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| | J.M.R. Arpeggione loudspeakers [English] |
 | | The Arpeggione did a good enough musical job in my living room to make it a worthwhile musical experience, which is all that matters. |  | | The Arpeggione made a fair job of making it happen in the listening room, the fluidity of Klánsky's playing being clearly expressed with only some congestion and hardness at the loudest peaks to indicate these are small loudspeakers. |  | | The Jean Marie Reynaud JMR Arpeggione look and sound different from the mainstream and deserve a viable market for that reason alone but they really are good musical speakers that punch way above their weight for size and price. |
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http://www.tnt-audio.com/casse/jmr_arpeggione_e.html
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| | Schubert's Arpeggione Sonata Revisited - THE ARPEGGIONE |
 | | The fretted members of the string family (such as the viola da gamba) were regarded as musical archaisms5 in the 18th century and were long out of fashion by the early 19th century6. |  | | eveloped in 1823 by the Viennese guitar luthier Johann Georg Staufer (1778-1853), the arpeggione (also known as the bowed guitar/bogen-guitarre, guitarre d'amour, and guitarre-violoncell) was a bowed, six-stringed, fretted instrument, which was tuned exactly like a classical guitar. |  | | Its body shape was also similar to a guitar, with smooth rather than pointed violin corners. |
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http://www.discordia-music.com/Arpeggione_Project/the_arpeggione.htm
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| | Schubert |
 | | The instrument: The arpeggione was a bowed, fretted, six-string instrument invented in Vienna in 1823-24 by the Viennese guitar luthier Johann Georg Staufer; it was also referred to as a bowed guitar, the instrument that it most resembled. |  | | Sonata for Arpeggione and Piano in A minor, D821 |  | | Similarly to the cello, the sound of the arpeggione apparently bore an expressive speechlike quality, especially in its upper register. |
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http://www.artistled.com/html/CD_Schubert.htm
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| | Amazon.ca: Music: 1968 Arpeggione Son/Funf Stuc |
 | | Sonata For Arpeggione And Piano, D821: I. Allegro moderato |  | | The most lovely part of the album is the duo's performance of the Schubert "Arpeggione" sonata. |  | | This is music making of the first order and if the Arpeggione is ever to be religated to it's rightful place among the great chamber masterpieces, no doubt this recording will prove to be the reason why. |
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http://www.amazon.ca/exec/obidos/ASIN/B00000JXZ3
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| | Amazon.com: Schubert: Quintet, Op. 114 "The Trout" / Sonata, D. 821 "Arpeggione": Music |
 | | The Arpeggione is long dead, and nowadays the sonata is performed mostly on the cello, though there are transcriptions to guitar and other instruments as well. |  | | The Arpeggione sonata is so called because it was written for the now extinct Arpeggione instrument, which was a cross between a Guitar and a Cello. |  | | Its variation movement is the first of several in which he used one of his own songs as the theme, and this record includes the song itself--an inspired idea. |
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http://amazon.com/exec/obidos/tg/detail/-/B0000029N0?v=glance
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| | Gramola das Klassikhaus |
 | | Several years later, the arpeggione disappeared for good from the world of music and it was decided to play the Schubert sonata either with the viola or with the cello. |  | | The sonata “Arpeggione“ remains a very recognized piece of work and holds an important place in the chamber music works of the composer. |  | | A short article written at the time mentioned that the instrument “draws closer to the beauty, richness and grace of the sound as high as an oboe, as deep as a basset horn and that it makes the performance of the chromatic passages wonderfully easy even in double stopping”. |
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http://www.gramola.at/produktionen_13_1.html
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| | Jean-Marie Reynaud créateur d'enceintes acoustiques hautes performances |
 | | The Arpeggione, however, rest on solid foundations (the bass is rich and well-defined) which allow a very elegant and natural harmonic punctuation. |  | | With the Arpeggione, music becomes an absolute and constant delight. |  | | This speaker from another world will bring you intense sensations thanks to their sonic coherency, from one end of the spectrum to the other. |
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http://www.jm-reynaud.com/jmr_us/presse_arpeggione.html
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| | Juilliard The Juilliard Journal Online |
 | | The Schubert Sonata for Arpeggione and Fortepiano (D. 821) is another good example of a favorite piece written by a beloved composer that continues to live, thanks to the cello or the viola. |  | | The Sonata was composed in November 1824, only one year after the invention of the arpeggione, an instrument created by J.G. Stauffer, one of the finest guitar makers of the 19th century (Schubert's own guitar was made by Stauffer). |  | | Later in January, I showed the instrument to Tzu-Ling Sarana Chou (a composition student at Juilliard who studies with Samuel Adler), who decided to write a piece for arpeggione and guitar. |
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http://www.juilliard.edu/update/journal/470journal_story_0205.asp
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| | Stereophile: |
 | | Not to administer the Kiss of Death, but the Arpeggione does appear to be a Music Lovers' Loudspeaker. |  | | This is a speaker that for $1200/pair delivers deep, tuneful bass and a wonderful sense of musical richness and fullnessquite notably, even at moderate volume levels. |  | | But if your goal is "high-definition" sound, you will probably be happier looking and listening elsewhere. |
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http://www.stereophile.com/thefifthelement/1103fifth/index1.html
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| | Violinist Vogel will play Schubert, Debussy and Prokofiev April 22 |
 | | Invented in Vienna in 1824, it was a hybrid string instrument, a bass viol with guitar-like metal frets embedded in the arched fingerboard and with six strings tuned like a guitar. |  | | Cello and viola play the sonata essentially as written, and the violin arrangement that Vogel will play was made by the composer. |  | | Other works on the program will be Debussy's Sonata in G minor for violin and piano and Prokofiev's Sonata No. 1 in F minor, op. |
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http://www.uiowa.edu/~ournews/2002/april/0412vogel.html
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| | Erik Hinds |
 | | He plays guitar and H'arpeggione, a special combination of Hardanger fiddle and arpeggione built by Fred Carlson in 2000, and is a member of the quartet SS Puft. |
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http://composers21.com/compdocs/hindse.htm
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| | Sonia Wieder-atherthon |
 | | Prompted by the success of her first disc for the BMG/RCA Red Seal label, Jewish Songs, Sonia Wieder-Atherton was signed to a recording contract with BMG-France. |  | | A CD of duos with violinist Raphaël Oleg was released in 1998, followed by a double CD with Schubert masterpieces: the Trios and the Arpeggione Sonata, with Raphaël Oleg and Imogen Cooper. |
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http://www.soniawiederatherton.com/Anglais/biographie.html
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| | Schubert's Tuneful Chamber Music |
 | | FLAXMAN: Franz Schubert's Sonata for Piano and Arpeggione in A Minor. |  | | One of my very favorite chamber music pieces of all is Schubert's Sonata for Arpeggione and Piano in A Minor. |  | | These include the String Quartet in D Minor, also know as Death and the Maiden; the Octet in F for Strings and Winds; and - perhaps the most popular work in the chamber music repertory - the Quintet for Piano, Violin, Viola, Violoncello and Double Bass in A Major, known as the Trout Quintet. |
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http://www.compactdiscoveries.com/CompactDiscoveriesScripts/23SchubertChamberMusic.html
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| | HMV.co.uk: Classical: Brahms: Cello Sonata No1: No2; Schubert: Arpeggione Sonata (2004) |
 | | She did not rush into a solo recording career, but concentrated on studies with the great cellist and conductor Heinrich Schiff, as well as developing an international concert reputation performing with top orchestras and collaborating with superstars such as Martha Argerich, Ian Bostridge and Steven Isserlis. |  | | Accompanied by rising piano star Charles Owen the result is a disc which belies the relative youth of its performers with music-making not only of great lyrical beauty, but also of mature thoughtfulness and unguarded intimacy. |  | | Schubert - Arpeggione Sonata In A Minor D821 |
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http://www.hmv.co.uk/hmvweb/displayProductDetails.do?ctx=97;9;-1;-1&sku=327580
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| | Castle Classics Schubert - Other Chamber & Instrumental Music |
 | | F Schubert&; Arpeggione Sonata&; Trios - Régis Pasquier - violin; Bruno Pasquier 45; viola&; Roland Pidoux 45; cello&; Jean-Claude Pennetier 45; piano |  | | Including Sonata in A minor for Arpeggione and piano&; D 821; Sonatina in D major for violoncello and piano&; D 384 op.137 no.1; Sonatina in A minor for violoncello and piano&; D 385 op.137 no.2; Sonatina in G minor for violoncello and piano&; D 408 op.137 no.3 |  | | This new recording of Schubert& delectable Arpeggione Sonata performed by Anne Gastinel presents a personal tribute to a composer who composed little for the cello&; One of todays finest exponents of the cello&; Gastinel gives a stylish and polished performance |
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http://shop.castleclassics.co.uk/acatalog/Schubert__Chamber.html
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| | Performance |
 | | Program: Corelli: Dance Suite from the Violin Sontatas; Schubert: Adagio from the Arpeggione Sonata; Forsyth: Chanson |  | | Program: Corelli: Dance Suite from the Violin Sontatas; Schubert: Adagio from the |  | | Program: Bach: Cello Suite No. 3, Allemande and Corrente; Schubert: Adagio from the Arpeggione Sonata; Forsyth: |
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http://members.aol.com/cdpviola/performance.html
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| | Guitar Nine Records - The Undiscovered |
 | | He has since re-explored fingerstyle acoustic music, as well as embraced digital looping technology that would permit him to deliver stand-alone performances with his "arpeggione". |  | | Jonathan Wilson, of San Fernando, California has done just that, designing a modern version of a viol/guitar hybrid (bowed guitar) called the "arpeggione". |  | | He can play this instrument with a bow or pick it like a traditional guitar. |
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http://www.guitar9.com/undiscov29d.html
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| | Unfretted - Fretless Guitar Resource. |
 | | The name is a combination of the Hardanger fiddle from Norway (a violin with sympathetic strings) and the 18th century Italian bowed guitar called the arpeggione. |  | | There are many other customizations in addition to the quartertone frets; the instrument has 6 played strings tuned primarily in fifths, from a contrabass Eb to Eb (like a guitar's high string). |  | | The end result is an acoustic instrument called the H'arpeggione. |
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http://www.unfretted.com/loader.php?LINK=quarter/erik_quartertone
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| | Home Page |
 | | Sonata in A minor, D. 821 ("Arpeggione") for Guitar and Viola (KRANTZ & KATIMS) |  | | Sonata in A minor, D. 821 ("Arpeggione") for Guitar and Clarinet (KRANTZ & KIRKBRIDE) |  | | Sonata in A minor, D. 821 ("Arpeggione") for Guitar and Flute (KRANTZ & STALLMAN) |
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http://www.internationalmusicco.com/Search2.cfm?CallSort1=320
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| | BMG Classics |
 | | Sonata in A Minor, D.821 "Arpeggione"; Allegro moderato, 11:07 (excerpt) |  | | Sonata in A Minor, D.821 "Arpeggione"; Adagio, 5:14 (excerpt) |  | | Sonata in A Minor, D.821 "Arpeggione"; Allegretto, 8:27 (excerpt) |
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http://www.bmgclassics.com/albums/product.jsp?id=82876552702
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| | A Gentle Art |
 | | The duo will perform Franz Schubert’s Sonata for Arpeggione and Piano in A minor, called "The Arpeggione," and Johannes Brahms’ Cello Sonata in D major. |  | | She has presented master classes in the U.S. and Europe, and appeared in the first American Music Festival for Bulgarian television. |  | | The arpeggione, the instrument for which the Schubert piece was written in 1824, is similar to the cello. |
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http://www.ellsworthamerican.com/archive/news2001/03-15-01/ea_news5_03-15-01.html
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| | Franz Schubert |
 | | This wonderful music is nowadays usually played by cello and piano, although a number of other arrangements have been made. |  | | The Müllerlieder (D.795), and several other of his best songs, were written in 1825; to 1824, beside the works mentioned above, belong the variations on Trockne Blumen. |  | | There is also a sonata for piano and "Arpeggione" (D.821), an interesting attempt to encourage a cumbersome and now obsolete instrument. |
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http://franz-schubert.wikiverse.org
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| | Milina Barry Public Relations - News |
 | | The Sonata for Piano in A Major, D. 959 is a majestic work, completed only weeks before the Viennese master’s untimely death; and Schubert’s quintessentially Romantic soul sings in the bittersweet melodies of the Sonata for Arpeggione and Piano, D. This performance of the Sonata for Piano marks Wu Han’s solo recording debut on ArtistLed. |  | | The recording, by ArtistLed’s Grammy Award-nominated sound engineer Da-Hong Seetoo, was made using 96 Khz, 24-bit multitrack technology. |  | | The late Schubert works featured on this disc resonate strongly with David Finckel and Wu Han. |
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http://www.milinabarrypr.com/releaseArtistLed.html
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| | Arpeggione Announcement - Schubert Society of the USA, Inc. |
 | | I) provides the following description of this instrument: "It was invented and made by J[ohann] G[eorg] Stauffer of Vienna in 1824 and was, in essentials, a bass viol with a guitar tuning...". |  | | An original Stauffer arpeggione is in the Musical Instruments collection of The Metropolitan Museum of Art in New York. |  | | Such study will include all aspects of Schubert scholarship and performance from the fields of general history, music history, musicology, music theory, performance studies and history, reception history, and the arts and humanities. |
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http://www.schubertsocietyusa.org/arpeggione.html
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| | Musica Viva: The Encyclopedia of Music |
 | | Musica Viva: The Encyclopedia of music: Search results |  | | Today the instrument would have been all but forgotten if Franz Schubert hadn't composed his well known "arpeggione sonata" (D. 821) for the instrument. |  | | Basically the arpeggione was an 19th century re-invention of the viola da gamba. |
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http://www.musicaviva.com/encyclopedia/display.tpl?phrase=Arpeggione
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| | [No title] |
 | | About the size of a ‘cello, this instrument had a fretted fingerboard and six strings, tuned the same as the guitar (E A D G B E). |  | | Franz Schubert Sonata in A Minor "Per Arpeggione" The "Guitarre d’amour" was invented in 1821 by Johann Georg Stauffer (1778-1853). |  | | Due to a number of technical problems, the Arpeggione never became popular, and suffered a rapid obsolescence. |
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http://icking-music-archive.org/scores/schubert/Arpeggione/arpinfo.txt
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| | YBA -True emotion |
 | | After the thirtieth variation, a Quolibet, which links two popular songs, the Aria da Capo e Fine ends this greatest single opus of Bach for the harpsichord. |  | | Firmly established as a guest at the major music festivals, the Arpeggione Quartet leads an international career since it performed to critical acclaim at the Salzburg Festival in 1990. |  | | After receiving encouragements from Sir Yehudi Menuhin and after having been selected as laureates at the 1989 Evian International Quartet Competition, the quartet has embarked on a career that encompasses international tours, radio and television appearances and recordings. |
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http://www.yba.fr/uk/MUS_cd.php?ac=cd
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| | The Arpeggione quiz |
 | | How many pieces of music were written originally for the arpeggione? |  | | First of all, the name "arpeggione" is not the original name for the instrument. |  | | Because the term "Arpeggione" was more descriptive of the way the instrument was played. |
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http://www.funtrivia.com/playquiz.cfm?qid=167930&origin=
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| | Cello - Double Bass - Piano - String Quartet Performances |
 | | Edwin Barker has been highly praised by the Boston Globe for his interpretation of Schubert's "Arpeggione" Sonata. |  | | the difficulties of (Schubert's "Arpeggione" Sonata) on this instrument are prodigious, but Barker's easy virtuosity made light of the difficulties, and his sound has a core that drives the clouds away." |  | | Three Sonatas for Double Bass will be the first of many recordings of his legacy. |
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http://www.bostonrecords.com/cdps.htm
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| | Schubert's Arpeggione Sonata Revisited - THE SONATA REVISITED |
 | | Among stringed instruments, the cello incorporates the piece into its repertoire most successfully based on the similarities of size and range to the arpeggione. |  | | While acknowledging the difference in registers, the most striking similarity between the double bass and the arpeggione, and the one that is at the heart of this reevaluation of Schubert's sonata, is the tuning of the two instruments. |  | | However, the piece poses difficulties for cellists because the arpeggione possessed a slightly greater range across the open strings and utilized a different tuning system. |
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http://www.discordia-music.com/Arpeggione_Project/sonata_revisited1.htm
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