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| | Joe - Wikipedia, the free encyclopedia |
 | | Joe is the stage name for US RandB singer Joe Thomas best known for his 2000 album My Name is Joe featuring the #1 hit in the US "Stutter". |  | | Joe FM is a brand for several radio stations in North America. |  | | The co-founder and lead singer of punk rock band The Clash, and later The Mescaleros |
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http://en.wikipedia.org/wiki/Joe
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| | Joe "King" Oliver - Wikipedia, the free encyclopedia |
 | | In the mid and late 1920s Oliver's band transformed into a hybrid of the old New Orleans style jazz band and the nationally popular larger dance band, and was christened "King Oliver and His Dixie Syncopators". |  | | Oliver played cornet in the New Orleans brass bands and dance bands and also in the city's red-light district, Storyville. |  | | Oliver was also noted as a composer, having written Armstrong's early hit, "Dippermouth Blues", as well as "Sweet Like This", "Canal Street Blues", and "Doctor Jazz", the latter virtually the theme song of Jelly Roll Morton, a frequent collaborator. |
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http://www.wikipedia.org/wiki/Joe_King_Oliver
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| | PBS - JAZZ A Film By Ken Burns: Selected Artist Biography - Joe "King" Oliver |
 | | King Oliver is said to have begun music as a trombonist, and from about 1907 he played in brass bands, dance bands, and in various small groups in New Orleans bars and cabarets. |  | | Oliver is credited with many melodies on record labels and in copyright registrations; it is not known how many of these he actually composed. |  | | Oliver is generally considered one of the most important musicians in the New Orleans style. |
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http://www.pbs.org/jazz/biography/artist_id_oliver_joe_king.htm
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| | VH1.com : King Oliver : Biography |
 | | Oliver recorded a pair of duets with pianist Jelly Roll Morton but otherwise was off records that year. |  | | Although originally a trombonist, by 1905 Oliver was playing cornet regularly with various New Orleans bands. |  | | New recordings resulted (including "Snag It," which has a famous eight-bar passage by Oliver) but when the cornetist moved to New York in 1927, his music was behind the times and he made some bad business decisions (including turning down a chance to play regularly at the Cotton Club). |
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http://www.vh1.com/artists/az/king_oliver/bio.jhtml
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| | Jazz Artist Biography - King Oliver@ jazzreview.com |
 | | Oliver, like many New Orleans musicians, left for Chicago after the closure of Storyville in 1918, forming his own band, King Oliver's Creole Jazz Band. |  | | In 1923, the Creole Jazz Band became the first to record in the New Orleans style, establishing a standard never to be surpassed. |  | | In 1922, Oliver further cemented his dominance of the Chicago music scene by sending for the young Louis Armstrong, already a powerful contender for concert crown. |
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http://www.jazzreview.com/articledetails.cfm?ID=168
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| | King Oliver :: TrumpetJazz.com |
 | | Oliver grew up blind in one eye because of an early childhood accident. |  | | He was, perhaps, the first musician to extensively use the plunger to give his sound a human moan. |  | | From 1907 to 1919 he played with many ensembles: the Melrose Brass Band, the Olympia Band, his own band (with Sidney Bechet), Eagle Onward and Magnolia, as well as Kid Ory's band (where he got the nickname "King"). |
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http://trumpetjazz.netfirms.com/Artists/King_Oliver.html
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| | Louis Armstrong: A Cultural Legacy |
 | | Oliver was one of a handful of noted musicians in New Orleans--along with Jelly Roll Morton, Sidney Bechet and others--who were creating a distinctive and widely popular new band music out of blues and ragtime. |  | | When he returned to Chicago in 1926, he was a headliner on records and radio, and in jazz clubs, wowing audiences with the utter fearlessness and freedom of his groundbreaking trumpet solos. |  | | The early 1920s saw Armstrong's popularity explode as he left New Orleans for Chicago to play with "King" Oliver's Creole Jazz Band, and then moved on to New York, where he influenced the Fletcher Henderson Orchestra with improvisation and a new musical vocabulary. |
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http://www.npg.si.edu/exh/armstrong/index.htm
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| | Repertoire |
 | | Oliver's band and its West Coast reincarnations, Lu Watters' Yerba Buena Jazz Band from the 1940s and the South Frisco Jazz Band from the 1950s to the present, feature(d) a unique two-trumpet front line along with the traditional trombone and clarinet. |  | | Clarinetist Rudy Jackson, a onetime Oliver sideman, claimed the piece as his own and presented it to Duke Ellington, who, after applying his own touches, recorded it as “Creole Love Call.” Oliver filed suit, but because of the title change from the original, the copyright couldn't be traced and the suit failed. |  | | Snag It* (Joe Oliver) Recorded by King Oliver’s Jazz Band on 11 March 1926 for Vocalion and by Oliver’s Dixie Syncopators on 17 September 1926 for Brunswick. |
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http://www.doctorsofjazz.org/repertoire.htm
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| | Louis Armstrong |
 | | While playing in Oliver's Creole Jazz Band, Armstrong met Lillian Hardin, a piano player and arranger for the band. |  | | He also played in parades with the Allen Brass Band, and on the bandstand with Papa Celestin's Tuxedo Orchestra, and the Silver Leaf Band. |  | | In June of that year he returned to New Orleans for the first time since he left in 1922 to join King Oliver's Creole Jazz Band. |
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http://www.redhotjazz.com/louie.html
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| | King Oliver |
 | | Oliver went on to record a pair of duets with pianist Jelly Roll Morton that same year, and then took over Dave Peyton's band in 1925, renaming it the Dixie Syncopators. |  | | Unfortunately the Creole Jazz Band gradually fell apart in 1924. |  | | King Oliver by Walter C. Allen and Brian Rust, The Jazz Book Club, 1957 |
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http://www.redhotjazz.com/kingo.html
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| | NewsScan Publishing Inc. - NewsScan Daily Archives |
 | | In the span of black musical history, Oliver occupies an important place in the era between ragtime and solo improvisation, as exemplified by Oliver's famous protégé, Louis Armstrong. |  | | Because recording technology was just in its infancy, the sound legacy of Oliver's performances is skimpy. |  | | He moved to New Orleans in his youth, where he became a professional musician playing in dance bands and marching bands. |
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http://www.newsscan.com/cgi-bin/findit_view?table=honorary_subscriber&id=738
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| | American BigBands - Page 2 "O" Bands |
 | | From 1908-17, Oliver worked parades, gigs, and occasional tours with a number of brass bands including: the Olympia, the Onward, the Magnolia, the Eagle, The Original Superior Orchestra in 1910, and Allen's. |  | | This was a novelty for a New Orleans group but it was very successful because of the warm friendship each man held for the other, and because of their musical talents. |  | | In 1916 Oliver and trombonist Edward "Kid" Ory co-led "The Kid Ory and King Oliver Band" then considered one of the best in New Orleans. |
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http://nfo.net/usa/o2.html
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| | King Oliver |
 | | Strangely, and maybe tellingly, Oliver responded the next year by releasing a soundalike cover version of Armstrong's, although Joe didn't play on the record himself: the Louis-created trumpet parts were recreated (under Oliver's "direction") by another ex-Ellingtonian, Louis Metcalf. |  | | Between 1923 and 1930, King Oliver recorded frequently under his own name, eventually hitting every major label of the time. |  | | Under Oliver's exacting standards, his 1923-recorded Creole Jazz Band operates as a well-balanced, hard-swinging ensemble. |
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http://www.delmark.com/rhythm.kingoli.htm
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| | Joe "King" Oliver |
 | | During the years 1908-17, Oliver worked parades, gigs, and occasional tours with various brass bands including: the Olympia, the Onward, the Magnolia, the Eagle, the Original Superior, and Allen's. |  | | Very highly regarded by the white Chicago musicians who nightly would make the pilgrimage down to the Lincoln Gardens, the band also provided the first exposure outside of New Orleans for the young Louis Armstrong. |  | | He later took over Duhé's band and played steady gigs at various night clubs including Deluxe Cafe, Pekin Cabaret, and Dreamland until 1921. |
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http://www.riverwalk.org/profiles/oliver.htm
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| | JOE KING OLIVER |
 | | They say that on that night, lovers of Jazz music began to drift out of all the honky-tonks to follow Joe Oliver on his march through Storyville into the Aberdeen Cafe where he was then performing. |  | | They overcrowded the place to listen to Joe Oliver playing for hours at a stretch. |  | | Before he left for Chicago in 1918, Oliver had played with various groups in which some of New Orleans best loved Jazzmen could be found. |
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http://www.southernmusic.net/kingoliver.htm
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| | Satchmo Plays King Oliver |
 | | The reason for some of his choices are obvious-they are pieces which he recorded with Oliver and the Creole Jazz Band or they are tunes that Oliver wrote or they are numbers that both he and Oliver recorded separately. |  | | This record is Louis' tribute to the man who helped shape his trumpet style back in New Orleans and whose invitation to join his band in Chicago put him in the spotlight which has shone on him ever since, Typically of Louis, this is neither an overly sentimental nor a lugubrious remembrance. |  | | But Louis has gone farther than such directly connected tunes for you'll also find pieces that are not associated with either Oliver or Armstrong but were being played and sung in the New Orleans that Joe Oliver knew as a young man and in that slightly later New Orleans that Louis Armstrong knew. |
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http://www.booze-bros.com/satch_oliver.html
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| | Jazzscript.co.uk - JOE KING OLIVER : LIFELINE |
 | | Joe Oliver is born in Louisiana, and by 1905 is a busy (though not highly competent) musician in New Orleans performing with various brass and dance bands. |  | | Oliver proves to be a successful and forceful band leader and in 1923 leads classic recordings at the Gennett Studios in Indiana. |  | | From 1925 to 1927 Oliver is back in Chicago with Barney Bigard in his band, and in 1927 he attempts to settle in New York. |
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http://www.jazzscript.co.uk/life/oliverlife.htm
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| | SavannahNOW: Our Jazz History Series |
 | | After playing around New Orleans with a number of jazz ensembles, Oliver led his own band north to Chicago where, around 1918, he became the first black to triumph in clubs and on recordings. |  | | By 1922, the band had become a sensation with the quality of its musicians, especially that of the band's second cornet, Louis Armstrong, who had been summoned to Chicago by King Oliver. |  | | Beginning on trombone, he switched to cornet and played with such ferocity that he "blasted the heavens and shook the blackberry leaves" at funeral parades that often passed through black neighborhoods there. |
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http://www.savannahnow.com/features/jazz
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| | Don's Musical Musings - Joe 'King' Oliver |
 | | The first LP I ever bought was Columbia 33S1065 'King Joe' by King Oliver and his Creole Jazz Band. |  | | Joe 'King' Oliver went on to lead successful bands throughout the 1920s. |  | | This effort was an excellent musical education, however, as eventually we completely familiarised ourselves with every note on the record. |
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http://www.yarl.org/musings/0203.htm
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| | Oliver, King King Joe - Buy used cds, rare vinyl records, LPs and music albums |
 | | Oliver, King King Joe - Buy used cds, rare vinyl records, LPs and music albums |  | | Buy rare Oliver, King King Joe Vinyl Records, Hard to Find CDs & Out-of-Print LPs and Albums |  | | buy cds by oliver, king, rare records, vinyl music, LPs, CD's, imports, videos, posters, out of print, used oliver, king cds |
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http://www.musicstack.com/tsearch/oliver,_king/king_joe
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| | King oliver kleverness |
 | | Specializing in classic jazz as it was performed in the 1920s by musicians such as King Oliver, Jelly Roll Morton and Louis Armstrong. |  | | Biography noting studies, style, and kinship to jazz master King Oliver from the Grove Concise Dictionary of Music entry at WQXR radio. |  | | KING OLIVER'S CREOLE JAZZ BAND 1923 - HISTORY OF - LP King Oliver's Dixie Syncopators UK LP 1962 |
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http://www.thingsthatstartwithk.com/king_oliver.html
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| | New Page 3 |
 | | Armstrong was added to the band after a request from King Joe to come up north from New Orleans to play in his band as the second cornet, an anxious Armstrong accepted and joined the band. |  | | He met his future wife Lil Hardin in the band, who also ended up urging Louis to leave the Creole Jazz Band and form a band of his own to be able to show his style of playing more as a soloist. |  | | They were the first black New Orleans jazz band to record. |
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http://www.csupomona.edu/%7Estpullin/kjo.htm
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| | King Oliver & Louis Armstrong |
 | | Moved to Chicago in 1919 to play with Bill Johnson& Original Creole Orchestra, and started King Olivers Creole Jazz Band in 1922. |  | | After his release he took lessons from Oliver, and took Olivers place in Kid Ory& band when Oliver moved to Chicago. |  | | Began playing with brass bands in New Orleans around 1908. |
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http://www.music.eku.edu/faculty/nelson/mus273/chicago.html
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| | Joe King Oliver LYRICS |
 | | If we're missing any of Joe King Oliver lyrics please let us know and we will post them. |  | | If you enjoy Joe King Oliver lyrics please buy their CD. |  | | We try to have all the Joe King Oliver lyrics. |
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http://www.acidlyrics.com/artist/1247688498
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| | PBS VIDEOdatabase of America's History and Culture -- Chapters |
 | | As WWI began, 'Little Louie' was released and started to play in parades, seedy bars, and dance halls - astonishing older musicians with his talent and musical ideas. |  | | In April, 1923, the band traveled to Richmond, Indiana (a KKK stronghold) to record "Chimes Blues." |  | | When he played on showboats during the summer, he unwittingly influenced great musicians to come, including Bix Beiderbecke. |
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http://pbsvideodb.pbs.org/programs/all_chapters.asp?item_id=23353
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| | BBC - Radio 3 Jazz Profiles - Joe 'King' Oliver |
 | | The following year Oliver put together his Dixie Syncopators, a larger band with three reed players, and he made further excellent recordings in Chicago and (from 1927) in New York. |  | | He played in street parades, and with his own small band, gaining a reputation as a master of the use of mutes. |  | | Midway between 1910 and 1920, Oliver had established himself as one of the 'kings' of the cornet in his home town of New Orleans. |
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http://www.bbc.co.uk/radio3/jazz/profiles/joe_oliver.shtml
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| | Jazz- Joe "King" Oliver |
 | | In 1922, he started King Oliver's Creole Jazz band. |  | | Joe "King" Oliver is one of the most important musicians in early jazz. |  | | He also often worked in Kid Ory's band. |
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http://www.promotega.org/asu30026/jazzkingoliver.html
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| | Joe King Oliver Picture |
 | | They saw a woman fall fainting to the ground. |  | | They were in front Joe king of an isolated chapel, concealed by large trees, already despoiled of their leaves by the first winds of autumn. |  | | Joe oliver picture Colbert, after having observed them in silence for a minute, put his horse forward, Picture and left the two old friends together. |
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http://altais.supox.com/article/joe%20king%20oliver%20picture.html
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| | Gene Krupa |
 | | He performed with Benny Goodman and young trumpeter Bix Biederbecke, and his own band was one of the most popular swing bands of its day until he was arrested on a (some say trumped-up) drug charge. |  | | Late (1909-73) jazz drum pioneer who, as part of the Austin High Gang, emulated Louis Armstrong and Joe "King" Oliver, creating what came to be known as the Chicago style of jazz. |
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http://centerstage.net/chicago/music/whoswho/GeneKrupa.html
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| | Jazz: The First Thirty Years |
 | | Chicago became the focal point for jazz in the early 1920s when New Orleans musicians found their way north after clubs in the Storyville area of New Orleans were closed. |  | | Famous musicians who received acclaim for their work in Chicago were Earl Hines, Johnny Dodds, Louis Armstrong and King Oliver. |  | | New Orleans was home to great early clarinetists Johnny Dodds, Jimmy Noone and Sidney Bechet. |
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http://www.jass.com/jazzo.html
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| | Louis Armstrong |
 | | Legendary late jazz trumpeter (1901-71) who brought New Orleans-style jazz to Chicago, and helped make the Windy City the jazz capital of the world. |  | | Arrived in Chicago in 1922 with Joe "King" Oliver (Armstrong's idol), and played at South Side clubs, including the Sunset Cabaret at 35th and Calumet. |
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http://centerstage.net/chicago/music/whoswho/LouisArmstrong.html
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| | jazz: King Oliver |
 | | 1923: King Oliver and His Creole Jazz Band |  | | The Complete Set: King Oliver's Creole Jazz Band featuring Louis Armstrong, Johnny Dodds (1923-24) |  | | Shake It and Break It with Bobby Holmes, Frank Marvin, Fred Moore, Arthur Taylor, Hilton Jefferson, Henry Duncan; 11/29-4/31 |
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http://www.counterpoint-music.com/Catalogues/Jazz/jazz.no/king
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| | ESPN Search: joe oliver |
 | | Trump Card: Pujols hits 40th HR, 100th RBI |  | | SAN LUIS OBISPO, Calif. -- Chrismen Oliver, Alex Harris and Joe See scored 16 points apiece as UC Santa... |  | | By going on the reserve non-football injury list, WR Joe Jurevicius will be eligible to return after six games. |
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http://proxy.espn.go.com/keyword/searchResults?search=Joe+Oliver&...
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| | Naxos.com, Your World of Classical Music |
 | | 8.120666 OLIVER, Joe King: Oh, Play That Thing! |  | | Louis Armstrong, cornet / Baby Dodds, drumset / Johnny Dodds, clarinet / Honore Dutrey / Lil Hardin-Armstrong, piano / Joe King Oliver, cornet / Bud Scott, banjo |  | | Louis Armstrong, cornet / Joe King Oliver, cornet |
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http://naxos.com/mainsite/NaxosCat/Naxos_Cat.asp?item_code=8.120666&memberID=
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| | Articles - Joe "King" Oliver |
 | | We don't have an article called "Joe "King" Oliver" |
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http://www.zforever.com/articles/Joe_%22King%22_Oliver
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| | King Joe Oliver. - ALLEN & RUST, WALTER C. & BRIAN A.L. |
 | | Cloth is lightly soiled with a small, faint cup ring to the front panel which also has a tiny dent. |  | | Offered by: Pawprint Books - Book number: 1004524 |  | | An excellent biography and discography of King Joe Oliver. |
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http://antiqbook.com/boox/paw/1004524.shtml
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