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| | Cecil Taylor - Wikipedia, the free encyclopedia |
 | | Riobec - Cecil Taylor and Günter Sommer, 1988 | | | The CD Chinampas, released by Leo Records in 1987, is a recording of Taylor reciting several of his poems unaccompanied. | | | Few recordings from 2000 have yet been published, though Taylor, now in his 70's, continues to captivate audiences around the world with live concerts, usually played on his favored instrument, the Bosendorfer piano. |
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http://en.wikipedia.org/wiki/Cecil_Taylor
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| | The Music of Cecil Taylor 1955-1990 #1 |
| | Anthology of American Music: Cecil Taylor (New World 201, CD) and 3 Phasis (NW 303): Recorded for New World Records, April 1978 - These were part of an extensive series of recordings brought about in part by the Bicentennial, ranging from 1800's parlor music thru folk songs, 'classical' and a very comprehensive survey of jazz. | | | Taylor made two recordings in 1968 which are difficult to find. | | | The quartet consisted of Taylor, Lyons, Cyrille, and Sam Rivers (his only 'official' recording with Taylor - there's a bootleg released on the 'Jazz Connoisseur' label of this same group on the same tour, possibly from the same concert...). |
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http://ourworld.compuserve.com/homepages/damonshort/cecil01.htm
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| | Cecil Taylor : Conquistador (Bonus Track) - Listen, Review and Buy at ARTISTdirect |
| | This recording from 1966 is the very album that should have made Cecil Taylor the superstar of free jazz. | | | Taylor's understanding of the bottom end in improvised music has never been celebrated properly and never has it been so clearly on display as it is here. | | | Instead, despite the fact that it was received well by many critics and those interested in the new music, it was the last time he would record for seven years. |
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http://www.artistdirect.com/nad/store/artist/album/0,,2856284,00.html
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| | MTV.com - Cecil Taylor |
| | In 1964, Taylor was one of the founders of the Jazz Composer's Guild and, in 1968, he was featured on a record by the Jazz Composer's Orchestra. | | | Suffice it to say that Cecil Taylor's music is not for everyone. | | | Soon after he first emerged in the mid-'50s, pianist Cecil Taylor was the most advanced improviser in jazz; five decades later he is still the most radical. |
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http://www.mtv.com/bands/az/taylor_cecil/bio.jhtml
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| | Jazz Epiphany: Cecil Taylor |
| | Virtually all Taylor's music from 1967 to 1977 was recorded in Europe. | | | From 1951-1955 Cecil Taylor attended The New England Conservatory of Music. | | | Playing with Cecil Taylor immediately put me into the offensive mode." Taylor himself once said that "Technique is a weapon to do whatever must be done." Cecil has been on the "offensive" since the 1950's and he's finally winning the battle. |
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http://www.jazzinternet.com/artists/cecil_taylor.htm
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| | Cecil Taylor |
| | That's what Taylor has achieved in a musical life spanning some 40 years, more than 50 recordings, and the globe. | | | Taylor's favourites in his own constituency of black free jazz (or at least the music that has developed out of what was called black free jazz during the 60s) include Bill Dixon, Sunny Murray, Don Cherry, Butch Morris, Reggie Workman, William Parker, Charles Gayle. | | | Many of Taylor's works, particularly the mid-60s albums Unit Structures and Conquistador, seem to be so much about planes, architectures... |
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http://www.thewire.co.uk/archive/interviews/cecil_taylor.html
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| | Cecil Taylor |
| | Taylor has always stressed the transcendental and spiritual qualities of his music. | | | Twenty-one years ago, pianist Cecil Taylor made an album called Dark to Themselves (Enja). | | | The music started before the club's recorded background music faded, with Taylor pecking out diamond-bright notes, clustering them into three-note phrases that he varied and extended to escalate the tension. |
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http://www.bostonphoenix.com/archive/music/97/09/11/CECIL_TAYLOR.html
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| | U B U W E B :: Fred Moten on Cecil Taylor |
| | That reconfiguration is opened by Cecil's aural improvisation of, rather than (un)silent adherence to, an originary writing-as-ritual and his infusion of the diagrammatics/diagraphesis of ritual with sound. | | | Cecil says to his interlocutor, "I'm listening" (Richards). | | | The recording is of a performance by the Cecil Taylor Unit given on 7 November 1987, just nine days before the recording of Chinampas. |
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http://www.ubu.com/papers/moten.html
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| | HyperMusic -- History of Jazz: Cecil Taylor |
| | Cecil Taylor has been known to play the piano so percussively that piano keys have broken off and flown through the air during his performances. | | | Cecil Taylor began piano lessons at age 5. | | | In the 1950's he chose to study music formally at the New England Conservatory of Music. |
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http://www.hypermusic.ca/jazz/taylor.html
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| | Jazz/Jerry Jazz Musician/Gary Giddins conversation on pianist Cecil Taylor |
| | Taylor is almost like a tabula rasa in the sense that listeners read into him whatever they happen to know about music. | | | Everything about Taylor is, in a sense, self-created, and not just the music but the way he appears on the stage -- the singing, the dancing, the poetry, the knit hat, the flowery clothing. | | | I was trying to concentrate on her and also remember what records I had brought, and then it hit me that it was the Cecil Taylor record. |
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http://www.jerryjazzmusician.com/linernotes/cecil_taylor.html
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| | eBay - cecil taylor, CDs, Records items on eBay.com |
| | CECIL TAYLOR Akisakila 2 disc Japan only vinyl obi | | | QU'A : LIVE AT THE IRIDIUM V. 1 Cecil Taylor CD 1998 | | | Transition Cecil Taylor Steve Lacy mini lp cd BOOKLET M |
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http://search-desc.ebay.com/search/search.dll?query=cecil+taylor&newu=1&krd=1
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| | Browse by Artist: TAYLOR, CECIL |
| | Cecil Taylor has brought to music a synthesis we've long waited for. | | | On this double LP recorded live in Paris, pianist Cecil Taylor, altoist Jimmy Lyons, and drummer Andrew Cyrille perform an unrelenting 110 minute set." The correct date is: 11/30/1966. | | | Second album from the same sessions as above, recorded 1978."3 Phasis is a masterwork, a testament to the perfectionism and unpredictability that go hand in hand in Taylor's music...The more you listen, the more you hear. |
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http://www.forcedexposure.com/artists/taylor.cecil.html
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| | Cecil Taylor -- Encyclopædia Britannica |
| | Taylor attended the New York College of Music and the New England Conservatory of Music but was influenced more decisively by the music of Duke Ellington, Thelonious Monk, and Horace Silver. | | | Examines Taylor's career and his efforts to interest young people in jazz music, and includes questions from listeners. | | | In free jazz, a movement that began in the late 1950s, performers use random improvisation and stray far from traditional jazz harmonies and forms. |
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http://www.britannica.com/eb/article-9001904
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| | an interview with Cecil Taylor |
| | Pianist-composer Cecil Taylor is internationally known for the brilliance and audacious beauty of his music. | | | Taylor: That's the wonderful thing about maybe never being allowed to get into the business--the music business-- because I was not a very well-behaved person according to the gangsters who control the business. | | | Taylor: I don't like to accept the idea that the piano, or any instrument, is a machine. |
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http://wings.buffalo.edu/epc/authors/funkhouser/ceciltaylor.html
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| | Cecil Taylor/Part I |
| | Yet this "mythic representation" Taylor postulates is not a form of musical anarchy, as his music is often incorrectly presumed to be. | | | Most interesting here is his comment on the relationship between musicians and musical structure; musicians are "commenting" in it, struggling with the tension between the "restraints" of structure and the experiences which "in-form" the individual. | | | One of the main problems was that the only existing venues were ones that were historically created for "mainstream" jazz, and the traditional economic functioning of jazz clubs was somewhat antithetical to the demands made by the new music. |
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http://users.lmi.net/~mgheart/thesis/part1.html
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| | Cecil Taylor |
| | But Taylor has had a hook in my musical brain for some years now, a hook that draws me toward his dark and chaotic vision of melody and harmony. | | | Unfortunately, Taylor's recordings are scattered among a legion of small labels, so it is difficult to find his work, even in urban centers where your local music shop is inclined to do special orders. | | | I would like to bring the name of pianist Cecil Taylor into your jazz vocabulary, but it's hard to explain my reason for this, because I find his music disturbing, forbidding, terrifying, yet always worth a listen. |
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http://www.skyjazz.com/commentaries/taylor.htm
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| | Amazon.com: Nefertiti, the Beautiful One Has Come: Music: Cecil Taylor |
| | Cecil Taylor has been one of the single most iconoclastic instrumentalists of out time and remains to be a VERY controversial figure in music after forty years of performing. | | | This reissue admirably fills a gap in Taylor's work, showing how he got from the brilliant early recordings for Candid, Contemporary, andc--where Taylor pushes the music of Ellington and Monk several steps further--to the newly-minted free-jazz of his later albums (beginning with the pair for Blue Note). | | | Uncompromising and endlessly controversial, Cecil Taylor's percussive, intellectual approach to jazz composition, improvisation, and piano remain largely outside the mainstream after more than 40 years. |
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http://www.amazon.com/exec/obidos/tg/detail/-/B000001Z3V?v=glance
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| | * Dusted Reviews - Cecil Taylor Ensemble * |
| | Taylor starts reciting, his words nearly unintelligible in the cavernous acoustics of the recital hall. | | | Suddenly the horns subside and the Taylor is left alone with scribbling strings of Honsinger and Duval. | | | Finally Taylor's piano rumbles forward with a phalanx of pedal-weighted notes. |
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http://www.dustedmagazine.com/reviews/630
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| | Cecil Taylor Panel Discussion |
| | Taylore: The answer is LeRoi, the answer is LeRoi, it was his program and the creators of the music were put in the role of performers on his program
that’s all. | | | Taylor: Now, the only difference is that certain people wish to notate their improvisations. | | | Taylor: Martin [Williams] talked about theme and variation; what you’re talking about is not a sonata allegro form which happens to be a European concept organization of music. |
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http://www.the-spa.com/mw
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| | Cecil Taylor |
| | By 1956 Taylor was living as a professional musician in New York, releasing his first recording Jazz Advance in the summer of that year. | | | Regardless, by the close of the 60s he had only managed to release only two more recordings, including an album made with The Jazz Composers Orchestra, and by the early 1970s he was instead primarily making his living as an educator at various colleges and universities. | | | The 1980s at last saw the music scene catching up with Cecil Taylor's innovative style, and a steady outflow of recorded work has continued since. |
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http://www.nndb.com/people/962/000044830
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| | JR.com: Cecil Taylor - Jazz Advance in Music: Piano: |
| | This is Cecil Taylor's first album, recorded by Tom Wilson (also Bob Dylan's first producer) in Boston in 1956. | | | And it's probably the only Cecil Taylor record you can have on your CD changer while entertaining guests--it has a light touch. | | | Taylor's lines are extensions of Monk-like concepts, but the tightly coiled melodies contain a barely withheld fury. |
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http://jr.com/JRProductPage.process?Product_Id=3917649&...
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| | Cecil Taylor ALMEDA |
| | The concerts of the Cecil Taylor Ensemble at the 29th Total Music Meeting of Free Music Production in November 1996 in Berlin were such unique opportunities for this kind of deep musical experience. | | | The music of the Cecil Taylor ensemble is an alternative. | | | Even if you consider Free Jazz or free improvised music among your familiar musical areas, the energy here flows so direct, so complex and transparent, so electrifying and overpowering that one can easily imagine when listening to this recording how unforgettable these concerts were if you were lucky enough to be there. |
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http://www.free-music-production.de/fmpcds/almeda_cecil_taylor_e_fmp_126.htm
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| | Music of Cecil Taylor 1955-1990 #2 |
| | Lyons was a near-indispensible part of Taylor's ensemble music for well over 20 years; it would seem an impossible task to replace him, and in fact there have been few editions of the Unit since that even include a wind player. | | | Bakr's textures are comparatively lighter than previous Taylor drummers; this set also marks the beginning of Parker's collaboration with Taylor which continues to the present. | | | Cecil also is heard on single tracks from the following: |
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http://ourworld.compuserve.com/homepages/damonshort/cecil02.htm
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| | Cecil Taylor recieves a wink |
| | It was from the piano that the poetry emerged, and it spoke dramatically, as Cecil Taylor always does, of some deep, mysterious and permanent understanding of that thing we call music. | | | This was just a sheet of paper that had words on it, which Taylor used in a spoken passage of magisterial incomprehensibility. | | | You couldn't help but think his listeners were there to steal, though, because from instant to instant, he sounded for all the world like a genius. |
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http://www.tonyspage.com/St._Cecilia_winks.htm
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| | Cecil Taylor |
| | Decades on, Taylor was the recipient of a MacArthur Foundation "genius grant." A 1988 festival in Berlin, commemorated by an astounding 11-CD box set on the German label FMP, cemented his Olympian status in performances with a flock of European improvisers. | | | He is one of the handful of demigods in the vanguard wing of jazz--or creative improvised music, as some prefer. | | | He's a touchstone for three generations of like-minded musicians, the single degree of separation between such disparate (but eagerly exploratory) collaborators as Gil Evans and Thurston Moore (of noisy art-rock outfit Sonic Youth). |
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http://www.personal.psu.edu/staff/c/x/cxl46/jazz/CecilT.htm
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| | Howard Mandel, Jazz Critic - Jazz Writing - Cecil Taylor |
| | The greatest living improvising pianist, Cecil Taylor, who confronts Western music, literature and dance as an outlaw jazz genius living large in New York and the world, also has an amiable side. | | | It was Taylor and Roach who played the stuff of legend. | | | From their direct approaches to grand piano and low-slung, tipped-in traps with a tympani-like add-on, Taylor and Roach wrestled with all their might. |
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http://www.howardmandel.com/CTaylor.php3
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| | * Dusted Reviews - Cecil Taylor * |
| | On the first of the solo pieces the pianist serves up some of his most lyrical and restrained playing on record, ending with the audible shuffling of score papers, an ironic gesture not lost on the audience. | | | In addition to offering yet another example of Taylor irrepressible art, this recording also points to the impressive improviser Mat Maneri was five years ago. | | | An audience member erupts in enthusiastic applause, presumably responding to a visual dance cue from Taylor lost to the recording and Maneri’s lines gain confidence, velocity, and piquancy. |
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http://www.dustedmagazine.com/reviews/1427
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| | Algonquin : Cecil Taylor : CD Reviews : One Final Note |
| | Rather than torrents of dense sound clusters and smashing of the deep end of the piano, this is a more nuanced, but no less energetic performance, with Taylor playing to the sonority of the violin, feeding and being nourished from its sound. | | | That may seem an odd statement about a pianist who is said to approach his piano as a tuned set of drums, but Taylor's rhythmic sensibility, as is the case with his harmonic and melodic inventiveness, is beyond what we typically think of when we think of rhythm. | | | Maneri aptly holds his own, and there is a generosity on the part of Taylor that is less often obvious. |
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http://www.onefinalnote.com/reviews/t/taylor-cecil/algonquin.asp
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| | Almeda + All The Notes : Cecil Taylor : CD Reviews : One Final Note |
| | Just as Taylor behind the piano often blurs keys and strings, his rhythms and intervals creating massive clusters that cannot be separated into constituent pieces, so too is The Ensemble similarly convened. | | | Even compared with Taylor’s own high standards, Almeda is a striking piece for large group improvisation, a composition of continual reinvention, constant revolution, where the whole is vastly superior to the sum of its parts. | | | Taken together the two sets are ample evidence that even at this late stage, Taylor still has a great deal to say as well as an unparalleled ability to drive fellow musicians to consummate altitudes and ecstasies. |
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http://www.onefinalnote.com/reviews/t/taylor-cecil/almeda.asp
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| | Cecil Taylor MP3 Downloads - Cecil Taylor Music Downloads - Cecil Taylor Music Videos |
| | In fact, these poems, studio recorded beautifully in the fall of 1987, tell the story of Taylor's approach to making music, creating solid matter from thin air, and then -- like the true shaman that he is -- transforming it into sand and blowing it away to make room for something else. | | | But he may have surprised even himself in the sheer musicality of his mystical universal tome. | | | Cecil Taylor MP3 Downloads - Cecil Taylor Music Downloads - Cecil Taylor Music Videos |
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http://www.mp3.com/albums/130005/summary.html
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| | The Bebop Shop Cecil Taylor |
| | Cecil Taylor: Nefertiti, The Beautiful One Has Come (Vinyl LP: Revenant- US Import, 3 LPs) | | | Cecil Taylor: Nefertiti, The Beautiful One Has Come (CD: Revenant- US Import, 2 CDs) | | | Cecil Taylor Unit: It Is In The Brewing Luminous (CD: hatOLOGY) |
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http://www.thebebopshop.com/acatalog/The_Bebop_Shop_Cecil_Taylor_20.html
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| | Cecil Taylor Algonquin |
| | Taylor amps up to full force and Maneri never blinks, the two locking into ecstatic musical dance. | | | Spending taxpayer money wisely, the Library of Congress commissioned Cecil Taylor to write a work for violin and piano in 1999. | | | Reciting a short poem, Taylor opens “Part One.” Maneri plays a solo improvisation, sounding already warmed up. |
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http://www.allaboutjazz.com/php/article.php?id=14414
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| | Cecil Taylor on CD - addendum 2/96 |
| | Giants-of-Jazz(I)CD53172 - CECIL TAYLOR - compilation of 5 tracks from Transition-TRLP19/TRLP30 (1956), 3 tracks from Candid sessions 1960/61. | | | (ds, 2/3/96) -- CECIL TAYLOR ON COMPACT-DISCS - Issue #1 (1995) compiled by Heinrich Lukas Lindenmaier --------------------------------------------------------------------- This is a listing of Compact-Disc productions with Cecil Taylor's music. | | | Freedom(J)TKCB70310 (2CD) - CECIL TAYLOR LIVE AT THE CAFE MONTMARTRE - reissue of Arista-AL1905 ++2 newly discovered trakc from same/similiar session (1962). |
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http://ourworld.compuserve.com/homepages/damonshort/cecil03.htm
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| | Cecil Taylor's birthday page |
| | Dear Cecil Taylor, I always liked your music very much and I would like to thank you for all the beautiful hours you gave me. To your 70th anniversary I wish you all the best, health and a long life. | | | Dear Cecil, so much vital energy, so much tenderness - let's hope that finally the world is going to appreciate the monumental contribution you've made to the music of this century (and stop with all that 'non-jazz, non-swing' nonsense. | | | Dear Cecil, thanx a lot for your great music... |
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http://www.avantart.com/music/ceciltaylor.htm
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| | Hearth by Cecil Taylor CD |
| | Personnel: Cecil Taylor (piano); Evan Parker (tenor saxophone); Tristan Honsinger (cello). | | | Recorded during Improvised Music II/88 at the Kongresshalle, Berlin on June 30, 1988. |
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http://www.cduniverse.com/search/xx/music/pid/1384807/a/Hearth.htm
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| | Cecil Taylor |
| | Covering everything from his childhood heroes to his favorite singers (which are a huge influence on him) to his favorite collaborators, usually in the span of one answer, Taylor's conversation was a perfect reflection of his music- not at all linear but instead free-flowing and dynamic. | | | Along with Ornette Coleman and John Coltrane, Taylor helped to usher in a turning point the history of the music. | | | In fact, his ferocious playing was so trail-blazing that it made more of an effect on the whole concept of rhythm than all but a few drummers. |
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http://www.furious.com/perfect/ceciltaylor.html
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| | Cecil Taylor: Mr. Taylor's Filibuster |
| | Xenakis is “my favorite European composer,” Taylor continued, but then quickly changed the subject to a Sonny Rollins concert he and Betty Carter attended on a cruise ship. | | | If that can be read as Marsalis slighting Taylor, or the avant garde (and anyone who has heard Marsalis speak on the subject knows that’s not much of a leap), Taylor has little regard for Marsalis’ music as well. | | | But then, that maybe shouldn’t be a surprise for someone who released a record in 1959 called Cecil Taylor Plays Cole Porter. |
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http://www.allaboutjazz.com/php/article.php?id=1250
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| | cecil taylor online sessionography 2001 |
| | Presentation by Cecil Taylor on "Composition and Notational Practice" | | | Solo performance by Cecil Taylor (piano) followed by a performance with Tony Oxley (drums) | | | Below is a copy of an announcement for a week-long Cecil Taylor festival and symposium at Johns |
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http://www.webmutations.com/ceciltaylor/2001.html
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| | Rhapsody Music: Download, Listen, Play & Burn Cecil Taylor |
| | A veteran composer and skilled pianist, Cecil Taylor remains one of the most adventerous figures in improvisational jazz. | | | Click here to start listening to Cecil Taylor and thousands of other artists FREE for 14 days with Rhapsody Unlimited. | | | Rhapsody Music: Download, Listen, Play and Burn Cecil Taylor |
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http://www.real.com/dmm/rhapsody/artist/?artistid=6087
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| | Taylor - Wikipedia, the free encyclopedia |
| | Derek Taylor -- British journalist, press agent for The Beatles | | | Theodore Roosevelt Taylor -- blues singer, also known as "Hound Dog Taylor" | | | Sir Geoffrey Ingram Taylor -- British physicist and mathematician |
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http://en.wikipedia.org/wiki/Taylor
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| | CECIL TAYLOR - MP3, lyric, tabs |
| | The Complete Candid Recordings Of Cecil Taylor And Buell Neidlinger Disc 4 | | | The Complete Candid Recordings Of Cecil Taylor And Buell Neidlinger Disc 3 | | | The Complete Candid Recordings Of Cecil Taylor And Buell Neidlinger Disc 2 |
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http://cooking.erp-volga.com/free_music/CECIL_TAYLOR.html
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| | Cecil Taylor- TIGERSUSHI |
| | PSEUDONYM(S) / MEMBER OF Cecil Taylor And Roswell Rudd |
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http://www.tigersushi.com/site/Art.jsp?ArtId=6
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| | jazz: Cecil Taylor |
| | Historic Concerts: Max Roach (d) and Cecil Taylor | | | Winged Serpents (Sliding Quadrants): Cecil Taylor Segments II (Orchestra of Two Continents) | | | that go hand in hand in Taylor's music. |
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http://www.counterpoint-music.com/Catalogues/Jazz/jazz.t/cecil
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| | Rolling Stone : Cecil Taylor |
| | A giant among the jazz avant-garde, Cecil Taylor's first forays into free improvisation predate even those... | | | Who knows more about Cecil Taylor than you? |
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http://www.rollingstone.com/artists/ceciltaylor
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| | Cecil Taylor News |
| | The Cecil Taylor Big Band played the Iridium in New York in 2004. | | | M akanda Ken McIntyre may not have been the biggest name in modern jazz, but he achieved renown in his 1960s recordings with Eric Dolphy and Cecil Taylor, then as a bandleader and finally, perhaps most... | | | Jazz Pour Tous: Cecil Taylor - The Cecil Taylor Unit & 3 Phasis |
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http://www.topix.net/who/cecil-taylor
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| | Cecil Taylor - Verve Records |
| | At the heart of their work was Taylor's piano playing, which soon shed any obvious connection with conventional melody and harmony. | | | In the last thirty years he has worked with a huge diversity of musicians on the world avant garde scene, and secured his place as one of the most inventive, if disturbing, piano soloists in jazz. | | | The Gigi Gryce-Donald Byrd Jazz Laboratory & The Cecil Taylor Quartet |
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http://www.vervemusicgroup.com/artist.aspx?ob=per&src=prd&aid=2817
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| | Artists: Cecil Taylor |
| | Cecil Taylor Page at European Free Improvisation Site | | | The Music of Cecil Taylor, an essay by Damon Short | | | Cecil Taylor Panel Discussion "THE SHAPE OF JAZZ TO COME" -- April 6, 1964 (transcription) |
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http://www.wnur.org/jazz/artists/taylor.cecil
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| | Cecil Taylor/Title Page |
| | Freedom and Individuality: The Cecil Taylor Orchestra at the 1995 San Francisco Jazz Festival | | | Appendix A: Graphic diagrams of the Tape Selections |
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http://users.lmi.net/~mgheart/thesis/title.html
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