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| | Jazz History :Hard Bop/Post Bop |
 | | Hard bop truly began as a genre with a series of recordings made and released in 1954. |  | | It was this 1958 version of the band that recorded the classic album Moanin’, with Timmons coming to the fore as a composer and arranger. |  | | This band also laid down elements of what came to be considered the hard bop style, with Sonny Rollins replacing Land near the time of the group’s final recordings. |
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http://www.jazzitude.com/hardbophist.htm
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| | Jazz Styles: Mainstream Jazz: Hard Bop |
 | | Furthermore, the compositions of hard bop tended to be based on original chord changes rather than just blues progressions and pop songs, and hard bop musicians were more likely to create arrangements that used several horns in harmony, both during the head and for riffs as interludes or during solos. |  | | Some hard bop performances are not so obviously derived from gospel music, but are nonetheless considered hard bop because of the more vocal character of the solos and the use of more complex compositions than bebop. |  | | The term hard bop has come to include music without the overt gospel influences or the compositional devices typical of the genre. |
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http://www.outsideshore.com/school/music/almanac/html/Jazz_Styles/Mainstream_Jazz/Hard_Bop.htm
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| | Hard Bop |
 | | The most obvious sources of inspiration for hard bop musicians were Gospel music and the blues. |  | | While the "cool" esthetic asked of its drummers to assume a subtle, unobtrusive, time-keeping role, hard bop drummers brought the drums back to the forefront of the music, using increasingly complex polyrhythms and increasingly higher levels of interaction with the soloists. |  | | Incidentely, it is very interesting to notice that the birth of hard bop is usually dated back to the 1954 recording date by Miles Davis which produced the album Walkin', the same year as the Brown vs. Board of Education ruling. |
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http://www.artsci.wustl.edu/~jscamal/civilrights/hardbop.htm
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| | Hard bop jazz |
 | | Hard bop was the jazz music in vogue when Brian and Charlie were growing up, who both became devoted fans. |  | | He then played with Thelonious Monk, before rejoining Davis from 1958 to 1960, recording albums that were really the starting point of hard bop, accelerating the rhythms furiously and stretching improvisation to near atonality. |  | | The recordings he made with Coltrane until 1965 helped define hard bop and stretch the boundaries of jazz drumming and jazz music very far. |
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http://www.timeisonourside.com/STHardBop.html
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| | Jazz On The Web: The Hardbop Homepage |
 | | One section of the site, titled "The Music," provides a list that purports to be the top 100 hard bop albums of all time. |  | | Fans of hard bop may be surprised to note that the list encompasses recordings right up through the end of the 20th century, so any notion that bop is dead can be left at the door. |  | | For the bop fan who believes that this music hasn't yet run its course, here is a stripped-down trove of bop lore, discographies, biographies and other goodies that will delight, entertain and enlighten. |
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http://www.skyjazz.com/commentaries/hardbop.htm
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| | Jazz Owl Articles: Why Hard Bop? |
 | | The hard bop musician wanted to bring back some of the roots of the music to their playing. |  | | As the bebop musicians were known for harmonic substitution and alteration of standard chordal structures and popular song the hard bop musicians were more fond of creating new and challanging chord structures often with quick key changes upon which the soloist could show their prowess. |  | | Trombone can also be found in hard bop recordings but softer sounding instruments such as the clarinet or vibraphone are pretty much non-existent. |
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http://www.allaboutjazz.com/jazzowl/_a0198_01.htm
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| | bebop -- Encyclopædia Britannica |
 | | The word bop is a shortened form of bebop, which is an onomatopoeic rendering of a staccato two-tone phrase distinctive in this type of music. |  | | U.S. jazz musician Charlie Christian was one of the first guitarists to produce improvised pieces using electrically amplified equipment. |  | | The word is an onomatopoeic rendering of a staccato two-tone phrase distinctive in this type of music. |
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http://www.britannica.com/eb/article-9014019?source=RSSOTD
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| | Chapter 8 - Hard Bop (1956 to early 1960s) |
 | | Hard Bop developed on the East Coast after the death of Charlie Parker. |  | | Compared to bop, there is less starting and stopping which leaves the listener off balance. |  | | In 1958 The Davis group with Coltrane, altoists Cannonball Adderley and Bill Evans introduced the concept of scalar improvisation (based on scales and modes rather than chords). |
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http://www.ccsn.nevada.edu/finearts/music/wherry/jazz/syllabus/hardbop.html
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| | Hard Bop |
 | | Joe Pass was both the apotheosis of the bop guitar tradition and an innovator who perfected a solo style that turned the guitar into a self-sufficient band. |  | | One of the latest blooming jazz giants, Pass began recording the albums that set standards for technical fluency well after he turned 40. |
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http://www.notz.com/jg_hardbop.htm
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| | 50th Anniversaries of Hard Bop LPs |
 | | As the dust of the bebop revolution settled, hard bop emerged as a more groove-oriented, swinging style that drew upon influences with broader appeal such as the blues, gospel music, and the structured arrangements of the big bands. |  | | At the outset it should be noted that a website dedicated to this music already exists: The Hard Bop Homepage. |  | | The 21st century brings the 50th anniversaries of many recordings that were crucial to the development of the jazz genre known as hard bop and on this page I attempt to pay tribute to some of them. |
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http://www.attictoys.com/jazz/50thHBAnn_Intro.html
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| | Jazz 100 - Hard Bop |
 | | A true classic of hard bop, the remastered CD release sports an extra track. |  | | Birdland played host to jazz history in the making in February 1954 when drummer Art Blakey's quintet showcased music that would go on to define the hard bop style. |  | | In this case the backup includes Miles Davis on trumpet and pianist Hank Jones, with Sam Jones and drummer Art Blakey driving the rhythm section. |
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http://home.austarnet.com.au/petersykes/jazz100/hard_bop.html
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| | Earliest Hard Bop - Jazz Bulletin Board |
 | | Yesterday, late at night, driving home from work I was listening to some hard bop with which I was unfamiliar on WBGO. |  | | For me one of the roots of hard bop is the first Horace Silver and the Jazz Messengers disc (recently RVG'ed) with The Preacher and Doodlin'. |  | | It might have been recorded yesterday or in 50 years ago, though I don't think it could have been recorded 55 years ago. |
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http://forums.allaboutjazz.com/showthread.php?t=9231
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| | Jazz History - Hard Bop |
 | | The term "post bop" became the label for the music that sprung out the hard bop period. |  | | Such diversity led to the development of classic songs like Clifford Brown's "Joy Spring," Benny Golson's "Blues March," Bobby Timmons's "Moanin'," and Cannonball Adderley's "Work Song." Musicians including Sonny Stitt, Sonny Rollins, J.J. Johnson, Miles Davis and John Coltrane developed their hard bop styles from early experience as beboppers. |  | | They also created original compositions expressing a variety of tempos, grooves, and emotions. |
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http://www.vervemusicgroup.com/history.aspx?hid=22
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| | HARD BOP PIANO |
 | | Hard bop, created in the mid 1950s by African-American musicians centered in New York City, Philadelphia and Detroit, is jazz with a tough sound and a hard, driving beat. |  | | Horace Silver and other hard bop composers experimented with innovative structures, rhythm and harmony, and were inspired by world music cultures African, Afro-Cuban and Brazilian. |  | | Today, new and old jazz styles coexist; styles merge to create new music. |
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http://www.changingtones.com/hardbop.html
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| | Hard bop bossa nova? - Jazz Bulletin Board |
 | | There were groups in Brazil during the Bossa era that incorporated hard bop influences into their music. |  | | Problem is, it's hard to find reissues and/or original LP pressings. |  | | Bossa nova doesn't work all that well with American-made hard bop (just my opinion). |
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http://forums.allaboutjazz.com/showthread.php?t=4666
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| | Hard Bop Saxophone Quartet |
 | | The Hard Bop Quartet has a repertory of music that spans jazz style from Bebop to Fusion taking each element, tastefully, to the extreme whether it be technical facility or shear emotion. |  | | All of their charts come from within the group thus adding compositional originality to the improvisational creativity which is the essence of jazz. |  | | Hard Bop designates an era in the history of jazz that took the traditions of Bebop, mixed them with th unique compositional elements of the Cool School and added generous portions of soul. |
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http://www153.pair.com/bensav/Interpretes/HardBopSQ.html
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| | Hard Bop |
 | | Art Blakey, considered by many to be the consummate bop drummer, cut his teeth in the musical melting pot that was the Billy Eckstine band of the 1940s. |  | | This band included such luminaries over the years as Miles Davis, Charlie Parker and Dizzy Gillespie. |  | | Included are cuts from the classic "Live At Birdland" sessions and just some of the featured musicians on this set include Clifford Brown, Horace Silver, Tadd Dameron, Howard McGhee, Tiny Grimes and Lou Donaldson. |
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http://www.propermusic.com/products.asp?recnumber=596
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| | Hard-Bop Saxophone Quartet CD |
 | | You can listen to theses files with a mpeg audio player such as WinAmp or MacAmp |  | | To listen to these MP3 examples you must download them to your hard drive (a PC will right click, a macintosh will click and hold for "save link as") |
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http://www.cord.edu/faculty/rpeters/hbsq_cd.html
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| | Other Sites: The Hard Bop Homepage |
 | | Hard Bop : Jazz and Black Music 1955-1965 |  | | Horner's Classic Jazz Corner has lots of high-quality mp3 tunes to listen to from Dr. Peder Horner's personal collection of commercial-free jazz. |  | | Hard Bop : Jazz and Black Music 1955-1965 -- Oxford University Press |
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http://hardbop.tripod.com/othersites.html
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| | Hard Bop (Funky Jazz) |
 | | The label "funky jazz" was attached most frequently to earthy, blues-drenched, gospelish pieces by Horace Silver and others. |  | | The sounds of most styles within this stream differ little from the sounds of bebop. |  | | Though musicians tended to refer to all these styles as simply "bop" or "bebop," journalists and publicists coined new names such as hard bop, funky jazz, mainstream, post-bop, and soul jazz. |
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http://www.personal.psu.edu/staff/c/x/cxl46/jazz/Funky.htm
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| | Bop - Hard bop - Wikipedia, the free encyclopedia |
 | | Order your copy of Kidz Bop 8 today, and you’ll be the FIRST on your block to own this Listen, 04, Boulevard Of Broken Dreams |  | | RollingStone.com: - Blitzkrieg Bop by Ramones BUY : Bop by · Sound Clip, Download the full song for just $0.99 |  | | Hard bop is an extension of bebop (bop) music which incorporates It also is, as David H. Rosenthal contends in his book "Hard Bop," to a large degree |
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http://publicdot.com/pd/bop.html
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| | Various The Birth Of Hard Bop |
 | | While Keepnews, who of course was present during this gestational period of jazz recording, mentions that Donald Byrd and Lee Morgan typify what was going on during the development of hard bop, the true glue of both of the CD's is Hank Mobley. |  | | The revelation from listening to the issued and alternate recordings is that tunes like Cattin' and 147;Blues Number Two were slowed down for the original albums, thus developing a more deliberate and a less free-spirited rhythm. |  | | What does matter, as both Ramsey and Keepnews agree, is that these mid-1950's sessions from which The Birth Of Hard Bop was compiled represent some innovative music in the relatively early careers of influential jazz musicians like Horace Silver, Donald Byrd, Hank Mobley and Lee Morgan. |
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http://www.allaboutjazz.com/reviews/r0700_124.htm
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| | Hard Bop |
 | | Cool Jazz was a style of jazz that used light, dry, tone qualities, low levels of volume, a very nondramatic approac to tambor, the style is much more relaxed rhythmically, and the music did not ahve simple melodies, but considerably less complex than Bebop. |  | | This music did have more arrangements that classic bop, and many of the solo styles do draw upon that of Lester Young as it has a relaxed swing style. |
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http://ccat.sas.upenn.edu/music/historyofjazz/schedule/March29.html
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| | JazzNet : Hard_Bop |
 | | Hard Bop Hard Bop master five John Coltrane_Hard Bop |  | | Hard Bop Hard Bop master for Sonny Rollins |  | | Hard Bop Hard Bop master one Art Blakey |
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http://trumpet.sdsu.edu/Jazz351D/Hard_Bop.htm
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| | Styles: Hard Bop |
 | | The best way to decide is to listen for yourself! |  | | Hard Bop was also increasingly influenced by Soul, Gospel, and Blues music, particularly in the persons of Horace Silver and Donald Byrd, among many others. |  | | Hard Bop is characterized by greater technical proficiency, as well as more elaborate harmonic structures. |
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http://www.wnur.org/jazz/styles/hard-bop.html
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| | Hard bop - Musician Forums |
 | | Hey who are some good hard bop artists and what are some good CDs to buy? |  | | The only one I really know is Art Blakely, but what are some good CDs of his? |  | | http://en.wikipedia.org/wiki/Hard_bop has a whole list of hard bop artists for you to check out. |
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http://musicianforums.com/forums/showthread.php?p=11535857#post11535857
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| | Hard Bop tenor saxophone |
 | | He recorded 4 albums under his own name but appeared alongside many leading hard boppers such as Jackie McLean, Freddie Hubbard and Kenny Burrell (on his all-star Blue Lights session). |  | | Born in Florida in 1934 Junior Cook stepped into the limelight when he joined Horace Silver's group in 1958 following a stint with Gillespie. |  | | Harold Floyd "Tina"Brooks signed to Blue Note in the mid-50s and immediately made impact cutting The Sermon with Jimmy Smith. |
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http://www.thejazzfiles.com/othertenor.htm
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| | Jazz music, Hard Bop |
 | | Hard Bop influenced other musical forms beginning in 1955 and thus transcending all future jazz styles. |  | | The public accepted this moving music joyful and appreciated the opportunity to participate once again in jazz performances. |  | | The complexity of the style often left the audience behind. |
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http://www.smallsjazz.com/hard_bop/index.shtml
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| | Hard Bop piano @ the Jazz Files |
 | | By 1956 his reputation as a performer and articulate teacher of bop was such that visiting artists from New York and elsewhere frequently sought him out for his musical insights and camaraderie. |  | | After a period as accompanist to Abbey Lincoln (1965-66) he recorded frequently with Lee Morgan and worked as house pianist for Prestige (1967-69), then re-joined Blakey for a tour of Japan (1973). |  | | From the mid-1960s Walton has performed frequently as the leader of a traditional bop quartet with Clifford Jordan, George Coleman, or Ralph Moore, and Sam Jones or David Williams, and Billy Higgins; in 1975 it took the name Eastern Rebellion. |
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http://www.thejazzfiles.com/otherpiano2.htm
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| | Marc Sabatella's Jazz Improvisation Primer: Hard Bop |
 | | In what has been described as either an extension of bebop or a backlash against cool, a style of music known as hard bop developed in the 1950's. |  | | This style also downplayed the technically demanding melodies of bebop, but did so without compromising intensity. |  | | Organist Jimmy Smith and tenor saxophonist Stanley Turrentine were popular players in this genre. |
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http://www.outsideshore.com/primer/primer/ms-primer-2-5.html
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| | Art Blakey School Of Hard Bop |
 | | Art Blakey-drummer and jazz musician-his contribution to jazz from 1954 to 1990 as leader of the Jazz Messengers created a sound known as Hard Bop and influence many groups over the various decades. |  | | Thats what Jazz music is all about.We started the Messengers because somebody had to mind the store for jazz.No America--no Jazz.It is the only culture that America has brought forth. |  | | When people come in to relax and enjoy themselves after a hard day's work, its my job to make them happy-to wash away the dust of everyday life. |
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http://home.ica.net/~blooms/Art1.html
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| | solex, low kick and hard bop |
 | | Not (necessarily) a bop recording, the lost and found sounds resurrected and recombined by Solex would be mere props, not the weapons utilized by Esselink to deadly effect. |  | | New from Dutch sound collage wizardess and master of modern Plunderphonics Elisabeth Esselink, aka Solex. |  | | A master of making something-out-of-nothing (and often less than nothing), Esselink finds source material from the crap CD's that pass through her 2nd hand record shop, bits of overheard conversation and plain old espionage (better make sure that phone isn't tapped). |
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http://www.boomkat.com/item.cfm?id=4021
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| | - SHOP.COM |
 | | All other designated trademarks, copyrights and brands are the property of their respective owners. |  | | Hard Bop Tracks: Thin Man, The, Bop Alley, Groove Street, Musas Vision, Nothing But The Soul, Message From Kenya, Once In A While, Quicksilver, Wee Dot, Blues, Way You Look Tonight, The, If I Had You, Nows The Time, Split Kick, Night In Tunisia, A... |  | | You might try modifying your search term or selecting one of the department links below. |
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http://www.shop.com/op/aprod-p32059190
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| | hard bop - Best Price at Onino UK |
 | | Other searches related to "hard bop": hard bop martians, hard bop butt, hard bop ugly, hard bop fru, hard bop bog, hard bop damage, hard bop emperor, hard bop ps2, hard bop nickelodeon, hard bop rare, hard bop harm, |  | | hard bop - Best Price at Onino UK Appliances |
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http://www.onino.co.uk/ss_Hard_Bop.html
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| | The Hard-Bop Saxophone Quartet |
 | | You can hear some high quality MP3s here. |  | | He currently plays lead alto with the Jazz Arts Group. |  | | The Hard Bop Sax Quartet does many of its own arrangements. |
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http://www.cord.edu/faculty/rpeters/hbsq.html
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