rice had performed. |  | | These historic "Jim Crow laws" were a response to the new reality that required white supremacy to move to where it would have a legal basis to retain control over the black population. |
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http://www.streetswing.com/histmai2/d2rice1.htm
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| | Remembering Jim Crow : presented by American RadioWorks |
 | | The Jim Crow system emerged towards the end of the historical period called Reconstruction, during which Congress had enacted laws designed to order relations between Southern whites and newly freed blacks, and to bring the secessionist states back into the Union. |  | | Jim Crow ruled the South from about 1890 to well into the 1960s. |  | | Remembering Jim Crow : presented by American RadioWorks |
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http://americanradioworks.publicradio.org/features/remembering/bitter.html
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| | People's Weekly World Newspaper Online - Jim Crow hangs on in Alabama |
 | | They originated from the Black Codes that were enforced between 1865 and 1866 and from segregation on railroad cars in northern cities before the Civil War. |  | | Rice incorporated the skit into his minstrel act, and by the 1850s the “Jim Crow” character had become a standard part of the minstrel circuit in America. |  | | By the end of the century, the legal structure of racial discrimination toward Blacks and the actions stemming from them were often referred to as Jim Crow laws and practices. |
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http://www.pww.org/article/articleprint/6476
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| | The English Department at Florida State University - Faculty |
 | | Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture, Harvard University Press, Fall 2003. |  | | Harvard University Press has published his last three books: Raising Cain (1998), Deliberate Speed (2002), and Jump Jim Crow (2003). |  | | Raising Cain: Blackface Performance from Jim Crow to Hip Hop, Harvard UP, 1998. |
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http://english.fsu.edu/faculty/wlhamon.htm
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| | JOHN'S SONG |
 | | As the Company instructions come to "Jump Jim Crow". |  | | But if we be ordered otherwise, we'll "jump Jim Crow". |  | | But I found I was mistaken, so I "Jump Jim Crow". |
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http://collections.ic.gc.ca/helmcken/people/jsong.html
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| | People's Weekly World Newspaper Online - The rise and fall of Jim Crow |
 | | Performing in blackface and dressed in tattered clothes, Rice took this version of black man imitating the hifalutin ways of white folks, put it in his minstrel act, and made a fortune. |  | | This little ditty was expropriated from a Black performer in the South by Daddy Rice, a white entertainer, in 1828. |  | | By the next generation or so, Jim Crow had come to symbolize the racist, American apartheid form of segregation that denied Black Americans basic civil and human rights. |
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http://www.pww.org/article/articleprint/2127
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| | Untitled Document |
 | | What the government giveth, the government taketh away, and blacks were forced back on their own resources to move forward. |  | | And if his work came to be known by many as a compromising of the promises of Reconstruction, many argued it was a compromise necessary in the face of increased lynchings, Jim Crow laws, and sharecropping contracts that returned southern blacks to a de facto slavery. |  | | But within three decades, sharecropping contracts and Jim Crow laws in the South eroded the rights of blacks, and the Supreme Court's decision in Plessy vs. Ferguson, 1897, institutionalized separate but equal. |
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http://www.jeffhouse.addr.com/industrialjump.html
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| | [No title] |
 | | First Line of Chorus: Jump, jump, oh jump, Jim Crow! |  | | Advertisement: ads on back cover for G. Schirmer stock |
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http://levysheetmusic.mse.jhu.edu/cgi-bin/condisp.pl?/Box_153/153.033.html
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| | A364 & H511 |
 | | Your first paper will be a colloquium type paper that will center on the Jump in Jim Crow book which should center around a common issue from at least five of the essays. |  | | Graduate Students are expected to complete all the work the undergraduate students are required to do (except one quiz) plus lead a class discussion, write two ten page papers (one is your final exam), and read a series of Civil Rights books from a reading list beyond Revolutionary Suicide and War Against the Panthers. |  | | 8-10 page essay on Jump in Jim Crow is |
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http://www.iupui.edu/~history/www/sum202/a364h511.htm
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| | Jim Crow (Thomas Dartmouth "Daddy" Rice) |
 | | One of the earliest and most successful is the performer pictured here: Thomas Dartmouth "Daddy" Rice. |  | | He then performed to acclaim in London and Dublin, where the Irish in particular appreciated his blackface song-and-dance routine of "Jim Crow." |
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http://www.sims.berkeley.edu/academics/courses/is182/s01/paint167.html
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| | Jump Jim Crow |
 | | MEASURE 4 - turn clockwise with 4 running steps around new partner, 3 jumps |
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http://web.uvic.ca/~thopper/archive247/term2/week5/JumpJimCrow.htm
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