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| | St. Petersburg String Quartet Program |
 | | The fugato theme and its inversion are heard in this section before a brief violin cadenza acts as a transition back to a free, shortened reprise of the slower first part. | | | A dark, somber fugato follows, its melody introduced by the viola and then imitated by the other instruments. | | | Everyone plays tremolo except the first violin, which plays an agitated ad libitum recitative based on the fugato theme of the second movement. |
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http://www.delvallefinearts.org/2004-5/petersburgProgram.html
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| | wtc-ii-3 |
| | The fugato follows with three further harmonic progressions which, however, do not make any attempts to leave the area of tonic and dominant. | | | Yet while the “fugato” may take little more than one fourth of the time the “prelude” takes, it achieves musical balance through the intensity of its polyphonic design. | | | They are hampered either by the simultaneous use of the originally ornamented note in a cadential bass pattern (see bars 33 and 40) or by a varied ending of the motive (see bars 44 and 45). |
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http://www-personal.umich.edu/~siglind/wtc-ii-03.htm
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| | Herald AV Publications Web Site |
| | Concert Variations on 'Praise to the Lord' [11 Variations, Fugato, and Toccata] |
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http://www.heraldav.co.uk/showdisk.php?diskNum=293
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| | OnMilwaukee.com music and Clubs: Y benefits from X-mas CD |
| | The new Fugato and Friends CD, a benefit Christmas recording for the YMCA's Strong Kids Campaign, has the same name and also about celebrating children. | | | The recording features the band Fugato (Scott Currier, Jeff Kuliga and Steve Peplin), Ethan Bender, Deidre Fellner, Jerry Grillo and Donna Woodall. | | | The talented and eclectic group recreate holiday favorites, including "Silent Night," "White Christmas" and the title track, "We Three Kings." |
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http://www.onmilwaukee.com/music/articles/fugato.html
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| | ARIA Sheet Music! |
| | Classical, Boll H Aria Toccata Fugato Interrottr Sheet Music by Hal Leonard. | | | Classical, Boll H Aria Toccata Fugato Interrot Sheet Music by Hal Leonard. |
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http://www.laurasmidiheaven.com/Sheet-Music/ARIA--PAGE7.html
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| | ProfileVI.html |
| | The exposition of this Fugato proceeds in a manner similar to the Berlioz example in that the eight-note subject (around D) in the cellos is answered by the second violins a fifth higher. | | | Mahler, Symphony No. 5, Movement III (III/5) Rondo Finale Fugato (PP. | | | Each profile will highlight a specific problem of composition for orchestra. |
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http://www.minotaurz.com/minotaur/edu/orch_profiles/ProfileVI.html
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| | Mendelssohn Piano Trio |
| | The concluding Allegro opens with a statement for piano, followed by a more wistful second subject (a Goldmark trademark in his chamber music). | | | But end it must, and Goldmark concludes the piece in silence. | | | The development provides especially the cellist with some noble solo passages and enables Goldmark to demonstrate his mastery of fugato elements from his studies of the music of J. Bach. |
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http://www.mendelssohnpianotrio.com/newcd2.asp
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| | Le Trombone Francais II |
| | Ron Barron's sound is set intimately in the rich acoustics of Boston's Symphony Hall and is a vast improvement on Volume I, and Fredrik Wanger is an able accompanist in a role that is often equal to the soloist. | | | Most of the pieces have also been recorded elsewhere but this selection seems to highlight the difficulty composers have in ending trombone music convincingly, the Martin being absolutely no exception. | | | Ronald Bar ron, principal trombonist of the Boston Symphony Orchestra since 1975, also served as principal trombonist of the Boston Pops Orchestra for 13 seasons. |
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http://www.trombonebarron.com/francais_2.html
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| | Bartok by David Wright- Nov 2002 MusicWeb(UK) |
| | There is another fugato in the sensational Sonata for two pianos and percussion of 1932 where each entry is a fifth above the previous one and it is written as a strict four part canon there is another in the finale of the Concerto for Orchestra of 1943. | | | Like every great composer and true music lover he adored Beethoven. | | | In his own String Quartet no. 1 of 1907 he writes a fugato which is modelled on the first movement of Beethoven's Quartet in C sharp minor. |
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http://www.musicweb.uk.net/classrev/2002/Nov02/Bartok.htm
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| | KV405 |
| | Warren Kirkendale's detailed study on his expanded second edition of Fugue and Fugato in Rococo and Classical Chamber Music (Duke Univ. Press, 1979), p.156, lists a selected letters and documents associated with Mozart, Bach and fugues. | | | Alfred Einstein: "Mozart's Four String Trio Preludes to Fugues of Bach", The Musical Times, Vol. | | | According to Kirkendale's Fugue and Fugato, p.155, Nissen once reported that Thomas Attwood, who was one of Mozart's piano pupils in the years 1785-86, "remembered that this volume of fugues [WTC] was always lying open on his pianoforte" in 1786. |
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http://www.qub.ac.uk/~tomita/bmc1996/KV405FN.html
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| | Your favourite classical music works - Stormfront White Nationalist Community |
| | into the depths.....silence....then that overwhelming, earth shattering chord "FFF" and the fugato section begins building to a climax unheard of in symphonic music until this movt. | | | The repetition, this time without the "con sordino" (with mute) instruction given for the D Maj. theme which leads to the slow, lamenting clarinet line, descending "diminuendo" ever softer | | | The entire under pinning of the movement is gounded on the fugato subject (a classic example of the use of thematic figuration). |
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http://www.stormfront.org/forum/showthread.php?p=487730
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| | Hommage à Igor Stravinsky |
| | The melody of the fugato also contains a germ of the leitmotive. | | | The following section is inspired by the Litany of the Sacré-Cœur, in which one manual takes the part of the cantor, and the other the part of the congregation. | | | The remainder of the movement is based on motivic cells from these two themes, and ends on a long-held note, the gradually-fading E. In the Danse, the octave Ds of the pedal ostinato provide the rhythmic pulse, while a fugato based on the rhythm of the leitmotive unfolds above it. |
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http://www.najihakim.com/works/notes/hommagestravinsky.html
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| | Fugato I: Preludio |
| | I split the piano part froming a trio peice and the performance was excellent as a trio peice as well as the original score | | | Fugato II: Allemande, Fugato II: Allemande, Fugato III: Corrente, Fugato IV: Sarabande, Fugato V: Fantasia |
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http://www.sibeliusmusic.com/cgi-bin/show_score.pl?scoreid=5198
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| | Erich Korngold: Cello Concerto, Op. 37 |
| | The fugato is filled with the adrenaline so prevalent in the classical music of the era (in the film, Hollenius is compared to Shostakovich). | | | Although the opening theme is introduced dramatically, it is the gorgeously flowing second subject which is the heart and soul of this unique essay, a melody so rich as to defy description and the equal of any in mid-century. | | | The short attention span of the popular movie audience and the obsessive need to keep Henreid on camera translate into a piece wherein the cellist plays almost constantly. |
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http://www.americansymphony.org/dialogues_extensions/2001_02season/2001_12_5/korngold.cfm
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| | wtc-i-7 |
| | Such a passage in free imitative style based on a single motive is usually referred to as a "fugato". | | | Structural details which might indicate one of the well-known form models (such as fugue or invention) do not materialize: there is no cadential close in a second key followed by a new beginning corresponding in some way to that in bar 10. | | | The only structurally relevant cadence, however, appears again at the end of this segment, i.e. |
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http://www-personal.umich.edu/~siglind/wtc-i-07.htm
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| | [No title] |
| | The Funeral March, whose extra-musical associations justify the programmatic title Beethoven gave to the symphony as a whole, is a large rondo structure. | | | The "Eroica" is the first symphony to integrate the traditionally slender minuet of scherzo movement into the larger dramatic plan of the work, Beethoven achieves this by avoiding any statement of a well-defined theme until after the home key has been established, by the strings. | | | Its principal section, a solemn dirge in C minor, contrasts with brighter episode in C major and the massive fugato in F minor. |
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http://park.org/Guests/Beethoven/3.htm
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| | FLUTEHISTG |
| | Accompanied by a flute, an oboe, a bassoon and a trombone, the two guards sing this melody in unison. | | | The fugue-like sound of this hammering might, perhaps, point towards the solemnity and real purpose of it: man is also a precious material that has to be hammered on in order to bend it into shape. | | | Three solemn trombone calls open the overture, followed by a brief, quiet pause, after which a fugato begins. |
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http://raptusassociation.org/fluteplote.html
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| | DR V3.1: THE SIX TRIOS FOR TWO OBOES AND ENGLISH HORN |
| | The slow movement consists of a simple melody on the first oboe over a piquant accompaniment made up of 7ths. | | | The finale is a fast fugato consisting of a lively subject announced on the first oboe. | | | The finale is a presto fugato, with the subject announced on the English horn. |
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http://idrs.colorado.edu/Publications/DR/DR3.1/six.html
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| | Original Music |
| | "Toomevara and Other Places", a collection of five compositions for piano includes: "Toomevara", "20th Century Fugato", "Short Study on A Hungarian Scale", "10 Variations on An Original Theme", and "Reverie and Toccata" (see individual titles for more information). | | | "20th Century Fugato" Ever wonder what Bach might have written had he lived today. | | | This light hearted poke at fugato technique uses mild 20th century harmony in an 18th century form. |
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http://www.concertinopublications.com/music.html
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| | Fugato - Last.fm |
| | Listen to music, see charts for Fugato - Virelai, Fugato - Etnoid, Fugato - Hoquetus, Fugato - Serenade, Fugato - Marine Myth | | | We don't have an image for Fugato yet. | | | Login to upload images and vote on previously uploaded images |
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http://www.last.fm/music/Fugato
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| | Capstone Records: Lehrman & Long Island Composers Alliance |
| | The pleasant tone is established by the opening piece, a serene exercise in modal lyricism by Joel Mandelbaum, and a spare, charming Prelude by Lukas Foss. | | | Perhaps it is because I am writing this review from the Hamptons in a beautiful but unusually cool late August, but I find this collection of piano music written from the 1950s to the 1990s by members of the Long Island Composer's [sic] Alliance exceptionally bright and comfortable. | | | This impression persists even with rigorously formal works such as Angelo Musolino's Fugato and Extension and somber ones such as Serge Suny's Brief Encounters. |
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http://www.capstonerecords.org/CPS-8661.html
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| | Stravinskyoctet |
| | The final variation, the fugato, is the culmination of everything I had attempted to do in the movement, and it is certainly the most interesting episode in the whole octet. | | | The point of the fugato is that the theme is played in rotation by the instrument pairs. | | | I then wrote the "ribbons of scales" variation as a prelude introduction to each of the other variations. |
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http://www.geocities.com/Vienna/Opera/2716/stravoct.html
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| | ProfileV.html |
| | Referring the fugato which had appeared at Reh. | | | PP, 108-111 show a clear separation of the ideas of orchestral choirs). | | | 68 restates the "Dies Irae" with a shadow in the lower strings, and the alternating process continues with a greater vengeance to P. 116, which contains another fugato that will be dealt with in Profile VI. |
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http://www.minotaurz.com/minotaur/edu/orch_profiles/ProfileV.html
(810 words)
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| | Haydn |
| | The rate of harmonic change is generally slow in the first part of this extract. | | | The rate of harmonic change speeds up in the fugato creating more excitement. | | | In the fugato a wider range of chords is used and these are often associated with the cycle fifths - used to harmonise the sequential subject and counter subject. |
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http://www.duckmusic.free-online.co.uk/alevel/haydn.htm
(939 words)
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| | Second sight - music with Wilfrid Mellers |
| | And what caps this dizzy display is not seriously ordered fugato, let alone a full fugue, but a comically stilted allegro dance in duple rhythm, with octave leaps, mostly in two parts with chordal intrusions. | | | The vehemence of this section provokes a modulation from 'glorious' D major to F sharp minor which, as dominant to 'suffering' B minor, was thought to denote exceptionally heightened expressivity. | | | Exploration generates another jig-fugue with a theme in two segments, one in rocking thirds, the other in stepwise movement alternating with prancing fourths or fifths. |
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http://www.mvdaily.com/articles/2001/08/jsbach1.htm
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| | Polish Music Newsletter, vol. 11, no. 3, March 2005 |
| | The first, Three Pictures from Alabama, is the published version of three of the songs from the manuscript: At the Spring, Polka (Sounds from the Ballroom), and Serenade (Gay Moonlight). | | | In addition to the beautiful handwritten music, de Zielinski also included snippets of poems scribbled at various angles at the top of each movement. | | | The manuscript is entitled Small Suite and is in 5 movements: Prelude (Morning), Fugato (Over the Mountains), At the Spring, Polka (Sounds from the Ballroom), and Serenade (Gay Moonlight). |
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http://www.usc.edu/dept/polish_music/news/mar05.html
(5867 words)
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| | DVD-Audio Review: Russian State Symphony Orchestra (Yablonsky) - ‘Rachmaninov: Piano Concertos Nos.2 and 3’ |
| | I’m thinking of places such as the fugato in the middle of the finale of the Second Concerto: for various reasons, it sounds too comfortable and uninflected as rendered by Scherbakov and Yablonsky. | | | Listen to Rachmaninov’s own recording, and you’ll hear the composer ratcheting the tempo up a notch just before this section and thereby increasing the excitement. | | | In the main, these new performances are a bit disappointing — solid and professional, to be sure, but their intensity tends to burn at an awfully low level. |
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http://www.highfidelityreview.com/reviews/review.asp?reviewnumber=14040391
(881 words)
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| | Claremont |
| | The Pedal's Mixture V is one of the finest I've ever heard: its 5-1/3' gives a fine 16' resultant, locking it into the full chorus, and even though its highest pitch is only 1', the mixture still has all the penetration and clarity one could want, yet with a beautiful tone. | | | I was actually startled at how full the principal choruses were: the Positive's pleno is broader in tone than many Great plena I've heard, and the Great's broader yet. | | | The principals are so full-toned that adding flute reinforcement was unnecessary in my own Variations' Fugato, even though I called for it in the score! |
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http://www.gg-organs.com/eng/projects/claremont_essay_tt.htm
(908 words)
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| | Los Angeles Philharmonic Association - Piece Detail |
| | Stravinsky then derived the 14-bar theme at the beginning of the movement from the waltz because, as he said, “I recognized it as an ideal theme for variations. | | | The rondoesque finale grows out of a flute cadenza at the end of the fugato. | | | Its clean staccato lines were inspired by the clarity and economy of J. Bach’s Two-Part Inventions for keyboard. |
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http://www.laphil.org/resources/piece_detail.cfm?id=555
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| | Browse the OTJ Library Results |
| | The tune is a simple ABA form in slow 6/8 time with an eighth note pulse throughout and is 41 measures long. | | | Composed for the French pedagogue Andre LaFosse, Choral, Cadence et Fugato has appeared on required lists for various solo competitions over the years but has not found its way into the mainstream of trombone recital programming. | | | Choral, Cadence et Fugato by Henri Dutellieux: A Review |
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http://www.trombone.org/articles/browseresults.asp?nAuthorID=72
(297 words)
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| | David Stybr: Brass Quintet in C Minor (complete) (STYBR-BQ) |
| | The fugue chops up parts of the Introduction, Theme I, Theme II and the Chorale. | | | The movement is mostly in C Minor, but it meanders via C Major and A Minor into a fugato development in F-Sharp Minor. | | | This 1st movement is a Sonata Allegro: a brief Introduction, an Exposition of 2 main themes, a fugato Development, a modified Recapitulation and a Coda." |
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http://www.deniseswanson.com/stybr/stybr-bq.htm
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| | Philips to display lighting solutions at Lightstyle Gulf |
| | Moreover, the Fugato range of downlights adds the Fugato Rainbow, which features a high-power LED light source with red, green and blue colours for dynamic or static lighting, as well as Fugato Micro, the miniature cardanic downlight designed around Philips’ new Mini MASTER Colour CDM 20 W lamp. | | | New additions to this range include the Fiorenza Rainbow with Luxeon high-power LED light source, as well as the Fiorenza Micro incorporating Philips’ mew Mini MASTER Colour CDM 20 W lamp. | | | With respect to lamps, the new Philips LED lighting systems offer extreme design flexibility in shop and outdoor lighting. |
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http://www.strategiy.com/printer.asp?cat=news&id=20050512085855
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| | [No title] |
| | MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_002C_01C1914A.186EB340" Hi List I'm working on the Henri Dutilleux's Choral, cadence et fugato for an audition on march (I think). | | | So, I would be grateful if you can give me some insides and thoughts on how to approach the study of this piece, the playing, your experience, etc. All your advices will be welcome! | | | TROMBONE-L Digest 2255 Topics covered in this issue include: 1) Looking for advises in how to play Dutilleux's Choral, cadence et fugato by =?iso-8859-1?Q?Hugo_Garc=EDa_Sampedro?= |
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http://www.trombone.org/trombone-l/archives/0112/011230_2255.txt
(1956 words)
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| | freedb.org |
| | Fugato / Neander Variations I. Neander variációk I. Fugato / Neander Variations II. | | | See the Contact Page for information on how to contact the freedb team. | | | Fugato / Haiku I. Haiku I. Fugato / Haiku III. |
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http://www.freedb.org/freedb_search_fmt.php?cat=misc&id=ea128d10
(150 words)
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| | Fugue - Wikipedia, the free encyclopedia |
| | Variants include fughetta (a small fugue) and fugato (a work or section of a work resembling a fugue but not necessarily adhering to the rules of one). | | | The word fugue comes from the Latin fuga (flight) and fugere (to flee). |
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http://en.wikipedia.org/wiki/Fugue
(3281 words)
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| | Fugato for four Brass |
| | Bravo mister Lesaffre you are an example for many composers. | | | Print this score for free - just click | | | Home > Classical > Fugato for four Brass |
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http://www.sibeliusmusic.com/cgi-bin/show_score.pl?scoreid=18695
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| | Fugato : INDEX PAGE |
| | Copyright © Fugato Press 2004 : Revised 6 June 2004 |
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http://fugato.com/press
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| | Saint Vibiana Oratorio - First Movement |
| | A child - A martyr - A saint is raised to the light | | | SHOWN OF LOCAL VICTIMS OF GANGS AND DOMESTIC VIOLENCE - PORTRAITS AND | | | (DURING THE FUGATO AND TRANSITION TO THE VERACRUZ SECTION, SLIDES ARE |
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http://members.aol.com/yangna/svot3.html
(898 words)
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| | FanFiction.Net : Dictionary & Thesaurus |
| | 1 definition found From The Collaborative International Dictionary of English v.0.48 : Fugato \Fu*ga"to\, a. |
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http://www.fanfiction.net/dictionary.php?word=fugato
(35 words)
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| | Program Notes - Analyses |
| | Fugato subject (piccolo, tuba, xylophone) with interruptions mm. |
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http://www.okcu.edu/music/prgnotes/analyses/mailmanlitanies.htm
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| | YMCA Youth in government: DONATE |
| | Dues autism dolor in hindered in valuate veldt sees moles tie consequent, vela illume dolor eon feudist null facilities at Vero Eros et accusing et gusto olio diagnosis qui bandit present lutetium shrill delimit au glue dues dolor tee fugato null faceless. | | | At wise denim ad minim venial, quiz nostrum exercise talon ullamcorper susceptive laborites nil at Aliquippa ex en commode consequent. |
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http://www.mnyig.org/donate/donate.html
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