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| | Flamenco - World.com / Ciberpeña |
 | | Falseta is a melodic line performed on flamenco guitar at the beginning, in the interlude or at the end of a musical piece, where the performer demonstrates his technical skills, whether they be of composition or improvisation. | | | A falseta is a musical phrasing on the guitar. | | | Falseta is the specific part of guitar in which a melodic musical composition is developed with which color, character or ambience is given, and which is among the bases of accompaniment of any flamenco style. |
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http://www.flamenco-world.com/magazine/definiciones/falseta2.htm
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| | Falseta - Wikipedia, the free encyclopedia |
| | A Falseta is part of a Flamenco song, much as a sentence is part of a paragraph. | | | The artists improvise their own falsetas which are then put together to form the whole song. | | | The Farrucas, are 2 measures of 4/4 time, the falsetas each having of 8 beats: |
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http://en.wikipedia.org/wiki/Falseta
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| | Flamenco Articles by Alain Faucher |
| | For the listener the action is in ascertaining the original theme behind an apparently new, related Falseta. | | | The matter becomes composition, not interpretation; the changes brought to the original are less concerned with the values, intervals or accentuations than the melody itself, the structure remains unchanged. | | | The idea here is transforming into a musical variation (say a melody) what was originally merely a rhythmical development of four chords of four bars in a soleá compas. |
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http://www.affedis.com/articles.html
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| | [No title] |
| | Included with the above is a collection of fifty Bulerias falsetas on videotape; this includes most of the Bulerias falsetas in the audio collection. | | | Since much of the tablature for these falsetas is included in the audio collection above, I haven't yet produced tablature for the remaining falsetas. | | | They include some of the best material within the tradition, ranging from funky old style falsetas to the complex creations of the concert Flamenco guitar. |
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http://users.aol.com/BCompas3/private/alg_sig.htm
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| | Music Forum - The Greatest solo |
| | A falseta in it's purest form is just an improvised melodic part placed at the end of each vocal line by the flamenco guitarists. | | | You think of falseta today and it really relates to flamenco guitar passages unaccompanied by vocal. | | | Falsetas - Tech name for a guitar solo/break....Originates from flamenco players evolving passages after a chorus to give the singer a short breather |
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http://www.radiomute.com/printthread.php?t=10143&pp=40
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| | The Evolution of a Flamenco Style |
| | This paper attempts to describe an evolutionary tree of certain falsetas that can define the progression of a flamenco style of guitar that we can define as ‘modern.’ It will show how today’s modern flamenco guitar style developed from the styles of the last century of geniuses who preceeded it. | | | Whereas in the past, flamenco falsetas of previous guitarists were the main sources of material, today musical ideas literally come from all of world music, including jazz, blues, classical, pop, Indian, etc. The future of flamenco guitar will surely be interesting! | | | The reader should listen to Serranito's recordings, for example, to hear changes in style made to Sabicas falsetas. |
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http://www.mindspring.com/~lv-flamenco/style.html
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| | Tomatito continues Flamenco |
| | Young singers are lining up to record an album with him and young guitarists sweat on his falsetas. | | | Potito, who, at the early age of 20, is already a major player of the 'jovenes flamencos', sings without much devotion before the interval, but comes to life in the second part by the bulerías of the guitarist. | | | He is one of the pioneers of modern flamenco and considers flamenco to be an open kind of music. |
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http://www.xs4all.nl/~davidbos/flamenco/tomate_en.htm
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| | Buleria |
| | The falsetas, paradoxically, are very influenced by the popular music Argentine (Yupanqui). | | | The buleria is the purple passage for a guitarist: technique, swiftness, maitrise of the compas are absolutely necessary. | | | Falsetas n° 8 (heigt falsetas of Diego del Gastor). |
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http://perso.wanadoo.fr/romano/Anglais/Buleriaa.htm
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| | Flamenco - Wikipedia, the free encyclopedia |
| | Songs are composed of several falseta's with rhythms defined by the song form. | | | Some of the forms are sung unaccompanied, while others usually have a guitar and sometimes other accompaniment. | | | The set of typical melodic phrases, called falseta's, which are often used in performances of a certain palo. |
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http://www.leessummit.us/project/wikipedia/index.php/Flamenco
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| | [No title] |
| | I always assumed that the melody that Camarón sings there is the minera melody - Montoya plays a falseta with essentially the same tune. | | | However, I've heard people sing this same melody por tarantos, particularly for dance. |
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http://ling.ucsd.edu/~moore/flamenco/mineras-cartegeneras.htm
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| | Flamenco Tapa |
| | As mentioned in the Addendum, Fandangos de Huelva and its relative, the Sevillanas are polyrhythmic for the guitar; the dance is usually 6/8 or 6/8,3/4 except for the Arrimate ending, which is danced in the Jaleo form por Bulerias. | | | Diego mixed the forms freely, both in "made" falsetas and when improvising. | | | The falsetas in the Bulerias Audio Examples are of both types, and sometimes mixtures of both 3/4 and/or 6/8 phrasing and Jaleo forms. |
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http://members.aol.com/BuleriaChk/private/fdh.htm
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| | Traductor online de Ya.com |
| | Falsetas for siguiriyas Of Javier Molina, Montoya, Borrull, Low-class native of Madrid of Badajoz, The Son of Salvador and others. | | | 231 falsetas for soleá and 180 for siguiriya in staff, hexagrama and tape. | | | A classification and study of 58 styles of sings for siguiriyas and 85 styles of he(she) sings for soleá, with more than 400 sonorous files and couplets. |
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http://traductor.ya.com/result.asp?direction=65568&template=0&autotranslate=checkbox&baseurl=http://inicia.es/de/teo_ramirez/marcoder.htm&url=http://www.ctv.es/USERS/norman/homec.htm
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| | Flamenco-world.com - Norman Paul Kliman |
| | Another variation of this falseta is heard in another soleá from these solo recordings. | | | Collections of transcriptions of soleares and siguiriyas falsetas from the 1900's to the 1990's in standard notation, tablature, and cassette. | | | This falseta opens the track, pausing at beats three and six for nearly two counts each. |
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http://www.flamenco-world.com/guitar/kliman/kliman3.htm
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| | DentonRC.com News for Denton, Texas Business |
| | Tom Nunez has been a lifelong guitar player who only recently was introduced to flamenco music — essentially a Spanish hybrid of jazz and blues. | | | Nunez said he expected classical guitars to be the big sellers when he first started La Falseta. | | | Nunez said he hopes La Falseta will help him do his part in spreading the popularity of a rare music form that already has a passionate following in other parts of the world. |
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http://www.dentonrc.com/sharedcontent/dws/drc/business/stories/DRC_Musician_making.ebec36eb.html
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| | Flamenco guitar transcriptions - basic soleares falsetas |
| | This is heard in many old recordings from different guitarists. | | | The great Diego de Morón has recorded this falseta in a prime example of "call and response," adding his variations to each unfolding measure. | | | A more basic version of this falseta that makes a nice introduction involves playing measures three and four back to back for a full twelve beats, accenting beats three, six, eight and 10. |
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http://www.ctv.es/guitar/solsamp.htm
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| | Blogger: Email Post to a Friend |
| | My favourite parts trace the historical evolution of different falsetas (fancy guitar licks that fit within a particular compas (rythmic structure, of which Soleares and Siguiriyas are two examples)). | | | There are only a handful of examples online (many more are available in the books), but they are worth checking out for the short recorded examples, even if you don't play or listen to much flamenco. | | | Despite that the site is in some sense advertising for a set of two books that the author has put together (one for Soleares, the other for Siguiriyas—both very reasonably priced at 30 Euros), there is still a wealth of information available that is wonderfully organized. |
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http://www.blogger.com/email-post.g?blogID=5454725&postID=110651921376652967
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| | Flamenco Básico Guitar |
| | Short guitar solos, generally composed rather than improvised. | | | A guitarist will often play a falseta at the beginning of a piece to set the key, tempo and mood of a piece. | | | A good flamenco guitarist is adept at selecting the right falseta for the right moment. |
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http://www.mojacarflamenco.com/FB_For_Guitarists.html
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| | Bulerias de Jerez? |
| | Using only my ears to judge, and talking about the guitar only (for I have no knowledge of cante), I feel it's to do with the "sound". | | | After a while and a little head scratching, I managed to get a good rasgueado groove going in compas, the usual A-Bb changes, and that cool linking pattern that PDL does that goes Adim-Bb-C9-Gm-A (listen to Cepa Andaluz if my description is lacking!). | | | The falsetas I hear the Jerez guitarists play tend to be a lot more "primitive" and punctuated. |
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http://www.foroflamenco.com/fb.asp?m=4597
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| | DCFLAMENCO - Flamenco in Washington DC - Page Two |
| | But don't try doing that with flamenco dancers (or singers). | | | The important thing is that if you do make a mistake, and a few beats go by, jump back into the music not where you left off, but where the beat is NOW. | | | So now you ask, "How am I ever going to learn to play falsetas at performance tempo?" I say go for it. |
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http://www.dcflamenco.com/dcflamenco/11292001_11122001.html
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| | [No title] |
| | Falseta buleria Flamenco traditionnel romano@wanadoo.fr http://perso.wanadoofr/romano Tuning : E A D G B E Time Signature: 3/4 |
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http://www.amrita-it.com/flamenco/kottak/buleria1.txt
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| | [No title] |
| | Falseta tango 4 Tuning : E A D G B E Time Signature: 4/4 |
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http://www.amrita-it.com/flamenco/kottak/tangofalseta4.txt
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| | Bambooweb: Farruca |
| | The Farruca is commonly played in the key of A minor, with each falseta being 2 measures of 4/4 time with emphasis on the 1st, 3rd, 5th, and 7th beats: [1] 2 [3] 4 [5] 6 [7] 8 | | | A light, fun, form typical of cante chico traditionally danced only by men, is seldom sung. |
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http://www.bambooweb.com/articles/f/a/Farruca.html
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| | Bayside Press.com - Related Titles |
| | Oscar Herrero continues with the rest of the elements which the "soleá" is made up: "la falseta", finishing of "el remate", and the call "la llamada". | | | Typical, traditional kinds of "falsetas" and introductions are explained in detail. |
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http://www.baysidepress.com/related.asp?productid=20089&relate='DVDGF04S','DVDGF05S','DVDGF06S'
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| | Flamenkito.com, Portal Magazine |
| | 9 Falseta B of the Escobillas 160 1'12'' | | | 11 Falseta B of the Escobillas 225 0'49'' | | | 10 Falseta B of the Escobillas 200 0'55'' |
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http://www.flamenkito.com/i_pages/detalle.php?id=153
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| | Elderly Instruments Videos |
| | Lesson 1 covers the solea, basic techniques, rasgueo, falseta and more; 2 covers alegrias, tremolo, rasgueo, falsetas, more; 3 covers seguiriyas, fandangos, apagado, alzapua, more; 4 introduces bulerias, basic compases, ending toques, more; 5 introduces granainas, guajiras, tientos, tangos, farruca, rhumba, more; 6 introduces tarantas, sevillanas, zambra mora, rondena, more. | | | Lesson 1 covers the solea, basic techniques, rasgueo, falseta and more; lesson 4 introduces bulerias, basic compases, ending toques and more. | | | Intended for those with a basic command of classic guitar technique, this series explains each flamenco technique methodically and thoroughly. |
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http://www.elderly.com/videos/917.htm
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| | Musical Profiles |
| | I find it remarkable that regardless of nationality or cultural background, that this music from a small area in Spain has the ability to reach out and touch so many of us. | | | I tend to blow hot and cold with the guitar, sometimes going for months without touching it, then suddenly getting a notion and playing for a week solid. | | | I 'm not too keen on new 'jazzy' Flamenco, where the artists elegantly play a flurry of notes and change key two or three times in a single falseta and try to 'wrong foot' everyone by syncopating the compás so much that Nino Ricardo himself could not follow it. |
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http://davidchu.net/profiles/individuals.php?profID=30
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| | Dance structure |
| | - When to play falsetas and when to play compás |
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http://herso.freeservers.com/structure.html
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| | Our Service |
| | Within 30 days from the date of purchase, La Falseta will exchange any guitar | | | We use DHL as our primary carrier. If you'd like us to ship your guitar UPS, FedEx, or Airborne Express we'd be more than happy to do so. Contact us for an accurate shipping rate. | | | You may pay for your purchase by either certified cashiers check or money order. |
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http://www.lafalseta.com/Our_Service.html
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| | [No title] |
| | It shows up once in a while with classical, but I think it could be put to good use with rock. | | | Anyway, if you wanna try, here's a couple of short "falsetas". | | | RP> If so, care to swap a few falsetas??? |
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http://www.roughstock.com/cowpie/resources/flamenco.tab
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| | bulerias |
| | 7short falsetas with mp3 files (zip file, 190 kb) |
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http://www.geocities.com/marekwojt/bulerias.html
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| | Flamenco guitar lessons - free download (tabs - video) |
| | Chapter 1: Ritmo básico, Chapter 2: Intro (Falseta), Chapter 3: Temple, Chapter 4: 1° Cante, Chapter 5: Falseta, Chapter 6: 2° Cante, Chapter 7: Acordes | | | Sometimes you'll get some infos from me about Flamenco - nothing more! |
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http://www.graf-martinez.info/flamenco-guitar-lessons.html
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| | source file |
| | // näillä metodeilla asetetaan piirrettävä kuvio, falseta() "nollaa" kaikki kuviot |
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http://www.niksula.cs.hut.fi/~tpitkara/op/Loppudemo/java_ohjelmointi2/cccc_src.html
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