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| | Hank Mobley - Wikipedia, the free encyclopedia |
 | | They were in contrariety to the classical pretentions of cool jazz, with Mobley's rich lyricism being bluesier, alongside the funky approach of Horace Silver. | | | Though criticized by some for not having the improvisational fire of his predecessor in the group, John Coltrane, Mobley was still a major voice on tenor saxophone. | | | He is best known for his 25 albums on Blue Note Records, including Soul Station and Roll Call, recorded between 1955 and 1970, on which he performed with many of the most important hard bop players. |
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http://en.wikipedia.org/wiki/Hank_Mobley
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| | Hank Mobley: The Hard Bop Homepage |
| | Mobley's jazz recording debut was the product of a job he held in the house band of a Newark nightclub after leaving Gayten in 1951. | | | "Hank Mobley is the most lyrical saxophonist I've ever heard. | | | While the band recorded, the material did not feature Mobley as a soloist. |
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http://members.tripod.com/~hardbop/mobley.html
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| | The Complete Blue Note Hank Mobley Sessions (#181) |
| | Hank Mobley is one of the most underrated musicians in the jazzworld. | | | Hank music is full of fire within a storm and it stands with any music out there. | | | Mobley stretches the beat of his sinuous melodies with consistent inventiveness. |
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http://www.mosaicrecords.com/prodinfo.asp?number=181-MD-CD
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| | CMT.com : Hank Mobley : Biography |
| | Mobley recorded steadily for Blue Note through the '60s, offering slight variations on his approach, and continued to appear as a sideman on a generous number of the label's other releases (especially frequent collaborator Lee Morgan). | | | Mobley stayed with Silver until 1957, by which time he had begun to record prolifically as a leader for Blue Note, completing eight albums' worth of material over the next 16 months. | | | Mobley cut two more high-quality hard bop albums, Roll Call and Workout, over 1960-1961, as well as some other sessions that went unreleased at the time. |
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http://www.cmt.com/artists/az/mobley_hank/bio.jhtml
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| | Review |
| | At the time of this 1961 recording, Mobley was a member of Miles Davis' band. | | | However, Mobley plays with such feeling and imagination while sticking close to the melody that this song demands you pay close attention to his tenor. | | | Lest you think Mobley could only play fast numbers, give a careful listen to his version of "Three Coins In The Fountain." In lesser hands, this song would sound trite and maudlin. |
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http://www.cosmik.com/aa-june00/reviews/review_hank_mobley.html
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| | Amazon.ca: Music: Soul Station (Rm) |
| | Mobley was one of the most talented saxophonists of his generation, a superbly lyrical artist who blended an inventive tunefulness with taut rhythmic attentiveness. | | | mobley was a prolific artist for blue note turning out a myriad of albums, some good, others not (at times it seemed he got bored). | | | Further, listening to Wynton Kelly's solos, as well as his playing behind Hank, are reason enough to buy the album. |
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http://www.amazon.ca/exec/obidos/ASIN/B00000I8UI
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| | A Caddy for Daddy |
| | Hank Mobley isn't generally viewed as a great innovator, but a listener can hear him responding, in his own voice, to the rapidly changing musical form with an always listenable, rolling harmonic style; in other words, one can hear him aiming and hitting his mark. | | | Mobley flashes his adept songwriting skills in the last two numbers, the tricky "Ace Deuce Trey" (Mobley also keeps his string of great song-titles intact) and the closer, the avant-hard bop "3rd Time Around." Both songs cook. | | | With Hank Mobley's posthumous star growing brighter, it's no wonder his recordings seem more prescient now than ever. |
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http://www.nuris.us/A-Caddy-for-Daddy-24611923900480306546.jsp
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| | Amazon.co.uk: Music: Soul Station [Original recording remastered] |
| | Hank Mobley had a famously disorganised, drug-oriented lifestyle that maybe prevented him getting a longer slot in the Miles Davis band (he joined in 1961 and left the year afterwards), but he had a wonderful style and big, rich tone that this recording, made in 1960, showcases on mainly his own compositions. | | | Hank Mobley was more than workman-like, to be sure, and he was well used to playing with Wynton Kelly and Paul Chambers (listen to him with Miles Davis at the Blackhawk, for instance, where he sounds really good), but never really took off on his own. | | | Mobley plays slightly behind the beat, and his subtle use of harmonics and slightly foggy undertone make him an acquired taste, but this album is funky, soulful, swinging and tough. |
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http://www.amazon.co.uk/exec/obidos/ASIN/B00000I8UI
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| | Hank Mobley |
| | The concert is a tribute to the late “Hank Mobley” who considered by many jazz educators and fans all over the world as one of most soulful, lyrical, melodic and prolific composers in the history of modern jazz. | | | I’ve been writing lyrics to Hank Mobley’s music for the past few years and recorded one of his most notable compositions “This I Dig of You” aka “Jazzinn Around” on my recent CD Live@JazzInn. | | | Mobley's "No Room for Squares" LP title inspired M... |
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http://hankmobley.blogspot.com
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| | Hank Mobley - The Flip: Reviews, Track Listing, Audio Clips, and more Music.com |
| | The title track opens the set and it lays deep in the soul-jazz cut, tempered by hard bop sensibilities: the solos by Reece, Hampton, and Mobley are top-notch, but it is Benedetti's muscular comping and blues-wailing piano that drives the tune. | | | Hank Mobley - The Flip: Reviews, Track Listing, Audio Clips, and more | | | Hank Mobley - The Flip: Reviews, Track Listing, Audio Clips, and more |
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http://www.music.com/release/the_flip/1
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| | HANK MOBLEY: Hank Mobley (Classic Records / Blue Note) |
| | 'Exhibit A' in this case is the label's new mono pressing of Hank Mobley's excruciatingly rare sixth album (and the fourth of six that the tenor saxman would record for Blue Note that year), simply entitled Hank Mobley. | | | We received a comparison pressing of this album on the 'old' 180g Quiex-SV vinyl. | | | HANK MOBLEY: Hank Mobley (Classic Records / Blue Note) |
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http://www.thenightowl.com/reviews/mobley2.htm
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| | Blue Note Records |
| | Then, Hank Mobley's Soul Station is a must listen. | | | This I Dig Of Hank … OK Folks, Word-Playin’ and Story-Tellin’ Aside, Both Albums Mostly Present Hank Mobley’s Compositions In The First Place. | | | This recording, along with Mobley's "Soul Station" are required listening for any hard bop fan. |
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http://www.bluenote.com/detail.asp?SelectionID=9429
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| | Respect for Hank Mobley |
| | Mobley’s very first solo on the title track demonstrates his ability to convert rhythmic and melodic conceptions into a fluent, well-constructed solo in an almost intuitive manner. | | | By 1969 Mobley was living in Europe, and his album The Flip was recorded in Paris by Francis Wolff. | | | The main problem most listeners had with Mobley was that he was not fortunate enough to be born John Coltrane or Sonny Rollins. |
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http://www.allaboutjazz.com/php/article.php?id=1204
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| | Music: Round Sounds (The Boston Phoenix . 11-02-98) |
| | Mobley is backed by blue-chip rhythm sections throughout, including some great piano from Sonny Clark. | | | "Ultramarine," one of several superior Mobley originals heard throughout the box, features one of his most beautifully paced and perfectly realized solos, a funky and poignant statement whose climaxes are couched not in technical fireworks but in crystalline lyricism. | | | Dorham, whose own subtle lyricism and dark, sculpted tone made him an ideal partner, joins Mobley for one of the set's more consistently inventive sessions, Curtain Call, which was previously available only in Japan. |
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http://weeklywire.com/ww/11-02-98/boston_music_4.html
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| | Unsung Recordings by Hank Mobley |
| | This disc is the tragedy of Hank Mobley in miniature. | | | Each of these men made dozens of recordings like this one, and in their day they were little noted except as a payday for the musicians and a momentary showcase for their fans to enjoy. | | | Mobley is joined by pianist Wynton Kelly, bassist Paul Chambers, and, on the drums, Abdullah Ibn Buhaina himself, Mr. |
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http://www.allaboutjazz.com/php/article.php?id=1205
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| | Amazon.com: Music: The Turnaround! [ORIGINAL RECORDING REMASTERED] |
| | Hank Mobley's "The Turnaround" was originally issued on CD in the late 80s but was inexplicably deleted shortly thereafter. | | | When other so called "stars" are eager to impose their own twisted personality to music Hank Mobley let's the music speak on it's own terms.The result is pure music. | | | On the initial CD versions of "No Room For Squares," "The Turnaround" and "Straight, No Filter" songs were rearranged to match their original recording sessions, instead of matching the original vinyl releases. |
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http://www.amazon.com/exec/obidos/tg/detail/-/B00004YTWG?v=glance
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| | eBay - hank mobley, Records, CDs items on eBay.com |
| | Hank Mobley A Caddy For Daddy VINYL LP Sealed | | | Hank Mobley - Soul Station [Remastered] CD jazz album | | | Hank Mobley Hank Blue Note VINYL LP Sealed |
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http://search-desc.ebay.com/search/search.dll?query=hank+mobley&newu=1&krd=1
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| | Hank Mobley @ The Jazz Files |
| | His old colleagues backed Mobley when he began leading his own recording sessions beginning in the mid-'50s. | | | Plagued by various health problems, Mobley retired from music in 1975. | | | Four years later, his excellent 1966 recording, A Slice Of The Top, was released for the first time. |
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http://www.thejazzfiles.com/JazzMobley.html
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| | HANK MOBLEY: Roll Call (Blue Note) |
| | This way, you get to enjoy the album the way it was meant to be heard, instead of hearing back-to-back versions of a single song. | | | But after just one listen to Roll Call, it's obvious that he was able to rise to the occasion. | | | Like most all of Mobley's Blue Note material, Roll Call is an excellent date--highly recommended to anyone who enjoys jazz. |
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http://www.thenightowl.com/reviews/mobleyrc.htm
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| | Jazzmatazz Review - Blue Note RVG Editions Sept 2000 |
| | [Discographical notes: The titles on the Jimmy Smith and Hank Mobley CDs match the original LP releases, which were both assembled from several different sessions. | | | It's reported that a third, yet to be title CD, will be released with the additional tracks from the session. | | | The album has four tunes by Mobley and two by Lee Morgan from two sessions in 1963. |
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http://home.att.net/~lankina/jazz/Reviews/R0010a.html
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| | Tower Records - The Turnaround [Remaster] - Hank Mobley |
| | It also omits two tracks, "Hank's Waltz" and "Third Time Around," which were recorded at the February 1965 session that produced the remainder of the tracks. | | | This edition of THE TURNAROUND includes two tracks, "East of the Village" and "The Good Life," which were recorded in 1963, that did not appear on the original CD release. | | | Tower Records - The Turnaround [Remaster] - Hank Mobley |
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http://www.towerrecords.com/product.aspx?pfid=1914808
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| | Review - Hank Mobley: Complete Jazz Message Sessions |
| | In addition, the CD includes a 1953 Debut session with Mobley on tenor, Gigi Gryce on alto saxophone, both Idrees Sulieman and Leon Comegys on trumpet, Walter Davis Jr. | | | For additional aural pleasure check out Mobley's playing on his classic Blue Note albums "Another Workout," "Soul Station," "Workout," and "Roll Call." Mobley's musical magic is one of jazz' greatest thrills. | | | The other band members, in particular Byrd, Clarke, and Roach, sound adventurous and inspired, their playing always personal yet tasteful. |
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http://www.cosmik.com/aaa-archives/reviews/040109_review_hank_mobley.html
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| | The Bebop Shop Hank Mobley |
| | On CD at last, this Mobley’s second-to-last Blue Note session and it took place in Paris with Dizzy Reece, Slide Hampton, Vince Benedetti, Alby Cullaz and Philly Joe Jones. All the tunes are by Hank and highlights include the title tune and 'Early Morning Stroll'. (Blue Note Records&; | | | Hank Mobley: Dippin' (Vinyl LP: Blue Note- US Import) | | | Hank Mobley: Roll Call (Vinyl LP: Blue Note- US Import) |
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http://www.thebebopshop.com/acatalog/The_Bebop_Shop_Hank_Mobley_29.html
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| | HANK MOBLEY/HANK MOBLEY 12" 200g MONO LP - Elusive Disc |
| | This stunning mono set was recorded by Rudy Van Gelder and originally released on Blue Note Records in June of 1957. | | | HANK MOBLEY/HANK MOBLEY 12" 200g MONO LP - Elusive Disc | | | Mastered from the original first-generation monaural master tapes and cut with Classic Record's custom-built mono cutting head. |
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http://www.elusivedisc.com/prodinfo.asp?number=BLP1568QP&variation=&aitem=759&mitem=5053
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| | CATALOG: HANK MOBLEY |
| | Hank Mobley was certainly one of the preeminent masters of this idiom, as he demonstrates on this reissue of his two classic Prestige albums, Mobley’s Message and Mobley’s Second Message. | | | The largely spontaneous blowing-session albums of the Fifties were a very special form of jazz, putting a particular premium on a musician’s ability to leap to a high level of improvisation without much time for preparation, and demanding an almost instinctive unity between the players. | | | Bouncing with Bud, 52nd Street Theme, Minor Disturbance, Au Privave, Little Girl Blue, These Are the Things I Love, Message from the Border, Xlento, The Latest, I Should Care, Crazeology |
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http://www.fantasyjazz.com/catalog/mobley_h_cat.html
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| | Metroactive Music Hank Mobley Tribute |
| | "Dig" is followed by "Hank's Waltz," recorded by Mobley in the mid-1960s. | | | Tenor Conclave is a fitting tribute to a musician whose legacy has gone unsung for much too long. | | | Mobley's version boasted four horns, including the elder Coltrane's, in a wild free-for-all. |
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http://www.metroactive.com/papers/metro/11.20.97/jazz-9747.html
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| | Hank Mobley Links |
| | Lists Mobley’s recordings as leader and sideman, with small reproductions of album covers and links to audio clips. | | | Liberty Records press release biography of Mobley by Leonard Feather (1968). | | | A portion of fan Eric B. Olsen’s “Hard Bop Homepage” is devoted to Mobley. |
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http://www.wright.edu/~martin.maner/moblinks.htm
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| | CD Review of Cedar Walton & The Hank Mobley Quintet - Breakthrough on 32 Jazz @ jazzreview.com |
| | One of them, Cedar Walton, continues to be a viable jazz pianist, while for Hank Mobley this 1972 session would be his recorded swan song. | | | It makes for an enlightening comparison to put the two versions side by side, with the latter performance revealing a harder edge to Mobley's sound, not to mention the obvious influence of Coltrane. | | | Jazz Review.com is your complete guide to jazz music on the web |
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http://www.jazzreview.com/cdreview.cfm?ID=1890
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| | Hank Mobley - MP3, links, discography |
| | Fan page features a complete listing of Mobley's recordings as a leader and sideman. |
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http://cooking.erp-volga.com/music/Hank_Mobley.html
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| | JR.com: Hank Mobley - Soul Station [Remaster] in Music: Tenor Sax: |
| | What makes this so special, however, is the sheer perfection of it all; Mobley's tenor is soulful and confident, Kelly is at his tasteful best, and Chambers and Blakey work in tandem like a well-oiled machine. | | | Personnel: Hank Mobley (tenor saxophone); Wynton Kelly (piano); Paul Chambers (bass); Art Blakey (drums). | | | JR.com: Hank Mobley - Soul Station [Remaster] in Music: Tenor Sax: |
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http://www.jr.com/JRProductPage.process?Product=3916495
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| | Soul Station |
| | He worked slowly and carefully, in the manner of a craftsman, building the foundations of a style, taking what he needed to take from whom he needed to take it, and finally emerging, on this album, not with a disconnected series of tunes, but with a definite statement to make. | | | And it would take a man with a knowledge of dance music to pick as fine and unlikely an old song as Irving Berlin's "Remember" to start his set with. | | | This concept can be found not only in Miles' work, but in the solo albums made by Coltrane, in those of Sonny Rollins, and even in the work of Thelonious Monk, who has taken to doing his own extremely expressive dance in front of his group. |
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http://member.tripod.com/~hardbop/sstation.html
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| | * Dusted Reviews - Hank Mobley * |
| | Each soloist minds both Mobley’s catchy melody and Billy Higgins and Bob Cranshaw’s marvelously funky beat, making this the sort of attractive and memorable tune you could play to someone who thinks they can’t handle jazz and walk away with a convert. | | | The title tune is a boogaloo in the tradition of Lee Morgan’s “Sidewinder,” so much so that trumpeter Blue Mitchell takes the first solo rather than Mobley. | | | Sales were dropping and clubs were closing as the music lost its youth audience. |
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http://www.dustedmagazine.com/reviews/2230
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| | Amazon.ca: Music: Introducing Lee Morgan |
| | Originally a Hank Mobley session, this is one of trumpeter Lee Morgan's earliest recordings. | | | At the time Morgan (who was just 18) was very much under the musical influence of Clifford Brown although a bit of his own personality was starting to shine through. | | | With the fine tenor of Mobley, pianist Hank Jones, bassist Doug Watkins and drummer Art Taylor, Morgan sounds quite comfortable playing bebop and participating in a ballad medley. |
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http://www.amazon.ca/exec/obidos/ASIN/B000001CQG
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| | HANK MOBLEY Discography |
| | HANK MOBLEY Roll Call (1998 US 24-bit 96Khz digitally remastered 'Master Tape Sound' audiophile issue 6-track CD issue of Blue Note 84058, picture sleeve DAD1016) - | | | Roll Call - US - DVD-AUDIO DISC more of this title | | | CLICK HERE for our most expensive music collectables |
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http://eil.com/shop/ExtSearch.asp?DiscArtist=Hank-Mobley
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| | Hank Mobley Quintet by Hank Mobley CD |
| | Hank Mobley Quintet by Hank Mobley CD Artist | | | Personnel: Hank Mobley (tenor saxophone); Art Farmer (flugelhorn); Horace Silver (piano); Doug Watkins (bass); Art Blakey (drums) |
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http://cduniverse.com/search/xx/music/pid/6826403/a/Hank+Mobley+Quintet.htm
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| | SendMeMovies.com - Hank Mobley: Roll Call (1961) - DAD |
| | SendMeMovies.com - Hank Mobley: Roll Call (1961) - DAD | | | 24/96 DAD - Hank Mobley: Roll Call (1961) - DAD | | | Sharing time with Hank's tenor on this 1961 recording are Freddie Hubbard-trumpet, Wynton Kelly-piano, Paul Chambers-bass and Art Blakey behind the drum kit. |
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http://www.sendmemovies.com/ps-41694-68-hank-mobley-roll-call-1961-dad.aspx
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| | HANK MOBLEY: HANK MONO - BN-1560 |
| | As part of the Classic Blue Note Signature Series this LP was cut from the original full track mono master tapes on an all tube mono cutting system and pressed on Classic's 200g Super Vinyl Profile. | | | Another of the fantastic Hank Mobley Blue Note recordings featuring Donald Byrd, John Jenkins (BN 1573), Bobby Timmons, Wilbur Ware and "Philly" Joe Jones. |
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http://www.classicrecs.com/catalog/store/detail.cfm?sku=BN-1560
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| | Guardian Hank Mobley: Thinking of Home |
| | They both died young, but were minor celebrities in their day, tucked in behind the league-leaders such as Rollins, Coltrane, Cannonball Adderley and Wayne Shorter, with Mobley a significant influence on Ronnie Scott. | | | Hank Mobley's Thinking of Home is less directly bluesy and structurally bolder - it starts with a three-part suite opened spectacularly with the saxophonist's dry, brooding tone and the thunder of mallets, before turning into a Milestones-like bounce. | | | Four out of the five pieces are Mobley's, often sound like a cross between Art Blakey's Messengers, Watermelon Man Latin-bop and the late 1950s Miles Davis Quintet. |
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http://www.guardian.co.uk/print/0,3858,4556498-108884,00.html
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| | Hank Mobley - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links |
| | Hank Mobley - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links | | | Browse artists: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z # |
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http://artistdirect.com/music/artist/card/0,,469138,00.html
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| | Hank Mobley |
| | As a tribute to Mobley I've arranged "Hipsippy Blues" for big band. | | | Hank Mobley is best known as a tenor sax player. | | | The sound clip contains the first two choruses, while the image file shows the beginning of the second chorus, where the the clarinet and saxes join the flute. |
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http://www.wright.edu/~martin.maner/mobley.htm
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| | Music - Find, Compare, and Buy at Shopping.com |
| | You found 157 products in Music "hank mobley" | | | No Room For Squares [Remaster] - Hank Mobley | | | Book covers reprinted by permission of barnesandnoble.com llc. |
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http://www.shopping.com/xGS-hank_mobley
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| | AOL Music: Hank Mobley |
| | From Shakira to Slim Shady and way beyond, AOL Music has thousands of videos - online and on-demand. | | | Hank Mobley's precise playing, harmonic, rhythmic and melodic inventiveness,... | | | Mobley, Hank [Henry] (b Eastman, GA, July 7, 1930; d Philadelphia, PA, May 30, 1986) tenor saxophonist. |
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http://music.aol.com/artist/main.adp?artistid=7149
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| | Hank Mobley |
| | Paul Gayten's rhythm-and-blues band(1950), Max Roach Band(1951-53), Dizzy Gillespie Band(1954), Jazz Messengers(1954-56), Horace Silver's Quintet(1956-57), Art Blakey's Jazz Messengers(1959), Dizzy Reece's Band(1960) Miles Davis Band(1961-62), Hank Mobley Band(1956-70) | | | Considered the "middleweight" champion of the tenor sax, his career began with Paul Gayton's rhythm-and-blues band in (1950). | | | As leader: Mobley's Message(1956), Soul Station(1960), No Room For Squares(1963) As a sideman:A. Blakey: The Jazz Messengers at the Cafe Bohemia(1958), |
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http://www.jazztranscriptions.com/mobleybio.html
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| | Jazz: Hank Mobley |
| | Hank is a great saxaphone player who recorded extensively with Blue Note through the fifties and sixties. |
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http://www.east.demon.co.uk/mobley.htm
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| | NewToJazz.com Artist Profile Hank Mobley |
| | Accurately described by critic Leonard Feather as "the middleweight champion of the tenor" due to his sound (not as light as Lester Young's or as heavy as Sonny Rollins), Hank Mobley tended to be taken for granted during his career but recorded a long string of valuable albums for Blue Note. | | | Mobley was back with Blakey for a bit in 1959 and spent an unhappy period with Miles Davis (1961-62) but mostly worked as a leader in the 1960s. | | | An original member of the Jazz Messengers (1954-56), Mobley joined Horace Silver when the pianist broke away from Art Blakey to form his own group (1956-57). |
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http://www.newtojazz.com/artist.asp?id=59
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| | Blue Note Records |
| | A prolific recording artist, Mobley was associated with Blue Note during three distinct periods from 1954-70 and left a legacy of 25 albums featuring a veritable Who's Who of Modern Jazz including Horace Silver, Art lakey, Lee Morgan, Milt Jackson, Art Farmer, Donald Byrd, Bobby Timmons, | | | BORN: July 7, 1930, Eastman, GA DIED: May 30, 1986, Philadelphia, PA Hank Mobley's precise playing, harmonic, rhythmic and melodic inventiveness, expressive tone and laid-back delivery made him one of the leading tenor saxophonists of the hard bop movement. | | | Critic Leonard Feather nicknamed Mobley "the middleweight champion of the tenor" because his sound was lighter than Sonny Rollins but heavier than Lester Young's. |
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http://www.bluenote.com/artistpage.asp?ArtistID=3357&tab=1
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| | Hank Mobley |
| | The best of Hank Mobley- the Bluenote years | | | The best of Hank Mobley- the Blue Note years |
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http://www.geocities.com/andyw129/mobley.html
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| | Dippin' by Hank Mobley CD |
| | Later, the date's only ballad, the classic "I See Your Face Before Me," offers a respite with one of Mobley's smokiest performances on record. | | | With DIPPIN', Hank Mobley is clearly entrenched in his "hard" period, as his more muscular, yet still round, tone and his penchant for funky grooves dominate the session. | | | As on many other Mobley sides, Lee Morgan and Billy Higgins return to lend their respective touches, which once started the flame burning with Morgan's "The Sidewinder." Pianist Harold Mabern and bassist Larry Ridley round out the group. |
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http://www.cduniverse.com/search/xx/music/pid/1230482/a/Dippin'.htm
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| | Hank Mobley |
| | With Grant Green, Wynton Kelly, Paul Chambers and Philly Joe. | | | Hank Mobley's "Dippin" along with Lee Morgan and Harold Mabern, Jr.. |
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http://www.jazzmanrecords.com/hankmobley.html
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| | Messages, MP3 Album Music Download at eMusic |
| | · Hank Mobley - Sax (Tenor) · Hank Mobley - Sax (Tenor) · Hank Mobley - Main Performer · Hank Mobley - Main Performer · Art Taylor - Drums · Art Taylor - ? |
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http://www.emusic.com/album/10592/10592510.html
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