|
| |
| | Encyclopedia: Imperial Records |
 | | Imperial Records has been the name of at least three different record labels of the 20th century. |  | | The second Imperial Records was a United Kingdom based label which went into business in 1920. |  | | Most Imperial issues were recorded by the company, but some issues from masters leased from other companies in Continental Europe and from the USA's Banner Records also appeared on Imperial. |
|
http://www.nationmaster.com/encyclopedia/Imperial-Records
|
|
| |
| | Imperial Records |
 | | Imperial Records has been the name of at least three different record labels of the 20th century. |  | | The earliest Imperial Records was a short-lived United States based company of the first decade of the 1900s, producing single-sided lateral cut gramophone records. |  | | Most Imperial issues were recorded by the company, but some issues from masters leased from other companies in Continental Europe and from the USA's Banner Records also appeared on Imperial. |
|
http://en.mcfly.org/Imperial_Records
(203 words)
|
|
| |
| | London Records - Wikipedia, the free encyclopedia |
 | | The London label was also used by British Decca in the UK market to release American labels (such as Imperial Records, Chess Records, Dot Records, Atlantic Records, Specialty Records and Sun Records) which British Decca licensed. |  | | London Records is a record label headquartered in the United Kingdom, originally marketing records in the United States, Canada and Latin America from 1947 through the 1980s. |  | | London arose from the split in ownership between the British branch of Decca Records and that same company's USA branch; the "London" label released British Decca records in the USA, since it could not use the "Decca" name there. |
|
http://en.wikipedia.org/wiki/London_Records
(306 words)
|
|
| |
| | Inside Information About the Tracks |
 | | Three years later the song was recorded and released on Imperial as a rock and roll number (track #8). |  | | Recorded at Jim Beck's studio in Dallas in June 1953, released on Flair Records in April 1954. |  | | Recorded at Jim Beck Studio in Dallas in November 1955 and released on Imperial in the Summer of 1956. |
|
http://www.lewwilliams.com/inside.html
(306 words)
|
|
| |
| | Records in TutorGig Encyclopedia |
 | | Sunset Records was started in 1966 as the budget subsidiary of Liberty Records to reissue the Liberty, Imperial Records Imperial, and Minit Records Minit material. |  | | The label is home of the Uptown Records, Flyte Tyme Records, Kedar Records, Celtic.. |  | | Deluxe Records was a record label bought by King Records. |
|
http://www.tutorgig.com/es/Records
(306 words)
|
|
| |
| | Liberty Records - Wikipedia, the free encyclopedia |
 | | Avnet also bought Blue Note Records, Imperial Records, Dolton Records, Aladdin Records and Minit Records. |  | | Liberty Records was an United States based record label. |  | | In 1966, a reissue label Sunset Records was started to deal with previously issued records from the new labels. |
|
http://en.wikipedia.org/wiki/Liberty_Records
(306 words)
|
|
| |
| | Records in TutorGig Encyclopedia |
 | | Sunset Records was a record label started in 1966 as the budget subsidiary of Liberty Records to reissue the Liberty, Imperial Records Imperial, and Minit Records Minit material. |  | | Andie Records was a subsidiary of Laurie Records. |  | | Minit Records was a record label acquired by Liberty Records. |
|
http://www.tutorgig.com/es/Records/1
(306 words)
|
|
| |
| | Imperial Teen.com [on] |
 | | Imperial Teen has released three records to date: Seasick(1996) and What Is Not To Love (1999) on London / Universal and their latest On, with Merge Records. |  | | With Live at Maxwell's, Imperial Teen lifts the energy of their studio efforts to a new level and takes advantage of the live setting to showcase their unique vocal harmonies and increasingly electronic, keyboard-driven tunes. |  | | Imperial Teen will begin their nationwide fall tour on October 11th in Seattle, WA. |
|
http://www.imperialteen.com/pr_liveatmax.html
(415 words)
|
|
| |
| | Liberty Records biography .ms |
 | | Avnet also bought Imperial Records, Dolton Records, Aladdin Records and Minit Records. |  | | Liberty Records was an United States based record label. |  | | In 1966 a reissue label Sunset Records was started to deal with previously issued records from the new labels. |
|
http://liberty-records.biography.ms
(415 words)
|
|
| |
| | London Records - Wikipedia, the free encyclopedia |
 | | The London label was also used by British Decca in the UK market to release American labels (such as Imperial Records, Chess Records, Dot Records, Atlantic Records, Specialty Records and Sun Records) which British Decca licensed. |  | | London Records is a record label headquartered in the United Kingdom, originally marketing records in the United States, Canada and Latin America from 1947 through the 1980s. |  | | London arose from the split in ownership between the British branch of Decca Records and that same company's USA branch; the "London" label released British Decca records in the USA, since it could not use the "Decca" name there. |
|
http://en.wikipedia.org/wiki/London_Records
(240 words)
|
|
| |
| | Imperial Album Discography |
 | | The early Fats Domino records sold in the "Race Record" market, but with "Ain't It a Shame" in 1955, he crossed over into the mainstream popular music market, adding to his stature as one of the "founding fathers" of rock and roll. |  | | Imperial was the distributor of Minit from 1961, and with the acquisition of Minit, Imperial obtained the contracts of Irma Thomas and Ernie K-Doe. |  | | On most of the recordings made in New Orleans, the Dave Bartholomew band was used as accompaniment. |
|
http://www.bsnpubs.com/imperial/imperiala.html
(240 words)
|
|
| |
| | Crescent City Soul |
 | | On March 12, Capitol/Imperial/Minit Records will bring you back to the roots of American music with these artists and more on the CRESCENT CITY SOUL SERIES. |  | | With this 4CD series Capitol/Imperial/Minit makes available many hard-to-find and unavailable classics: " Let The Good Times Roll: 20 Of New Orleans' Finest R&B Classics, 1949-1966 " presents the spectrum of the Crescent City sound. |  | | Their music gave birth to the Crescent City soul sound: the epitome of rhythm and blues, the single-most significant influence in the development of rock and roll and a primary inspiration for artists from The Beatles to Bruce Springsteen. |
|
http://www.satchmo.com/nolavl/ccsoul.html
(240 words)
|
|
| |
| | The Aladdin/Imperial Labels — www.greenwood.com |
 | | An entire chapter is devoted to single numerical listings and includes seven Aladdin Series labels and eight Imperial Series labels along with foreign series, Liberty/UA Series, 78 rpm albums, and 45 rpm albums. |  | | The Imperial label began with recordings of local Mexican groups and folk artists, and later the label took on a country and rockabilly flavor. |  | | They were hugely successful with their recordings of popular music based on jazz and blues. |
|
http://www.greenwood.com/books/bookdetail.asp?sku=RAH%2F
(429 words)
|
|
| |
| | Minit/Instant Album Discography |
 | | This label was used on the records LP-0001 to LP-0004, when Imperial was only the distributor for Minit. |  | | The man responsible for most of the hits on Minit was Allen Toussaint, who wrote, played piano, arranged, and produced the music. |  | | The first artist recorded for the label was Matthew Jacobs, also known as "Boogie Jake," who had three of the first six singles for the label. |
|
http://www.bsnpubs.com/minit.html
(429 words)
|
|
| |
| | Sunset Records Album Discography |
 | | These albums are children's records, only 2 records are known. |  | | Liberty and Sunset Records are currently owned by the EMI Records Group. |  | | Below the label name is 'A Product of Liberty Records". |
|
http://www.bsnpubs.com/liberty/sunset.html
(429 words)
|
|
| |
| | Imperial Teen - Epitonic.com: Hi Quality Free and Legal MP3 Music |
 | | After it, Imperial Teen escaped their major label purgatory and fled to Merge Records, who released the band's outstanding third record, On, which continued to improve on the hummable fun of the previous two with more complex song structures and a wider range of flavors and moods. |  | | You could call what Imperial Teen does garage-pop; this band sees no shame in inundating their listeners with hooks and melodies that are catchier than any virus known to man, but does so in a high-voltage, full-throttle manner you might expect of less tuneful styles of music. |  | | Since 1994, San Francisco's Imperial Teen has been in the business of demonstrating to the world why the three-minute pop song ranks among mankind's crowning achievements. |
|
http://www.epitonic.com/artists/imperialteen.html
(492 words)
|
|
| |
| | Seznam glasbeno-založniških hiš - Wikipedija, prosta enciklopedija |
 | | I-Town Records - Iberia Records - Iboga Records - Idea Records - Illegal Records - Ill Will Records - Immediate Records - Immigrant Sun Records - Immortal Records - IMP Records - Imperial Records - Impulse! |  | | Ode Records - Odeon Records - Odeonette Records - Oh! |  | | Lucky Records - Multiply Records - Murderecords - Murder Inc. Records - Music Box Records - Music For Nations Records - Music for Pleasure - Music Hall - Music Man Records - Music Masters Records - Musicraft Records - Musiphone Records - Mushroom Records - Mute Records - Myrrh Records - |
|
http://sl.wikipedia.org/wiki/Seznam_glasbeno-zalo%C5%BEni%C5%A1kih_hi%C5%A1
(159 words)
|
|
| |
| | Lew Williams Biography |
 | | His small body of work is well-known: six of his eight Imperial recordings from 1955-56 have been reissued at regular intervals since 1977, covered, even plagiarized. |  | | Lew owned an interest in two more recording studios in Dallas but was out of the music business entirely by the end of 1963. |  | | Numerous artists from several different countries have recorded Lew's songs in the fields of rock and roll, country, rockabilly and blues. |
|
http://www.lewwilliams.com/bio.html
(159 words)
|
|
| |
| | In Music We Trust - Imperial Teen: Live at Maxwell's |
 | | Long a live favorite, Imperial Teen's records - 1996's Seasick, 1999's What Is Not To Love (London/Universal) and 2002's On (Merge) - have always showcased their finely tuned pop marksmanship and rock 'n' roll prowess. |  | | Imperial Teen's first live album, recorded for dcn.com, the world's largest aggregator of live music performances, on July 31, 2002 at Maxwell's in Hoboken, NJ, finds the boy/girl rock quartet at their finest. |  | | And though they have never lacked the energy or sweatiness of the band's live show, to experience the band and their songs at a smoky bar has always elevated the songs that much more. |
|
http://www.inmusicwetrust.com/articles/54r30.html
(259 words)
|
|
| |
| | Imperial Album Discography |
 | | The early Fats Domino records sold in the "Race Record" market, but with "Ain't It a Shame" in 1955, he crossed over into the mainstream popular music market, adding to his stature as one of the "founding fathers" of rock and roll. |  | | Fats Domino was the most important artist on Imperial and had a impressive string of hits from 1950 until 1963, when he left the label in favor of ABC-Paramount. |  | | On most of the recordings made in New Orleans, the Dave Bartholomew band was used as accompaniment. |
|
http://www.bsnpubs.com/imperial/imperiala.html
(1296 words)
|
|
| |
| | All grown up / Imperial Teen produces its most sophisticated CD yet |
 | | In 1999, Imperial Teen's much-delayed second CD, "What Is Not to Love," faltered in spite of the radio hit "Yoo Hoo," and Slash's new parent company, London Records, severed the group's contract a year later. |  | | Imperial Teen's excellent third album, "On," has so impressed hip-pop star Pink that she's invited the band to open for her on her coming two-month U.S. tour. |  | | Imperial Teen bassist-vocalist Jone Stebbins is a woman with a goal: Somehow, some way, she must get her band's new album into the hands of former Heart front woman Ann Wilson. |
|
http://www.sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/2002/04/11/DD192144.DTL
(798 words)
|
|
| |
| | United Artists Records - Wikipedia, the free encyclopedia |
 | | In 1969, United Artists acquired Liberty Records and its subsidiary Imperial Records. |  | | United Artists Records was a record label founded by United Artists soon after its own founding in 1919 to distribute soundtracks from its movies. |  | | Feelgood, The Buzzcocks and The Stranglers recordings were released by the label. |
|
http://en.wikipedia.org/wiki/United_Artists_Records
(246 words)
|
|
| |
| | The Robins - Story & Discography |
 | | Chapman made some solo records in 1954 or 1955, and in 1957 and 1958 and also for Imperial after 1960 and was used as a studio back-up. |  | | Note: H.B. Barnum, aged 18 in 1956 (was a childhood Hollywood stage piano concerts favorite and had made his first solo record on Imperial as Pee Wee Barnum in 1950 and sang with The Dootones in L.A. in 1955), acted as pianist and utility voice with the Robins during 1956-57. |  | | Center: The Savoy Jazz CD 17357 (flanked by the first and third bootleg LP compilations of Robins tracks). |
|
http://www.angelfire.com/mn/coasters/robins.html
(2670 words)
|
|
| |
| | London Records - Wikipedia, the free encyclopedia |
 | | The London label was also used by British Decca in the UK market to release American labels (such as Imperial Records, Chess Records, Dot Records, Atlantic Records, Specialty Records and Sun Records) which British Decca licensed. |  | | London Records is a record label headquartered in the United Kingdom, originally marketing records in the United States, Canada and Latin America from 1947 through the 1980s. |  | | In the sixties more licensing deals were made with Big Top Records, Monument Records, Philles Records and Hi Records. |
|
http://en.wikipedia.org/wiki/London_Records
(240 words)
|
|
| |
| | Recording Technology History |
 | | The first Red label records were made in Russia by Fedor Chaliapan, singer for the Imperial Opera, who recorded 10 records for Fred Gaisberg and the Gramophone Co. April 11 in Milan; Victor began to import these celebrity labels in 1903 and became the leading seller of classical music records. |  | | Gennett became one of the largest record producers in the nation, releasing some of the earliest jazz records of Jelly Roll Morton and opened the gates for smaller independent companies to record their own records. |  | | Philips introduced the compact cassette for consumer audio recording and playback on small portable machines such as the Norelco Carry-Corder 150. |
|
http://history.acusd.edu/gen/recording/notes.html
(240 words)
|
|
| |
| | T-Bone Walker - Wikipedia, the free encyclopedia |
 | | Following his work with Black and White, he recorded from 1950–54 for Imperial Records (backed by Dave Bartholomew). |  | | Walker's recording debut was "Wichita Falls Blues"/"Trinity River Blues", recorded for Columbia Records in 1929. |  | | Walker's only record in the next five years was T-Bone Blues, recorded over three widely separated sessions in 1955, 1956, and 1959, and finally released by Atlantic Records in 1960. |
|
http://en.wikipedia.org/wiki/T-Bone_Walker
(386 words)
|
|
| |
| | Vinyl Records "Fats Domino Albums" |
 | | Imperial Records Label; Album cover only, no record |  | | Imperial Records Label; Black label with stars on top; Record only, no album cover |  | | Compilation featuring various artists including Fats Domino who sings 'Walkin' to New Orleans' |
|
http://www.e-profession.com/records/Fats_Domino_record.htm
(44 words)
|
|
| |
| | The Elvis Costello Home Page |
 | | Imperial Bedroom remains one of Costello's essential records because it is the culmination of his ambitions and desires -- it's where he proves that he can play with the big boys, both as a songwriter and a record-maker. |  | | Essentially, the songs on Imperial Bedroom are an extension of Costello's jazz and pop infatuations on Trust. |  | | Having gotten his country album out of his system with Almost Blue, Elvis Costello returned to pop music with Imperial Bedroom. |
|
http://www.elviscostello.info/disc/official/ib/ib_reviews.htm
(340 words)
|
|
| |
| | Seznam glasbeno-založniških hiš - Wikipedija, prosta enciklopedija |
 | | I-Town Records - Iberia Records - Iboga Records - Idea Records - Illegal Records - Ill Will Records - Immediate Records - Immigrant Sun Records - Immortal Records - IMP Records - Imperial Records - Impulse! |  | | Lucky Records - Multiply Records - Murderecords - Murder Inc. Records - Music Box Records - Music For Nations Records - Music for Pleasure - Music Hall - Music Man Records - Music Masters Records - Musicraft Records - Musiphone Records - Mushroom Records - Mute Records - Myrrh Records - |  | | Ode Records - Odeon Records - Odeonette Records - Oh! |
|
http://sl.wikipedia.org/wiki/Seznam_glasbeno-zalo%C5%BEni%C5%A1kih_hi%C5%A1
(159 words)
|
|
| |
| | Amazon.com: Imperial Bedroom: Music |
 | | Imperial Bedroom was the bridge between Elvis Costello's early rock-oriented records and his later, more musically complex creations. |  | | I've listened to "Imperial Bedrooms" regularly since I first bought it on vinyl back in 1982. |  | | I came upon Elvis Costello's "Imperial Bedroom," by way of a Rolling Stone article something along the lines of the best 100 albums of this century and sure enough Costello's "Imperial Bedroom," made the cut. |
|
http://www.amazon.com/exec/obidos/tg/detail/-/B0000787FH?v=glance
(2069 words)
|
|
|