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| Â | copyright information |
 | | Famous Music, Inter Song US, Elvis Presley Medley 1 (Stoller/Lieber) Mike Stoller, Jery Lieber |  | | All Songs Copyright (P) 1996 to 2000 Music Tailor Studio |  | | 12/4619/Fiddler On The Roof Medley/1:25/(Brock/Harnick) Arrangement/Performance by Music Tailor - Copyright(P) 2002 by Music Tailor Courtesy Jerry Brock Enterpr, and Rand H |
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http://www.musictailor.com/../copyrt.htm
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| Â | Open Door Repertory Company - Smokey Joe's Cafe |
 | | The Songs of Leiber and Stoller Music and Lyrics by Jerry Lieber and Mike Stoller |  | | Smokey Joe's Café is a collection of the songs of Leiber and Stoller written during the 1950's and '60's. |
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http://www.opendoor-community.com/smokey.htm
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| Â | Steve Winwood Fans' Site: Legals |
 | | Published by - Chappell & Co / Bienstock Publishing Co / Jerry Lieber Music / Mike Stoller Music (ASCAP) / for Amy Music (BMI) |
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http://www.winwoodfans.com/legal/rock-roll-stew.htm
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| Â | The Bryan-College Station Eagle > Entertainment > On Stage |
 | | Stoller and Lieber went on to write a number of songs for Presley, including Loving You and Jailhouse Rock. |  | | Elvis Presley heard it and recorded a version that started an earthquake that shook America. |  | | The cast of Smokey Joe’s Cafe takes audiences through the 1950s and ‘60s via 42 songs written by Mike Stoller and Jerry Lieber, whose first publishing contract was for Hound Dog— a song first recorded by Big Mama Thornton before Elvis Presley made it his own. |
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http://www.theeagle.com/spotlight/onstage/2003articles/102303smokeyjoes.htm
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| Â | Rock and Roll Hall of Fame and Museum : Hall of Fame : Inductee Detail |
 | | Leiber & Stoller are summoned to New York by Elvis's Brill Building music publisher to write songs for the movie 'Jailhouse Rock.' The title song soon reaches #1. |  | | Leiber and Stoller start the Red Bird record label. |  | | Written and produced by Jerry Leiber and Mike Stoller, the song stays on the charts for most of the year. |
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http://www.rockhall.com/hof/inductee.asp?id=142
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| Â | Archives: Story |
 | | But Elvis and The Coasters are but two of the recording artists who owe their careers to the songs of Lieber and Stoller. |  | | Lieber and Stoller have been song writing partners for more than 40 years and in that time they have written songs that have become classics on the world's music scene. |  | | Songs that have come from their fertile minds include "Hound Dog," "Loving You." and "Jailhouse rock" which helped make Elvis Presley the King of Rock and Roll. |
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http://www.slidellsentry.com/articles/2004/09/30/news/news12.txt
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| Â | Songwriters Hall of Fame |
 | | Jerry Leiber Music/Mike Stoller Music View Full Discography |  | | Following the triumph of "Hound Dog," Elvis Presley actually went on to record more than 20 Leiber and Stoller songs, including such highlights as "Loving You," "Bossa Nova Baby," "She's Not You" and "Santa Claus Is Back In Town." |  | | Atlantic Records executives, Ahmet Ertegun and Jerry Wexler among them, were impressed, and in 1955 signed Leiber and Stoller to the first independent production deal, forever changing the course of production in the record industry. |
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http://www.songwritershalloffame.org/exhibit_home_page.asp?exhibitId=17
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| Â | Jerry Leiber and Mike Stoller |
 | | Their formula was to take their love of R&B music and transform it into songs that appealed to a wide audience through their unforgettable melodies, well-conceived lyrics, and meticulous methods of producing records..." |  | | Fearing the record would never get played, Atlantic Records rejected the song and asked Leiber and Stoller for a new lyric. |  | | The song was originally written for the Drifters as the follow-up to "On Broadway" by Jerry Leiber, Mike Stoller, Barry Mann and Cynthia Weil, However, it was Jay and the Americans that had the hit. |
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http://www.spectropop.com/hleiberstoller.html
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| Â | Theatre Mirror Reviews - "Smokey Joe's Cafe" |
 | | Each song in this new show is staged to tell a story. |  | | "Smokey Joe's Cafe" celebrates the seminal Lieber and Stoller songs of the '50s and '60s, but it's not a concert, any more than "Ain't Misbehavin'" was a concert of Fats Waller's hits. |  | | For the rest of you, they are the phenomenal songwriters whose early rock'n'roll gems shaped the character of a generation. |
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http://www.theatermirror.com/sjcbev.htm
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| Â | A Tribute To Lieber & Stoller (2001) |
 | | They are famous for penning hits for Elvis Presley, The Searchers, The Coasters, and many other big name artists during the 50s, 60s and 70s, including even The Beatles and The Rolling Stones. |  | | Chances are that every second song on the radio during the late 50s and early 60s was a Lieber and Stoller composition. |  | | This concert was held on June 29, 2001 at the Hammersmith Apollo theatre in London as a tribute to the music of Jerry Lieber and Mike Stoller. |
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http://www.michaeldvd.com.au/Reviews/Reviews.asp?ReviewID=1506
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| Â | Booking |
 | | The Broadway production of "Smokey Joe's Cafe" was nominated for seven Tony Awards and the cast album won the 1995 Grammy for Best Musical Show album. |  | | Olympia, Wa "This is a parade of songs by the great '50s and '60s songwriting team of Jerry Lieber and Mike Stroller. |
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http://missionoflove.homestead.com/Booking.html
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| Â | Aisle Say: SMOKEY JOE'S CAFE, Original Cast Album |
 | | The songs of Jerry Lieber and Mike Stoller |  | | Aisle Say: SMOKEY JOE'S CAFE, Original Cast Album |  | | Produced for records by Arif Mardin, Jerry Lieber, Mike Stoller |
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http://www.aislesay.com/CD-SMOKEY.html
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| Â | 'Smokey' offers plenty to love at Fox Theatre - 03/02/00 |
 | | 'Smokey Joe's Cafe, the Songs of Lieber and Stoller' |  | | "Smokey Joe's Cafe, the Songs of Lieber and Stoller" features the sounds of post-rhythm and blues, early rock and blended pop. |  | | Knight, now in a solo career after years of hits and awards with her backup trio, the Pips, gets to sing some of Lieber and Stoller's best songs. |
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http://www.detnews.com/2000/entertainment/0003/02/c08-7577.htm
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| Â | Episode Guide |
 | | Molly found a Cd at school, this Cd has an excelent mix of love songs and she wants to find out who mix it. |  | | Grant and her band are practicing at the house's garage and Jerry wants to be part of the band. |  | | Grandma Harriet asks Grant to teach her to play the guitar and Rick has money problems. |
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http://maybeitsme4ever.tripod.com/id15.html
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| Â | Changing the World, Chapter 2, Beginnings |
 | | Here was a more subtle marriage of black RandB with white music: two white songwriters creating hit material for black singers, and reaching the top of the RandB charts in the process. |  | | In addition to composing many of Elvis's greatest hits, Lieber and Stoller were behind dozens of songs by such black performers as the Coasters, the Drifters, and Lavern Baker. |  | | The pounding, single chord piano solo is by itself both Jerry Lee's trademark and a rock 'n' roll institution. |
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http://www.dntownsend.com/Site/Rock/2begin.htm
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| Â | Untitled Document |
 | | Art Kass, Phil Steinberg, Hy Mizrahi, and Artie Ripp founded the Kama Sutra recording label (financed in part by a known mobster, [WADE, p. |  | | Jon Fischel at Billboard magazine named Jerry Weintraub and Bill Graham (sometimes described as the "Godfather of Rock and Roll") as the "most powerful men in the [rock concert] business" in their era. |  | | Later came Phil Spector, Jeff Barry, Ellie Greenwich, Doc Pomus, Mort Shuman, Burt Bacharach, Hal David, Jerry Leiber, and Mike Stoller. |
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http://www.jewishtribalreview.org/music.htm
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| Â | MILESAGO - Groups & Solo Artists - Billy Thorpe & The Aztecs |
 | | The yodelling quality to Billy's voice can be heard in the vocal style of some of his early recordings. |  | | As happened with so many other Aussie cover versions of songs made known by significant British groups of the time, The Aztecs' version of this Coasters original made a mockery of the record upon which it was based - a half-hearted Rolling Stones EP rendition. |  | | He performed as a youth under the pseudonym 'Little Rock Allen', to avoid potential hassles from the child protection agencies, and played on bills supporting the likes of Jerry Lee Lewis and our own rock 'n' roll phenomenon, Johnny O'Keefe. |
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http://www.geocities.com/soho/square/8216/thorpe.htm
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| Â | [No title] |
 | | The "Payola" scandal was an investigation by Congress into the practice of record company payments to DJ's and radio exec's in return for airplay of certain records. |  | | That the end of the first "golden era" of Rock led to two new phases in Rock Music history, the "Teen Idols" and an increase in the importance of music songwriters/producers. |  | | Some important producers during this era were Don Kershner, Phil Spector, Jerry Lieber and Mike Stoller. |
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http://www.sc.maricopa.edu/meredith/week3.html
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| Â | Sold on Song - Song Library - Hound Dog |
 | | Each version is great in it's own right, but it's important to remember that Elvis didn't appropriate anything. |  | | This song was written by two white Jewish guys, Jerry Leiber and Mike Stoller, and the blues/gospel/country fusion that rock n roll grew out from was as much Elvis' birthright as Little Richard's, Chuck Berry's and Bo Diddley's. |
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http://www.bbc.co.uk/radio2/soldonsong/songlibrary/yourviews/hounddog.shtml
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| Â | The Official Barry Mann and Cynthia Weil Web site |
 | | They were members of a teen writing staff, which included Carole King and Gerry Goffin, Neil Sedaka and Howard Greenfield and Carole Bayer Sager. |  | | Among their other Brill Building colleagues were the likes of Jeff Barry, Ellie Greenwich, Jerry Lieber, Mike Stoller and Phil Spector. |
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http://www.mann-weil.com/biographies.html
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| Â | The RHOF presents "Rare Rockabilly" |
 | | Texan teen pop singer Jerry Fuller had already carved a niche for himself in the songwriting and production field since recording his first sides for Joe Leonard's Lin label in Gainesville, Texas in 1957. |  | | Before he found his niche amongst the pool of song peddlers in New York City, he was living in New Jersey and fronting a local band of teenagers, plying the high school and party circuit and driving the young crowds into hysteria with their brand of sax driven, guitar laden rock and roll. |  | | He began to concentrate more on songwriting, penning I'll Get You Yet for Lesley Gore and Ricky Nelson (Nelson would record two further Chuck Bene inked tunes) and in 1965 or '66 met Jerry Fuller, who flew into NYC to set up a branch office for Four Star Music. |
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http://www.rockabillyhall.com/rarerockabilly07.html
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| Â | AMCTV.com SHOW - Elvis in Hollywood |
 | | George Klein, Jerry Lieber, Elvis Presley, Mike Stoller |  | | Visit the heart of Rock n Roll buy |  | | Find out more about the fabulous film career of one of the best -loved legends this country has ever known. |
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http://www.amctv.com/show/detail/0,,5494-1-EST,00.html
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| Â | Almind - American Top 40 Hits |
 | | # 1 "Hound Dog/Don't Be Cruel", Elvis Presley, 1956 (Otis Blackwell, Elvis Presley, Jerry Lieber, and Mike Stoller) |  | | The list below is, however, the original chart of 1989, and the names of the writers are indicated in parenthesis if known to the editor (source: Broadcast Music Inc.). |  | | #30 "Great Balls Of Fire", Jerry Lee Lewis, 1957 (Jerry Lee Lewis) |
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http://www.juke-box.dk/gert-top40hits.htm
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| Â | Jerry Lieber and Mike Stoller |
 | | Jerry Lieber and Mike Stoller (Words and Music) |  | | As pop auteurs who wrote, arranged and produced countless recordings, Leiber and Stoller advanced rock and roll to new heights of wit and musical sophistication. |  | | Red Bird's commercial success was equaled by the quality of the music, including such girl-group classics as the Shangri-La's "Leader of the Pack." Though the era of such timeless singles faded long ago, Leiber and Stoller have remained active in the music business to which they've contributed so substantially. |
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http://www.buckscountyplayhouse.com/playhouse/current%20cast%20htmls%20images/lieberstoller.html
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| Â | Ref No: 02-08032 |
 | | The second broad group of plaintiffs includes a number of songwriters and music publishers (the “Music Publisher Plaintiffs,” including, inter alia, Jerry Lieber Music, Mike Stoller Music, and Famous Music Corporation) who compose and publish musical compositions and own the copyrights to the underlying music and lyrics of those musical works. |  | | The Music Publisher Plaintiffs own or control the copyrights to some very recognizable musical compositions, including “Jailhouse Rock,” “My Favorite Things,” and “Moon River.” |  | | The Record Company Plaintiffs are each a member of the Recording Industry Association of America, Inc. (“RIAA”), a trade organization whose members account for approximately 90% of the sound recordings produced, manufactured, or distributed in the United States. |
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http://www.g2news.com/TrialDossier/MadsterRuling.htm
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| Â | Alabama Shakespeare Festival |
 | | Enjoy the solid gold singles of Elvis, The Coasters, The Drifters and more…they are all together in Broadway's hottest hit musical, directed by Ken Roberson. |  | | Music and Lyrics by Jerry Leiber and Mike Stoller |  | | In fact, two decades ó because this all-song-and-dance celebration features every great hit of the '50s and '60s that were created by the Top 40 songwriting team of Jerry Lieber and Mike Stoller. |
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http://www.asf.net/archives_smokeyjoe.cfm
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| Â | Smokey Joe's Cafe |
 | | A Musical Revue of the songs of Jerry Lieber and Mike Stoller. |  | | Songs written by the duo are strung cleverly together one following another, featuring wonderful choreography and wonderful comedy. |  | | If there is one thing that can describe that era, it is certainly the music. |
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http://www.geocities.com/JoeCable1996/smokeyjoe.html
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| Â | Jay & the Americans Page |
 | | They recorded Lieber and Stoller's Only In America from a Drifters' track, and it was the group's next tune to reach the top forty. |  | | In 1964 they recorded their biggest hit, Come A Little Bit Closer, which had been written by Tommy Boyce and Bobby Hart. |  | | The band was named Binky Jones & the Americans by Lieber and Stoller, but not wanting to be known as Binky for the rest of his life, Traynor suggested his childhood nickname, Jay, in its place. |
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http://www.tsimon.com/jayamer.htm
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| Â | Hawk Inn & Mountain Resort - The Weston Playhouse |
 | | Take a musical trip back to the fabulous fifties and sixties! |  | | This all-song-and-dance celebration features such pop music treasures as Jailhouse Rock, Charlie Brown, Stand By Me, On Broadway and Love Potion #9 … solid gold singles made famous by Elvis, The Coasters, The Drifters and many others. |  | | Smokey Joe's Café offers up a delectable platter full of runaway hits by the prolific Top 40 songwriting team of Jerry Leiber and Mike Stoller. |
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http://www.hawkinn.com/attractions/westonplayhouse.html
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| Â | Big Mama Thornton |
 | | Written by composers Jerry Lieber and Mike Stoller and given directly to her to sing, the song reached number one on the RandB charts. |  | | According to the Handbook of Texas Online, Big Mama received only $500 for her entire life recording “Hound Dog”, while Elvis Presley went on to make it a Rock and Roll classic three years later. |  | | It is there that she was the first to record “Hound Dog” in 1953. |
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http://bluesland.net/thang/Thornton.htm
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| Â | THE FATE OF NAPSTER: DIGITAL DOWNLOADING FACES AN UPHILL BATTLE |
 | | They claim that Napster is instilling in its users the notion that music ought to be free, and that if the perception of music as a free commodity becomes persuasive, it may be difficult to reverse. |  | | As Jerry Harrison, keyboardist of the band "Talking Heads" observes, "One of the things the Internet might do is cheapen music and make it less valuable if it's free. |  | | That might change the way the budgets are put together and music is created. |
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http://www.law.duke.edu/journals/dltr/Articles/2001dltr0013.html
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| Â | The Jewish Journal Of Greater Los Angeles |
 | | Billig also attempts to tackle one of the most long-standing anti-Semitic charges made about the music industry: that Jews and other whites have expropriated “black music” (i.e., rock) and exploited African American musicians. |  | | And then there are the “black lyrics” of co-writers Jerry Lieber and Mike Stoller. |  | | The nonethnic Tom and Jerry of the 1950s became the very Jewish Simon and Garfunkel of the 1960s and ’70s. |
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http://www.jewishjournal.com/home/preview.php?id=10103
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| Â | Stephen Sondheim Stage |
 | | Bernstein agreed to do music, but not lyrics, so they hired pop lyricist Jerry Lieber (Lieber and Stoller - Smokey Joe's Cafe...). |  | | The two of them reached "an impasse" a month or two later and asked Sondheim to come in and do lyrics. |  | | Robbins called Sondheim in to write a score for it, and SS said that he hated Brecht, all of Brecht, and particularly that play. |
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http://www.sondheim.com/discussions/columns/blecht.html
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| Â | anthro-l: december-1994 by thread |
 | | Re: human rights and research thread MP Mann |  | | Re: Reply to Lieber SARAH J. Re: human rights Ania Lian |  | | Re: anthropology for home SARAH J. Politically Correct Little Red Riding Ho Read, Dwight ANTHRO |
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http://www.anatomy.usyd.edu.au/danny/anthropology/anthro-l/archive/december-1994/thread.html
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| Â | Coasting with the Coasters |
 | | Carl and The Coasters are inducted into the Rock and Roll hall of Fame in 1987, joining other greats, such as Chuck Berry, Little Richard, Elvis Presley, Fats Domino, and Jerry Lee Lewis, who were inducted in 1986. |  | | the Apollo Theatre, New York with Frankie Lymon, Lee Andrews and The Hearts, Robert and Johnny, Jerry Butler and The Impressions, The Kodaks, Ed Townsend, and The Storey Sisters. |  | | The Coasters, Jerry Leiber and Mike Stoller are signed to Atlantic Records with Leiber and Stoller as independent producers, along with manager Lester Sill, who is the manager for The Coasters. |
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http://www.angelfire.com/mn/coasters/coastin.html
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| Â | Place des Arts - Magazine de la Place des Arts |
 | | “It is a musical revue – there is no plot or story – but somehow you get a sense of these people's lives,” says Harrisburg, Pennsylvania-born singer Joey Matta of Smokey Joe's Cafe – The Songs of Lieber and Stoller. |  | | Nine vocalists grace the stage, belting out the tunes of Jerry Lieber and Mike Stoller, the masterminds behind hits made famous by Elvis, The Coasters, The Drifters and The Temptations, to name only a few. |  | | These rich voices carry the audience through a nostalgic age, offering a contemporary twist to music long etched into our collective memory – while at the same time conveying snapshots of a world any one of us growing up during those times might understand. |
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http://www.pdarts.com/maga.9903.06.html
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| Â | TRIBUTE - Lieber and Stoller - DVD |
 | | From Elvis Presley classics like 'Jailhouse Rock' and 'Loving You' to favourites like 'Love Potion No. 9' and 'Stand By Me', this extravaganza at the Hammersmith Apollo offers countless unforgettable tunes performed by an exciting array of talent including Ben E. King, Elkie Brooks, David Gilmour, and Tom Jones. |  | | Two songwriters who shook the world get their turn in the spotlight with this star-studded gala tribute to Jerry Lieber and Mike Stoller, the tunesmiths who created many of the greatest smash hits in rock 'n' roll history. |  | | DVDS make a great gift and a gift voucher is a great way to make it happen! |
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http://www.fbo.com.au/movie.asp?ID=8876
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| Â | 1703183CR - Soul Hits - Any C Instrument (Fake Book) |
 | | The Tears Of A Clown - Composer: Stevie Wonder, William "Smokey" Robinson, and Henry Cosby - ©1967 |  | | I've Been Loving You Too Long - Composer: Otis Redding and Jerry Butler - ©1965 |  | | There Goes My Baby - Composer: jerry Lieber, Mike Stoller, Ben E. Nelson, and Lover Patterson - ©1959 |
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http://www.recorderspot.net/cat105/1703183.html
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| Â | ShowMag.com |
 | | Framed by Heidi Ettinger's collage of images--Dick Clark, Elvis, and Buddy Holly, for some-- they shake, shimmy, wail, and doo-wop to the delight of a willing crowd. |  | | This forty-plus collection of songs, some dating back as far as the fifties, sporting slick direction by Jerry Zaks and energetic musical staging by Joey NcKneely, allows the audience to revisit such timeless classics as "Yakety Yak," "Hound Dog," "Little Egypt," and "Poison Ivy." |  | | This material may not be published, broadcast, rewritten, or redistributed without permission. |
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http://www.showmag.com/theater/theater342.html
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| Â | NDIFC - Your The Boss |
 | | Recorded and Mixed at : The Village Recorder, West Los Angeles, CA Mastered by : Bob Ludwig at Gateway Mastering Studios, Portland, ME © 1961, Jerry Lieber Music |  | | Produced by : Peter Collins for Jill Music, LTD |
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http://www.ndifc.com/songlistinfo/yourtheboss.html
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| Â | United Press International: Victim in Phil Spector shooting identified |
 | | Born Dec. 26, 1940, in New York, Spector broke into pop music as a member of the Teddy Bears with the Top 10 hit "To Know Him Is to Love Him." |  | | He co-wrote "Spanish Harlem" with Jerry Lieber, of the Hall of Fame songwriting team Lieber and Stoller. |
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http://www.upi.com/view.cfm?StoryID=20030204-120718-2495r
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| Â | The New York Review of Books: Hustling Elvis |
 | | Presley "was trapped by his dependence on the Colonel," the songwriter Jerry Lieber told Alanna Nash. |  | | No degree of deception could have fazed his manager, the colonel from Noord-Brabant. |
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http://www.nybooks.com/articles/16598
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| Â | The Shangri-Las |
 | | In 1964, George "Shadow" Morton was trying to break into the music business, and told his friends, Brill Building songwriters Ellie Greenwich and Jeff Barry, that he had a ton of great songs. |  | | When they called his bluff, he rounded up four high school students from Queens, New York - sisters Mary and Betty Weiss, and identical twins Margie and Mary Ann Ganser - and had them cut a demo for Jerry Lieber and Mike Stoller's Red Bird Records. |
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http://www.warr.org/shangrilas.html
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| Â | Official Site of Bert Russell Berns - Sloopy II Music - Main Page |
 | | Berns, who died in December 1967 at the age of 38, also worked with the Drifters (writing and producing "Under the Boardwalk," also covered by the Stones) and Van Morrison (producing "Brown Eyed Girl" and the first album by Morrison's mid-'60s group, Them, including Berns' song "Here Comes the Night"). |  | | Unlike Doc Pomus, Jerry Wexler, the team of Jerry Lieber and Mike Stoller, and other Jewish songwriters and producers who contributed significantly to the rise of rhythm and blues and early rock 'n' roll, Bert Berns has remained largely unrecognized. |
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http://www.bertberns.com/press12.htm
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| Â | The Jewish Journal Of Greater Los Angeles |
 | | Once “a doo-wop guy” himself, Rutberg doesn’t chant anymore, except to claim that when Hatikvah was Norty’s Music Center during the 1960s, “rock and roll was born here.” Jerry Lieber of the songwriting team Lieber and Stoller - who wrote “Jailhouse Rock,” “Hound Dog,” “Kansas City, “Spanish Harlem” — worked for a buck an hour. |  | | Philip Spector went to Fairfax High up the block and hung out. |
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http://www.jewishjournal.com/home/preview.php?id=10102
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