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Topic: Art Blakey



  
 Art Blakey - Wikipedia, the free encyclopedia
Blakey's most famous recordings are those made for during the 1950s and 1960s, mainly for Blue Note Records.
Blakey went on to record dozens of albums with a constantly changing group of Jazz Messengers - he had a policy of encouraging young musicians.
The first was a quintet that existed from 1959 to 1961 and included Blakey, Shorter, Jymie Merritt, Lee Morgan, and Bobby Timmons.
http://en.wikipedia.org/wiki/Art_Blakey

  
 Art Blakey Discography
Art Blakey's Jazz Messengers (which at the time consisted of the drummer-leader, trumpeter Lee Morgan, tenor-saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merritt) perform 18 mostly brief sketches that were co-written by Golson and Blakey.
Art Blakey's 1960 Jazz Messengers recorded so many excellent records that the "good" rating given this LP is relative.
Art Blakey was always one of the perfect drummers for Thelonious Monk's music, matching the innovative pianist's percussive excitement while leaving him plenty of space.
http://home.ica.net/~blooms/Art3.html

  
 Art Blakey, MP3 Music Download at eMusic
Blakey differed from other bop drummers in that his style was almost wholly about the music's physical attributes.
Blakey also frequently recorded as a sideman under the leadership of ex-Messengers.
In the '60s, when John Coltrane and Ornette Coleman were defining the concept of a jazz avant-garde, few knowledgeable observers would have guessed that in another 30 years the music's mainstream would virtually bypass their innovations, in favor of the hard bop style that free jazz had apparently supplanted.
http://www.emusic.com/artist/10556/10556610.html

  
 PBS - JAZZ A Film By Ken Burns: Selected Artist Biography - Art Blakey
Art Blakey received some piano lessons at school and by seventh grade was playing music full-time, leading a commercial band.
A loud and domineering drummer, Blakey also listens and responds to his soloists.
Among his sidemen from 1982 were Terence Blanchard and Donald Harrison, and in 1987 he was leading a septet of young musicians including the trombonist Delfayo Marsalis and the pianist Benny Green.
http://www.pbs.org/jazz/biography/artist_id_blakey_art.htm

  
 Art Blakey - Impulse! Records
Blakey’s instruction in the essentials of jazz and life helped to shape those musicians.
Many of them, in turn, are bandleaders and style setters influencing the course of the music in a century Blakey did not live to see.
Among Blakey’s colleagues at various times with Eckstine were a budding Who’s Who of the new music: Miles Davis, Fats Navarro, Dexter Gordon, Charlie Parker, Dizzy Gillespie, Budd Johnson, Wardell Gray, Lucky Thompson, Gene Ammons, Sarah Vaughan, and Sonny Stitt.
http://www.vervemusicgroup.com/impulse/artist.asp?aid=2797

  
 Jazz Bulletin Board - Art Blakey
Blakey and the Messengers, that´s really some of the essencial things I´m lookin for if I listen to jazz (anyway I normally don´t listen to other stuff than jazz).
All recordings with Blakey as a sideman, just playing the drums....they are something special and his presence on stage or in the studio lifted everybody up.
Blakey gets a lot of praise in most quarters on points 1 and 2 above, and while he also gets a fair acknowledgement on point 3, the acknowledgement of his genius as a drummer somehow sits in the relative background.
http://forums.allaboutjazz.com/showthread.php?t=9373

  
 NEA Jazz Masters ArtBlakey
In 1947 Blakey put together a band called the Seventeen Messengers, and later made a recording with his Jazz Messengers, which would become his famous band name thereafter.
Silver left to form his own band in 1956 and Blakey was forever after the leader of the Jazz Messengers.
His use of cross-rhythms and strategic dropping of “bombs” to further accent and drive his bands became his signature, as his drumming became among the most easily recognized sounds in jazz.
http://www.iaje.org/bio.asp?ArtistID=41

  
 Jazz, Dance Bands, Vocalists - Art Blakey -> Randy Brooks
Blakey's definitive 1958 session, with Lee Morgan, Benny Golson and Bobby Timmons on the frontline.
Volume 1 was recorded in Hollywood in 1962, and issues 8 cuts, mostly penned and arranged by the stellar band members, including two bonus tracks.
This album, one of 2 originally released in 1954, was recorded on Feb. 21, 1954 with the 1st of Art's endless incredible lineups - Clifford Brown(t), Lou Donaldson(ts) Horace Silver(p), Curley Russell(b) and Blakey(d).
http://www.rootsandrhythm.com/roots/JAZZ/jazz_b4.htm

  
 Jazz Artist Biography Art Blakey @ jazzreview.com
Art Blakey has recorded with a wide range of musicians outside his own group, bringing urgency and sensitivity to the rhythm sections.
The meeting with Monk (Art Blakey's The Jazz Messengers With Thelonious Monk) produced fine, considered music, and both albums featured the unsinkable tenor of Johnny Griffin.
With the departure of Silver, the main onus of stoking the boilers fell on Blakey, and subsequent albums with altoists Jackie McLean and trumpeter Bill Hardman show an increase in domination from the drums (Night In Tunisia).
http://www.jazzreview.com/articleprint.cfm?ID=158

  
 CATALOG: ART BLAKEY
Art Blakey's legendary Jazz Messengers recorded for numerous labels large and small during the 35 years of its existence.
This was Blakey’s final Birdland recording, and as usual it provided a showcase for both the playing and writing skills of the Messengers.
Caravan was the first of Blakey’s Riverside albums and endures as a living monument to his nonpareil drumming and leadership.
http://www.fantasyjazz.com/catalog/blakey_a_cat.html

  
 Untitled
Blakey finally found himself performing with a number of jazz bands as a drummer.
Blakey wanted his members to eventually leave the Jazz Messengers in order to form their own bands.
Blakey's incredible drumming capabilities will always be evident in the future of jazz drummers.
http://www-music.duke.edu/jazz_archive/artists/blakey.art/01

  
 Art Blakey and the Jazz Messengers: Reflections of Buhaina - PopMatters Music Review
Also worth noting though is that it's not just Blakey here; the other band members played various percussion on the track.
And though it's Art Blakey's album, the drums don't overpower the other players either from a production or performance standpoint.
This is a very fine jazz album and great jazz drumming album, and that can be a rare combination.
http://www.popmatters.com/music/reviews/b/blakeyart-reflections.shtml

  
 Ray Barretto: Homage to Art Blakey
The rhythm and sound of Ray's conga lines are powerfully reminiscent of the tom tom figures that Blakey incorporated into his playing to give it its distinctive AfroCuban spirit and that spirit comes to life throughout the disc.
Though it definitely pays enormous respect to the genre of jazz, as the clave in the title implies, the Latin flavor is prominent in the mix and it is unlikely that a listener would mistake it for a Duke record.
Barretto recorded with Blakey as part of the large percussion ensemble featured on the drummer's Holiday for Skins (Blue Note) nearly 45 years ago.
http://www.allaboutjazz.com/php/article.php?id=260

  
 Amazon.com: Music: Art Blakey
blakey and the jazz messengers, feeling the album lacks the punch of such classic blakey lp's like 'moanin' or 'a night in tunisia' (blue note records version).
blakey had a gift for bringing together great bands of young musicians and forging a solid unit out of them.
Buy this album with Moanin' [Original recording remastered] ~ Art Blakey & The Jazz Messengers today!
http://www.amazon.com/exec/obidos/tg/detail/-/B000003N82?v=glance

  
 Jazz Connections - Art Blakey / Thelonious Monk
The answer was still being debated in 1971, when he and Blakey, Gillespie and the other members of the Giants of Jazz began their epic world tour for George Wein.
Just as Monk's days as Prestige were ending, he and Blakey and Heath joined altoist Gigi Gryce for four tracks, including the title tune, now heard on a very pleasant little album called Nica's Tempo from Savoy.
Whether or not you like his music (and we do!), Monk was a genius.
http://www.entanet.com/jazzconnections/connections/0437.html

  
 African American Registry: Art Blakey was a renown jazz player
Among those under his tutelage at one time or another in the '50s were trumpeters Bill Hardman and Lee Morgan, saxophonists Jackie McLean and Benny Golson (who provided the band with durable tunes "Moanin'," "Blues March" and "Along Comes Betty") and pianist Bobby Timmons.
Only Blakey's death on October 16, 1990 could silence the world-acclaimed Jazz Messengers.
Although jazz suffered a commercial slump in the late '60s and '70s, Blakey carried on with other fine student musicians including Woody Shaw, George Cables, Bobby Watson and Chuck Mangione.
http://www.aaregistry.com/african_american_history/590/Art_Blakey_was_a_renown_jazz_player

  
 Art Blakey
Blakey was a beacon for the creativity and drive of acoustic jazz through the electric '70s.
He would lean with his elbow on the surface of the drum to change its intonation: such ‘press rolls’ became a musical trademark.
Ideally suited to the new long-playing record, tunes lengthened into rhythmic epics that featured contrasting solos.
http://afgen.com/blakey.html

  
 Art Blakey
Art Blakey Biografija yugoslavia belgrade montenegro srbija jazz mp3 real audio blues music dzez rock soul hard swing be bop yu
http://www.angelfire.com/ab/jazz2/ArtBlakey.html

  
 Art Blakey A Night in Tunisia
Included on this particular reissue are alternate takes of the first three cuts on the album, though these tracks are not, unfortunately, hidden jewels of reinterpretive insight (read: they were left off of the original album for a reason).
But once begun, the melody, the chord changes, and even the solos, are all just an afterthought to the music's driving force.
Not coincidentally, they lengthen the disc to 74 minutes and 51 seconds, just shy of a CD's limit, so draw your own conclusions as to Bluebird's selection criteria.
http://www.allaboutjazz.com/reviews/r0702_125.htm

  
 SABU MARTINEZ HOME PAGE: Sabu with Art Blakey
The CD reissue is the first release in true stereo, although one track remains mono-only, as recorded.
Side one's Drum Suite, by the Art Blakey Percussion Ensemble (including Sabu), was recorded in one take; side two is by the Jazz Messengers.
From Leonard Feather's liner notes: "The story of 'Message From Kenya,' Art tells us, was first told to him by Moses Mann, a Nigerian drummer who worked in this country with Pearl Primus.
http://www.hipwax.com/sabu/sabuartb.html

  
 Amazon.com: Music: Ken Burns JAZZ Collection: Art Blakey
Blakey always chose the best pickings from the pool of musicians who were on the scene, and I think he rivals Miles in his band leadership.
There are also tunes by Blakey sidemen that would become standards themselves: pianist Bobby Timmons's "Moanin'" and Benny Golson's "Blues March," among them.
In general, the album gives a wide view of Blakey's various pieces.
http://www.amazon.com/exec/obidos/tg/detail/-/B000050I3M?v=glance

  
 Oldies.com : Art Blakey
This classic jazz album showcases an important era in the musical life of Art Blakey.
Although renowned as a drummer, Blakey was a pianist first.
View the Complete Album Songs List of Art Blakey
http://movies.oldies.com/artist/view.cfm/id_7823.html

  
 Art Blakey: Drum Suite - PopMatters Music Review
And, finally, Blakey jumpstarts the track with his big, heavy sound.
"Afrobeat", as a term and a musical style, didn't exist when the Art Blakey Percussion Ensemble recorded Drum Suite in 1957.
Gradually the piano and bass come back, and Pettiford gets off one last cello solo as the track fades into the moonlight.
http://www.popmatters.com/music/reviews/b/blakeyart-drumsuite.shtml

  
 Art Blakey pictures and biography
Eschewing the avant-garde, Blakey was ignored by jazz critics in the experimental 1960s and shunned by American audiences in the 1970s, when rock exerted its hegemonic control over the business of pop music.
Unable to land a U.S. recording contract, he released numerous albums for European labels in the 1980s and won belated attention from American critics for his brief association with trumpet prodigy Wynton Marsalis.
Like many venerable jazz musicians, the drummer Art Blakey hung on long enough to see his approach to music come back into style.
http://www.angelfire.com/mac/keepitlive/drummers/Blakey/blakey.htm

  
 Amazon.ca: Music: Art Of Blakey
Look for albums like Art Of Blakey by subject:
To hear a song sample, click on the song titles below that are followed by
http://www.amazon.ca/exec/obidos/ASIN/B0000014LV

  
 JazzBlakey @ The Jazz Files
As a sideman Blakey appeared on numerous recordings, most famously on Somethin'Else ('58) by Cannonball Adderley featuring Miles Davis and on Monk's Music by Thelonious Monk ('57).
The band continued until well into the eighties.
When Silver left the group, taking the entire personel with him, Blakey formed a new band "The Jazz Messengers" which was to become one of the best-known and most successful Jazz ensembles through the last 5 decades of the 20th century.
http://www.thejazzfiles.com/JazzBlakey.html

  
 JazzTimes: Art Blakey's Jazz Messengers with Thelonius Monk
This is not the first time Monk's only record with Blakey's Jazz Messengers has been reissued, but this CD includes "new" music.
Artist: Art Blakey/Thelonius Monk Title of CD: Art Blakey's Jazz Messengers with Thelonius Monk Record Label: Rhino
In "Evidence," the alternate take opens with three bars of desultory piano rather than the crisp drum introduction of the familiar version, the tempo is slower and the ensemble playing is sloppy.
http://www.findarticles.com/p/articles/mi_kmjat/is_199909/ai_kepm288397

  
 Chronology of Art Blakey and the Jazz Messengers
We went to Japan, and the Japanese put together a tour of drummers - Elvin Jones, Art Blakey and Tony Williams, and I was part of that band.
So Harold Clark said, 'Man, that's the saddest drummer in the whole world.' Art Blakey was a terrible drummer at that time, he didn't have no technique, he'd lose time (laughter), we had never heard him.
[According to Allen, Blakey and Marion Hazel left the band while in Washington, DC, which is in contradiction to Jazz Hot 1/59 which says that Blakey was in Georgia with the band when he was beaten by a policeman and spent several weeks in the hospital.]
http://www.jazzdiscography.com/Artists/Blakey/chron.htm

  
 Open Directory - Arts: Music: Styles: J: Jazz: Bands and Artists: B: Blakey, Art
Art Blakey - Jerry Jazz Musician site offers books, interviews and Blakey cd links.
Arts: Music: Instruments: Percussion: Drums: Drummers: Jazz (12)
Top: Arts: Music: Styles: J: Jazz: Bands and Artists: B: Blakey, Art
http://dmoz.org/Arts/Music/Styles/J/Jazz/Bands_and_Artists/B/Blakey,_Art

  
 Art Blakey
His life is a testmanent to jazz drumming and the importance of finding joy not only in listening to music, but in playing it as well.
Blakey exuded in his playing the ability to draw the entire band to himself; he worked with the other musicians to create an intimate sound, but no one told him where he should go with his time playing.
Blakey's heavy swinging and relentless playing would stay with him as a myriad of today's top musicians passed through the informal jazz school that was his band.
http://pubpages.unh.edu/~mehrmann/blakey.html

  
 Art Blakey's African Diaspora
Blakey's dismissive comments about the connection between jazz and African music have often been invoked to undermine the position more commonly taken in the post-Civil Rights era that jazz is deeply connected to Africa.
Blakey's music, moreover, tells a different story than his words, especially his recordings in collaboration with Afro-Cuban musicians at the time of Ghana's independence in 1957.
Yet Art Blakey was one of the first jazz musicians to travel to Africa (in the late forties) and did so not as a musician on tour, but in order to study religion and philosophy.
http://www.unc.edu/depts/afriafam/AnniversaryConference/monson.htm

  
 VH1.com : Art Blakey : Artist Main
In the '60s, when John Coltrane and Ornette Coleman were defining the concept of a jazz avant-garde, few knowledgeable observers would have guessed that in another 30 years the music's mainstream...
Sign up now to receive every bit of juicy, up-to-the-minute news, album release info and much more delivered straight to your inbox!
Add a link to your "Art Blakey" fan site on VH1.com!
http://www.vh1.com/artists/az/blakey_art/artist.jhtml

  
 Sound judgment - Art Blakey
Blakey, serving notice as the band's official leader, takes solos on every tune tackled by this short-lived edition of the Jazz Messengers, which featured Jackie McLean on alto, Johnny Griffin on tenor and Bill Hardman on trumpet, with bassist Spanky De Brest and pianist Sam Dockery filling out the rhythm section.
Even with the estimable McLean providing his usual muscular solos, this was one of Blakey's lesser lineups, and the music is more energetic than inspired.
By the time the first five tracks on this collection, originally issued as the Jazz Messengers' "A Night in Tunisia," were recorded in 1957, drummer Art Blakey was the group's only remaining original member, the others having left to front hard-bop units of their own.
http://www.freep.com/fun/sj/qsound0223.2.htm

  
 Art Blakey MP3 Downloads - Art Blakey Music Downloads - Art Blakey Music Videos
In the '60s, when John Coltrane and Ornette Coleman were defining the concept of a jazz avant-garde, few knowledgeable observers would have guessed that in another 30 years the music's mainstream would virtually bypass their innovations, in favor of the hard bop style that free jazz had apparently supplanted.
Art Blakey MP3 Downloads - Art Blakey Music Downloads - Art Blakey Music Videos
Portions of content provided by All Music Guide © 2005 AEC One Stop Group, Inc.
http://www.mp3.com/art-blakey/artists/42650/summary.html

  
 Tower Records - Art Blakey Is Jazz - Art Blakey
One of the great things about a career the length of Art Blakey's is that he recorded many of the same tunes several times with different bands.
Tower Records - Art Blakey Is Jazz - Art Blakey
This 1980 live set features one of Blakey's later bands with trumpet star Wynton Marsalis and altoist Bobby Watson being the two most notable members who would go on to greater fame as leaders themselves.
http://www.towerrecords.com/product.aspx?pfid=1504353

  
 Art Blakey
For almost 40 years, the Jazz Messengers played exciting, aggressive music, propelled by Blakey's driving drum rhythms.
Blakey, Art (1919-1990), was a jazz drummer and one of the most influential bandleaders in jazz history.
From 1956 until his death, Blakey led a series of groups called the Jazz Messengers.
http://www.worldbook.com/features/aamusic/html/blakey.htm

  
 Performing Arts & Entertainment in Canada: Art Blakey was my idol - drummer Norm Marshall Villeneuve highly admires ...
Drummer Norm Marshall Villeneuve leads a band in Toronto dedicated to carrying the flame lit by the late drummer/leader Art Blakey.
Norm: As a youngster I had saved a few dollars and bought volume one and two of the Art Blakey Jazz Messengers at Birdland recordings, that was the band that had Lou Donaldson, Clifford Brown, Curley Russell and Horace Silver.
This interview was recorded during the Du Maurier Downtown Toronto Jazz Festival in June 1997, where Norm had presented his latest group of young musicians.
http://www.findarticles.com/p/articles/mi_m1319/is_n2_v31/ai_20348159

  
 Jazz Connections - Art Blakey / Herbie Mann
Maybe the "Orgy" session, and his brief but close encounter with the broadminded Blakey, is what got Mann interested in Africa.
Jazz Connections - Art Blakey / Herbie Mann
As you might expect, the album was a continuation of Blakey's interest in rhythms from outside the conventional jazz idiom — specifically those he'd heard in his travels to Africa a decade earlier.
http://www.entanet.com/jazzconnections/connections/0432.html

  
 Amazon.co.uk: DVD: Art Blakey's Jazz Messengers [1976]
The opening "Backgammon" is a 13-minute showcase for Blakey's masterful drumming and virtuoso improvisation from trumpeter Bill Hardman, with especially fine contributions from pianist Mickey Tucker.
On the DVD: Art Blakey's Jazz Messengers on disc has trailers for other TDK jazz releases and a text biography of Art Blakey.
Here, in his third decade of leading the band, Blakey's enthusiasm runs high throughout a set lasting almost exactly an hour across six compelling numbers.
http://www.amazon.co.uk/exec/obidos/ASIN/B000068Q6G

  
 Moviefone: Movie Celebrities - Art Blakey: MAIN
Pictures, paintings, audio interview samples, Ken Burns on Blakey, posters, book and album reviews are all available on this comprehensive Art Blakey site.
A discography of Art Blakey and the Jazz Messengers recording history.
We pick the top 11 movies for every mood, including 'The Squid and the Whale' for those who like witty, funny films about deeply dysfunctional families.
http://movies.aol.com/celebrity/main.adp?sid=6629

  
 Jerry Jazz Musician Art Blakey
Maybe the greatest incarnation of the jazz messengers, this line-up recorded about 9 albums for Blue Note, all of which are tried and true classics.
Jerry Jazz Musician will donate $20 to the Jazz Musicians Emergency Fund when you buy this painting.
Blakey with Johnny Griffin....Songs that cover the spectrum, from hard bop to the kind that make you clear the room of clutter and hold your significant other...tight.
http://www.jerryjazzmusician.com/portraits-single.cfm?CatalogName=blakeyart

  
 jazzman.com
His recordings as a leader with Mike and Randy Brecker are considered among the best.Graduating from the Berklee College of Music, in 1959, at the height of the bebop era, Hal Galper steadily built his reputation in the changing environment of jazz.
With more than 68 recordings to his credit, 17 as a leader in his own right, pianist, composer, publisher, educator, author, and touring artist, Hal Galper is best known for his work with such legends of jazz as Chet Baker, Cannonball Adderley, Roy Eldridge, Phil Woods, and Art Blakey.
recordings with the award-winning Phil Woods Quartet and Quintet, was awarded a Distinguished Alumni Award from Berklee, and has been a recipient of special assistance grants from the National Endowment of the Arts and the New School of New York.
http://www.jazzman.com/special.cfm

  
 Art Blakey at harlem.org: great day in harlem
In the late 40s he moved to Africa for a year, learned about Islam and brought African sounds into his music.
His band, the Jazz Messengers, was one of the most important in the history of the art form.
Art was famous for his high-volume style of playing.
http://www.harlem.org/people/blakey.html

  
 Art Blakey's Jazz Messengers Movie: Art Blakey's Jazz Messengers DVD is available from Bestprices.com
Songs performed include: Backgammon, Along Came Betty, Uranus, Blues March, All The Things You Are and Gipsy Folk Tales.
This live DVD captures Art Blakey's Jazz Messengers live at Umbria Jazz on July 20th, 1976.
Art Blakey's Jazz Messengers Movie: Art Blakey's Jazz Messengers DVD is available from Bestprices.com
http://www.bestprices.com/cgi-bin/vlink/824121000080IE

  
 Bem Vindo à Freenote
Through in-depth analysis, detailed transcriptions and album references, author John Ramsay gives us an insider's view of Art Blakey's unique drumming style.
The book includes examples of Art's philosophies and wisdom as told by some of the great Alumni of the Jazz Messengers Big Band.
http://www.freenote.com.br/produto.asp?shw_ukey=38099163351YYEJ3AL

  
 lonnieplaxico.com - biography
He has also recorded five critically acclaimed albums as leader;
His first extended tenure was with Art Blakey's Jazz Messengers: between1983 and 1986, Lonnie performed on twelve of Blakey's albums, including the Grammy Award-winning, New York Scene.
Lonnie has also recorded with Bill Cosby, Lonnie Liston Smith, Ravi Coltrane and Barbara Dennerlein, as well as his Grammy-winning collaborations with Art Blakey and Cassandra Wilson.
http://www.lonnieplaxico.com/bio.html

  
 LP: Pro that Play LP: Players Roster
In 1954, pianist Billy Taylor wrote, “I have not heard anyone who even approaches the wonderful balance between jazz and Cuban elements that Candido demonstrates.”
Candido’s long list of recorded work includes sessions with Lena Horne, Billy Taylor, Buddy Rich, Art Blakey, Count Basie, Elvin Jones, George Shearing, Lionel Hampton, Stan Getz, Wes Montgomery, Woody Herman, Doc Severinson, Marian McPartland, Lalo Schifrin.
Mongo Santamaria, Tito Puente, Charlie Parker, and Antonio Carlos Jobim—these in addition to a number of dates as leader.
http://www.latinpercussion.com/Pros_That_Play_LP/Players_Roster/camero.html

  
 Splendid: Departments: &: Art Blakey and the Jazz Messengers: Live at the Village Vanguard Club New York 1982
Dozens of promising jazz musicians served an apprenticeship in the Messengers at the early part of their careers; many veteran musicians were also eager to be a part of Blakey's working band.
Drummer Art Blakey led his Jazz Messengers from 1953 until his passing in 1990.
Blakey himself was well past his prime at this point in his career and his drumming lacks the vibrant physicality it possesses on so many other outings.
http://www.splendidezine.com/departments/&/artblakey.html

  
 Art Blakey
Blakey developed a repertoire of explosive snare drum rolls, hustling accents, and a whirlwind cymbal beat that created a color of sound.
In 1954, Blakey and Horace Silver formed the first version of the Jazz Messengers (his group).
Blakey was constantly bringing in young players into his group for new energy and influence.
http://airjudden.tripod.com/jazz/artblakey.html

  
 Art Blakey - Wikiquote
On jazz: "Jazz is known all over the world as an American musical art form and that’s it.
I’ve seen people try to connect it to other countries, for instance to Africa, but it doesn’t have a damn thing to do with Africa."
http://en.wikiquote.org/wiki/Art_Blakey

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