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| | Dulcian - Wikipedia |
 | | The dulcian is a flexible instrument, capable of being loud enough to play in outdoor bands, quiet enough for chamber music, and expressive enough to join in with the choir. |  | | There are explicit dulcian parts in the sonatas by Dario Castello. |  | | Its uses would have included playing dance music with the shawms and sackbutts of the city watch, chamber music, and of course the grand polychoral repertoire from Venice and Germany, such as Giovanni Gabrieli and Heinrich Schutz. |
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http://en.wikipedia.org/wiki/Dulcian
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| | Morales: Mass for Feast of St. Isidore of Seville |
 | | Sequentia sancti Evangeli secundum Matthaeum (chant choir, dulcian) |  | | Introitus - In medio ecclesiae (chant choir, dulcian) |  | | Communio - Fidelis servus et prudens (chant choir, dulcian) |
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http://www.medieval.org/emfaq/cds/dga49143.htm
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| | EMC Dulcian Businesses - early bassoon makers |
 | | Distributor of recorders, crumhorns, cornamuses, dulcians, shawms, Renaissance and Baroque flutes, oboes, and bassoons, cornetti, serpents, rauschpfeifes, racketts, chalumeaux, kortholts, and sheet music and accessories. |  | | Seller of recorders, chalumeaux, cornamuses, cornettos, cortols, crumhorns, dulcians, flutes, racketts, rauschpfeifes, schalmei, and shawms. |  | | Maker of recorders, crumhorns, cornamuses, rauschpfeifes, shawms, cornetts, flutes, dulcians, hautboys, racketts, chalumeaux, and other instruments. |
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http://earlymusichicago.org/businesses_dulcian.htm
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| | Salve Antverpia |
 | | Phalèse: Gaillarde "Puis que vivre" (recorder, lute, dulcian) |  | | Phalèse: Gaillarde "Si pour t'aymer" (recorder, lute, dulcian) |  | | Performers: Gonter Carlier (sackbut), Patrick Denecker (recorder, krumhorn, bombarde), Mirella Ruigrok (recorder, krumhorn, dulcian), Elisabeth Schollaert (shawm), Karl-Ernst Schröder (lute), Bernhard Stilz (recorder, krumhorn), Peter Van Heyghen (recorder, krumhorn), Simen Van Mechelen (sackbut), Marnix De Cat (alto), Jan Caals (tenor), Stephane Van Dyck (tenor), Lieven Termont (tenor), Dirk Snellings (bass) |
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http://www.medieval.org/emfaq/cds/ric06902.htm
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| | [No title] |
 | | Some dulcians are supplied with a perforated bell-cap that softens the sound, but this doesn't seem quite enough to make it blend with an 8' recorder consort. |  | | They're softer than the dulcian and blends admirably with a 'great consort' of recorders. |  | | It has a fairly strong and reedy sound best suited for playing with cornetts, sackbuts and shawms. |
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http://olymp.wu-wien.ac.at/earlym-l/logfiles/earlym-l.log9111e
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| | Medieval & Renaissance Music Performance by Piffaro, The Renaissance Band - Philadelphia & Worldwide |
 | | Shawms, sackbut, dulcian, flutes, pipe and tabor, lute, guitar, recorder, percussion |  | | Krumhorns, bagpipes, hurdy-gurdy, shawm, guitar, sackbut, dulcian, reecorder, pipe and tabor |  | | Our journey takes us next to a rather different land, culturally and musically, the Spain that emerged triumphant from the reconquest and the discovery of the New World. |
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http://www.piffaro.com/pages-d/return.html
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| | Apollo & Pan repertoire |
 | | German 17th century music for violin, dulcian and chamber organ |  | | A programme for two Renaissance violins, dulcian and harpsichord |  | | Music from 17th century Italy for Renaissance violin, dulcian and chamber organ |
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http://homepage.ntlworld.com/earlymusicagency/ap-rep.htm
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| | The English Orpheus, Vol 17 - Motets by Peter Philips |
 | | choir 1, dulcian, lute, organ; choir 2, bass violin, theorbo, organ |  | | This wonderful programme helps to draw him from the limbo of nearly 400 years of near-oblivion... |
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http://www.hyperion-records.co.uk/details/66643.asp
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| | Ensemble Lipzodes: A Program of Guatemalan Church Music Circa 1582 |
 | | Voice, shawms, and dulcians will bring to life the rarely heard music of early Guatemalan manuscripts, found in Bloomington’s own famed Lilly Library. |  | | Prior to the concert, at 7:10 pm, Paul Borg will present "Reclaiming a Musical Heritage: Guatemalan Music from around 1600." Borg, currently a Professor of Music at Illinois State University, received his Ph.D. in Musicology from Indiana University. |  | | This ensemble has recently been selected as a finalist in the Early Music America Medieval and Renaissance music competition, and will travel later in the month of October to New York to compete. |
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http://www.music.indiana.edu/som/lamc/events/2004/lipzodes.html
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| | Sylvan Ayres |
 | | Sylvan Ayres is a group of 4 to 6 instrumentalists, specialising in Medieval and Renaissance music. |  | | PAUL SIEGEL plays shawm, cornamuse, krummhorn, recorder, and dulcian, and sings bass; other music groups include GW Early Music Collegium and Washington Recorder Society. |  | | Their instruments include tenor and bass violas da gamba, vielle, lute, cittern, chitarino, Renaissance & Baroque recorders, krummhorns, cornamuses, shawms, dulcian, framedrum, field drum, doumbek, tabor, tambourine, woodblock, and cymbals, with occasional singing. |
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http://www.radix.net/~dglenn/bands/sylvan-ayres.html
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| | MSN Encarta - Dulcian |
 | | Dulcian, in music, an organ stop of reedy quality, usually of 16-foot pitch (sounding an octave lower than written). |  | | Become a subscriber today and gain access to: |
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http://ca.encarta.msn.com/encyclopedia_762505493/Dulcian.html
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| | Bassoon - Wikipedia |
 | | Appearing in its modern form in the 1800s after the model of its precursors, particularly the dulcian, the bassoon is a part of orchestral, concert band, and chamber music literature. |  | | Used and developed greatly in the 16th century to add a stronger bass to the wind band then consisting largely of shawms and recorders, the dulcian's origins are unknown. |  | | The evolution of the early dulcian into the modern bassoon is also without precise record; the dulcian continued to be used into the 18th century (and in Spain, into the early 20th). |
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http://en.wikipedia.org/wiki/Bassoon
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| | VIENNA SYMPHONIC LIBRARY |
 | | The dulcian, on the other hand, possessed a host of qualities which made it ideally suited for further development. |  | | Because this new instrument possessed a mellow and pleasant sound which distinguished it from the pommers it was given the name dulcian (“sweet-sounder”). |  | | The French term fagot meant “bundle of sticks, faggot”, and was first applied to a musical instrument in Italy in the early 16th century. |
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http://www.vsl.co.at/english/instruments/woodwinds/bassoons/bassoon/History.htm
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| | Dulcian Inc. |
 | | Dulcian, Inc. is led by a group of senior Oracle developers, all of whom are authors, regular contributors to Oracle related publications and presenters at Oracle conferences. |  | | Dulcian offers a competitive salary plus bonus as compensation. |  | | We encourage all personnel to be active members of the Oracle community by joining local user groups, presenting papers at user group meetings and Oracle conferences, writing articles for journals and publishing books. |
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http://company.monster.com/dulcian
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| | The Armory, Page 2 |
 | | A dulcian could be played in church to provide the bass tone for motets and masses; it could be played in rooms and chambers at court and other secular areas, providing intimate music for those subdued settings. |  | | Unlike the bass shawm, the dulcian could be used not only as an outdoor band instrument, but could also be played indoors. |  | | The name dulcian (also dulzian, dulzian, dolzone, delzan, dulcan, dolcan) is from the Latin dulcis, meaning " sweet." This instrument was also called the curtal (or curtoll, curtail) from the Latin curtus or "short." The second moniker was mostly used by the British afficianados of the instrument. |
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http://www.gemstone.net/etimes/et9/armory2.htm
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| | ASW Guide to Historical Woodwind Instruments |
 | | The kortholts have a doubled back bore, similar to the dulcian family but narrow and cylindrical rather than larger and conical, and are therefore shorter in physical length but longer acoustically, allowing a lower range extension of four or five notes below the corresponding size of krummhorn or cornamuse. |  | | Perhaps the most distinctive wind instruments of the sixteenth and early seventeenth centuries are the several families of windcap instruments, in which the tone is produced by a freely vibrating double reed inside a hollow chamber at the top of the instrument. |  | | Next to a set of renaissance recorders, a bass dulcian is perhaps the single most useful instrument in the renaissance instrumentarium. |
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http://www.aswltd.com/guideww.htm
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| | Fingering chart for dulcians |
 | | For the only(?) surviving original fingering chart for dulcians, see the information on Daniel Speer. |  | | Hole 10 is for the left hand thumb. |  | | A standardized dulcian fingering system does not exist, that is the bad news. |
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http://www.hansmons.com/dulcians/fingerings.htm
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| | The Bass Dulcian (Curtal) Reed |
 | | It has the energy to project in dance or choral music but also has the finesse to play continuo parts in chamber music. |  | | The short-scrape dulcian reed minimizes timbre differences on cross-fingered notes. |  | | The standard scrape bass dulcian reed is designed for instruments whose crook is approximately 8.25 inches (21 cm) long. |
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http://koppreeds.com/dulcian.html
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| | Cappella Augustana |
 | | Number of performers due to the pieces - minimum of 3 voices, 2 violins, dulcian, theorbe, violone and organ |  | | Performers required: 10 voices, 4 trumpets, drums, 7 strings, dulcian, organ |
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http://www.cappella-augustana.org/concerts.php
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| | McGraw-Hill Education Europe |
 | | Dulcian's vision is to deliver top-quality systems in record time. |  | | Paul is co-author with Peter Koletzke of The Oracle Designer Handbook (now in its second edition) and with Joseph R. Hudicka of Oracle8 Design Using UML Object Modeling, both from Oracle Press, 1999. |  | | Dulcian, Inc. offers a wide variety of consulting services, customized training, and products for the Oracle development environment. |
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http://www.mcgraw-hill.co.uk/html/0072120487.html
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| | GOArt Home Page |
 | | The organist can use these different divisions to create a kind of sounding architecture so that the sound comes from different directions in the room create echo effects, solos and accompaniments and even the Renaissance ideal of the many heavenly choirs all working together in harmony |  | | Many of the Baroque organ stops bear names of popular instruments of the time such as, Dulcian, Zinka, Trumpet, Basun, Blockflöte, and Kornett. |
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http://www.goart.gu.se/gioa/ngo_spec.htm
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| | Alison Melville - Recorder & Early Flutes |
 | | This concert of works by BERTALI, NERI, BUONAMENTE and others is presented in collaboration with the Faculty of Music, University of Toronto, host to the Annual Meeting of the Society for Seventeenth Century Music. |  | | Please note: this concert will be held in Walter Hall, Edward Johnson Building, U. of T. Kiri Tollaksen, cornetto; Linda Melsted, violin; Dominic Teresi, dulcian; Greg Ingles, sackbut; Borys Medicky, organ |  | | A trusted confidante and colleague of MOZART, Joseph EYBLER orchestrated a part of the Requiem after Mozart's death but was too overcome with awe to complete the work. |
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http://www.alisonmelville.com/grange.html
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| | Encyclopedia of Organ Stops |
 | | See also Dulceon, Echo Diapason and Vox Angelica. |  | | This example, cited by Audsley, is the only one known of this name. |  | | Osiris contains about 375 examples of Dulciana, 170 examples of Dulcian, 40 examples of Dulciane (of which two are reeds), and two of Dolciano. |
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http://www.organstops.org/d/Dulciana.html
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| | JNL9: The Oboe Ensemble in German Military and City Music up to 1720 |
 | | Unfortunately, nothing particularly concerning the oboe's history can be gathered from the extensive information on town musical groups, so that it can be assumed that the oboe was adopted with very little fuss. |  | | This corresponded to the ensemble with two schalmei, alto pommer and dulcian which was already common at the beginning of the 17th century. |  | | The areas of court, military, and city music deserve special attention, for here the members of oboe ensembles were joined together in "Hautboistenbanden" which had special responsibilities and social status as befitted performers of High Baroque "entertainment" music. |
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http://idrs.colorado.edu/Publications/Journal/JNL9/oboe.html
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| | Dulcians |
 | | Vierfaches Musicalisches Kleeblatt by Daniel Speer contains a dulcian fingering chart and two sonatas for three dulcians. |  | | Like many other instruments in the renaissance, Dulcians were made in a family, soprano until contrabass. |  | | , where still in the 19th century various sizes Dulcians are in use. |
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http://www.hansmons.com/dulcians
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| | Baroque Ensemble |
 | | Besides his active concert life playing in different chamber settings with "La Folía" and as a soloist with different orchestras, Pedro Bonet is Recorder Professor in Madrid´s Conservatory and is often invited to give lessons and masterclasses in Spain as well as in other countries. |  | | The Baroque Ensemble "La Folía" was founded in 1977 in Madrid (Spain) to explore and interpret the rich repertory of the 17th and 18th centuries played with the flavour of original instruments. |  | | Fernando Sánchez bajoncillo tenor y bajón/tenor dulcianand bass dulcian |
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http://clio.rediris.es/musica/bio_ingl.htm
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| | BUBL LINK: Musical instruments |
 | | Includes details of the baryton, bowed psaltery, dulcian, krummhorn, lute, recorder, serpent, and vulcan lyre. |  | | Instruments that are sounded by striking, shaking, plucking, or scraping. |  | | Brief descriptions of a range of musical instruments, arranged alphabetically by name, and accompanied by an illustration where possible. |
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http://bubl.ac.uk/link/m/musicalinstruments.htm
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| | THE GREENWICH INTERNATIONAL FESTIVAL (RENAISSANCE VIOLINS, DULCIAN AND HARPSICHORD) |
 | | Winners of the 2001 Early Music Network International Young Artists' Competition, Apollo & Pan play music for two Renaissance violins, dulcian and harpsichord by Castello, Salaverde, Bertali, Fontana, Vierdanck etc. |  | | THE GREENWICH INTERNATIONAL FESTIVAL (RENAISSANCE VIOLINS, DULCIAN AND HARPSICHORD) |
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http://goldbergweb.com/es/festivals/unitedkingdom/greenwich/2003/12963.php
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| | Consort Music |
 | | All the pieces are played with SATB recorders and some include bass dulcian, a renaissance bassoon. |  | | 2 minutes The bass is doubled with bass dulcian |  | | Missa Puisque J'ai Perdu - Kyrie and Gloria SATB Orlando di Lasso (1532 - 1594) 12m30s |
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http://www.margueriteporette.org/consortMusic/consortMusic.html
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| | dulcian |
 | | Generally the Dulcian is made from one piece of wood. |  | | The Dulcian is a woodwind instrument therefor it has a reed. |  | | Holes in the body allow you to change the pitch. |
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http://cen.hdsb.ca/grassroots2003/grassroots/4U/dulcian.htm
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| | Dulcian, Inc. - Services |
 | | Dulcian specializes in business rules-based system development in the Oracle environment. |  | | Dulcian builds Oracle systems for client/server and Web environments. |  | | From a high-performance OLAP system to a simple warehouse that mirrors the production system with some extra denormalization or aggregation tables, Dulcian can provide a data warehouse to suit your needs. |
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http://www.dulcian.com/services.htm
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| | Bassoon - MHN Instrument Encyclopedia |
 | | The dulcian (from the Latin for "sweet") was a one-piece bassoon-like instrument used in Western Europe before 1700. |  | | Among these were the curtal, the strong-voiced serpent, the dulcian and the chorist bassoon. |  | | In 1889, Lecomte created a bassoon made of nickel-plated brass which was exhibited at the Worlds Fair. |
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http://www.si.umich.edu/chico/instrument/pages/bassoon_gnrl.html
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| | Early (and other) Instruments |
 | | The dulcian is an extremely smooth and dark sounding double reed. |  | | If you have any liking at all for low notes, it is worth your while to seek out a competant dulcian player and listen to him or her for a while just to find out what I'm talking about. |  | | Flutes are tubes sounded by blowing across an opening with the mouth. |
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http://www.radix.net/~dglenn/defs/inst.html
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| | bassoonhistory |
 | | The English version of the dulcian was called a curtal. |  | | This instrument was one piece and had a double reed made from cane. |  | | Around 1643-1715, French instrument makers developed a new curtal that had four separate pieces. |
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http://www.geocities.com/pinay_punk/bassoonhistory.html
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| | LookSmart - Directory - Dulcian or Curtal |
 | | Home > Entertainment > Music > For Musicians > Instruments > Wind > Reed Pipe > Dulcian or Curtal |  | | Find a photograph and a brief description of what a dulcian, or curtal, is. Includes a related link. |  | | Describes this Renaissance instrument, also called the dulcian, including its construction and materials. |
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http://lsxml.looksmart.com/p/browse/us1/us317828/us317855/us137416/us562721/us262439/us262447/us10062465
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| | NYOUG -Java Programming and Web Development Training |
 | | Founded in 1995, Dulcian, Inc., (www.dulcian.com) specializes in business rule-based sysetms development in the Oracle environment. |  | | Paul Dorsey is the founder and president of Dulcian, Inc. (www.dulcian.com) an Oracle consulting firm specializing in business rules |  | | Dr. Paul Dorsey, Dulcian has consistently tried to be a thought leader in the industry, keeping a step head of the rapidly changing Oracle |
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http://www.nyoug.org/dorsey_agenda.htm
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| | Houston Computer Consultants - A-Tech Business Solutions, Inc. |
 | | Dulcian builds business rule-based systems using its Business Rules Information Manager (BRIM®) product suite. |  | | Dulcian specializes in Oracle client/server and web custom application development using object-oriented thinking implemented in a traditional relational database. |  | | Their site displays a dynamic listing of much of Comvision’s recent work, broken out by industry segment and specific market type. |
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http://www.atechbusinesssolutions.com/partnerships.shtml
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| | Sheet Music Plus - Search Results |
 | | Directions for Playing the Shawm, Dulcian and Rankett By Steinkopf+. |  | | Save up to 15% when you buy 2+ copies of the same title. |
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http://www.sheetmusicplus.com/a/search.html?id=79205&select=Instrument&more=dulcian
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| | ArkivMusic Masterpieces Of Mexican Polyphony / James O'donnell |
 | | Andrew Watts (Dulcian), Andrew Lawrence-King (Harp), Iain Simcock (Organ) |  | | Andrew Watts (Dulcian), Iain Simcock (Organ), Andrew Lawrence-King (Harp) |  | | Iain Simcock (Organ), Andrew Watts (Dulcian), Andrew Lawrence-King (Harp) |
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http://www.arkivmusic.com/classical/Playlist?source=WGUC&date=200501071411
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| | Dulcian Classifieds |
 | | Acceptable are postings for dulcians, shawms and other early double reed instruments (no crumhorns please). |  | | Classifieds for Dulcians and other early double reed instruments |  | | I do not accept any responsibility for the content of the ads posted, or for the condition and quality of any of the items listed. |
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http://www.dulcians.org/classified.htm
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| | Encyclopedia of Organ Stops |
 | | Of Dulcian and Dulzian there approximately 300 examples, of which approximately 75% are at 16' and nearly 25% are at 8', with three at 4', one each at 2' and 32', and two at 64' (resultants). |  | | The name Doucaine does not appear in the literature, but we assume it to be a synonym: all known examples are reeds, dating from the second half of the 20th century. |  | | (It is not known whether the Dulcian was part of the original 1543 organ.) |
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http://www.organstops.org/d/Dulzian.html
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| | BBC - Cult - Doctor Who - Episode Guide - |
 | | Toba orders the Quarks to destroy totally the Dulcian museum in which Jamie and Cully are taking cover. |  | | The Doctor eventually defeats the Dominators by intercepting the seed capsule as it is dropped and placing it on board their ship, which is then destroyed shortly after take off. |  | | Toba tells his prisoners that they will die one by one unless they reveal where Jamie is. They refuse to answer, and the Dulcian Educator Balan is the first to be gunned down by a Quark. |
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http://www.bbc.co.uk/doctorwho/classic/episodeguide/dominators/plot.shtml
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| | ArkivMusic Rariora & Marginalia / Kraemer, The Rare Fruits Council |
 | | Curiously, even though Böddecker was known to be an accomplished dulcian player, this is his sole composition for the instrument. |  | | Böddecker's Sonata sopra La Monica--a variation on La Folia that features an exquisite dulcian (an early bassoon) performance by Josep Borrás--also fascinates. |
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http://www.arkivmusic.com/classical/album.jsp?site_id=CTRV&album_id=77396
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| | Menu |
 | | It was a double-bore instrument, meaning that two parallel holes were drilled in the same piece of wood and connected at one end by a U-curve allowed an instrument to sound twice as low for its apparent length as one with a single bore. |  | | Use: The dulcian was a soft, sweet-voiced instrument. |  | | Appearance: The dulcian appears very similar to the bassoon, and the bass dulcian was indeed the forerunner to the bassoon. |
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http://www.snowspine.com/troupe/dulcian.html
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| | Curtal, Dulcian, Bajón - Contents |
 | | Because it was given a different name in each country and, to a certain extent, used for different purposes, in each of these chapters the curtal is referred to by the name most popularly used in that region. |  | | Part II gives brief descriptions and line drawings of all known extant curtals, including photographs where possible. |  | | These names are the fagotto in Italy, the curtal in England, the bajón in Spain and Latin America, the Dulcian in Germany and Northern Europe, and the fagot in France and the Low Countries. |
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http://www.curtalbook.com/Contents.htm
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| | DULCIAN |
 | | Although the Dulcians were happy to accept facts on face value, they frowned upon undue curiosity and quick decisions, prefering to debate, discuss and deliberate every move before taking action. |  | | This, coupled with their pacifist tendencies, left them helpless in the face of Dominator invasion. |  | | Although the Dulcians had dabbled with nuclear technology, setting off an atomic blast on an isolated island, they were horrified by the destructive power and abandoned this line of research. |
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http://www.btinternet.com/~jp1885/who/dulcian.html
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| | Curtal, Dulcian, Bajón - About |
 | | For this reason, the chronological and repertoire sections in particular should be regarded as representative samples, illustrating the enormous use which was made of these instruments. |  | | ‘Curtal, Dulcian, Bajón: A History of the Precursor to the Bassoon’ |
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http://curtalbook.com/Book.htm
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