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| | Aladdin Records - Wikipedia, the free encyclopedia |
 | | Aladdin was known for its wealth of recordings of rhythm and blues and early rock and roll music; it also recorded some jazz sessions of interest. |  | | Aladdin Records was the name of at least two record labels. |  | | In addition to the recordings in Los Angeles, many Aladdin recordings were made in New Orleans, Louisiana by Cosimo Matassa. |
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http://en.wikipedia.org/wiki/Aladdin_Records
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| | Island Records - Wikipedia, the free encyclopedia |
 | | Island Records is a record label that was founded in Jamaica in 1959 by Chris Blackwell. |  | | Initially focused on Jamaican music, Island Records branched out establishing such subsidiaries as Surprise Records, Sue Records, Jump Records, Black Swan Records and Aladdin Records. |  | | It became one of the more important record labels of the 1980s. |
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http://en.wikipedia.org/wiki/Island_Records
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| | Imperial Records |
 | | Most Imperial recordings were of popular songs, music hall tunes, and dance music of the time. |  | | Imperial Records has been the name of at least three different record labels of the 20th century. |  | | In 1964 it was acquired by Liberty Records. |
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http://en.mcfly.org/Imperial_Records
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| | amos |
 | | In December Aladdin records announces that Milburn's record of "Bad Bad Whiskey" (written by Maxwell Davis) had surpassed the one hundred thousand sales mark in less than four weeks since its release and all indications are that the record will be the biggest seller in the history of the label replacing Milburn's "Chicken Shack Boogie". |  | | Soon Milburn was in the recording studio and a long association with the label began. |  | | Aladdin Records puts out two Milburn records in quick order during the summer - #3058 : "I Love Her" and "Birmingham Bounce" and #3059 a couple of cover songs : "Two Years Of Torture" (covering Percy Mayfield) and "Hard Luck Blues" (covering Roy Brown). |
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http://home.earthlink.net/~jaymar41/amos.html
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| | Amos Milburn |
 | | Aladdin stuck with Milburn long after the hits ceased, dispatching him to New Orleans in 1956 to record with the vaunted studio crew at Cosimo's. |  | | There he recut "Chicken Shack Boogie" in a manner so torrid that it's impossible to believe it didn't hit (tenor saxist Lee Allen and drummer Charles "Hungry" Williams blast with atomic power as Milburn happily grunts along with his pounding boogie piano solo). |  | | Persistent manager Lola Anne Cullum reportedly barged into Aladdin boss Eddie Mesner's hospital room, toting a portable disc machine with Milburn's demo all cued up. |
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http://www.findthefun.com/bands/b01/b0018076.htm
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| | allmusic ((( Earl Palmer > Biography ))) |
 | | Earl Palmer was a first-call drummer on the New Orleans R&B recording scene from 1950 to 1957. |  | | Occasionally, Palmer would record as a leader -- the instrumental "Johnny's House Party" for Aladdin, a couple of early-'60s albums for Liberty. |  | | Palmer remained the king of the traps at Cosimo Matassa's fabled recording studio until 1957, when a Shirley & Lee session led to an A&R offer from Aladdin Records boss Eddie Mesner. |
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http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:bjxvadzkt8w6~T1
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| | Marv Goldberg's R&B Notebooks - The Aladdins |
 | | Their first record was released in April 1955: the second version of "Remember," backed with "Cry Cry Baby." It was reviewed on April 30, with both sides getting a "good" rating. |  | | Things seemed to be somewhat chaotic at Aladdin at this time, and Teddy never received a copy of this record (he didn’t even think it existed); it’s their rarest side. |  | | The Aladdins went back into the studio on February 20, 1956, at which time they recorded two more songs: "All Of My Life" (led by Eddie) and "So Long, Farewell, Bye Bye" (fronted by Teddy and Eddie). |
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http://home.att.net/~marvy42/Aladdins/aladdins.html
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| | Chris LeDoux Country |
 | | Liberty Records was an United States based record label. |  | | In 1966 a reissue label Sunset Records was started to deal with previously issued records from the new labels. |  | | In 1957 the jazz label Pacific Records was acquired. |
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http://www.ledouxcountry.com/discography/LibertyRecordsInfo.htm
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| | Hancock, Billy |
 | | Taken with this music he took up guitar. |  | | Powerhouse, (Tom Principato and Pierre Beauregard's band) along with recordings |  | | Alladin issued the first recordings of Bobby Ewan (Radcliff), The Nighthawks, |
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http://www.rightonrhythm.com/ror/sites/musicians/musician_details.php3?artist=104
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| | Marv Goldberg's R&B Notebooks - The 5 Keys |
 | | Speaking of charts, this was the record that would really start the 5 Keys on their way: by the time "Ling, Ting, Tong" peaked, it had reached #5 on the RandB charts and, amazingly, #28 on the Pop charts. |  | | The flip of the record was called "You're The One", and other sides recorded at that session were "Hey Girl" and "No Matter" (both written by Jap Curry), which weren't released until 1967, on the Inferno label. |  | | The chance of Capitol recording a song and then setting up again with a new orchestra (especially when the first one has to return a couple of songs later) is ludicrous. |
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http://home.att.net/~marvy42/5Keys/5keys.html
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| | Postwar 45RPM and 78 RPM Aladdin Records |
 | | Cylinder records and early 78 RPM disc records - From 1890 to about 1929 - Most of these disc records are one-sided |  | | PostWar (1940's-1960's) Labels often issued records in both 45 and 78 RPM formats are wanted |  | | 1920 to 1930's 78 RPM Record Labels are wanted |
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http://www.78rpms.com/html/labels_postwar_aladdin2.html
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| | The Aladdin/Imperial Labels — www.greenwood.com |
 | | They were hugely successful with their recordings of popular music based on jazz and blues. |  | | This discography has a potentially wide audience including record collectors around the globe interested in Jazz/Blues/Rhythm and Blues/Country/Rockabilly/Rock Music; music book shops; libraries; researchers; record company executives and producers; and licensees. |  | | An entire chapter is devoted to single numerical listings and includes seven Aladdin Series labels and eight Imperial Series labels along with foreign series, Liberty/UA Series, 78 rpm albums, and 45 rpm albums. |
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http://www.greenwood.com/books/bookdetail.asp?sku=RAH%2F
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| | Aladdin And The King Of Thieves (Animated), Family DVD: Townsend Records |
 | | Aladdin's battle with the King of Thieves and his at-long-last marriage to Princess Jasmine also features the vocal talents of Gilbert Gottfried, Jerry Orbach, Scott Weinger, Linda Larkin and John Rhys-Davies. |  | | Aladdin And The King Of Thieves (Animated), Family DVD: Townsend Records |  | | Register with Townsend Records today and receive regular info on new releases. |
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http://www.townsend-records.co.uk/product.php?pId=51486&pType=dvd
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| | Imperial Album Discography |
 | | On most of the recordings made in New Orleans, the Dave Bartholomew band was used as accompaniment. |  | | Imperial Records is currently owned by EMI-Capitol Music. |  | | Bartholomew's band was popular in the clubs of New Orleans at the time, and in addition to having two albums under his own name on the label, he recorded the original version of "My Ding-A-Ling" as a single in 1952 (Chuck Berry took essentially the same song to #1 twenty years later). |
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http://www.bsnpubs.com/imperial/imperiala.html
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| | Jimmy Wilson |
 | | Later recordings did not match up to the doomy Bay Area sound of his Geddins tracks, despite a couple of attempts at the Tin Pan Alley sound and a good local seller Please Accept My Love on Goldband which was covered successfully by B.B. King. |  | | Wilson was singing in California with a gospel quartet when his distinctive, bluesy lead was noticed by impresario, Bob Geddins, who recorded Wilson as the blues singer with his band, Bob Geddins Cavaliers, and in his own right, for his Cava Tone label, often in the company of legendary Bay Area guitarist, Lafayette Thomas. |  | | Most of Wilson's mid-50s output was issued on Big Town, although odd releases appeared on Irma and Elko (the latter under guitarist Jimmy Nolan's name), and four tracks were issued on the Chart label. |
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http://www.centrohd.com/bio/allmusic/ati1.htm
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| | Choctaw Creek Records - News |
 | | In the 1950s and 1960s, Johnny toured as the lead guitarist and band leader for Bland's and Junior Parker's bands and was a studio musician at Houston's Duke/Peacock Records. |  | | When Johnny made his own Atlantic recordings in 1949, Milburn and his band were there to back him up. |  | | Johnny's guitar shines on many of Milburn's Aladdin Records sessions as well as on Ruth Brown's early recordings for Atlantic Records. |
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http://www.choctawcreekrecords.com/news4.html
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| | YEAR OF THE BLUES 2003 |
 | | Even while with Aladdin, Hopkins recorded for other labels, particularly Houston's Gold Star, and he was known for many years to record for anyone willing to pay a set fee per song up front. |  | | Over the next two years, Lightnin' Hopkins recorded 43 songs for Aladdin, all of which are gathered in this collection. |  | | As befitting a musician who made his living playing for tips, the songs include boogies, slow laments, covers, signature songs and what Hopkins often referred to as his "air songs”—tunes made up on the spot. |
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http://www.yearoftheblues.org/features.asp?id={275C404F-1787-48F5-8396-468D1A954B64}&type=52
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| | Aphrodite - Buy rare Aphrodite music cds and vinyl record albums |
 | | Aphrodite - Buy rare Aphrodite music cds and vinyl record albums |  | | Aphrodite Music - Buy Rare CDs and Vinyl Records Albums - Hard to Find CD's & Out-of-Print LPs |  | | buy cds by aphrodite, rare records, vinyl music, LPs, CD's, imports, videos, posters, out of print, used aphrodite cds |
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http://www.musicstack.com/tsearch/aphrodite/mash_up_96
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| | The Five Keys |
 | | As the group established their reputation along the Eastern Seaboard, they were noticed by Eddie Mesner, owner of the California-based Aladdin Records, who signed them to a recording contract. |  | | Fortunately, most of the Five Keys extensive recorded output is now available on various CDs. |  | | The Five Keys are generally regarded by aficionados of 1950s R&B vocal group harmony as one of the finest groups to ever record in this genre. |
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http://www.findthefun.com/bands/b01/b0018176.htm
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| | The Doo-Wop Society of Southern California: Gene & Eunice |
 | | They recorded the song in the basement studio of veteran black musician Jake Porter, backed by saxophonist Brother William Woodman's band. |  | | When one of their recordings, "Bom Bom Lulu," which was taken from a traditional West Indies song, was a hit in Jamaica, Gene & Eunice became an important, if unknowing, part of the history of early reggae. |  | | Several of their recordings were reissued on Jamaica's Blank label, and "Strange Love" and "The Vow" were both covered by Jamaican singers Jackie & Doreen, circa 1959, on Coxton Dodd's Studio One label. |
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http://www.electricearl.com/dws/gene&eunice.html
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| | The Aladdin Records Story - Listen, Review and Buy at ARTISTdirect |
 | | The Mesners also began attracting top-shelf acts such as big band vocalist Helen Humes, who performs her own compositions "Be Baba Leba" and "He May Be Your Man" with Bill Doggett's Octet. |  | | The 53 rhythm and blues classics contained on this two-disc compendium practically covers the entire lifespan of the Aladdin Records label. |  | | Classics such as Shirley & Lee's "Let the Good Times Roll" and "Rockin' With the Clock," as well as Lee Allen's "Rockin' at Cosmo's" and Thurston Harris' "Little Bitty Pretty One" all but defined the incremental stylistic progression from blues to rock. |
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http://www.artistdirect.com/store/artist/album/0,,213371,00.html
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| | Monte Easter's KANSAS CITY JAZZ HOMEPAGE |
 | | In 1946, Easter backed singer Mary DePina for a session on Aladdin Records which resulted in four songs that placed him in the Billboard Encyclopedia of Hit Recordings. |  | | After his initial successes recording on Sterling Records and with various other artists' labels, Easter signed in 1951 with Lew Chudd's Imperial Records on Hollywood Boulevard. |  | | Easter also recorded on the Discovery label beginning in 1952 and on the Aladdin label starting in October of 1953. |
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http://members.tripod.com/kcjazzman
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| | The Coasters - .. and More About the Great R&B Pioneers |
 | | Debuted recording in Jackson, Miss 1951 and later was recorded by Ike Turner for the Biharis, (led by Joe Bihari, who also recorded him in the South, Chicago, L.A. and N.O.). |  | | Was billed on records as Johnny Otis, His Drums and Orchestra during the early years for Leon and Otis René (Excelsior often with a big band) and as Johnny Otis Quintette - sometimes Orchestra - (with Ralph Bass as producer for Savoy) during the early ´50s. |  | | Worked as a DJ and was introduced to record makers by Ike Turner in 1951. |
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http://www.angelfire.com/mn/coasters/more.html
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| | Amos Milburn - Biography and Recommendations |
 | | Berry Gordy gave Milburn a comeback forum in 1962, issuing an album on Motown which although predominated by remakes of his old hits doesn't deserve the neglect it receives today. |  | | In the UK you should be able to get hold of a special edition "Down The Road" CD (through the Audio Book and Music Company), not necessarily in the mainstream shops but certainly though your friendly internet distributors. |  | | Largely forgotten outside the committed world of R&B afficionados, he helped set the stage for the joyous, soulful music of the later R&B and rock and roll eras - the Aladdin material found on "Down The Road Apiece" is well worth hearing. |
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http://www.rhythmandtheblues.org.uk/artists/milburn.shtml
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| | Aladdin: Information From Answers.com |
 | | Princess Jasmine (Linda Larkin, singing voice by Lea Salonga) – Aladdin's love interest and the Princess of Agrabah. |  | | Later, Jafar, disguised as an old man, sneaks Aladdin to freedom and takes him to the Cave of Wonders. |  | | Aladdin, who has fallen in love with Princess Jasmine, is disappointed that he can't wish to make her fall in love with him. |
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http://www.answers.com/main/ntquery;jsessionid=2gm1f68g3jl3l?tname=aladdin-1992-film&curtab=2222_1&hl=scott&hl=weinger&sbid=lc01a
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| | Calvin Boze Remembered as being a senior |
 | | In 1949, he began recording as a vocalist in a strong Louis Jordan vein for Aladdin Records with Maxwell Davis and his band. |  | | Although he never made a huge impression on the RandB charts, his recordings were all solid, earthy RandB jive advocating Working With My Baby (who made his lolly pop, and his peanut brittle), and Waiting And Drinking. |  | | He is best known for the classic Safronia B and the b-side—Boze's celebration of his adopted home—Angel City Blues, as well as a couple of songs he wrote for old homeboy Charles Brown—Texas Blues and Hot Lips And Seven Kisses—also recorded for Aladdin. |
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http://www.centrohd.com/bio/bio5/calvin_boze_remembered_as_being_.htm
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| | Lightnin' Hopkins |
 | | Stachwitz, inspired by Hopkins' music, founded Arhoolie Records to document the spectacular folk music being lost to the growing popular recording industry. |  | | He played day in and day out and made up songs about things he experienced in his neighborhood or witnessed on TV. |  | | He was invited to Los Angeles where he made a series of recordings for Aladdin Records. |
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http://www.houstonculture.org/cr/lightnin.html
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| | Charles Brown - Freepedia |
 | | He stayed with the Blazers until 1948 (see 1948 in music), playing with them on several hits, including "Drifting Blues" and "Merry Christmas Baby". |  | | He is a member of the Rock and Roll Hall of Fame. |  | | Brown signed to Aladdin Records and released "Get Yourself Another Fool", "Black Night", "Hard Times" and "Trouble Blues", all major hits in the early 1950s. |
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http://en.freepedia.org/Charles_Brown.html
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| | Southwest Blues Magazine |
 | | He made several recordings for Atlantic and through the years toured with the likes of Bobby Bland and Junior Parker. |  | | He also played on recordings with folks like Lightning Hopkins, Joe Hinton, Larry Davis, Lavelle White, Buddy Ace and Junior Parker. |  | | Check out the history: He started out with Aladdin Records as one of the founding members of Amos Milburn's Aladdin Chickenshackers. |
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http://www.southwestblues.com/04.02cdtjbrown.htm
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| | LITTLE BITTY PRETTY ONE |
 | | The above, issued on Aladdin records California, is a Bobby Day song that displays a healthy sense of humor, and was his biggest hit. |  | | Thurston Harris 1931 - 1990, recorded with The Lamplighters, who later became The Tenderfoots, and then The Sharps. |
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http://www.johnnyspencer.info/imagetexts08/littlebittyprettyoneTH.htm
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| | Encyclopedia4U - Aladdin - Encyclopedia Article |
 | | There was also a record company, Aladdin Records. |  | | With the aid of the genie, Aladdin becomes rich and powerful and marries a princess. |  | | It concerns a young man named Aladdin living in China, who is recruited by a sorceror to retrieve a oil lamp from a booby-trapped magic cave. |
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http://www.encyclopedia4u.com/a/aladdin.html
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| | Top Aladdin |
 | | - The Aladdin Records Story - 2 CD Set With Booklet |  | | - Aladdin [Blister] - Original Soundtrack (CD 1992) WD! |  | | - Aladdin [Blister] - Original Soundtrack (CD 1992) |
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http://www.mainseek.com/EB-11233-Aladdin.html
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| | LOCK ME IN YOUR HEART |
 | | They first recoded together as 'The Lovers' for Lamp - a subsidiary of Aladdin records - in 1957, they then had a further release out on Checker before settling at Fire, where they cut some top duets and solo recordings. |  | | This was the duo's second release for the Fire imprint. |
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http://www.johnnyspencer.info/imagetexts08/lockmeinyourheartTSLA.htm
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| | Blues Foundation :: Inductees |
 | | Classics of Blues Recordings - Singles or Album Tracks |  | | Down Home, by Z.Z. Hill (Malaco Records, 1982) |  | | Black Night, by Charles Brown (Aladdin Records, 1951) |
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http://www.blues.org/halloffame/inductees.php4?YearId=26
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| | The Five Keys |
 | | They were signed to Aladdin Records in 1951, In 1952 Rudy West left to join the army, and he was replaced by Ulysses K. Hicks. |  | | The group was inducted into the Vocal Group Hall of Fame in 2002. |  | | At this point the Five Keys was signed to Capitol Records, and their popularity increased, although more instrumentation was used. |
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http://www.wikiverse.org/the-five-keys
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| | Grateful Dead Family Discography: Bring Me My Shotgun |
 | | Maybe also occurs as Shotgun Blues - but there is another song with that title. |  | | The Aladdin Records Story, Various Artists (Lightnin' Hopkins), 1994) |
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http://www.deaddisc.com/songs/Bring_Me_My_Shotgun.htm
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| | Tower Records - Aladdin: Special... [ECD] [Remaster] - Original Soundtrack |
 | | It was nominated for Song Of The Year. |  | | ALADDIN won the 1994 Grammy Award for Musical Album For Children and for Instrumental Composition for a Motion Picture or Television Production. |  | | Tower, Tower Records, TowerRecords.com, Tower.com, Tower CD Listening Station, Tower Outlet, Tower Records Videos Books, Tower Essentials, |
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http://www.towerrecords.com/product.aspx?pfid=3095933
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| | Lightnin’ Hopkins - Blues Masters: The Very Best Of Lightnin’ Hopkins - at Rhino |
 | | Author of more than 600 songs, Lightnin’ began recording in 1946 for Aladdin Records and cut sides for dozens of other labels over the next three decades. |  | | Hopkins remained active as a performer right up to his death of cancer in January 1982, and thanks to his prodigious body of recorded work, his musical legend will endure for years to come. |  | | Blues Masters: The Very Best Of Lightnin’ Hopkins features the legendary master of the country blues laying his mojo hand on 16 sides spanning 1946-1961. |
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http://www.rhino.com/store/productdetail.lasso?number=79860
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| | Justin Time / Artist Details |
 | | His first recording was made November 4th, 1946 for Aladdin Records. |  | | He went on to become one of the most popular and widely recorded bluesmen of the post war era. |  | | He lived the life of a bluesman, even serving time on a Texas road gang in the late ‘30s. |
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http://www.justin-time.com/authors/lightninhopkins
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| | Definition of Lightnin' Hopkins |
 | | Solid recordings followed including his masterpiece song Mojo Hand in 1960. |  | | He was an influence on Jimmie Vaughan's work, and, more significantly, on the vocals and blues style of Pigpen, the keyboardist of the of the Grateful Dead until 1972. |  | | When Hopkins and Alexander were playing in Houston in 1946, he was discovered by Lola Anne Cullum of Los Angeles' Aladdin Records (although Alexander would not make it out to LA). |
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http://www.wordiq.com/definition/Lightnin%27_Hopkins
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| | Toon Zone Forum - Walt Disney Records Adding "Disney's Aladdin" to Karaoke Series |
 | | Disney's Aladdin on Karaoke, containing songs from the soundtrack and the film, will be released on August 24, 2004, for a suggested retail price of $9.98. |  | | Walt Disney Records is adding Disney's Aladdin to the Karaoke Series. |  | | - - Walt Disney Records Adding "Disney's Aladdin" to Karaoke Series (http://forums.toonzone.net/showthread.php?t=119373) |
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http://forums.toonzone.net/printthread.php?t=119373
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| | Aladdin (cartoon) - encyclopedia article about Aladdin (cartoon). |
 | | Aladdin is a 1992 animated feature released by Walt Disney Pictures. |  | | Aladdin Aladdin is a animated series made by Walt Disney Television which debuted in 1994. |  | | It takes place after the original 1992 feature and the made-for-video sequel The Return of Jafar but before Aladdin and the King of Thieves. |
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http://encyclopedia.thefreedictionary.com/Aladdin+(cartoon)
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| | Central Michigan University Clarke Historical Library Aladdin Homes |
 | | The Aladdin Company records are open for use by the public, having been arranged and described through a grant made by the National Endowment for the Humanities. |  | | The records of the Aladdin Company were donated to the Clarke Historical Library in 1996. |  | | We welcome you to explore the exhibit that discusses the history of this fascinating firm and also to examine the finding aid, which explains in detail what records survive from the firm. |
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http://clarke.cmich.edu/aladdin/Aladdin.htm
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| | Lightnin' Hopkins |
 | | Aladdin Records teamed Hopkins with pianist Wilson "Thunder" Smith in 1946, billing them as "Thunder and Lightnin'," and Hopkins' long and fruitful recording career began. |  | | In all, he wrote and recorded hundreds of sides, including Walking Blues, Somebody's Got To Go, Penitentiary Blues, and I've Been Buked And Scorned, for more than 20 labels. |  | | Alles bij elkaar, schreef hij honderden songs, inclusief Walking Blues, Somebody's Got To Go, Penitentiary Blues, en I've Been Buked And Scorned, en dit op zo'n 20-tal labels. |
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http://members.home.nl/zowieso/blues/lightnin.html
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| | blueser - Lightnin' Hopkins |
 | | godine snima svoju prvu plocu u Los Angelosu za Aladdin Records, sa pijanistom u duetu. |
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http://www.blog.hr/print/?id=1610865157
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| | Onino UK: Compare Prices, Shop and Save |
 | | inc. LCD and Plasma TV, MP3 Players, DVD Recorders, Car Audio, Speed Camera Detectors... |
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http://www.oninomusic.co.uk/music/aladdin_records_story_the.html
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| | Lightnin' Hopkins |
 | | Born in Centerville, Texas, he learned the blues in Buffalo, Texas from Blind Lemon Jefferson and his older cousin, country-blues singer Alger 'Texas'Alexander, with whom he was discovered by Lola Anne Cullum of Los Angeles' Aladdin Records (although Alexander would not make it out to LA). |
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http://www.therfcc.org/lightnin%27-hopkins-96979.html
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| | Aladdin - definition of Aladdin by the Free Online Dictionary, Thesaurus and Encyclopedia. |
 | | This so grieved the father that he died; yet, in spite of his mother's tears and prayers, Aladdin did not mend his ways. |  | | Aladdin - in the Arabian Nights a boy who acquires a magic lamp from which he can summon a genie |  | | In the Arabian Nights, a boy who acquires a magic lamp and a magic ring with which he can summon two jinn to fulfill any desire. |
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http://www.thefreedictionary.com/Aladdin
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