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| | Brad Garton - Wikipedia, the free encyclopedia |
 | | Brad Garton is an American composer and computer musician who is professor of music at Columbia University. | | | Garton is director of the Computer Music Center, Columbia University, formerly the Columbia-Princeton Electronic Music Center. | | | Science," Garton provided sound effects and keyboards for the band Dow Jones and the Industrials in the late 1970s and early 1980s. |
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http://en.wikipedia.org/wiki/Brad_Garton
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| | Classical Voice of North Carolina |
| | Its "voices" (yes, the mix of words and music continued) suggested sounds that might issue from one of Dante's celebrated circles, enhanced from time to time by distant bells, as if the circle dwellers were being tormented by hints of another, far-removed place. | | | Otherwise, this remarkable festival continued with a fascinating afternoon composers' roundtable, involving Stan Link, Brad Garton, and Benjamin Broening, who turned out to be just plain folks, more or less, despite the stereotypical impression that music is written - still, maybe - by Dead White Males from Europe. | | | His delivery suggested Tom Lehrer's much earlier Irish parody without its gore; and portions of his performance reminded one of a sort of Guinness-crazed cross between Tom Waits and the Rev. Billy C. Wirtz. |
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http://www.cvnc.org/reviews/2004/march/SuccessJaws.html
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| | Garton Family Genealogy Forum |
| | George W. Garton of Harrison County Missouri - Allen Garton 1/13/03 | | | Garton Elizabeth Betsy 1814/Parker - Jack Withers 9/17/05 | | | GARTON's of Cumberland Co., NJ --> Madison Co., OH --> Harrison Co., MO - Lisa 9/08/02 |
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http://www.genforum.genealogy.com/garton
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| | Columbia University Record |
| | The festival's founders and principal organizers, Columbia music professors Brad Garton and Thanassis Rikakis, discussed with the Record the exploding interest in computer music and its applications. | | | I think that what the visual arts were for research in the 1980s, with fractals and chaos theory, sound and music will be to research in the upcoming decade-and we want to be at the forefront of that. | | | So what will come of these technological musical innovations? |
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http://www.columbia.edu/cu/newrec/2422/tmpl/story.5.html
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| | Computer Music Center - Wikipedia, the free encyclopedia |
| | The original Columbia facility was re-organized in 1995 under the leadership of Brad Garton and was renamed the Columbia University Computer Music Center. | | | By the mid 1980s the Columbia and Princeton facilities had ceased their formal affiliation, with the Princeton music department strengthening its affiliation with Bell Labs and founding a computer music studio under Godfrey Winham and Paul Lansky (see Princeton Sound Lab). | | | The Computer Music Center has no degree program of its own, and draws students from throughout the Columbia community, primarily from the departments of music, computer science, electrical engineering, intellectual property law, and psychology. |
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http://en.wikipedia.org/wiki/Columbia-Princeton_Electronic_Music_Center
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| | Descendants of Joseph Caldwell & Jane McGrew - pafg42.htm - Generated by Personal Ancestral File |
| | Curtis married Melissa Joy WESTENDORF daughter of Steven Ray WESTENDORF and Mary Lucinda ALDERSON on 14 May 1994 in Decorah, Iowa. | | | Christopher Louis GARTON (Allen GARTON, Louis Lyle GARTON, Maude Alice CALDWELL, Charles N, Nicholas, John, John T, Joseph) | | | Catherine Jo GARTON (Allen GARTON, Louis Lyle GARTON, Maude Alice CALDWELL, Charles N, Nicholas, John, John T, Joseph) |
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http://caldwellgenealogy.com/pafg42.htm
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| | WNYC - Soundcheck: OK Computer (November 06, 2002) |
| | Brad Garton, director of Columbia University’s Computer Music Center, and Donnacha Dennehy, music-technology professor at Trinity College Dublin, discuss how technology has changed the sound of composition and music education. | | | Primarily a composer, Donnacha Dennehy does research in computer-assisted synthesis and composition, algorithmic composition, analysis of twentieth-century music, multi-media, politics and modern music, ethnic approaches to rhythm, and classical theories of form and rhythm. | | | The American Music Center, founded in 1939 by Aaron Copland and five of his contemporaries, has worked to encourage the composition and production of contemporary American classical music. |
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http://www.wnyc.org/shows/soundcheck/episodes/11062002
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| | WNYC - New Sounds: Program #2123 (February 18, 2003) |
| | Brad Lubman (pictured) teaches at the Eastman School of Music, where he conducts frequently and directs the Musica Nova Ensemble. | | | Rounding out this institutional extravaganza is music by Neil Rolnick, who has enjoyed a long and fertile affiliation with the Rensselaer Polytechnic Institute in Troy, NY. | | | This continues today, as we hear in this look at computer music from around the world. |
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http://www.wnyc.org/shows/newsounds/episodes/02182003
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| | Related Website - Brad’s Stuff - Original Music |
| | The songs under the "New Music" category were created from 1995 to present. | | | Related Website - Brad’s Stuff - Original Music | | | Shawn Beckman and Sean McGary to name a couple.All songs © 1985-2002 Brad ford |
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http://rotteneggs.com/r/show/se/660739.html
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| | Red Snerts |
| | I bet not." If anybody burned down Scientific Brad G.'s house that'd be the end of Red Snerts, because most of it was either recorded or remixed in his studio, and that unfortunately includes his yucko electronic star-turn, "Mr. | | | Phil Hundle needs a new stop-watch; his "30 Second Affair" lasts but :29, but you gotta admire the economy of a guitar and (the Last Four (4) Digits' Joh Koss's) drum sound that can thrash like this one can. | | | Science, I presume), however, let the proverbial all hand out. |
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http://www.synthpunk.org/toneset/red_nyrock.html
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| | MUSIC-N - Wikipedia, the free encyclopedia |
| | Csound (descended from MUSIC 360 and in wide use today) | | | Less obviously, MUSIC can be seen as the parent program for: | | | CMix / Real-Time Cmix (by Paul Lansky, Brad Garton, and others) |
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http://www.wikipedia.org/wiki/Music_I
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| | A Greater Media Publication |
| | Brad Garton of Roosevelt uses his computer and a sound board to play a digital music piece he composed. | | | The 2000-01 Millstone Township school district budget will carry with it a 14-cent tax increase if it is approved by voters next month, and administrators say most of the costs contributing to the increase are out of their control. |
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http://examiner.gmnews.com/News/2000/0310/Front_Page.html
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| | [No title] |
| | The human voice is the basis for Three Hopeless Songs by Columbia University's Brad Garton. | | | TechnoSonics is part of ElectroAcoustic Music Week 1999, and international celebration of computer music organized by SEAMUS (Society for ElectroAcoustic Music in the US). | | | Composer Brad Garton, who is developing real-time music software for his own interactive pieces, adds his perspective. |
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http://presto.music.virginia.edu/VCCM/TechnoSonics
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| | The Bulletin Online |
| | The festival will feature two concerts of computer music with and without human performers, a poetry reading by Mark Jarman and a discussion by the composers on making music with or inspired by poetry or other texts. | | | The second North Carolina Computer Music Festival will take place March 15 and 16 at Stewart Theatre. | | | Both the Garton piece, “Good News,” inspired by the novel Good News from Outer Space by English Professor John Kessel, and the Broening piece “Summer is Late” feature Beth Griffith and a real-time interactive computer music system. |
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http://www.ncsu.edu/BulletinOnline/03_04/compmusic.htm
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| | (CCM)2 Electronic Music Studios Forums - Brad Garton |
| | Computer Music Composition class Mon Mar 4 at 3pm in 289 Memorial. | | | (CCM)2 Electronic Music Studios Forums - Brad Garton | | | (CCM)2 Electronic Music Studios Forums « Brad Garton » |
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http://meowing.ccm.uc.edu/cgi-bin/yabb/YaBB.cgi?board=Studioannounce_id;action=display;num=1015252194
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| | Western New England College - Brad Garton Lecture |
| | Garton's current work includes focused research on the modeling and enhancement of acoustic spaces as well as the modeling of human musical performance on various virtual "instruments." Dr. Garton is the brother of Western New England College Director of College Relations and | | | The lecture was titled: "Making Music = Math + Computers + Composing." Dr. Garton is a Professor of Music and Director of the Computer Music Center at Columbia University, which hosts of the leading computer centers in the world. | | | Western New England College hosted a computer music lecture by Brad Garton on November 4 in Sleith Hall Auditorium. |
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http://www.wnec.edu/communicator/snapshots/2004_brad_garton_lecture
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| | Valley Advocate: Sounds of Science |
| | Dr. Brad Garton, a professor of music and director of the Computer Music Center at Columbia University, has made a career of stumping in favor of the PC as both an instrument and inspiration. | | | Drawing on experience as a former member of the Board of Directors of the International Computer Music Association and a developer of computer music studios throughout the world, Garton lectures this week on the subject of Making Music = Math + Computers + Composing. | | | His lecture will demonstrate the ways in which computers are changing not only how but what we create -- the harmony that can result when electronics and eighth-notes collide. |
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http://www.valleyadvocate.com/gbase/Lifestyle/content?oid=oid:88301
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| | DBLP: Brad Garton |
| | Brad Garton: Peter Todd and D. Gareth Loy, eds., Music and Connectionism. | | | Ask others: ACM DL - ACM Guide - CiteSeer - CSB - Google |
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http://www.informatik.uni-trier.de/~ley/db/indices/a-tree/g/Garton:Brad.html
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| | ThreeTwo |
| | Part II: Brad Garton presents My Music Book and Judy Klein presents The Wolves of Bays Mountain, two new works for electronic sound. | | | Part II: Maja Cerar performs Enkidu by Douglas Geers and Autopoeisis by Liubo Borissov for violin with interactive electronic sound and video. | | | Part II: baritone saxophonists Taimur Sullivan and Allison Sloan perform the latest work by composer Keith Moore and artist Alex Lee. |
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http://www.threetwo.org
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| | nuvo.net / A Gizmo remembers North |
| | But it was Chris Clark (aka Dow Jones) who was the visual centerpiece of the band. | | | Soon after that night, we made our own pilgrimage to West Lafayette to check out the band live — and found Chris Clark surreally employed as the houseboy at a Purdue sorority. | | | They also had a live secretary seated to one side of the stage at a desk, typing away throughout the show. |
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http://www.nuvo.net/archive/2003/05/21/a_gizmo_remembers_north.html
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| | Inner Voices |
| | Elmore, by Andy Milburn, creates a drifting haze around an old blues singer. | | | He used the sound sampling/playback capabilities of a "general-purpose" computer to create his own version of a drum machine. | | | Brad Garton, Paul Lansky and Andy Milburn then transformed the voice to reflect the emotional and physical characteristics of each year. |
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http://www.music.princeton.edu/winham/innervoices.html
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| | ArtBots: The Robot Talent Show |
| | His principal composition teachers include Tristan Murail, Fred Lerdahl, Jonathan Kramer, Brad Garton, and Allen Otte. | | | Also thank you to Brad Garton and the staff of the Columbia University Computer Music Center for their support. | | | Many, many thanks to Douglas Irving Repetto, without whose support, advice, and encouragement the realization of this project never would have been possible. |
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http://artbots.org/2002/participants/light_motive
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| | max-msp mail archive - Bradford Garton : [max-msp] JSyn and Max/MSP |
| | (5 Bradford Garton / music notation software 7/30) | | | Brad Garton Columbia University Computer Music Center http://music.columbia.edu/cmc | | | The 4.5 java support is going to open a whole new world of possibility for Max/MSP users and developers. |
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http://www.caddr.com/macho/archives/max-msp/2004-7/574.html
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| | Sonic Circuits: 1997 Program Notes |
| | He studied physics at Carleton College, composition at the College-Conservatory of Music in Cincinnati with Brad Garton and Allen Sapp, and is now a doctoral fellow in composition at Princeton University where he works with Paul Lansky, Steve Mackey, Paul Koonce and Perry Cook. | | | His interests in computer music include interface/instrument design for performance and composition, and signal processing. | | | For further information see Dan Truman's Princeton University Page |
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http://www.soniccircuits.com/about/sc5notes.html
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| | Tone Set |
| | Science on the compilation, contributing a track called "Mr. | | | The next year, they appeared on the Gulcher Records compliation Red Snerts with "Ladies With Appliances." By that time, Chris Clark had left, and was replaced by Jenny Sweeny on bass. | | | Brad Garton had also left to group, and was replaced a fellow named Dave on keyboards. |
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http://synthpunk.org/toneset
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| | Introduction to Writing Algorithms (In MINC) |
| | What we want to look at here is how to use algorithms to create simple textures and other sound materials for use in your music. | | | Generally speaking, in computer music, algorithms do two things: | | | for the exploration of things like style modeling, genetics, games, physical laws (gas particles dancing around, et al), artificial intelligence, etc. This gets into "deeper" aspects of algorithmic composition, which we won't get into here (Brad Garton's advanced class begins to explore this wonderful world. |
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http://meowing.memh.uc.edu/~chris/algo.html
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| | CCRMA Winter Concert |
| | His research interests include audio data compression, multirate filter banks, and audio effects processing. | | | At Columbia University, he studied electrical engineering under Professor Martin Vetterli and computer music under Professor Brad Garton. | | | He is currently pursuing his Ph.D. in electrical engineering at Stanford University, working under Professor Julius Smith at CCRMA. |
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http://ccrma-www.stanford.edu/events/concerts/Winter-1995.html
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| | Linux MIDI & Sound Applications |
| | RTCmix is a version of Cmix maintained by Dave Topper, Luke DuBois, Brad Garton, and John Gibson; RTmix is Ivica Ico Bukvic's "performance tool geared towards persons interested in live and interactive electro-acoustic music", especially suited for use with RTCmix | | | jlooch drones courtesy Brad Garton and Java, requires Phil Burk's JSyn | | | Soundweave cool looping mechanism to produce endlessly changing sound textures |
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http://linux-sound.org/one-page.html
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| | Brad Goebel on Almondnet |
| | Brad Goebel is one of TX'x premiere ranch and resort realtors... | | | Brad Goebel is one of TX'x premiere ranch and resort realtors. | | | Paul Lansky, Andrew Milburn, and Brad Garton, Wasting; Frances White, Still Life... |
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http://www.ncpm.co.uk/popmusic/brad_goebel.html
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| | Bios |
| | DuBois first began composing computer music as an undergraduate at Columbia studying with Thanassis Rikakis and Brad Garton. | | | Furthermore, she took lessons in computer music with Brad Garton and Thanassis Rikakis, and Max-Msp with Luke DuBois. | | | DuBois is a very fast typist, computer music swiftly became an obsession. |
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http://www.music.princeton.edu/~park/events/litsk01/bios.html
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| | Musical Web Connections Table of Contents |
| | Ambient/Techno/Trance/Rave Web Sites - the new wave of electronic music | | | An older version of this list is mirrored at woof.music.columbia.edu thanks to the grace of Professor Brad Garton. | | | Here is some help if you have questions. |
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http://www.columbia.edu/~hauben/music/web-music.html
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| | Kitty Brazelton's Real Music Series Fall '93 |
| | Though not of one school or aesthetic, woof's renegades agree that computer music deserves a whole new approach. | | | Brad Garton, internationally active but a prophet unsung in his own land, directs rebel unit woof, and curates the only real tape concerts in town. | | | The computer conspiring in another revolution marked not by a single-minded aesthetic but rather a range of styles, as diverse as the information processed daily by Macintoshes and PC's, Sun workstations, custom-built interactive digital devices and esoteric 'software synthesis' computer-music languages such as CMIX and CSOUND. |
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http://www.kitbraz.com/cura/rms/falliii.html
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| | Brad Garton |
| | After several years, Garton decided to "get serious" about his music again, and entered the graduate program in music composition at Princeton University. | | | Soon his professional sound activities became time-consuming (and lucrative!) enough that he left graduate school, picking up a grant from the Indiana Association of Cities and Towns to work with local governments in developing noise control programs. |
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http://www.music.columbia.edu/cmc/people/brad.html
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| | The Music Industry Program |
| | He worked with Brad Garton and others on a wide variety of musical projects using state of the art computer hardware and software. | | | As a senior at MSU Moorhead, Kimberly Zallops completed her internship at Precision Powerhouse Recording Studios in Minneapolis, Minnesota. |
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http://www.mnstate.edu/music/ind/ind.htm
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| | Princeton University: WebMedia - Special Events |
| | Session - Keynote Address: Pauline Oliveros : "Cooking in the Quantum Kitchen: Nourishing the Body of Electro-acoustic music" | | | Session - alien productions: "On Sharing Control Non-hierarchic structures and dynamic systems. | | | Session - Moderator: Ge Wang; Panellists: Miller Puckette, Perry Cook, Brad Garton, Larry Polansky: "Panel Discussion: Ancient Greeks" |
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http://www.princeton.edu/WebMedia/special
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| | RTcmix for Linux: Part 1 |
| | Porting to Linux basically entailed swapping out the IRIX audio API with OSS (Open Sound System). | | | While sometime in 1993, as a student and research assistant at Columbia University's Computer Music Center (CMC), I took a first stab at a Linux port which had to use Sox to unswap big-endian files. | | | In late 1995, Brad Garton (CMC director) and I created a real-time version with a scheduler. |
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http://www.linuxjournal.com/node/3681/print
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| | The Columbia-Princeton Electronic Music Center |
| | Virgil deCarvalho and Brad Garton (current Computer Music Center director) in Studio 324, late 1980s. | | | Charles Dodge ran the computer music program at Columbia until, I think, the late 1970's. | | | Virgil was in charge of engineering at the C-PEMC after I joined Bell Labs in 1962. |
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http://www.columbia.edu/acis/history/cpemc.html
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| | Program notes |
| | Geers studied music composition at Columbia University in New York City with Tristan Murail, Fred Lerdahl, Brad Garton, and Jonathan Kramer. | | | His compositions have been performed worldwide, on concerts in North and South America, the U.K., France, Norway, Germany, Greece, Switzerland, Hong Kong, Korea, China, as well as on TV, radio, and the Internet. |
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http://www.soniccircuits.com/about/prgmnotes.html
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| | [music-dsp] mlooch and jlooch |
| | Lately I've been fooling around with > various software packages for doing synthesis/DSP stuff, and I wrote a > couple of apps for fun: > > http://music.columbia.edu/~brad/jlooch > > uses Phil Burk's JSyn java synthesis engine -- it works pretty well on > windows machines with the JSyn plugin for internet explorer. | | | ----- Original Message ----- From: "Bradford Garton" To: Sent: Thursday, November 15, 2001 7:52 AM Subject: [music-dsp] mlooch and jlooch > Hey, music-dsp people -- > > This isn't a real 'technical' post, but I thought a few members of this > list might get a kick out of these. | | | Can you add visuals to the win version? |
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http://shoko.calarts.edu/pipermail/music-dsp/2001-November/012943.html
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| | another NYC lecture/demo/concert event |
| | Check out: http://www.music.columbia.edu/fest99 or send me e-mail if you have questions, etc. Brad Garton Music Department brad@music.columbia.edu dupswapdrop: the music-dsp mailing list and website http://shoko.calarts.edu/~glmrboy/musicdsp/music-dsp.html | | | The Columbia University Music Department is hosting an "Interactive Arts Technology Festival" this week, with events scheduled around Manhattan. |
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http://shoko.calarts.edu/pipermail/music-dsp/1999-April/000558.html
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| | JSyn Example Applets |
| | JLooch and JNissa, algorithmic ambient pieces by Brad Garton at the Columbia University Computer Music Center, dedicated to the pets. | | | Phaser - inspired by Steve Reich's phase pieces |
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http://www.softsynth.com/jsyn/examples
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| | [No title] |
| | Robert Rowe of New York University and Brad Garton of Columbia University, co-editors of the International Computer Music Association's Array newsletter, collected and edited the original stimulus and several replies for their publication. | | | They succeeded admirably in fomenting a discussion; their original text is ornamented with comments from Roger Dannenberg, Dean Jacobs, Cort Lippe and Zack Settel, Stephen Travis Pope, and Miller Puckette (the author of Max). |
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http://www.nici.kun.nl/mmm/papers/dh-93-b.txt
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| | [No title] |
| | Directed by Brad Garton, The Computer Music Center offers instructional, studio, and research facilities in electronic and computer music to students and faculty in the School of the Arts and the Graduate School of Arts and Sciences; to the University's undergraduate schools; and to visiting composers and scholars. | | | Facilities and Programs at Columbia University include The Digital Media Center; The Computer Music Center; and The Interactive Design Lab. |
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http://www.artscope.net/NEWS/new0432001-1.shtml
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| | Amazon.ca: Customer Reviews Video: Get Real |
| | Silverstone was only 18 when he made this movie, but the depth of his performance is truly remarkable. | | | I am a straight woman, but there is no need to be gay to love this film. | | | Let's start with Ben Silverstone's stunning performance as Steven Carter, the shy, sweet 16-year-old who has a major crush on the school's track star, John Dixon (Brad Gorton). |
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http://amazon.ca/exec/obidos/tg/detail/-/video/6305733651/customer-reviews
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| | Cycling '74 Community: Luke DuBois Interview |
| | Thanassis and I were teaching a class called Basic Electroacoustics, and in the fall of 1998 we decided to take the plunge and try to teach something about interactive music, which is a genre that had never been taught here before in any depth. | | | We'd heard about MSP from Curtis Bahn, who was Brad Garton's sabbatical replacement up here the year before, and I went to a festival in Japan and there were a lot of people talking about it, so Than and I figured we should teach it. | | | We'd never touched Max before to any degree - neither of us had a clue about it - so over Christmas break that year we sat down with the MSP tutorial and gave ourselves a completely insane crash course. |
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http://www.cycling74.com/community/lukedubois.html
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| | Brad Garton - Last.fm |
| | Listen to music, see charts for Brad Garton - Southside Silence, Brad Garton - Number 5, Brad Garton - Connected Piano, Brad Garton - Sleeps All Night, Brad Garton - Almost Real | | | Click a button below to tune in with the Last.fm Player: | | | Login to upload images and vote on previously uploaded images |
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http://www.audioscrobbler.com/music/Brad+Garton
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| | Brad Rowe Supersite |
| | Beau Bridges picture / Billy Hufsey picture / Blink 182 picture / Bobby. | | | Brad Rowe - Remind me to watch any films starring Brad Rowe You must login in order to use this service BRAD ROWE Appearing in 2 movies on MOVIE NETWORK Search by Film Title Search by Actor Search by Director Search by. | | | Men Celebs - Brad Rowe Nude - philip olivier and brad rowe erik von detten shane west ben browder matt damon mark wahlberg nude tom welling eric nies brad pitt nude matthew bomer tom schilling ryan merriman devon sawa nude kyle. |
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http://www.dunning-marketing.com/listings/brad-rowe.htm
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| | The Synthesis ToolKit in C++ (STK) |
| | I also wanted to make these instruments connectable to such player objects, so folks like Brad Garton who really think a lot about the players can connect them to my instruments, a lot about which I think. | | | But I wanted to do it in a portable way, and in such a way that I can hook up modules quickly. |
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http://ccrma-www.stanford.edu/software/stk/information.html
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| | David Birchfield |
| | He received masters and doctoral degrees in Composition from Columbia University. | | | David has taught at Columbia University and Adelphi University, and he is currently on the faculty of the Arts, Media and Engineering Program at Arizona State University. | | | His principal composition teachers include Fred Lerdahl, Tristan Murail, and Brad Garton. |
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http://ame2.asu.edu/faculty/dab/contact.php
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