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| | Electroacoustic - Wikipedia, the free encyclopedia |
 | | empreintes DIGITALes - Recordings of musique concrète, acousmatic music, electroacoustic music. | | | Electroacoustic music is typically less preoccupied with the 'traditional' concerns of score-based music- rhythm and melody- and more concerned with the interplay of gesture and texture, and what Denis Smalley has termed 'spectromorphology'- the sculpting of the sound spectrum in time. | | | The terms Electroacoustic or Electroacoustic music have been used to describe several different musical genres or techiniques. |
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http://en.wikipedia.org/wiki/Electroacoustic
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| | In the beginning of electroacoustic music, musique concrete and electronic music developed a style of their own with a separate esthetic while there was no acceptance of this within the established contemporary instrumental music scene. | | | I believe strongly that there are several musically significant differences between electroacoustic music and instrumental music, and between contemporary (late 20th century), and historical music. | | | It is both a blessing and a curse that the new instruments of electroacoustic music (and modern recording studio technology), have allowed many composers who are not schooled in the classic/romantic Western music tradition to create "serious" musical works. |
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http://www.create.ucsb.edu/~stp/PostScript/So_Good_So_Bad
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| | Enculturation: Ian Whalley |
| | Traditionally, electroacoustic music has been distributed through concert music settings or CD, reinforcing the art music [33] proposition that music is something set apart that needs to be sat and listened to independent of other events. | | | Electroacoustic is used throughout to note the possibility of combining live music with electronic music. | | | Digital music is understood to not have a real performer playing at a rendition of the music, and is now a more common aspect of electroacoustic music. |
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http://enculturation.gmu.edu/2_2/whalley.html
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| | Splendid E-zine: Departments: Avant What? |
| | Electroacoustic music is not music in the traditional sense and it never was intended to be. | | | Of all demanding music (you remember, that's the topic of this monthly column?), electroacoustic music is often considered to be the most difficult type, and also the most misunderstood. | | | Depending on the piece, the best way to listen to electroacoustic music is with headphones (some are better with loudspeakers), lights down and even eyes closed, with minimum disturbance and interruption. |
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http://www.splendidezine.com/departments/avantwhat
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| | Electroacoustic Music |
| | Music audiences are also indebted to Anhalt for the first electroacoustic music concert in Canada, which took place at McGill, where he presented his own compositions as well as those of LeCaine and Karlheinz Stockhausen. | | | Also, since a large part of the electroacoustics program is dedicated to recording techniques, many of our students are technicians rather than composers; but they require a good knowledge of music nonetheless. | | | he diverse areas of the large family of electroacoustic music are presently very popular among aspiring composers and technicians. |
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http://www.scena.org/lsm/sm9-2/Musique-electroacoustique-en.htm
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| | What is ElectroAcoustic music |
| | For the majority of electroacoustic music, a 2-track stereo master is used to diffuse sound in a space. | | | Electroacoustic Music is structured by the "concrete" nature of sounds themselves. | | | Electroacoustic Music is concerned with the exploration of sound. |
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http://music.concordia.ca/Programs/Electroacoustics/EaMusic.html
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| | Homoeroticism & Electroacoustic Music |
| | The absence of gay themes and homoeroticism in electroacoustic music is discussed within the context of issues of gender and music that have been raised in the last decade. | | | Before we rush to condemn the electroacoustic music community as 'behind the times', it might be wise to survey the role of gay artists in the music field generally. | | | Electroacoustic music and the soundscape: the inner and outer world. |
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http://www.sfu.ca/~truax/os6.html
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| | Electroacoustic |
| | Electroacoustic describes music in which the use of an electronic component is vital to the piece. | | | He is an electroacoustic composer who does not write in the same style as, say, Hildegard Westerkamp, a founding member of the World Forum for Acoustic Ecology. | | | Stereo was still in development so Schaeffer’s spatial experimentation with sounds consisted of playing up to five separate tracks with five separate speakers, one of which was hung from the ceiling. |
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http://www.clubi.ie/amhiggins/electroacoustic.html
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| | The Electroacoustic Situation in Canada |
| | Electroacoustics is a musical discipline that is quite distinct from instrumental music and electroacoustic concerts obey other laws and a different logic. | | | First, there is the music that is historically continuous with instrumental music in the sense that a musical element is connected with the idea of its performance as mixed music, live music, improvisation and so on. | | | In our view, the reason the electroacoustic concert situation is so difficult is because the purse strings are held by decision-makers from the instrumental music camp who think that electroacoustic is, at best, a marginal form of music, and, at worst, mere musical tinkering. |
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http://cec.concordia.ca/econtact/profile/ElectroacousticSituation.htm
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| | Electroacoustic Definitions |
| | This is considered by some to be a bit oxymoronic, since one of the great accomplishments of electroacoustic music has been the liberation of musical art from the stage, church and concert hall into private listening space. | | | There is a potential that music referred to as electroacoustic somehow melds both electronic and acoustic sound materials. | | | Arguably, electroacoustic music demands new kinds of listening approaches and forces us to give up aural prejudices. |
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http://cara.gsu.edu/courses/mi3150/unit1.htm
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| | Electroacoustic Music for the Flute: chapter 1 |
| | Electroacoustic Music for the Flute by Sarah Louise Bassingthwaighte. | | | All in all, the future of electroacoustic music, and electroacoustic music for flute by extension, is very optimistic. | | | Electroacoustics is a field of study dealing with the transformation of energy between electrical forms and acoustical forms. |
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http://www.subliminal.org/flute/dissertation/ch01.html
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| | Ideas for a Musicology of Electroacoustic Music |
| | A systematic musicology of electroacoustic music cannot embrace the ‘note’ as the unit of musical discourse: this theme has been extensively developed by Schaeffer (1966) and echoes in the dilemmas of musical analysis vis-à-vis atonal music and of ethnomusicology vis-à-vis transcription and description of the musics of aural tradition. | | | Finally, a musicology of electroacoustic music cannot be uncritical of the historical/systematic/ethno tripartition. | | | Concerned with the impact of electroacoustic music upon the listening, with aural culture, with our relation to the soundscape and with the huge acceptance of techno as opposed to the marginal acceptance of other electroacoustic genres (including experimental pop), it could nevertheless connect a somewhat ring-fenced electroacoustic community [5] to other communities in general. |
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http://www.humanas.ufpr.br/rem/remv6/palombini/palombini.html
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| | bourges |
| | Don't be misled by the merely rational aspect of technology to think that electroacoustic music is just an esoteric mind game for producing abstract music. | | | So, this field we call electroacoustic music is celebrating its first half century, just as I did recently. | | | All three of these areas currently seem to be on the margins of electroacoustic music as practiced today. |
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http://www.sfu.ca/~truax/bourges2.html
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| | Electroacoustic Ecology in Canada: Bicycle Orchestras and Radio Pirates |
| | In 1992, I directed the "7e Printemps électroacoustique", a festival of electroacoustic music on the theme of acoustic ecology in Montréal. | | | The first generation of the Bicycle Orchestra was very successful, serving to kindle the imagination and listening sensitivity of both the seasoned new music audience and the general public. | | | How does the concept of acoustic ecology harmonise with the practice of music and electroacoustics? |
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http://interact.uoregon.edu/MediaLit/wfae/readings/schryer2.html
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| | Acoustic and Electroacoustic Spectroscopy |
| | Both acoustic and electroacoustic spectroscopy are related to a sound propagation through a heterogeneous system such as a suspension or an emulsion. | | | A new approach is suggested here which combines acoustic and electroacoustic spectroscopy and eliminates the disadvantages of both. | | | An acoustic spectrometer measures only the changes in the properties of the sound wave, whereas an electroacoustic spectrometer deals with coupling between electrodynamic phenomena and the sound wave pressure field. |
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http://pubs.acs.org/cgi-bin/abstract.cgi/langd5/1996/12/i18/abs/la951086q.html
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| | Diane Thome |
| | American composer of mostly vocal and electroacoustic works that have received performances all over the world; she is a pioneer in the field of electroacoustic music. |
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http://www.composers21.com/compdocs/thomed.htm
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| | University of York, Department of Music Electroacoustic Music Studio |
| | Create your own electroacoustic music using the studio's facilities - you can write pieces for tape or create music for live electronics and studio technology. | | | Creative work in the analysis of electroacoustic music is also supported. | | | University of York, Department of Music Electroacoustic Music Studio |
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http://music.york.ac.uk/facilities/studios
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| | The international Documentation of Electroacoustic Music, project overview |
| | The "International Documentation of Electroacoustic Music" is directed foremost to music researchers concerned with the "serious music" category of contemporary music, as well as to composers in this musical genre, and to co-workers in numerous studios world-wide. | | | "Electroacoustic music" generally deals with "music for, or with, loudspeakers. | | | Works considered belong to the "serious music" category of "electroacoustic music" (as normally classified by performing rights organisations and radio establishments). |
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http://www.kgw.tu-berlin.de/KW/Studio/EMDoku/Vorwort-E.html
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| | Electroacoustic Music Studios - University of Wales Bangor |
| | Electroacoustic Wales is our performance and dissemination arm, organising concerts, public demonstrations and workshops, and promoting the music composed in the Studios. | | | Electroacoustic music is a particular specialism at Bangor, and since opening in 1994 our Electroacoustic Music Studios have established an | | | Our work focuses especially on acousmatic music (music intended for performance on multiple loudspeakers), though music involving various combinations of live instruments, fixed electroacoustic sounds and live processing is also represented. |
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http://www.bangor.ac.uk/music/studio
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| | Electroacoustic Music and Electronic Music CDs from Digital Music Archives |
| | Electroacoustic Music and Electronic Music CDs from Digital Music Archives | | | This book, accompanied by 285 tracks on 3 CDs of examples is a unique and indispensable resource work for all those interested in electroacoustic music. | | | We now stock a selection of the best electroacoustic CDs from the GRM Catalog, both historic and new - Electroacoustic Classics from Pierre Schaeffer, Pierre Henry, Xenakis, Luc Ferrari and Jean-Claude Risset are just some of the new offerings. |
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http://www.digital-music-archives.com/cgi-bin/dmaweb/store.cgi
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| | Paul Koonce - Walkabout & Back: electroacoustic works |
| | Paul Koonce is one of the leading composers of electroacoustic music. | | | It is refreshing to note that Mode Records gets into the endeavor of issuing new CDs with electroacoustic music. | | | The web is so rich, the sequence so diverse that a description of the music can only be very chancy, insufficient - and that is - from me - sheer praise. |
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http://www.mode.com/catalog/090koonce.html
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| | Electroacoustic Music for the Flute: chapter 2 |
| | Electroacoustic music and experimental electronic music thus became a widespread musical "underground" outside of academe thanks in part to "taper culture" — a sort of western samizdat in which musicians and composers traded and distributed their works on cassette tapes (much cheaper and more accessible that vinyl). | | | Electroacoustic Music for the Flute by Sarah Louise Bassingthwaighte. | | | The most respected (and popular) practitioners of "industrial music" were and continue to be knowledgeable of academic composers in the oeuvre and informed by their theoretical works. |
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http://www.subliminal.org/flute/dissertation/ch02.html
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| | American Composers Forum |
| | In July 2004 she was guest speaker at the North Unitarian Universalist Congregation, Lewis Center, Ohio, in a service which also included performance of her acoustic and electroacoustic music. | | | The day of residency included two presentations and an evening recital of her chamber music and electroacoustic compositions for dance. | | | In my career as a composer, especially influenced by my work in the electroacoustic realm of soundscape composition, I have become aware that the act of listening has always been a core part of my life. |
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http://www.composersforum.org/member_profile.cfm?oid=3557
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| | About Fylkingen |
| | The very first concerts of electroacoustic music in Sweden were arranged by Fylkingen in the early 1950's, and further radicalization occurred during the 1960's with the happenings, musical theatres and text-sound compositions prominent on the society's programme. | | | Hitherto, Fylkingen records has produced 30 LP's, 6 EP's, 21 CD's and 1 CD-ROM with the emphasis on electroacoustic music/text-sound composition and contemporary chamber music. | | | Fylkingen Records has long been an integral part of Fylkingen. |
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http://www.fylkingen.se/fylkeng.html
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| | An Introduction to . . . Electroacoustic Music |
| | They provide glimpses of the amazing universe of possible sounds and textures that can be created with electroacoustic musical instruments. | | | Focuses on well-established methods of instruction; and because of the rapid obsolescence of most of the electronic musical instruments, it treats hardware in a generic way, with specific mention only of those products that have achieved indisputably historic status. |
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http://www.borg.com/~spellman/book.html
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| | International Music Coucil |
| | The biennial IREM was initiated in 1984 by the International Confederation for Electroacoustic Music (ICEM) and the International Music Council, who are also responsible for its organisation. | | | The 10th International Rostrum of Electroacoustic Music (IREM) took place in Rome, May 10-13, 2004, hosted by RAI Radio3 and the Italian electroacoustic music federation CEMAT. | | | Works presented at the IREM were previously selected by participating radio producers and/or national federations of the International Confederation for Electroacoustic Music. |
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http://www.unesco.org/imc/site.php?typ=4&subsite=41
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| | ELECTROACOUSTIC RECORDERS |
| | Electroacoustic alto in f 440 Hz Electroacoustic tenor recorder in c 440 Hz | | | Electroacoustic bass recorder in f 440 Hz Optional bell key for these recorders |
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http://ourworld.compuserve.com/homepages/philippe_bolton/electrgb.htm
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| | W. Luke Windsor: Analysis of Acousmatic Music |
| | Virtual and real listening environments in electroacoustic music. | | | Frequency structure in electroacoustic music: ideology, function and perception. | | | Using Auditory Information for Events in Electroacoustic Music. |
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http://www.personal.leeds.ac.uk/~muswlw/pubs/lwthesis.html
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| | Eighth Annual Florida Electroacoustic Music Festival Call for Works/Papers |
| | A call for papers and lecture/demonstrations dealing with all aspects of electroacoustic music, computer music, acoustics, psychoacoustics, and related topics are sought for presentation during the Seventh Annual Florida Electroacoustic Music Festival. | | | For more information on the electroacoustic music program at the University of Florida point your browser to the Florida Electroacoustic Music Studio home page. | | | Submissions in all current areas of electroacoustic music research and historic perspectives are encouraged. |
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http://emu.music.ufl.edu/femf/emufest8.html
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| | Society for Electroacoustic Music |
| | Members' electroacoustic music genres include pieces for tape, solo musician and ensemble and tape, live electroacoustic music, computer animation, operas, ballets, film, music for television, and music for exhibition shows and other multimedia. | | | A very important activity of SEAH as part of its cooperation with Audiovisual Studio F - the electroacoustic music studio at the Czech Radio in Prague - and other studios, including those abroad, is the initiation of new electroacoustic music by its members. | | | SEAH's annual highlight is its international electroacoustic music composition competition, MUSICA NOVA, first in 1969. |
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http://www.cibulka.com/SEAH/Seah-a.htm
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| | Untitled Document |
| | She is the recipient of grants and awards from the Swiss Women's Music Forum, the American Composers Forum, the International Electroacoustic Music Festival of Sao Paulo, Brazil, and the Ucross Foundation, among others. | | | Her works have been recorded on the Neuma, Capstone, and Maximalist Music labels. |
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http://www.umbc.edu/music/site/faculty/dusman.html
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| | cimesp |
| | A) Acousmatic works of the tape music genre (i.e., composed for electroacoustic sounds alone - for 2 up to 8 channels - to be projected in the space of the concert through loudspeakers). | | | 2) in works which utilize electroacoustic sounds, a recording of the electroacoustic sounds alone must also be included (if stereo: on CD; if for more than 2 channels: on a CD or DVD with all sound files, in which the order of channels for the sound diffusion must be clearly indicated); | | | The recording must have all the parts of the instrument(s)/voice(s) with electroacoustic sounds/live-electronics together; |
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http://flomenezes.sites.uol.com.br/cimesp.html
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| | Welcome to SEAMUS on-line |
| | The SEAMUS Electro-Acoustic Music Month is a world-wide celebration of electronic, computer and electroacoustic music which occurs in November of every year. | | | It was a huge success, and helped raise awareness to electroacoustic music across the country. | | | Since that time, ElectroAcoustic Music Week has grown in numbers and scope, now including events in Canada and Argentina. |
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http://www.seamusonline.org/eamm2.html
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| | Tenth Annual Florida Electroacoustic Music Festival Program |
| | This selection of music represents, then, the confluence of these two quite different aspects of the electroacoustc tradition in New Zealandthe direct use of environmental and original cultural sources, and the growing immediacy with which the influence of new technologies and musical thinking is absorbed and acted upon. | | | Additional support for the presentation of this CD during the 10th Annual Florida Electroacoustic Music Festival was provided by the Center for Latin American Studies at the University of Florida. | | | Susana Espinosa, and the Florida Electroacoustic Music Studio at the University of Florida. |
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http://emu.music.ufl.edu/femf/fest10prg.html
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| | Selected Discography of Electroacoustic Music by Women |
| | Additionally, if you are a female composer of electroacoustic music and you release a cd, please let me know. | | | As there are an outstanding number of women creating electroacoustic music throughout the world, there is a good chance that this list is not complete, and that I have missed some recordings (perhaps I have even missed yours!). | | | Society for Electroacoustic Music in the United States. |
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http://people.unt.edu/~aeh0018/womtechdisc.html
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| | The Electroacoustic Club |
| | electroacoustic club London live music promoters acoustic gig open mic | | | the electroacoustic club organises and promotes diverse music events, including | | | To listen to the acts playing at the next couple of shows below, check out ourspace on MySpace and click on our Top 8 friends. |
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http://www.electroacousticclub.com
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| | City University - MA in Composition (Electroacoustic) |
| | We can also consider composers who have not had adequate access to electroacoustic composition facilities, but who can demonstrate their creative potential through their achievements in instrumental/vocal composition and who have an understanding of electroacoustic music. | | | The annual series of electroacoustic music concerts provides a platform for our composers, and an opportunity for studying electroacoustic music performance. | | | The topic(s) chosen are normally in some area related to electroacoustic music. |
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http://www.city.ac.uk/music/courses/default_print_1_1417_1417.html
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| | Headlines - electrocd.com |
| | morceaux_de_machines, Trilogie d’ondes by Gilles Gobeil, and Puzzles by Robert Normandeau are nominated for “Album of the year - actuelle and electroacoustic musics”. | | | Robert Normandeau, is nominated for “Concert of the year - actuelle and electroacoustic musics”, as well as the Theresa Transistor quartet ( | | | MIDI guitar and computer) at the Ce vert flou event, a concert of Claude Frenette’s works featuring dance, electroacoustic music, and poetry. |
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http://www.electrocd.com/doc.e
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| | BUBL LINK: Electroacoustic music |
| | Article outlining the two existing schools of electroacoustic (or ambisonic) music, the merits of live and composed presentations, technological developments in the field, manipulation of natural sounds, musical notation and resultant non-analysability of electroacoustic compositions. | | | Project set up to compile data about studios concerned with the production, research, or teaching of electroacoustic music, and about works which have been realised using such facilities. | | | Full text doctoral thesis which tackles a number of analytical, perceptual, and aesthetic issues raised by electroacoustic tape-pieces or 'acousmatic' music. |
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http://bubl.ac.uk/link/e/electroacousticmusic.htm
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| | Florida Electroacoustic Music Studio |
| | Each semester the students and faculty of electroacoustic music host concerts of current music in the genre. | | | Courses are offered at both the graduate and undergraduate levels in topics such as the history and literature of electroacoustic music as well as the composition of electroacoustic music using MIDI, hard disk recording and editing, direct-digital software synthesis systems, and realtime interactive applications. | | | These works are performed annually on the Florida Electroacoustic Music Festival. |
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http://emu.music.ufl.edu
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| | Kristi McGarity - compositions |
| | The original Metadisco, my first true electroacoustic piece, was a recontextualization of clichd percussion and analog synthesizer sounds from early-nineties techno dance music. | | | Why, you record your final Christmas party and turn it into a piece of electroacoustic music, of course! | | | so many days to be here electroacoustic music |
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http://www.mcgaritymusic.com/comp.html
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| | PALATINE Directory: Electronic & Electroacoustic Music |
| | Created and managed by the Canadian Electroacoustic Community, SONUS is an online listening library of electroacoustic works, freely open to all. | | | A set of links to high quality resources on electroacoustic music, including articles, composer sites, CD suppliers, and discussion lists. | | | The Sonic Arts Network, founded in 1979 as the Electroacoustic Music Association, supports and promotes creative work in experimental and electronic sound. |
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http://www.palatine.org.uk/directory/index.php/Music/eem
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| | Electroacoustic Studies |
| | The curriculum of the programme course cover many areas of electroacoustics, recording and sonic arts, including the study of sound and spectromorphology, tape manipulation and musique concrete; synthesizers, analog and digital, and processing of acoustic sounds; acoustics, psycho-acoustics, recording, both in classic stereo recording and multi-track recording techniques. | | | Laboratory time is provided for each student; a minimum of three hours lab time is expected per week in the Music Department's various Electroacoustic Music Studios. | | | The Department of Music has had a long standing relationship with the CEC (Canadian Electroacoustic Community). |
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http://music.concordia.ca/Programs/Electroacoustic_Studies.html
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| | ELECTROACOUSTIC for Windows 98/2000/ME/XP |
| | ELECTROACOUSTIC for Windows 98/2000/ME/XP Guitars - Guitar News Weekly | | | This first volume, ELECTROACOUSTIC (EA), is an Acoustic Guitar Synth and is just the new flavor you are looking for ! | | | Designed to be musical, not technical, this VST Instrument features DaSample's WaveBlow(r) Guitar Synthesis Engine for astonishing dynamic and playability. |
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http://www.hitsquad.com/smm/programs/ELECTROACOUSTIC
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