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| | emplive.org - Visit - About EMP - Exhibit Galleries - Jimi Hendrix |
 | | Notebook of lyrics for songs on the album Electric Ladyland, handwritten by Jimi Hendrix, 1968. | | | Notebook of lyrics for songs on the album Electric Ladyland, handwritten by Jimi Hendrix, 1968 | | | The original Electric Lady Studios mixing console from Studio A, which Jimi Hendrix and Eddie Kramer used to record most of the Hendrix's material at the latter end of his career. |
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http://www.emplive.org/visit/galleries/jimiHendrix.asp
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| | John Storyk: THIRTY YEARS OF STUDIO DESIGN |
| | Electric Lady is an amazing place that's perhaps as well known for the Minneta River as for the records that got made there. | | | What has changed is that studios have to be quieter than they were 30 years ago because of digital recording. | | | At 53, he can trace his professional lineage back to the days when recording studios began evolving from utilitarian boxes into actual musical instruments, a time when the term "design" began to precede the word "build" when it came to places in which people made serious sounds. |
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http://mixonline.com/mag/audio_john_storyk_thirty
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| | Electric Rush |
| | The small intimate studio setting of this performance really makes it sound as if the band is performing in your living room. | | | The result is a very well-mixed sound -- at times, you can almost imagine that you’re listening to the "Rush" album. | | | Geddy’s soft-spoken comments in between songs is a sharp contrast to the very hard-edged performance. |
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http://www.joescafe.com/cds/rush_electric-rush.html
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| | The KISS F.A.Q. - Recording Studios © Julian Gill |
| | This facility is not a studio, but a theatre in Passaic, NJ, where KISS would record parts of their fake live and new studio tracks for "Alive II". | | | This facility is not a studio, but a theatre where KISS set up and essentially recorded their album live. | | | Ace would record his parts of the album in his home studio, though not all of his contributions would be used. |
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http://www.kissfaq.com/reference/studios.html
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| | the jimi hendrix catalog - jimihendrix.com |
| | Before this studio recording could be issued, Hendrix instead released a live version taped at the Fillmore East on January 1, 1970 as part of Band Of Gypsys. | | | With the live version now available, issuing a studio recording of the same song, however different in style or arrangement, seemed regressive in Hendrix1s view and not in keeping with his plans for the projected double album First Rays Of The New Rising Sun. | | | Jimi would say, If you can1t see little kids skippin1 on your fast songs, you got nothing.1" Work on the song was completed one month later on January 20, 1970. |
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http://www.jimihendrix.com/catalog/catalog,thejimihendrixexperience,5.html
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| | studio |
| | This album includes lots of rare studio versions of songs from the band's rich repertoire. | | | These had flashy new covers (the original covers were on the back of the booklets) and although not achieving the greatness of the original American vinyl pressings, they really did freshen up things compared to the first generation of CD releases. | | | From the same source as "Live And Unreleased -The Radio Show", but with a few differences, this mainly studio collection has a rare fourth live CD (without all the DJ chat and interviews that are all over the other three) featuring The Experience at the LA Forum 26/04/69. |
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http://perso.wanadoo.fr/hendrix.guide/studio90s.htm
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| | Hutch_Hutchison |
| | Electric Lady bought 3 pairs of 350's and finally had the reputation of "best sounding main monitors in the country" with the Augsperger / TAD speakers. | | | The elusive goal was to be a recording engineer and after 7 years the break finally happened. | | | A few Canadian gold records and more than a few friends came from those years but it wasn't the big time. |
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http://www.manleylabs.com/biohutch.html
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| | homepage |
| | Michal Urbaniak : electric violin, vi-tar violin and soprano sax | | | Michal Urbaniak : electric violin, violectra, soprano sax | | | Michal Urbaniak : violin, tenor sax, electric violin, soprano sax |
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http://members.aol.com/szabocsaba/private/urbaniak.html
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| | Digidesign User - Walters-Storyk Design Group |
| | Like his first room did 32 years ago, the 1,200 studios John Storyk and Beth Walters have designed together include at least a control room and one busy coffee machine--but that's where the similarities between Electric Lady Studios in 1969 and any one of their latest creations end. | | | Today, Ex'pression is one of the most advanced audio educational facilities in the States and has the most complete studio acoustics and design course. | | | Storyk co-founded WSDG with studio interior designer and wife Beth Walters in 1989, and along with partners Sam Berkow and Scott Yates the four have attended countless studio openings ever since. |
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http://www.digidesign.com/users/user_story.cfm?story_id=1160
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| | The Industry Yellow Pages and more ralph moss recording studios |
| | Recording studios in New York where some of Music From The Elder was recorded... | | | - Recording studios in New York where some of Music From The Elder was recorded... | | | Recorded at Fantasy Studios, Berkley, CA; Electric Lady Studios... |
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http://www.theindustryyellowpages.com/th/ralph-moss-recording-studios.htm
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| | Electric LarryLand » FAQ |
| | I actually built my studio in 1995, but I think they were recording their album at Arlyn Studios here in Austin during that same year even though their album was not released until 1996. | | | And I can further claim that although I have never actually worked in Electric Lady studios (the studio built by Jimi Hendrix where Electric LadyLand was recorded), I have marveled at what has come out of that studio the last few years… So neither BS nor LS can claim total originality. | | | Both of us owe the inspiration of the title to Jimi Hendix who made an album called Electric LadyLand which was released in 1969… |
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http://www.electriclarryland.com/?cat=10
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| | THE BASEMENT TAPES |
| | We were blagging studio time everywhere we could -- mostly at Plaza Sound in New York, which doesn't exist anymore, and also at Bell Sound which is now Walter Seer Studios, and Electric Lady which we revisited when we recorded the new album. | | | At that point there were very few 'studio' bands as such, because most bands were just recording 'live'. | | | After that, it was back to the basement to put on the finalised bass parts, some of which were a composite of the rehearsal sessions and the recordings we made at Electric Lady. |
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http://www.soundonsound.com/sos/dec98/articles/craig.462.htm
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| | 1977 Honer Electric Guitar Information at Guitar Lessons Online |
| | was Recorded at Electric Lady Studios in August 1977 by CTI Records... | | | been playing acoustic and electric guitar for over 30 years... | | | electric bass, acoustic guitar and practice bass amp - $650 (San Mateo) Gibson J200--1977 - $3000 (pacifica... |
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http://www.learn-to-play-guitar.org/learn-guitar/1977-honer-electric-guitar.html
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| | DanceFrontDoor - Moby Hotel - new album details |
| | The album was recorded and mixed during this year at Moby's apartment, Electric Lady Studios and Loho Studios in Manhattan, New York. | | | Moby will release his fifth studio album next year. | | | He will release a new single from the album on February 28. |
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http://www.dancefrontdoor.co.uk/print.php?id=3581
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| | Dave On Bass - Electric Lady Sessions Page |
| | Bruce called me one day because the studio wouldn't release the tapes to him so he could play them for a guy coming in that day from MCA because they supposedly weren't paid for, but we had paid the recording amount in full to the producer before we began recording. | | | Bruce said he thought it was the best album he EVER worked on and was bringing record guys into Electric Lady to play the rough mixes for them right at the studio. | | | All record company interest ceased, we were $12,000 in debt for a recording we couldn't get at and the band split up for a while, reuniting in 1988 and playing through 1990 but never generating this much interest again. |
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http://www.daveonbass.com/disc/el.htm
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| | Jimi Hendrix: Studio 70 - Track Info |
| | However: The purpose of this set is just to show Jimi in the studio working toward his next album. | | | The track continues as Jimi tunes his guitar and proceeds into Track 10. | | | Jimi basically riffing with Billy and unknown person on electric piano. |
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http://home.online.no/~hpjohnse/studio_70.htm
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| | Jimi Hendrix biography - 8notes.com |
| | As a record producer and musical architect, he was one of the first to use the recording studio as an extension of his musical ideas. | | | Hendrix's studio perfectionism was legendary — he reportedly made guitarist Dave Mason do more than 20 takes of the acoustic guitar backing on All Along The Watchtower — yet he was always insecure about his voice and often recorded his vocals behind studio screens. | | | This was wishful thinking as the studio record proves, with perhaps half of the album complete. |
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http://www.8notes.com/biographies/hendrix.asp
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| | searchPlay - big world. big search. |
| | As 5-time winner of Music Week’s Best recording Studio.....Olympic Studios.. | | | He has been responsible for over.....studios including private studios for Whitney Houston, Bob Marley, Celene Dion, Taylor.....Media Recording Studios and PLP Music, Inc. Take a tour of the Media Recording, New York.. | | | ...The album is still being recorded at Hendrix Studios (in Lublin, Poland) and soon we'll be mixed.....Studios in Uppsala, Sweden by Daniel Bergstrand (MESHUGGAH, IN FLAMES, STRAPPING YOUNG LAD.....Life in Black] TransMedia Group To Publicize Original Works By JIMI HENDRIX.. |
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http://www.searchplay.com/search.php?searchwords=jimi%20hendrix+Studios&fwwords=Studios
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| | Smash Mouth |
| | When we returned to the studio, Ric and Stevo the engineer prepared to comp the vocal track, so we called it a night. | | | In the evening, we cabbed it back to Electric Lady, so Hippy could lay down a Wurlitzer track and Greg could redo a backing vocal on "105". | | | As is the norm when working with Ric Ocasek, Steve finished both main vocal tracks in record time. |
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http://www.smashmouth.com/diary_mar_02.html
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| | [No title] |
| | Kinky Friedman - Live From Electric Lady Recording Studio on WQIV - 2/2/75. | | | Live Quad QS encoded broadcasts took place from "Electric Lady" Studios in N.Y.C. The Guess Who - Live From Electric Lady Recording Studio on WQIV - 1/16/75 2. | | | The station was short-lived since it was converted from a classical format (WNCN) whose loyal listeners put so much pressure on the owners that they had to bring back the classical format. |
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http://www.execulink.com/~dsage/SHNSetlists/C-D/coryell11thhouse75xxxx.txt
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| | Doug Yule - Timeline |
| | recording 3 songs in at Zippah Studios in Boston MA, with Malcom Travis, Charlie Chesterman, Tim Obetz, and Pete Weiss. | | | recording Loaded, fourth and last VU studio album with Lou Reed, at Atlantic Studios, New York. | | | recording The Velvet Underground, third VU album, at T.T.G. Studios, Hollywood CA. |
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http://members.aol.com/olandem/dytimeline.html
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| | STONES NEWS FOR COLLECTORS by Nico Zentgraf |
| | The songs on the album were recorded for a WNEW radio show in New York's Electric Lady Studios and live in San Diego, although the cover claims Austin as source instead. | | | Although there was the official live album Slide On Live from Woody's 1992 US tour/1993 Japan-tour, we get treated here with another one, although this is probably more of an official bootleg. | | | All songs were already available on a variety of underground releases so it's doubtful if Ronnie Wood was personally involved in the compilation of this album, although the "thanks to Ronnie Wood"-credit tries to make us believe. |
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http://www.nzentgraf.de/books/news2000a.htm
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| | thealarm.com |
| | New York's Electric Lady Studio A was created personally by the legendary Jimi Hendrix who recorded his 'Electric Ladyland' album here in the early 1970's. | | | London's Abbey Road Studios was made famous by The Beatles who created most of their 1960's music inside Studio 2. | | | Mike Peters and The Alarm's own history with Studio 2 began in 1983 with the recording of the 'Declaration' album. |
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http://www.thealarm.com/newsdisp.asp?id=1134
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| | Marlo Marron Official Ticket Source Joe's Pub New York, NY Broadway Tickets by Telecharge.com |
| | Her new original tunes, recorded in NYC at Loho Studios, are solidly rooted in folk and rock, with raw and honest vocals. | | | Having grown up amongst musical legends inside recording studios (Electric Lady & Record Plant) her influences are vast. | | | Tonight she will leave behind the eclectic sounds from her first album, Blind Pony, and share with us songs from her second album. |
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http://www.telecharge.com/tickets_Marlo_Marron_NY_City_Joes_Pub_summary.aspx
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| | Quadraphonic Discography "Radio - Live at Electric Lady Studios" |
| | In 1995, when Kinky eventually released his second career retrospective CD, 'From One Good American To Another', he included several cuts from this live 'Electric Lady' performance on it, minus any of the between-song banter (and with the year of recording mis-identified on the liner notes). | | | The Guess Who performance is musically very good, but it is actually quite 'jazzy' and focuses much more on their later 'blusey & jazzy' AOR-type material than on their earlier Top 40-type hits. | | | Quadraphonic Discography "Radio - Live at Electric Lady Studios" |
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http://members.cox.net/surround/quaddisc/eleclady.htm
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| | January 2005 Riffs: INDUSTRY INSIDER |
| | Under the direction of legendary studio wizard—and original Hendrix engineer—Eddie Kramer, the multitrack reels of several Hendrix hits were hauled out of deep storage and rethreaded across old-school tape decks to allow a team of DigiTech engineers to model the exact guitar tones that Jimi created to animate his songs. | | | Obviously, this level of signal-chain modeling—which is designed to bestow players with the sonic signatures of master guitarists—is so heavy and so cool that it boggles the imagination. | | | The echoes of Jimi Hendrix, Noel Redding, Mitch Mitchell, and others were spinning off the analog tape reels and filling the control room with history. |
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http://www.guitarplayer.com/archive/0105/0105_IO1.htm
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| | Bob Gruen, Rock and Roll Photographer - Ryan Adams Summer 2002 |
| | His record company, Lost Highway, wanted a variety of shots, including in my studio and in a recording studio to promote his new album, "Demolition". | | | Ryan's manager Frank Callari looks like he's giving Ryan a kiss, but he's probably reminding him that he still has to go back to the studio to finish his new recording. | | | He goes back to a studio at 2AM to finish his new recording project! |
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http://www.bobgruen.com/potda/0902/ryanadams/ryanadams.html
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| | Rush Artifacts |
| | I happened to choose the Electric Lady recording because I seem to like it best. | | | The sound quality is good and it has a bit of an edge on the others. | | | There are 7 known recordings of different live Rush concerts from 1974 that contain this cover. |
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http://www.2112.net/artifacts/volume1/track10/10.html
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| | RUSH TOUR |
| | As to which version of these 2 songs sounds better of the three versions, that is a tough call. | | | 1CD FM EX This show was taken directly from the master tapes and remastered onto CD at a professional studio, then played by WMMS Radio, Cleveland, Ohio. | | | 1CD SB EX This version was taken directly from the master tapes and remastered onto a CD at a professional studio, then played by WMMS Radio, Cleveland, Ohio. |
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http://www.geocities.com/dfthenecromancer/RUSHTOUR.html
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| | UV, Home of Jimi Lovers! |
| | Shortly before leaving for England to appear at the ‘Isle of Wight Festival,’ Jimi and the Allen Twins were in Electric Lady Studios working on Hendrix’s next studio album. | | | A year previously, sometime in mid 1969, The Twins had recorded the basic instrumental tracks for “Mojo Man” at Fame Studios in Muscle Shoals, Alabama, with a group of resident studio musicians. | | | They had journeyed there to prepare some tracks they hoped Jimi would like and which would then be included on The Ghetto Fighters album they wanted to put out. |
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http://www.univibes.com/JimiPlaysMojoMan.html
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| | Electric Lady Studios |
| | Control room of Studio B (with studio chap Elliott) - 1997 | | | Control room of Studio A - late 1970s | | | The bad ('modern-day') look of the entry to Jimi's studio - May 1998 |
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http://www.univibes.com/OutANDAbout/el_studio.html
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| | Solo Albums 3 |
| | Yngwie Malmsteen: All electric and acoustic guitars, sitar, backing vocals. | | | Yngwie J. Malmsteen: All electric and acoustic guitars, electric and fretless bass, sitar, and backing vocals. | | | Yngwie J. Malmsteen: All electric and acoustic guitars, sitar, Taurus Bass Pedals, and backing vocals. |
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http://www.yngwie.org/discog/solo3.html
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| | The KISSFAQ - DISCOGRAPHY - Paul Stanley extra-KISS Discography |
| | Recorded at Davien Studios, Los Angeles, CA; Cherokee Studios, Los Angeles, CA; Electric Lady Studios, New York; Band: John Fannon (Guitar and Vocals), Hirsh Gardener (Drums and Vocals), Gary Shea (Bass), Jimmy Waldo (Keyboards and Vocals). | | | They released albums for Elektra in 1980 and 1981 before transforming into Warrior (with Vinnie Vincent), and then Alcatrazz. | | | Horn arragements by Al Gorgoni; Allan Schwartzberg drums; Backing vocals by Margaret Dorn, Lydia Lawley, Shannon Redd, Gene Simmons and Paul Stanley; Paul and Gene are only on tracks 04, 05, & 06, this was their first professionally creditted appearance on vinyl. |
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http://www.kissfaq.com/discography/ex_paul.html
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| | PETER FRAMPTON: Frampton Comes Alive (A&M) |
| | Once the tour was over, Frampton went back to Electric Lady Studios to mix the album with Chris Kimsey. | | | There were so many great tracks on this album, there's no possible way it could be edited down like that. | | | Frampton invited AandM co-founder Jerry Moss to come down to Electric Lady Studios to preview the album. |
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http://www.thenightowl.com/reviews/frampton.htm
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| | Jimi Hendrix Best of the Bootlegs |
| | The original CD bootleg was used for this material. | | | CAVEAT EMPTOR: One of the original boots had diginoise and on the track, CD 2 t5, it unfortunately remains, it has been been noted. | | | audio: studio recording, with voice overdub, source: Best Of The Bootlegs |
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http://www.nii.net/~obie/jimi_hendrix_best_of_the_bootleg.htm
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| | DigiTech® - Press Release |
| | To accomplish this, DigiTech went right to the source: Jimi Hendrix’s original master recording tapes, made at Olympic Studios and Electric Lady Studios, and to Eddie Kramer, the sonic genius behind those recordings. | | | Working closely in conjunction with Eddie Kramer, the legendary recording engineer and producer who captured Hendrix’s amazing talent on the albums that redefined the role of the electric guitar forever, DigiTech was chosen by the Hendrix family to model Jimi’s incredible tones and make them available to the world. | | | This attention to detail ensures that each Jimi Hendrix Experience signature sound is true to the original, as sonically distinctive today as it was when Jimi played it in the studio. |
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http://www.digitech.com/press/Hendrix.htm
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| | the jimi hendrix encyclopedia - jimihendrix.com |
| | Earlier on this day, Jimi and engineer Eddie Kramer spent part of the day at Sterling Sound Studios mastering a single release featuring "Dolly Dagger" and "Night Bird Flying". | | | This unique disc compiled excerpts from performances made by Hendrix and Otis Redding at the June 1967 festival. | | | Electric Lady Studios formally opened with a grand celebration. |
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http://www.jimi-hendrix.com/encyclopedia/document,19700826,1.html
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| | Recording The Roots: Breaking the Hip-Hop Mold |
| | The Philadelphia studio features two SSL rooms; most of their work with The Roots was done in the room with E Series board using George Augspurger mains. | | | The veteran engineer/producer has been regularly relied upon by The Roots to mix their more straightforward tracks and singles. | | | For his part, Thompson likes the sound of analog and loves to experiment with old equipment. |
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http://bg.mixonline.com/ar/audio_roots
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| | SIRIUS Broadcasts Recordings From Electric Lady Studios |
| | "The addition of 'Live From Electric Lady' to our lineup of music programming is another example of the wealth of music history SIRIUS gives its subscribers," said Joel Salkowitz, VP of programming operations at SIRIUS. | | | SIRIUS announced that it will broadcast classic recordings from New York City's Electric Lady Studios. | | | "We have always worked to foster a creative environment for musicians," said Alan Selby and Richard Flanzer, co-owners of Electric Lady Studios. "These rare broadcasts reflect this and offer SIRIUS listeners a unique opportunity to enjoy some of the greatest classic rock performances in history." |
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http://mixonline.com/news/audio_sirius_broadcasts_recordings/index.html
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| | No Sweat |
| | George Wadenius: Acoustic and electric guitars, bg vocals. | | | Ther are no surprises here for BSandt buffs; the music remains on the high level of proficiency that has marked its point position of being a leading contemporary big band. | | | Although for the most part, I prefer Clayton-Thomas' vocals to those of Jerry Fisher, this album simply rocks the pants off other albums on the whole. |
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http://www.rdrop.com/users/rickert/sweat.html
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| | ELECTRIC BIRTHDAY VOL. 2 |
| | El CD se abre con una toma acústica de "Angel", tocada por Hendrix como demo, totalmente terminada, para ser considerada en el album "Electric Ladyland", para el que finalmente no se consideró adecuada. | | | La "Improvisation" es una bonita melodia instrumental que Jimi desarrolla ayudado por el bajo de Billy Cox, siendo su único defecto ser demasiado corta. | | | "Peace In Mississipi" es un salvaje instrumental que Jimi grabó con The Experience en lo que sería su ultima estancia juntos en un estudio de grabación (los TTG Studios) en vistas a realizar un nuevo album (que desgraciadamente no grabarian juntos, dado que Hendrix formó The Band Of Gypsys). |
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http://www.cd-bootleg.com/jh_x_14.html
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| | Night Bird Flying |
| | Various experiments with the song's tempo, arrangement, and instrumentation were made throughout 1969, but Hendrix seemed unable to bring the song to fruition. | | | Elated by his early progress that evening, Jimi recorded thirty-two enthusiastic takes before his final effort provided the master. | | | All stuff on this page was just written right off the |
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http://www.angelfire.com/tn/LSkynyrd1/nightbirdflying.html
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| | Welcome |
| | The lively event, moderated by Full Sail’s Sherrie Tantleff, ranged from a debate about the multiple forces behind the recent demise of several major recording facilities to why so few women choose audio engineering careers, and, of course, included real life tips on how to land a job in the music recording business. | | | These members sat before a group of 400 students and faculty in the Conservatory’s 6,000 squre-foot live sound room to talk about careers in audio. | | | The new Board of directors first order of business was to elect the Executive committee which this year is: President, Karen Brinton of Remote Recording; President-Elect, Leslie Ann Jones of Skywalker Sound; Secretary, Eric Johnson of Blazing Music and Sound and Treasurer, Andrew Kautz of Love Shack Studios. |
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http://www.spars.com
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| | Official Releases 2001-2005 |
| | Foxy Lady / Message To Love / Hey Baby (New Rising Sun) / Ezy Ryder / Hey Joe / Purple Haze / Voodoo Child (Slight Return) / In From The Storm | | | De Lane Lea Music Recording Studios, London, UK, jan 11 1967 | | | Mayfair Recording Studio, New York, NY, jul 6 1967 **** |
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http://members.tripod.com/marjoh_tomacho/jimi_official5.html
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| | CTI DISCOGRAPHY: 1977-1883 |
| | Evergreen Studio, Westlake Audio and Secret Sound, prob. | | | (2) For CTI 7086, selections a-e, f-h and k were overdubbed (with unknown musicians, including Patti Austin, probably contracted by Dave Grusin and Arthur Jenkins, Jr.) at Electric Lady Studios on September 12 and 14, 1978, then remixed at an unknown date (to remove audience distortion) at Rudy Van Gelder's Englewood Cliffs, New Jersey, studios. | | | The selections as presented on Epic/Legacy ZK 46860 [CD] use only the original August 19 recording. |
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http://www.dougpayne.com/ctid7783.htm
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| | Music Of My Mind by Stevie Wonder CD |
| | He then went to New York City's Electric Lady Studios to record this album, collaborating with synthesizer experts Malcolm Cecil and Robert Margouleff (who also worked on INNERVISIONS and TALKING BOOK). | | | Like other albums to follow, Stevie wrote the vast majority of the material on MUSIC OF MY MIND. | | | Having just turned 21, he forged a new contract with Motown, negotiating complete artistic control over his albums (as Marvin Gaye had done for WHAT'S GOIN' ON). |
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http://www.cduniverse.com/search/xx/music/pid/1050761/a/Music+Of+My+Mind.htm
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| | PLASMATICS!!! COUP DE GRACE!!! |
| | The trax were originally recorded at Jimi Hendrix’s Electric Lady Land Studios in NYC in 1981 as a demo for the Plasmatics album later released under the name “Coup D’Etat” with a different producer, different arrangements, and a different band line-up. | | | Description The master tracks for this awesome previously unreleased Plasmatics/Wendy O. Williams album were thought to be destroyed until they were rediscovered at the end of last summer. | | | Recorded and mixed in less than two weeks at less than a tenth of the budget of Coup D’Etat later recorded in Germany (and an awesome album in itself), many feel the freshness and power of these more spontaneous trax in many ways are the better of the two. |
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http://www.plasmatics.com/CoupDeGraceCD.html
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| | ::: CDR Trading ::: |
| | Studio outtakes considered and / or prepared for release on the 1994 CD "Jimi Hendrix : Blues" (possibly also the 1995 CD "Voodoo Soup"). | | | This click is on the source disc, and doesn't appear to be digital. | | | Note: Recording details for tracks 4-6 may not be 100% correct (Sources used: "From The Benjamin Franklin Studios 2" and "UniVibes" (Issue 45 / August 2003). |
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http://www.btinternet.com/~r.castley/trading/cdrs/jhcaptpe.html
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