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| | Strange...and beautiful - Tiscali Music News |
 | | 'Strange and Beautiful' will be familiar to many people as the haunting and much in-demand soundtrack to the current VW Beetle TV and Cinema ad, which has generated huge amounts of interest since it was first aired earlier in the summer. | | | Aqualung release their debut single 'Strange and Beautiful' (Ill Put A Spell On You) on September 16th. | | | Because of the lovely interest that was sparked off by the ad, I had the strange situation of being able to say well, 'I've actually got a whole album's worth of material for you to release please'. |
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http://www.tiscali.co.uk/music/news/9063.html
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| | Links |
| | Cinema Strange on MySpace- For all of you hooligans who are into that scene... | | | Cinema Strange on LiveJournal- For all of you hooligans who are into THAT scene... | | | Nightmare Zone- The official webcave of R.a.l.f and :Thomas: Thyssen, featuring info on their clubs and a hefty ream of data on Cinema Strange, including lots of photos... |
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http://www.nightmarezone.de/cinemastrange/links.htm
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| | Strange Days - VHS - Title SP - SZ Shopping at dooyoo.co.uk |
| | Strange Days takes place on the eve of the millenium. | | | Strange Days : One of the most underrated films of the 90's! | | | Strange Days is a science fiction movie, starring Ralph Fiennes as Lenny... |
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http://www.dooyoo.co.uk/vhs-title-sp-sz/strange-days
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| | Strange Days |
| | Strange Days for Cyberpunk Cinema in the 90's | | | Strange Days happens already in past, in new year's eve in 1999, and ends when year 2000 begins. | | | Strange Days is a cyberpunk movie directed by Kathryn Bigelow and written by James Cameron. |
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http://project.cyberpunk.ru/idb/strangedays.html
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| | Metromix. A world of fascinating cinema awaits audiences |
| | Most screenings take place at Landmark's Century Centre Cinema, 2828 N. Clark St., and AMC River East 21, 322 E. Illinois St. There are also screenings at the Chicago Theater, 175 N. State St., and at the Harris Theater for Music and Dance, 205 E. Randolph Drive. | | | The latest work by a true cinematic legend (see introductory article), Portugal's De Oliveira, who will be present at both screenings. | | | Based on a tale by Agustina Bessa-Luis, this is a triangle drama, composed in highly intellectual speeches and monologues, about a strange religious-artistic aristocratic couple and their ex-con servant--who decides to give the Lord a hand. |
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http://metromix.chicagotribune.com/movies/mmx-0510070397oct07,0,4956205.story?coll=mmx-movies_heds
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| | 'Frames' exhibit at UCI combines early photography with new interactive cinema 111/01/01 |
| | The interactive cinema installation, created by Grahame Weinbren two years ago for the Biennial exhibition of the NTT InterCommunication Center in Tokyo, is having its West Coast premiere run and third showing overall at UCI. | | | Having worked in interactive cinema for the last 15 years, I've learned that you have to make a lot of material to keep people interested in the piece for a short time. | | | Weinbren chose to look at photography in its infancy - it was invented in 1835 concurrently in France and England - and parallel that with interactive cinema, a relatively new media these days as photography was in the late 1840s. |
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http://www.irvineworldnews.com/Bstories/nov1/frames.html
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| | La grande bouffe / 1973 / film review / Blow-out / The Grande Bouffe / Marco Ferreri / Michel Piccoli |
| | Yet, in spite of that (or, perversely for that reason), this film has a strange melancholic charm that makes it compelling viewing – even if, for most of the time, we are just watching four fat middle-aged men stuffing their faces. | | | With on-screen vomiting, endless fart jokes (done literally to death) and the amazing exploding toilet (the funniest thing ever in French cinema?), La grande bouffe must surely win anyone’s award for the most shamelessly vulgar example of mainstream French cinema. | | | A very strange and disturbing film &; but one with some absolutely outrageous comic moments. |
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http://frenchfilms.topcities.com/nf_La_grande_bouffe_rev.html
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| | Ukrainian Gothic Portal - Herbstnachte III [2001]- Garden Of Delight, Cinema Strange, Kramm, Antiworld, The Dreamside, End, Mortalia, Mandrake, Scream Silence, Faith and the Muse, Helix, Corvux Corax, Letzte Instanz, Sisc |
| | Here you will find our photos of bands : Garden Of Delight, Cinema Strange, Kramm, Antiworld, The Dreamside, End, Mortalia, Mandrake, Scream Silence, Faith and the Muse, Helix, Corvux Corax, Letzte Instanz, Sisc, Letzte Instanz | | | Ukrainian Gothic Portal - Herbstnachte III [2001]- Garden Of Delight, Cinema Strange, Kramm, Antiworld, The Dreamside, End, Mortalia, Mandrake, Scream Silence, Faith and the Muse, Helix, Corvux Corax, Letzte Instanz, Sisc |
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http://www.gothic.com.ua/ukrrus/events/herbstnachte_2001_photos_bands.htm
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| | Digital Spy Forums - The All Singing, All Dancing Remade Charlie and the Chocolate Factory Thread. |
| | I couldn't make out what the oompa loompas were singing either, and some people applauded at the cinema when i watched it too, which i found incredibly strange. | | | Can i aslo mention that when Charlie found the Golden Ticket some people in the cinema i was at actually applauded which i found abit strange also when the movie finished some people applauded. | | | The only thing that did annoy me was when the Oompa Loompas would sing their songs.I personally found it difficult to make out what they were actually saying.I could hear certain words here and there.Did anyone else have this trouble?. |
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http://forum.digitalspy.co.uk/board/showthread.php?t=258733
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| | Mark McGowan |
| | This week I caught up performance artist Mark McGowan, who it would be fair to say is a bit of a strange man. I sensed he thought I was a bit strange too, but Mark, a student at the Camberwell Arts College and a Camberwell-ite is actually renowned in London for his strangeness. | | | Just off the main high street near Clapham Common tube and sited next to a bustling French restaurant with outside terrace and opposite a cinema, the performance will attract the attention of passers by and Sunday afternoon bar and cinema goers alike. | | | Currently Mark is performing a series of art installations at the Clapham Art Gallery over the summer, the third in the series "Violent Couch" being performed yesterday (Sunday August 19). |
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http://www.myclapham.co.uk/clapham/arts-markmcgowan.htm
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| | Open Directory - Arts: Movies: Filmmaking: Directing: Directors: U: Ulmer, Edgar G. |
| | Strange Illusions - The Films of Edgar G. Ulmer - American Cinematheque look at Ulmer's body of work. | | | Edgar G. Ulmer's Bluebeard, The Strange Woman and Moon Over Harlem - Bright Lights Film Journal examines three of his films. | | | The Cinema of Edgar G. Ulmer - Review of three of the director's films by Gary Morris. |
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http://www.dmoz.org/Arts/Movies/Filmmaking/Directing/Directors/U/Ulmer,_Edgar_G.
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| | Oracular Odeum Ossuary - The Cinema Strange Fanlisting |
| | Welcome to Oracular Odeum Ossuary, the approved fanlisting for Cinema Strange. | | | Oracular Odeum Ossuary - The Cinema Strange Fanlisting | | | This fanlisting has been approved by thefanlistings.org and is part of silentgarden.net and Kink. |
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http://www.fan.silentgarden.net/cs
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| | Fine Line Features Crash Production Notes |
| | Crash is equally frank in its examination of the strange possibilities for sex and human relationships in the artificial landscape of the machine age. | | | The immediate subject matter of Crash is the strange lure of the auto collision, provoking as it does the human fascination with death and the tendency to eroticize danger. | | | Vaughan introduces them to a strange crash-survivor subculture, a de facto cult of which he is the high priest. |
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http://www.finelinefeatures.com/crash/allnotes.htm
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| | Strange Days for Cyberpunk Cinema in the 90's |
| | Strange Days for Cyberpunk Cinema in the 90's | | | Strange Days : this is the title of a recently released movie directed by Kathryn Bigelow; aptly, it is also a description of the film's bleak, near-future setting. | | | The important thing is no the label but the content; and anyone who loves cyberpunk should be happy to include such a fine film as Strange Days in their genre. |
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http://project.cyberpunk.ru/idb/strange_days_for_cyberpunk.html
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| | GreenCine Queer Cinema |
| | Such characters are less noticeable today, replaced by a third queer presence, or actually two related ones: the dying homosexual of the AIDS era and the healthy, well-adjusted gay or lesbian of the New Queer Cinema and beyond. | | | Crazy queers were the driving force in films like the 1957 The Strange One (with Ben Gazzara as a crypto-homo sadist at a military school), Reflections in a Golden Eye (1967) and The Sergeant (1968). | | | Just as drag queens radicalized legions of queers at the Stonewall Riots, so the sissy, in his quieter way, was the revolutionary of 1930s cinema, brazenly countering the hetero hero's often foolish attempts to get laid (or at least steal a kiss) with an arsenal of arched eyebrows, rolling eyes and finger-wagging. |
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http://www.greencine.com/static/primers/queer.jsp
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| | Webhits - F.M.'s List of Recommended Websites - Cinema and Theatre |
| | Twitch, a world cinema blog "spreading the news on strange little films from around the world". | | | Information page for the Metro Centre multiplex cinema, part of the United Cinemas International chain. | | | For a more comprehensive catalogue of sites on African cinema, try Karen Fung's guide to African Films, Movies and Video on the Internet, maintained by Stanford University Libraries. |
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http://www.francismangion.btinternet.co.uk/webhits-cine.htm
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| | An Introduction to Korean Cinema |
| | Korean cinema declined in the 1970s and its revival in the 1980s led finally to some exposure in the West. | | | For the second year in a row, Le Festival des Films du Monde is putting the spotlight on a country in which the cinema is at the heart and soul of its nation's culture. | | | I watched Lee Chang-Ho's A Man with Three Coffins (1987), a strange tale of contact with Shamanism, which is narrated through a fascinating, convoluted structure. |
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http://www.horschamp.qc.ca/9810/offscreen_essays/korean.html
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| | Making Sense of Matter in Deleuze's Conception of Cinema Language |
| | Metz thought that a more scientific approach to the cinema was to be found with the question of language, and although this question was metaphorically present since the 1920s [ 1 ], Metz was the first to apply modern linguistic models to this problem (Guzzetti 292). | | | As an example, consider the period of Language and Cinema and Metz's revision of his earlier work in the collection Essais sur la signification au cinema I (1971). | | | Gilles Deleuze's theories of film have long held a strange position within the fields of film studies and philosophy: While rather ideosyncratic, Deleuze's theories are often ignored due to the very breadth of his project -- including both his own criticism and his collaborations with Felix Guattari. |
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http://www.reconstruction.ws/022/deleuze.htm
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| | An Introduction to Korean Cinema |
| | I watched Lee Chang-Ho's A Man with Three Coffins (1987), a strange tale of contact with Shamanism, which is narrated through a fascinating, convoluted structure. | | | It is hard to imagine the frustration of reading, or writing, a book which chronicles a period of film history which is completely lost to us!) The next phase of Korean cinema history, from the liberation (1945) to the end of the Korean War (1953) is not much better served. | | | See, Lee Young-Il, The History of Korean Cinema: Main Current of Korean Cinema, trans. |
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http://www.horschamp.qc.ca/9810/offscreen_essays/korean.html
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| | Qwipster's Movie Reviews - Rich and Strange review (1932) |
| | As I mentioned earlier, unless you are a die-hard Hitch fan, or perhaps just a fan of old British cinema, you're best not bothering investing time watching RICH AND STRANGE when there are so many other films just like this today that are just as funny or funnier. | | | RICH AND STRANGE is probably a film that will only appeal to Hitchcock completists, and as such, it's a hit-and-miss affair which has an entertainment value that will vary greatly depending on the reasons why you are watching it in the first place. | | | RICH AND STRANGE is a bit of an unusual film, which actually makes the humor somewhat entertaining. |
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http://www.qwipster.net/richandstrange.htm
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| | net8.txt |
| | In this sense theater and cinema construct the apparatus or machinic: "The _film_, strange formation reputed to be normal, is no more normal than the _society_ or the _organism._ All these so-called objects are the result of imposition and hope for an accomplished totality. | | | The cinematic obdurate and the lifeworld chaotic do not clash; in fact, they cohere within the ritualized proscenium of the theater, a temporal and spatial constant to the _presentation_ of cinema, or what may be termed the _presencing_ of the diegetic. | | | It already has forms behind it; it comes from the future, from a future situated beyond the future wherein possibles scintillate, for the chaste nudity of the face does not vanish in the exhibitionism of the erotic. |
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http://www.anu.edu.au/english/internet_txt/net8.txt
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| | quiet earth - film review for zone-sf.com |
| | Director Geoff (billed here, for the only time in his career, as Geoffrey) Murphy and his crew make the most of this, conjuring up an eerily strange atmosphere and showing once again that you can make effective SF cinema without the need for elaborate special effects. | | | Once again, the late Bruno Lawrence (who was ubiquitous in New Zealand cinema at the time) shows how good an actor he was, by no means a conventionally handsome movie lead but one entirely capable of commanding your attention on his own. | | | Zac struggles to piece together what has happened. |
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http://www.zone-sf.com/quietearth.html
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| | Shepperton Babylon: The Lost Worlds of British Cinema |
| | And it is a strange history - the sudden upheavals, the scarcely credible characters, the gap between sumptuous cinematic image and seedier realities, the saviours of British cinema arriving in some very odd disguises. | | | British cinema may have sometimes been a shabby, shallow or ill-funded thing but its always been our own. | | | While its true the author sometimes does not pull his punches the book is clearly a personal history, and in my view he is entitled to his opinion. |
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http://www.armchairfans.co.uk/books/0571212972
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| | Collection: Glen Gould at the Cinema : Film Music on the Web CD Reviews Oct 1999 |
| | Collection: Glen Gould at the Cinema (music by Bach, Richard Strauss, Sibelius and Scriabin) | | | Collection: Glen Gould at the Cinema : Film Music on the Web CD Reviews Oct 1999 | | | A strange confection but one with many rewards to be quarried by a listener open to her or his own judgements rather than the received 'wisdom' of the critical world. |
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http://www.musicweb-international.com/film/oct99/gould.htm
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| | Eowyn Poster Petition |
| | We, the Eowyn fans of the world, would like to see New Line Cinema release a poster for the character, Eowyn. | | | The Eowyn Poster Petition to New Line Cinema was created by LadyofRohan.com and written by Melanie Bolen. | | | We find it strange that she has been ommitted from so many posters, and that she does not even have a poster to herself. |
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http://www.petitiononline.com/eowynpos/petition.html
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| | Amazon.ca: Sentinel: DVD |
| | Michael Winner, the director who presented us with such classic cinema as "Scorpio," "Death Wish," and "The Mechanic," gives us his all in this chilling story about a gateway to Hell and the poor souls entrusted to protect the rest of us from the evil spirits dwelling there. | | | Within a few days of moving in, Parker begins to hear strange noises, starts having vivid memories of a suicide attempt she made as a child, sleepwalks, and discovers a few hideous secrets about the other tenants in the building. | | | By the time Alison starts having fainting fits during fashion shoots, her boyfriend Michael steps in and starts investigating the strange apartment building. |
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http://www.amazon.ca/exec/obidos/ASIN/B00023P4UQ
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| | THE ASTOUNDING B MONSTER HORROR |
| | Aside from Carradine, most of the cast proves unmemorable, but Aquanetta looks striking as the gorilla-turned-woman who possesses a strange power over the circus animals ("animal magnetism?"). | | | Bryan Senn is the author of Drums of Terror: Voodoo in the Cinema, available from Midnight Marquee Press and Golden Horrors: An Illustrated Critical Filmography of Terror Cinema, 1931-1939, available from McFarland and Co. | | | For their third sound horror production, Universal chose to follow the now-established (and lucrative) pattern of adapting the classic works of nineteenth century authors. |
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http://www.bmonster.com/horror32.html
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| | Variety: Resurrected sidebars mark return to offbeat. (Mezzogiorno and Officina Veneziana)(Spotlight: Venice Film Festival)@ HighBeam Research |
| | The strange, the offbeat, the new in contemporary cinema has come home again to Venice this year with the Mezzogiorno (Midday) and Officina Veneziana (Venetian Workshop) sections. | | | The Mezzogiorno and Officina Veneziana, the two sidebars which served as the venues for contemporary and offbeat cinema in the 1970s and 1980s, have been revived at the 54th Venice International Film Festival. | | | The two new-old sidebars have been resurrected from the '70s and '80s after a long absence from the... |
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http://www.highbeam.com/library/doc0.asp?DOCID=1G1:20135771&refid=ip_encyclopedia_hf
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| | Cinema Treasures Dublin 6 Cinema |
| | The Dublin 6 Cinema was a fantastic 70's/80's theatre. | | | The Dublin 6 Cinema closed in January 1998. | | | It had a strange hall way leading to the different auds that twisted left and right as though you were going through a maze. |
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http://cinematreasures.org/theater/6038
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