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| | Florian Schneider - Wikipedia, the free encyclopedia |
 | | After the release of their 1974 album, "Autobahn," his use of acoustic instruments diminished. | | | Florian Schneider-Esleben (born April 7th, 1947, Germany) is one of the founding members of influential and pioneering electronic music band Kraftwerk. | | | He founded Kraftwerk with Ralf Hütter in 1970, the two having met in 1968 studying at the Düsseldorf Music Conservatory, and played together in the improvising ensemble Organisation. |
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http://en.wikipedia.org/wiki/Florian_Schneider
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| | Ralf und Florian - Wikipedia, the free encyclopedia |
| | Ralf und Florian is a 1973 album by Kraftwerk. | | | As indicated by the title (and like their previous album), all the tracks were written, performed and produced by Hütter and Schneider themselves, with the sessions engineered by the influential Conny Plank. | | | However, it remains an influential and sought-after work, and bootleg CD discs were widely distributed in the 1990s on the 'Germanofon' label. |
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http://en.wikipedia.org/wiki/Ralf_und_Florian
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| | Article 0059 |
| | Florian had been listening to the collection of classical and avantgarde music of his father -Paul Schneider, a prestigious architect-, since he was a child, as well as rock and pop music on the radio. | | | Hutter played the organ, Schneider the flute and the violin, and there also was a singer, a bass, and a percussionist. | | | Nevertheless, the distance separating "Ralph and Florian" from "Autobahn" (the album which enters them into the world of pop music, or rather, where they fusion pop with electronic experimentation, it could be said) is immense. |
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http://www.amazings.com/articles/article0059.html
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| | Michael Rother interview- Perfect Sound Forever |
| | Florian Schneider and Klaus Dinger were present as listeners and everybody liked the spontaneous music we did together. | | | A little earlier, Florian and Ralf had separated and Florian wanted to take the Kraftwerk concept into a live project, since the first album had been released and success was increasing from week to week. | | | With Conny Plank as co-producer we rented a studio and recorded the first album in 4 nights (the studio rate was cheaper at night). |
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http://www.furious.com/perfect/michaelrother.html
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| | Kraftwerk |
| | Ralf Hutter and Florian Schneider met while they were both studying music at the Dusseldorf Conservatory. | | | This became their inspiration for the song "Tour de France." "Tour de France" was intended to be the theme of a new concept album, but the idea was never brought to fruition. | | | Their third album as a duo, Ralf and Florian, featured input from a violin playing art student that they had recently met named Emil Schult. |
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http://members.tripod.com/faust71_2/krafthis.htm
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| | Kraftwerk Biography |
| | Ralf and Florian rejoined and released the "Kraftwerk 2" album. | | | Sections of the music are clearly '60s influenced and have an almost eastern feeling with scratchy violin and bongos. | | | This album was a disappointment, Hutter and Schneider have remained enigmatically quiet ever since Electric Cafe. |
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http://homepage.ntlworld.com/allan.icepalace/biog/biography.html
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| | Techno Guide: Kraftwerk |
| | In 1970 Kraftwerk released the first album, "Kraftwerk", which was produced by the legendary CONNY PLANK. | | | In early 1970 Florian and Ralph recorded their first Organization album "Tone Float" for RCA along with Basil Hammoudi (vocals), Butch Hauf (bass), and Fred Monics (drums). | | | Florian played flute and violin and Ralf played organ. |
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http://www.intuitivemusic.com/tguidekraftwerk.html
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| | Power Up |
| | Florian had stated what their music meant to them in a 1975 interview: “We are part of an Industrial generation. | | | Ralf and Florian have never claimed the band is of no more but rather put on the shelf as they go their separate ways and try new avenues of sound. | | | Two students at the music Conservatoire; Ralf Hutter and Florian Schneider, met and formed the band Kraftwerk after leaving from a failing band called Organisation. |
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http://thisismyhole.homestead.com/files/power_up.htm
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| | Future's past |
| | He told journalists that the group was all he listened to, and, further, named the instrumental piece "V-2 Schneider" on his 1978 Heroes album after Kraftwerk co-founder, Florian Schneider. | | | They called themselves Kraftwerk, a German word meaning "power plant." Though Hütter and Schneider recorded three instrumental albums between 1970 and 1973 (Kraftwerk, Kraftwerk 2 and Ralf and Florian), it wasn't until the release of 1974's Autobahn that the band achieved worldwide chart success. | | | The group had its origins in Düsseldorf in the late '60s, when founders Ralf Hütter and Schneider were two-fifths of a group called Organisation, which released the fairly forgettable 1969 album, Tone Float. |
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http://www.metrotimes.com/music/features/18/37krftwrk.html
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| | ipedia.com: Organisation (band) Article |
| | Organisation was an experimental "Krautrock" band, that was the predecessor of Kraftwerk. | | | Organisation was an experimental " Krautrock " band, that was the predecessor of Kraftwerk. | | | Their only album Tone Float was released in 1970. |
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http://www.ipedia.com/organisation__band_.html
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| | The Kraftwerk FAQ - Related bands and projects |
| | Before forming Kraftwerk, Ralf Hütter and Florian Schneider were members of the group Organisation, which released one album, Tone Float. | | | As on the first Kraftwerk album, the full form of Schneider's surname is given on the listings for this track, viz. | | | Pascal Bussy's book Kraftwerk: Man, Machine and Music mentions that Ralf and Florian once attended a concert of the composer's music, and in interviews, Ralf Huetter of Kraftwerk has cited Stockhausen as an influence. |
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http://kraftwerk.hu/faq/related-projects.html
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| | The Beach Boys of Dusseldorf |
| | The band's auteurs, Ralf Hütter and Florian Schneider, met at the Düsseldorf Conservatory and began experimenting with electronic sounds in 1968 as a band called Organisation. | | | Hütter and Schneider had long subscribed to the punk philosophies that less is more and that training is overrated. | | | Twenty years ago, in 1983, my friend Florian Schneider and me, we had the whole script for the album. |
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http://www.jimdero.com/News2003/Aug24Kraftwerk.htm
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| | Kraftwerk, The Early Years '68 - '70 |
| | In early 1970 Ralf and Florian chosed to record a LP as members of the band Organisation. | | | The line up was Fred Monics on drums, Butch Hauf on bass, Basil Hammoudi on vocals, Florian on flute and violin and Ralf on organ. | | | They signed to the English label RCA and that was an unexpected step for a German band in those days. |
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http://www.geocities.com/SunsetStrip/8880/h68.html
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| | D>Elektro - MATERIAL - Article on KW - Q-Mag. 04 - 50 years r'n'r |
| | With the success of Autobahn, their fourth album as Kraftwerk and last with Conny Plank, Hütter and Schneider collided with the world. | | | The idea of a band that was a conceptual hybrid of human and machine began to take more solid form. | | | Hütter and Schneider still made music every day, with breaks for ice cream and discos. |
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http://www.thing.de/delektro/artikel/eng/kraftwerk/kw-qmag-04.html
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| | Kraftwerk: Information From Answers.com |
| | Like a number of other recording artists, Hütter and Schneider appear to have become increasingly perfectionist in their attitude towards recording and releasing their music. | | | The growing time between recordings, the rarity of live performances and the increasingly exacting and protracted nature of the recording process were major reasons behind the departure of Flür and especially Bartos, whose improvisations were an essential part of the earlier Kraftwerk recordings. | | | The two had met as students in the late 1960s, and had already released one album (Tone Float) playing in a five-piece improvisation group called Organisation. |
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http://www.answers.com/topic/kraftwerk
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| | Krautrock Album Database - Organisation |
| | Following this is 'Silver Forest', my favorite track on the album. | | | The album opens with 'Tone Float' which is a twenty-minute formless jam session masquerading as a chance meeting between Limbus 4 and Pink Floyd. | | | The second track 'Milk Rock' is a more structured piece based around a simple, yet funky bassline that provides the backbone for Florian to shine with some utterly freaky flute and violin work. |
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http://www.krautrockgroup.com/Organisation.html
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| | Kraftwerk- TIGERSUSHI |
| | Recently they broke a fourteen years recording lapse to perform at Hannover's world expo 2000 and release their aptly titled Expo 2000 EP. | | | The strategy had mixed resultss and it is actually with their fourth full fledge EP that the band stroke it big. | | | Increasingly unsatisfied with classic music education they decided to form a band to up the ante. |
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http://www.tigersushi.com/site/Art.jsp?ArtId=542&ArtBio=yes
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| | [No title] |
| | Subject: (kw) Schneider cameo appearance Florian Schneider made a cameo appearance in a German TV movie called "Klassentreffen". | | | Subject: RE: (kw) Schneider cameo appearance >>Florian Schneider made a cameo appearance in a German TV movie called >>"Klassentreffen". | | | Subject: Re: (kw) Schneider cameo appearance > Florian Schneider made a cameo appearance in a German TV movie called > "Klassentreffen". |
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http://www.xmission.com/pub/lists/kraftwerk/archive/v02.n561
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| | FLUXEUROPA: Kraftwerk - London, Brixton Academy, 20 March 2004 |
| | They went on to perform tracks from the "Tour De France Soundtrack" album which I've still not heard but the songs quickly became familiar. | | | Then came the unmistakable sounds of 'Man Machine&;, the curtains went back and the four of them were standing in front of laptops dressed in suits with red shirts and black ties. | | | Curtains open, now Hütter, Schmitz, Hilpert and Schneider are wearing black and green, light-emitting suits which glowed quite nicely! |
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http://www.fluxeuropa.com/review.htm?item=140
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| | Ground and Sky review - Kraftwerk - self-titled |
| | Kraftwerk's first couple of albums as a duo (Kraftwerk, Kraftwerk 2, and Ralf und Florian) are nowadays all but disavowed by the band's founders and still-leaders, Ralf Hütter and Florian Schneider. | | | These releases show a very different side than the later releases that have since become the sacred cow currency of alternative popular music criticism. | | | Ralf Hütter, organ, tubes; Florian Schneider, flute, violin, electric percussion; with Andreas Hohmann, drums; Klaus Dinger, drums |
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http://www.progreviews.com/reviews/display.php?rev=kraf-kraf
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| | Die Stimme der Energie: Toward an Interpretation of the Gesamtkunstwerk of Kraftwerk |
| | Since their earliest, embryonic recordings as students of classical and experimental music at the Düsseldorf Conservatory in the late 1960s, the members of Kraftwerk—Ralf Hütter, Florian Schneider, Karl Bartos, Wolfgang Flür and Emil Schult—have consistently and successfully produced provocative, engaging music, always on the cutting edge of current technologies and social movements. | | | The record’s final tracks, "Mitternacht" and "Morgenspaziergang", work in tandem to tell the story of the progression of the hours of the early morning, from the dark, eerie unknown of the night to the brightly lit vibrance of dawn, advancing the sonic depiction of nature initially conceived in the "Kometenmelodie" diptych. | | | This electronic splendor is subsequently (and surprisingly) overtaken by the music of traditional woodwinds and stringed instruments—the last time these sounds were to be included on any Kraftwerk release (though Schneider’s flute was retained for some time in live performances). |
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http://kebnekajse.tripod.com/stimme.html
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| | Aktivitaet Online - Archive - Interviews - The Pascal Bussy Interview |
| | It was a good concert, Florian was happy. | | | He had caught a bad cold and he came in the concert hall after the concert to ask/look for some Kleenex! | | | Analysing Kraftwerk’s past music press interviews, it seems as if Ralf Huetter often sidesteps specific questions or give a rather glib and/or vague answer to the query. |
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http://ourworld.compuserve.com/homepages/aktivitaet/8_pascal.htm
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| | Kraftwerk |
| | Recorded without a live drummer, the album's rhythms relied solely on a drum machine, creating a distinctly robotic feel without precedent -- the concept of purely technological music was, at the time, utterly alien to most musicians, as well as listeners. | | | Kraftwerk emerged from the same German experimental music community of the late '60s which also spawned Can and Tangerine Dream; primary members Florian Schneider and Ralf Hutter first met as classical music students at the Dusseldorf Conservatory, originally teaming in the group Organisation and issuing a 1970 album, Tone Float. | | | A series of lineup shifts followed, and at one point Hutter even left the group; however, by the release of 1972's Kraftwerk 2, he and Schneider were again working in tandem. |
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http://www.angelfire.com/ok/ELECTRICDREAMS/biogs/Kraftwerk.html
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| | This document is a reasonably complete discography of Kraftwerk. This list was compiled by |
| | Minimoog, Farfisa Professional Piano are in cover) Produced by Ralf Hutter & Florian Schneider. | | | Engineered by Conrad Plank Mixed at Kraftwerk Studios Dusseldorf, Cornet & Rhenus Studios Cologne, Studio 70 Munich, May-July 1970 4:19 Elektrisches Roulette (Electric Roulette) 2:50 Tongebirge (Mountain of Sound) 6:18 Kristallo (Crystals) 3:45 Heimatklange (The Bells of Home) 6:34 Tanzmusik (Dance Music) 13:55 Ananas Symphonie (Pineapple Music) LP BR 19?? |
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http://www.skepticfiles.org/en003/kraftwdi.htm
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| | Kraftwerk |
| | Recorded late 1969 at Conny Plank studio by Ralf Hütter (organ), Florian Schneider (flute and violin), Basel Hammoudi (vocals), Butch Hauf (bass) and Fred Monicks (drums). | | | Recorded 26 Sep - 1 Oct 1971 at Kraftwerk Studio in Düsseldorf and Star Musik Studio in Hamburg by Ralf Hütter (rhythm machine, organ, electric piano, glockenspiel, harmonium and bass) and Florian Schneider (guitar, flute, glockenspiel etc). | | | On a very rare Spanish editon LP/MC 'Edicion Espanola' tracks 3 and 5 are sung in Spanish. |
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http://www.discog.info/kraftwerk.html
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| | [No title] |
| | I wouldn't be surprised if one day the guy who came up with this message turns out to be Carl Allen himself. | | | And finally, a contact of mine who ran a collectors shop in Norwich, England has seen 12 inch vinyl copies of Technopop exchanging hands within the industry for large sums of money. | | | RE: (kw) Title of new KW album Re: (kw) Title of new KW album (kw) My impressions of the Karlsruhe Concert (kw) zdf.msnbc article on KRAFTWERK (kw) Florian Schneider on mailing list? |
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http://www.xmission.com/pub/lists/kraftwerk/archive/v03.n162
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| | :::: KRAFTWERK.TECHNOPOP.COM.BR - DATA - INTERVIEWS - CREEM MAGAZINE - RALF HUTTER AND FLORIAN SCHNEIDER - SEPTEMBER ... |
| | They did not, however, think it was funny when I wound up the interview asking them if they would pose for pix the next morning by the Detroit freeway. | | | I told them that I considered their music rather anti-emotional, and Florian quietly and patiently explained that | | | Gradually the humans learned to control the feedback, or thought they did, and the next step was the introduction of more highly refined forms of distortion and artificial sound, in the form of the synthesizer, which the human beings sought also to control. |
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http://kraftwerk.technopop.com.br/interview_97.php
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| | Kraftwerk |
| | In matching black tracksuits, a bald Schneider, a slick Hutter and two unnamed programmers stand motionless over fluorescent-lit, complex banks of sound. | | | Their influence can be heard in everything from Stereolab to Sonic Youth, from Witchdoctor to Tricky, from Smashing Pumpkins' Adore to Josh Wink's liquid thwack of HearHere. | | | For 30 years, Ralf Hutter and Florian Schneider—Kraftwerk's founders—have been making danceable, elegant, arid electronic rock. |
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http://www.citypaper.net/articles/062598/music.revs1.shtml
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| | THE MAN MACHINE |
| | FLORIAN SCHNEIDER -- voice & electronics, album concept | | | Karl Klefisch -- artwork (inspired by El Lissitzky) |
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http://www.connollyco.com/discography/kraftwerk/man.html
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| | [No title] |
| | Besides, considering the fact that Jarre played a special one-time performance on a radio broadcast -(10-15 years ago?)- and invited home listeners to record it freely, I seriously doubt that he personally would be upset about Fans sharing his lovely tunes. | | | -(He then had one album of this performance pressed on swirly-colored vinyl and it was auctioned off- for charity, I think.)- As for Ralf & Florian, if they told us to knock it off, well, I'd cry a lot, but, I'd respect their wishes. | | | "Hey, where all the girls?" - Florian on tour, 1991. |
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http://www.xmission.com/pub/lists/kraftwerk/archive/v03.n153
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| | Schneider: Information From Answers.com |
| | John Schneider (born 1960), US television actor and musician (country music) | | | Maria Schneider (born 1960), US conductor and composer | | | Bennett Schneider, several members of a family of US booksellers and clowns |
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http://www.answers.com/topic/schneider-1
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| | dance music history |
| | … THE HISTORY OF ELECTRONIC DANCE MUSIC: "Building blocks 1968 - 1980" At the end of the sixties Ralf Hütter and Florian Schneider-Esleben went to the … |
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http://www.byzantine-music.com/dance-music-history.html
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| | Florian Schneider - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links |
| | Florian Schneider - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links | | | Browse artists: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z # |
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http://www.artistdirect.com/nad/music/artist/card/0,,490168,00.html
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| | Kraftwerk |
| | It's a Best of album with remixed titles of their most popular hits (also incl. | | | They take out of their pockets the miniaturized computers that they have with them. | | | Taken from the book "Man Machine and Music" Pascal Bussy - SAF Publishing Ltd |
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http://members.aol.com/TheRobots2/kraftw.html
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| | Aktivitaet Online - Activities - 1991 |
| | The LPs profile is further heightened with interviews with the music press and various short features in television shows on the continent, some featuring brief footage from the concerts but no actual interview footage of the increasingly media-shy Ralf Hütter, his robotic doppelganger taking his place with Hütter's disembodied voice in accompaniment!! | | | For the UK tour the Kraftwerk line-up is the ever present Ralf Hütter and Florian Schneider plus Fritz Hilpert and Fernando Abrantes. | | | Hilpert's robotic image is alongside Hütter and Schneider on 'The Mix' sleeve; photo's in the press also reveal a robotic Fernando Abrantes, though he stayed with Kraftwerk only for the duration of the UK tour. |
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http://ourworld.compuserve.com/homepages/aktivitaet/1991.htm
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| | Charlie Clouser - The Remix files - News from Nov. 1999 |
| | One of the user logged-on at that moment even dared to ask "Hey Charlie, What do you do for the NIN camp anyway? | | | (Note = Florian Schneider is a member / founder of the German "robot-pop" band KRAFTWERK) | | | Oh, and at the Dusseldorf performance, besides Florian Schneider (you do know who he is, don't you?), most of the people from Access, Waldorf, and TSI-GMBH were in attendance. |
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http://www.9inchnails.net/remix-files/news_Nov99.htm
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| | MobyGames - Florian Schneider |
| | Florian Schneider has been credited with the roles Sound. | | | Florian Schneider was credited on a game as early as 1995 and as recently as 2005. | | | His/Her career probably spans more years than those displayed since these dates are based on the credits documented in MobyGames (which are incomplete). |
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http://www.mobygames.com/developer/sheet/view/developerId,15057
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| | The Kraftwerk FAQ - Members of Kraftwerk |
| | For example the cover of Ralf and Florian, Autobahn, Radioactivity, Computerworld, and projections of his artwork are still used in their concerts. | | | It appears that Wolfgang Flür and Karl Bartos were frustrated by the slow pace of work within Kraftwerk and by the reduction of their role in the group's activities (see Pascal Bussy's book Kraftwerk: Man, Machine and Music). | | | This is the order from left to right as they stand on the stage. |
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http://kraftwerk.hu/faq/members.html
(998 words)
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| | Untitled Document |
| | He managed to finance his journeys as a freelance journalist, finally being able to feed his curiosity and hunger to experience new and exotic corners of the world. | | | The extensive time Florian has spent in the vicinity of Hollywood has undeniably left its mark and contributes to the often-cinematic style of his work and his urge to create strong narratives in his editorial layouts. | | | Florian engaged in obsessive self-studies and experimented extensively with equipment and countless lighting set-ups. |
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http://www.florianschneiderphoto.com/bio.htm
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| | [No title] |
| | The title of Schneider's recent exhibition was "Painting without paint". | | | It lacks its own corporality whereas it can exist only for a short time as a print of a version. | | | Like a classical modernist he makes his endless memory sketch - a complete academic edition that comprises all the esquisses, adumbration and designs but lacks a work of art itself. |
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http://www.worldart.ru/DBases.Eng/200103/06.html
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| | Kraftwerk still ahead of their time |
| | Everyone has their special division or sound favorites: Like I said, Florian is more into speech and voices, I do a little more writing and words, but everyone makes their contribution. | | | Does Florian still have his fascination with homemade electronic instruments? | | | But the current group has actually been together much longer. |
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http://www.suntimes.com/output/derogatis/wkp-news-live03.html
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| | FLUXEUROPA: KRAFTWERK: THREE VIEWS OF THE MAN-MACHINE |
| | But if Hütter and Schneider had the control and most of the money, Wolfgang and Karl seem to have got the girls. | | | Hütter and Schneider were the core members with proprietorial control, while Flür and Bartos were employees. | | | With the development of sequencers, of which Kraftwerk were leading exponents, the drumming talents of Flür and Bartos became more and more redundant, and they both eventually parted company from the group. |
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http://www.fluxeuropa.com/kraftwerk-books.htm
(1266 words)
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| | Sans papier |
| | Florian Schneider: We came together at the end of the last year, and we decided to form a new group. | | | Florian Schneider is a member of n.s.i.a.m.p., which is a small group of activists, artists, filmmakers, fotographers from Germany and abroad. | | | Could you explain exactly who does what in [über die grenze]? |
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http://www.bok.net/pajol/international/kassel/florian.en.html
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| | Tokyo motorik May 23, 2001 got it bad |
| | A year later Ralf and Florian had stepped up their own game, producing the motorik classic Autobahn. | | | When you finally get where you're going, you want to turn around and head right back. | | | The freakout rock was getting a little too weird, so they broke left and formed Neu! |
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http://www.sfbg.com/AandE/GotItBad/63.html
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| | The Musical World of Rocky Horror - Florian Schneider |
| | The Musical World of Rocky Horror - Florian Schneider | | | Special Thanks To Landi, L.G. Lucie, Heinrich Von Bergen, Brigitte, Meinrad and Manuel, Ballmer, Philippe Alioth, Doris Bierett, Enrico Marini, Hans Martin, Christoph Von Sauberzweig, Astrid Oesch, Piot Tschopp, Christoph and Lukas Schneider, Lukas Dreyer, Margret Lückel, Stadt Liestal, Städt. | | | Still in print, so far as I know. |
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http://www.rockymusic.org/cds/florian-schneider.html
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| | Caffe Florian Hyde Park |
| | Florian Schneider 1: '''Florian Schneider-Esleben''' (born April 7 th, 1947] 7: Category:1947 birthsSchneider, Florian 9: de:Florian Schneider-Esleben | | | It was created in the 19th century by Florian Ceynowa and is based on the Polish alphabet | | | Anton Florian of Liechtenstein 1: '''Anton Florian ''' (1656 - 1721) was Prince of Liechten 3: he sudden death of his brother in 1711. |
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http://www.swingdancemusic.com/send/46865-caffe%20florian%20hyde%20park.html
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| | Kraftwerk / Ralf Hütter's interview archive |
| | I always liked to read his insights on Kraftwerk's music, so I decided to translate some of them so more | | | Rock and Folk Magazine (Ralf and Florian) - November 1976 | | | Rock and Folk Magazine (Ralf and Florian) - June 1978 |
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http://paginas.terra.com.br/arte/kwcybercafe/interviews.html
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| | Online Events |
| | Florian is widely published in these areas and also in the area of code poetry. | | | His most recent project has been editing the book Internet Governance: Asia-Pacific Perspectives which is in press with Elsevier and UNDP-APDIP. | | | In his work he focusses on bordercrossings between mainstream and independent media, art and activism, theory and technology. |
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http://www.tate.org.uk/onlineevents/archive/common_ground/biogs.htm
(1333 words)
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| | Re: <nettime> Reverse Engineering Freedom and make world paper#3 |
| | Geert and Florian > dissolve in the universalising solvent of their rhetoric the fact that > many important liberation movements (including that taking place in > Palestine) are more than than ever likely to be nationalist movements. | | | Tamils, Kosovar Albanians all seek statehood and "the right to > create a framework of legal and political protection for their > people". | | | Re: Reverse Engineering Freedom and make world paper#3 Brian Holmes |
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http://www.mail-archive.com/nettime-l@bbs.thing.net/msg01248.html
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