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| | Freddie Hubbard :Fastball |
 | | Hubbard is the only soloist on this 10-plus minute track, but you won't get tired of listening to him in the least. | | | Hubbard sounds truly weary on this number--not weary in his playing, which is full of energy, but in the way in which a blues should sound in order to be convincing. | | | Maupin finally comes into his own on this track, but Hubbard takes a number of hot choruses here to leave the audience with no doubt that he is the man to watch on this night in 1967. |
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http://www.jazzitude.com/blfastball.htm
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| | Freddie Hubbard - Wikipedia, the free encyclopedia |
| | Hubbard recorded extensively for Blue Note Records in the early 1960s: Eight albums as a bandleader, and twenty-eight as a sideman. | | | Perhaps his best-known work is the CTI Records California Concert album, with the hit single "Red Clay," recorded live at the Palladium in 1971. | | | He became famous while playing with the seminal hard bop ensemble Art Blakey and the Jazz Messengers, appearing on such albums as Mosaic, Buhaina's Delight and Free For All. |
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http://en.wikipedia.org/wiki/Freddie_Hubbard
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| | Freddie Hubbard Biography at JazzTrumpetSolos.com |
| | Freddie achieved his greatest popular success in the 1970s with a series of crossover albums on CTI Records. | | | Hubbard was a significant presence on Herbie Hancock's Blue Note recordings beginning with the pianist's debut as a leader, Takin' Off, and continuing on Empyrean Isles and Maiden Voyage. | | | Within the next 10 months, Hubbard recorded his second album, Goin' Up, with the same personnel as his first, and a third, Hub Cap, with Julian Priester and Jimmy Heath. |
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http://www.jazztrumpetsolos.com/Hubbard.asp
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| | Freddie Hubbard: Reviews, Discography, Audio Clips, and more Music.com |
| | In 1970, Freddie Hubbard [+] recorded two of his finest albums (Red Clay [+] and Straight Life [+]) for CTI. | | | Freddie Hubbard: Reviews, Discography, Audio Clips, and more | | | But after the glory of the CTI years (during which producer Creed Taylor [+] did an expert job of balancing the artistic with the accessible), Hubbard made the mistake of signing with Columbia and recording one dud after another; Windjammer [+] (1976) and Splash [+] (a slightly later effort for Fantasy) are low points. |
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http://www.music.com/person/freddie_hubbard/1
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| | Jazz Bulletin Board - Freddie Hubbard or Lee Morgan |
| | Hubbard was one of my initial favorites, so I have a long standing favoritism towards his tone on the trumpet, but Lee Morgan is a perfect listen for that sixties Blue Note sound. | | | Freddie to me is very lyrical, with loads of technique. | | | That is no doubt due to the fact that Lee wasn't alive for the 1970s when (con)fusion ruled the day and Freddie was making all those dreadful albums for CTI and Columbia. |
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http://forums.allaboutjazz.com/printthread.php?t=6483
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| | Freddie Hubbard Blue Spirits |
| | Freddie Hubbard’s Blue Spirits album is culled from sessions recorded in February 1965 and in March of the following year. | | | Spaulding offers a mood-setting flute solo, and Hubbard plays as well as he ever has, able to move from a relaxed, lyrical vibe to a more frenetic pace. | | | The 1966 tracks are bonus tracks added to this Van Gelder Edition release, and feature Hubbard with Joe Henderson and Hosea Taylor on saxes and a rhythm section of Herbie Hancock, Reggie Workman, and Elvin Jones. |
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http://www.jazzitude.com/bluenote_bluespirits.htm
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| | FREDDIE HUBBARD / STRAIGHT LIFE |
| | Hubbard's opening solo on the title track really challenges his compatriots, each of whom rises to the occasion, adding new levels of intensity to the funky brew with successively brilliant solos. | | | Recorded in 1970, this album demonstrates why the early years of fusion were really the best, as adventurous jazz musicians (like those assembled here) began incorporating the drive of rock and the fat grooves of funk into their evolving sounds. | | | His technical prowess is inoffensively put on display, driven as it is by the contagiously high energy level of his all-star group, which includes such luminaries as Joe Henderson on sax, George Benson on guitar, and Herbie Hancock on piano. |
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http://www.musthear.com/reviews/straightlife.html
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| | Freddie Hubbard - Book Freddie Hubbard for Corporate Events, Fund Raisers |
| | During this time, he recorded nine albums and with the exception of Soul Experiment, he switched his music from jazz to rock. | | | In the mid 1970's Hubbard unsuccessfully expanded to funk, all-electronic rock, disco and pop music, and focused in on overly exaggerated displays. | | | His first two recordings show that rock music had a huge influence in the mid-1970's. |
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http://www.onlinetalent.com/Freddie_Hubbard.htm
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| | Review - Freddie Hubbard: Ready For Freddie |
| | Recorded in 1961 (not 1962 as the back of the cd states) and released this year with bonus tracks and remastered sound, Ready For Freddie is one of Hubbard's best efforts ever. | | | Hubbard with "Arietis" and Shorter with "Marie Antoinette" each contributed a wonderfully crafted song that should have become a jazz standard. | | | Perhaps some contemporary jazz artist will discover these eloquent tunes and cover them on their next release. |
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http://www.cosmik.com/aa-august04/reviews/review_freddie_hubbard.html
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| | Freddie Hubbard Open Sesame |
| | Hubbard went on to sail deeper waters than this, notably Herbie Hancock's Maiden Voyage and Eric Dolphy's Out To Lunch, but this is high-spirited jazz with not a little depth, which communicates accessibly through its predominantly sunny horizons and bright outlook. | | | Though never as swaggeringly flash or playful like Morgan's, Freddie Hubbard's albums for Blue Note at this time display a trumpeter of great subtlety, elegance and invention. | | | Though ominous at first, the theme of Hub's Nub is a perky and inventive closer for what is a most enjoyable album. |
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http://www.birdpages.co.uk/magazine/freddiehubbardopensesame.htm
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| | freddie hubbard |
| | Like Hubbard, Shepherd, and Beasley, Childs has a new album out, and Williams is preparing one. | | | It was a fast-moving bit of bebop that challenged saxophonist George Harper Jr., not to mention Hubbard's old Indianapolis high school buddy, Phil Ranelin, the trombonist who was leading the band. | | | The whole sick crew was up there: Carl Burnett, the fiery ex-Horace Silver drummer; John B. Williams, bassist from Arsenio Hall's posse; John Beasley, a bright young pianist about town; saxophonist Bob Shepherd, formerly with Miles Davis, and trombonist Phil Ranelin, the Indianapolis flash. |
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http://www.tonyspage.com/freddie_hubbard.htm
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| | InternetEd Reviews: Freddie Hubbard- Hub Cap [REMASTERED] |
| | Hubbard begins Hub Cap with the title track, a virtuoso tune with rapid horn solos and an energized rhythm. | | | Hub Cap, originally released in 1961, is a very good hard bop album with an unusually full-bodied sound. | | | These excellent players help give this album a real sense of harmony and motion that fits the hard bop style of jazz perfectly. |
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http://www.interneted.com/Reviewpages/hubbardfreddiehubcap.htm
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| | Jazzmatazz Review - Freddie Hubbard - New Colors |
| | The album give more emphasis to Hubbard's role as a composer, setting six older Hubbard tunes, plus one new Hubbard tune and Chick Corea's "Inner Space" in a small band setting with the New Jazz Composers Octet. | | | Also on the album are Chick Corea's "Inner Space," which was first recorded by Corea around 1966 and a new piece from Hubbard, the bopish "Dizzy's Connotations.") | | | (For the record, the older songs are: "Osie Mae" from Hubbard's 1961 Blue Note release |
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http://home.att.net/~lankina/jazz/Reviews/R0106e.html
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| | Dan Miller Jazz: Freddie Hubbard "The Blue Note Years 1960-1965" |
| | By the end of 1958, Freddie had recorded with John Coltrane on the albums Stardust and The Believer for the Prestige label. | | | Speaking of his direction within the music, Freddie said, "So far as I can put into words, the way in which I'm most interested in going is Coltrane-like. | | | uring 1960-1965, Freddie Hubbard recorded over fifty albums as a leader and sideman. |
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http://www.danmillerjazz.com/hubbard.html
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| | Freddie Hubbard: New Colors - PopMatters Music Review |
| | Although rather more firmly in the mainstream than some would wish, this album marks a triumphant return to form for a man whose recording career was thought to be over. | | | The title track is turned into a latter-day bebop orchestral workout and jumps joyfully along -- the piano in particularly agile form. | | | They are by no means the high point of the date but do feature Hubbard's brightest solo work. |
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http://www.popmatters.com/music/reviews/h/hubbardfreddie-new.shtml
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| | Oldies.com : Freddie Hubbard |
| | A duo of albums originally released on Atlantic Records from jazz legends at the peak of their talent and popularity. | | | This original 1983 Atlantic album showcase both Hubbard's flugelhorn and sax playing; on it Hubbard embraces standards such as "Misty," "Whistling In The Dark," and a ten-minute version of "The Night Has A Thousand Eyes." | | | View the Complete Album Songs List of Freddie Hubbard |
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http://98.6.oldies.com/artist/view.cfm/id_800.html
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| | Blue Note Records |
| | The group that Freddie put together here was one of the finest groups to ever record an album. | | | Gee, this is really nice and a welcome addition to my Hubbard CD collection. | | | This is probably a great CD, but do I want to listen to a euphonium? |
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http://www.bluenote.com/detail.asp?SelectionID=10298
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| | Freddie Hubbard - When your chops are shot |
| | By the time of that second album with Trane, Hubbard was in the midst of a productive contract with Blue Note, for whom he had recorded his debut as a leader, | | | In fact, Hubbard, who estimates he's played on some 300 records overall, recorded several albums with Trane, including | | | Despite the recent period of inactivity, Hubbard's music has turned up in various places. |
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http://www.shout.net/~jmh/articles/freddie01.html
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| | CATALOG: FREDDIE HUBBARD |
| | Compact disc technology allows us to enjoy the music Freddie Hubbard and his band made at Keystone Korner in 1981 in its “natural” state, without edits or interruptions of performances to accommodate the time limitations of the long-playing record. | | | The result was Hubbard albums that were, typical of the fusion or crossover genre, neither here nor there. | | | The set, with four of six numbers written by Hubbard, included excitingly expanded performances of such Seventies signature tunes as “First Light,” “One of Another Kind,” and “Red Clay,” still his most popular original. |
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http://www.fantasyjazz.com/catalog/hubbard_f_cat.html
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| | Freddie Hubbard New Colors |
| | Hubbard, Craig Handy and Xavier Davis take turns in the solo spotlight, while the arrangement sparkles with its full band sound. | | | Anchored by baritone saxophone and bass, the band aims for a dramatic flair as each melody is interpreted with deliberation. | | | The team-driven result is a feather in the cap of straight-ahead jazz and a significant candidate for this year's top ten list. |
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http://www.allaboutjazz.com/reviews/r0501_129.htm
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| | FREDDIE HUBBARD |
| | FREDDIE HUBBARD, trumpet, flugelhorn; JOE HENDERSON, tenor saxophone; BOBBY HUTCHERSON, vibraphone; BILLY CHILDS, piano; LARRY KLEIN, bass; STEVE HOUGHTON, drums. |
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http://www.edmicheljazzproducer.com/freddie_hubbard.htm
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| | Freddie Hubbard & The New Jazz Composers Octet |
| | At a gig this spring in New York’s Iridium Club, the balance was even more disproportionate; looking stout but somewhat ashen, Hubbard commandeered a stool onstage, gesticulating vaguely while the band cooked behind him. | | | New Colors (Silva Screen), which features an almost all-Hubbard repertoire as interpreted by a sterling young octet, easily stands as the best album of the post-slump era. | | | His own terse solos paled in comparison to the expansive work of saxophonists Myron Walden and Craig Handy, or pianist Xavier Davis. |
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http://www.citypaper.net/articles/062801/mus.pickf.shtml
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| | Freddie Hubbard: Four From Freddie |
| | Hubbard had decided to leave Blakeyâs band to strike out on his own by the time he recorded Breaking Point (1964), an amazing recording (save one âfillerâ composition). | | | From listening to its first tracks we might think itâs a pull-back from the modernism of Breaking Point and the abandon of Night of the Cookers, however it is the tracks originally not issued which are the strongest. | | | These four CD re-issues present some top-notch music of Hubbard (and colleagues) in his prime. |
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http://www.allaboutjazz.com/php/article.php?id=17610
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| | Amazon.com: Music: Hub Cap [ORIGINAL RECORDING REMASTERED] |
| | Philly's solo is choppy, and Freddie just goes back to the melody, clearly not letting Jones finish his solo, as it sounds he interupts him in the climax of his solo. | | | The arrangements are courtesy of Melba Liston, (who's trombone playing in Dizzy Gillespie's band was epivitol,) and Randy Weston, who penned the classic, "I Should Care." Note: These two do not play on the album. | | | But now as I listen to this, like this morning on the way to classes, I pay attention to Hubbard's playing and the arrangements on this disk. |
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http://www.amazon.com/exec/obidos/tg/detail/-/B00007KMNO?v=glance
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| | Freddie Hubbard 1973 |
| | Freddie Hubbard, trumpet; Junior Cook, saxophones; George Cables, piano; Ralph Penland, drums; Kent Brinkley, bass | | | Some odd things happen with the audio on this show -- there will be some static and then suddenly the song will jump ahead a few bars. | | | Besides that, very good sound quality; this was probably a radio broadcast. |
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http://www-personal.umich.edu/~mendahl/liveshows/tapes/hubbard000073.html
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| | BBC - Jazz Review - Freddie Hubbard, Straight Life |
| | Once the word was out that there was a new kid on the block, his muscular style found its way onto an amazing amount of albums, from Oliver Nelson (Blues And The Abstract Truth) and Herbie Hancock (Maiden Voyage) to John Coltrane (Ascension) and Ornette Coleman (Free Jazz). | | | Despite sidemen usually associated with Miles Davis; (drummer Jack DeJohnette, pianist Herbie Hancock and first call bassist Ron Carter) and that was a ghost that hovered over Hubbard for a long time, this is as far away in approach and sound to the Prince of Darkness that you could get. | | | Latest » Album Of The Week: Rachel Stevens; Bob Dylan on the BBC |
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http://www.bbc.co.uk/music/jazz/reviews/hubbard_straight.shtml
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| | Trumpet Sheet Music - Freddie Hubbard (Artist Transcriptions - Trumpet) |
| | Browse All Piano Music Performed By Freddie Hubbard. | | | This music has a difficulty rating of 4 on a scale of 1 to 6 with 6 being the hardest. | | | Sweet Return - Performed by: Freddie Hubbard - Composed by: Jon Cartwright - From: Album "Sweet Return" - ©1983 |
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http://www.encoremusic.com/1220231.html
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| | Jazzmatazz Review - Freddie Hubbard - Live at the Left Bank |
| | Hubbard showcases his high-tempo bursts and a sharp, if not especially inventive, improvisatory approach, and generates a cooking session. | | | Here, he was accompanied by Bennie Maupin on reeds and a stellar rhythm section, with Philadelphian pianist Kenny Barron tasteful and articulate, and drummer Freddie Waits a distinctive voice. | | | Jam Gems, from a 1965 date, has the virtue of pairing Hubbard with Jimmy Heath, and the ambient concert sounds evoke memories of Bird and Diz jamming their hearts out. |
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http://jazzmatazz.home.att.net/reviews.p/R0103h.html
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| | The Bebop Shop Freddie Hubbard |
| | Freddie Hubbard: Open Sesame (Vinyl LP: Blue Note- US Import) | | | Freddie Hubbard: The Body & Soul Of (CD: Impulse) | | | Freddie Hubbard: Open Sesame (CD: Blue Note RVG) |
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http://www.thebebopshop.com/acatalog/The_Bebop_Shop_Freddie_Hubbard_19.html
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| | Tower Records - Keystone Bop, Vol. 2: Friday/Saturday - Freddie Hubbard |
| | As is often the case with Hubbard ensembles, the rhythm section is a group of extremely talented young Turks-here Billy Childs on piano, Larry Klein on bass, and Steve Houghton on bass. | | | Personnel: Freddie Hubbard (trumpet, flugelhorn); Joe Henderson (tenor saxophone); Bobby Hutcherson (vibraphone); Billy Childs (piano); Larry Klein (bass); Steve Houghton (drums). | | | These four lengthy live tracks, recorded over two nights in 1982 at San Francisco's now-defunct Keystone Korner, feature Freddie Hubbard along with the stalwart tenor saxophone of Joe Henderson and the vastly under-appreciated Bobby Hutcherson on vibes. |
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http://www.towerrecords.com/product.aspx?pfid=1108907
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| | Freddie Hubbard @ The Jazz Files |
| | He continued to perform and record as a leader, and in 1985 made an album with Woody Shaw. | | | In the 1970s Hubbard made forays into jazz-rock with the acclaimed albums for CTI; | | | Later he turned his attention towards more commercial music, but has seemed to make a return to straight-ahead jazz with his recordings in the 1990s. |
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http://www.thejazzfiles.com/JazzHubbard.htm
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| | Freddie Hubbard |
| | Freddie Hubbard offered a new harmonic sense to jazz based more upon a modal concept than the conventional chordal concept. | | | However, his soft sound differed from the sound Dizzy used. | | | Another abstraction Freddie Hubbard would employ in his solos is the use of triplet lines. |
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http://homepage.mac.com/tsosiek/players/freddie.html
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| | Freddie Hubbard - Sky Dive |
| | Whether its and LP or CD you're looking for, Dontletgo.com can help you find rare, or hard to find new and used music of all styles including: rock, jazz, fusion, alternative, metal or any other musical genre people listen to. | | | To be notified whenever this album becomes available for sale, enter your email address and hit Notify! | | | No Album cover art submitted for Freddie Hubbard - Sky Dive |
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http://www.dontletgo.com/music/details.php?REFID=208
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| | Freddie Hubbard Homepage |
| | When I listen to Freddie Hubbard, I hear a "melodious strong" (hardbop)sound on trumpet and very special warm sound on his flugelhorn. | | | He has a very kind charisma especially when he is on stage, I really enjoy listen and watch him playing. | | | During an interview he told that the first trumpet-player whose work he followed closely was Chet Baker. |
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http://members.home.nl/jazz-wereld/Freddie.Hubbard.Homepage.htm
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| | The Best Of Freddie Hubbard |
| | Through it all, Hubbard's stunning, clean sound and melodic improvisations shine. | | | Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey between 1970 and 1973 and live at the Hollywood Palladium, Hollywood, California on July 18, 1971. | | | This 1990 edition of Epic Associated's "Contemporary Jazz Masters" series on was produced by Creed Taylor and contains much of the stellar work Hubbard did with Taylor for CTI in the early '70s. |
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http://musicstore.mymmode.com/album.do?albumID=6075583
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| | CD Review of Freddie Hubbard - Ready For Freddie on Blue Note @ jazzreview.com |
| | The Hubbard original ”Arietis” opens the recording with authority. | | | Year: Reissued in 2004 - Originally Released in 1962 | | | Though he remained a well regarded giant of jazz for decades beyond this, his quick witted conceptualization and equally dazzling technique makes his playing here among the most brilliant I have heard in the 25 years I have been writing about this music. |
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http://www.jazzreview.com/cdreviewprint.cfm?ID=6786
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| | Freddie Hubbard News |
| | The Night of the Cookers'' is among the most exciting live jazz albums ever made. | | | Computing will be more integral part of daily life within 10 years, says Gates | | | Jazz drummer Harvey Mason has played with a constellation of musical stars over the years: Miles Davis, Aretha Franklin, Quincy Jones, Barry Manilow, Ray Charles, Freddie Hubbard -- even Christina Aguilara. |
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http://www.topix.net/who/freddie-hubbard
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| | BBC - Radio 3 Jazz Profiles - Freddie Hubbard |
| | One of Hancock's greatest discs - a "concept album" before its time - which puts Hubbard and George Coleman alongside the great Miles Davis rhythm section of Carter, Hancock and Williams. | | | Born into a musical family, Hubbard was swift to become a musician himself, by following the example of his piano playing mother and sister, and his saxophonist and pianist brothers. | | | Hubbard's other huge importance to jazz is as a composer. |
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http://www.bbc.co.uk/radio3/jazz/profiles/freddie_hubbard.shtml
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| | RollingStone.com: Freddie Hubbard - Music, News, Videos, Photos, CD, Songs, Albums, Reviews |
| | RollingStone.com: Freddie Hubbard - Music, News, Videos, Photos, CD, Songs, Albums, Reviews |
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http://www.rollingstone.com/artist/_/id/6419/freddiehubbard?pageid=rs.ArtistBio&pageregion=mainRegion
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| | Stardust by Benny Golson with Freddie Hubbard |
| | This obscure CD, released by Japanese Denon but for a time made available in the U.S., has tenor saxophonist Benny Golson welcoming trumpeter Freddie Hubbard, pianist Mulgrew Miller, bassist Ron Carter and drummer Marvin "Smitty" Smith to his quintet set | | | Tag all your own MP3 files with album covers easily with MUSICMATCH Jukebox Plus! | | | Create Benny Golson with Freddie Hubbard MP3s faster with MUSICMATCH Jukebox Plus! |
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http://www.mmguide.musicmatch.com/album/album.cgi?ALBUMID=964824
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| | Freddie Hubbard |
| | Not only for Hubbard's music being born-out-of-a-fruitful career, but also for his bravado as one of jazz' supreme improvisers. | | | However, Hubbard's performance with his quintet (young tenor Javon Jackson; veteran drummer Louis Hayes; bassist Michael Boone; and Uri Caine on piano) is still worthwhile. | | | The ebullient tone which fired Art Blakey's Jazz Messengers, John Coltrane's Ascension, Ornette Coleman's Free Jazz, and Eric Dolphy's Out to Lunch is now meshed with an earthy vulnerability. |
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http://www.citypaper.net/articles/121495/article053.shtml
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| | Freddie Hubbard Fastball |
| | None of the five pieces clocks in less than ten minutes, giving the listener a good idea of what Freddie Hubbard was up to in the Summer of Love. | | | This disc is a trumpet workout by a young lion at the height of his youthful, swagger power. | | | Hubbard was just following his recording for Blue Note (with The Night of the Cookers: Live at Club La Marchal, Vols. |
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http://www.allaboutjazz.com/php/article.php?id=7938
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| | Freddie Hubbard - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links |
| | Freddie Hubbard - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links | | | Browse artists: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z # |
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http://www.artistdirect.com/music/artist/card/0,,442687,00.html
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| | Music reviews: Troublemakers; Ann Sofie von Otter; Shostakovich; Freddie Hubbard |
| | He offers trademark fiery lyricism on "Crisis" and "Pensativa" (played with a straight Latin beat rather than the Latin-swing hybrid unique to his famous LP with Art Blakey). | | | Trumpeter Freddie Hubbard was 29 when this quintet concert was taped in 1967, and it reaffirms that nobody -- I mean, nobody -- could touch Hubbard in his prime. | | | He grandstands more than he should, but the peacock strut is a reasonable trade-off for Hubbard at his most inspired. |
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http://www.freep.com/entertainment/music/revus8_20010408.htm
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| | Cover Art: Freddie Hubbard - First Light |
| | Notes: An incredible array of talent joins Freddie on this album of few songs, but many moods. | | | If anyone has any additional information pertaining to the album or players you can send an E-mail to Tralfaz. | | | The horn sounds strong and clean and leads the pack over the length of the run. |
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http://tralfaz-archives.com/coverart/H/hubbard_first.html
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| | R&N Record Reviews: Freddie Hubbard |
| | Fronting a quintet of upstarts – Benny Maupin (tenor sax), Kenny Barron (piano), Herbie Lewis (bass), and Freddie Watts (drums) – Hubbard blows machine gun brass through his own “Crisis” and “Bob’s Place” while flowing freely on “Willow Weep For Me. | | | Recorded nearly two years after “Jam Gems”, Hubbard more than justifies the critics claim as the best new trumpeter of the era on this high energy set. |
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http://www.rhythmandnews.com/reviews/Hubbard_Freddie/fastball.htm
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| | Freddie Hubbard News |
| | … be easy - based on his work on these recordings and on Dialogue, his 1965 Blue Note debut as a leader featuring Sam Rivers and Freddie Hubbard - to pigeon hole … | | | He was joined by trumpeter Freddie Hubbard and sax man Ernie Watts, two musicians who also enjoy trying new things. | | | Freddie Hubbard News is proudly powered by WordPress |
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http://www.entertainmentblogz.com/freddiehubbard
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